1 R. Sanfaçon, L’Architecture flamboyante en France, Québec, Presses de l’Université Laval, 1971, esp. p. 14, 46-53, and 189.
2 See above, S. D. Daussy.
3 On Filarete: P. Frankl, The Gothic: Literary Sources and Interpretations through Eight Centuries, Princeton, Princeton University Press, 1960, p. 255-256. See also B. Hub, “Filarete and the East: The Renaissance of a Prisca Architectura,” Journal of the Society of Architectural Historians 70, 2011, p. 18-37.
4 See A. Sankovitch, “The Myth of the ‘Myth of the Medieval’,” RES 40, 2001, p. 29-50.
5 An important precursor to the Schilderboek was the series of short poems on northern artists collected in D. Lampsonius, Pictorum aliquot celebrium Germaniae inferioris effigies, Antwerp, Volcxken Dierix, 1572. On the Schilderboek itself, see W. Mellion, Shaping the Netherlandish Canon: Karel van Mander’s Schilder-Boek, Chicago, University of Chicago Press, 1991.
6 L. Courajod, Leçons professées à l’École du Louvre (1887-1896), Paris, Picard, 1899-1903. On Louis Courajod, see the article by N. Reveyron in the present volume.
7 H. Fierens Gevaert, Études sur l’art flamand. La Renaissance septentrionale et les premiers maîtres des Flandres, Brussels, G. van Oest, 1905. On the importance of this “Northern Renaissance” idea as a rejoinder to the work of Vasari, Burckhardt, and Michelet, see also M. Belozerskaya, Rethinking the Renaissance: Burgundian Arts across Europe, Cambridge, Cambridge University Press, 2002, esp. p. 27-44.
8 See the article by X. Barral I Altet in the present volume. The term may have been invented by the antiquarian Eustace Hyacinthe-Langlois, or by the historian Auguste Le Prévost, both of whom used it in the 1820s: A. Foville, “Réponse au discours de réception de M. Simon” in Précis analytique des travaux de l’Académie de Rouen, 1879, p. 451-470. See also G. Germann, Gothic Revival in Europe and Britain: Sources, Influences and Ideas, Cambridge (MA), mit Press, 1973, p. 48. For the early debate on the origins of the Flamboyant mode: A. de Saint-Paul, “Les origines du gothique flamboyant en France”, Bulletin monumental 70, 1906; F. Bond, Gothic Architecture in England, London, B. T. Batsford, 1906; C. Enlart, “Origine anglaise du style gothique flamboyant,” Bulletin Monumental 70, 1906; R. de Lasteyrie, “Observations sur l’architecture gothique en Angleterre,” Journal des Savants, 1908; F. Bond, “On the English Origin of French Flamboyant,” Journal of the Royal Institute of British Architects 15, 1908, p. 356-358. See also E. S. Prior, “Origine Anglaise du Style Flamboyant”, Architectural Review 21, 1907, p. 207-210.
9 E. E. Viollet-Le-Duc, Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle, Paris, Édition Bance-Morel, 1854-1868.
10 J. Huizinga, The Autumn of the Middle Ages, Chicago, University of Chicago Press, 1996, p. 300-301.
11 It seems hardly coincidental, for example, that the architect and theorist le Corbusier rejected the Gothic tradition as a whole during this period, claiming that “a cathedral is not beautiful […] The cathedral is not a plastic work; it is a drama; a fight against the force of gravity, which is a sensation of a sentimental nature”: P. Vaisse, “Le Corbusier and the Gothic,” in Le Corbusier before Le Corbusier, S. von Moos, A. Rüegg ed., New Haven, Yale University Press, 2002, p. 45-68.
12 H. Focillon, Art d’Occident, ii, Paris, A. Colin, 1938, p. 290.
13 Branner, Crosby, and Seymour, for instance, made their reputations with studies of Bourges, Saint-Denis, and Noyon, respectively. W. Stoddard followed H. Focillon closely in Art and Architecture in Medieval France, New York, Harper and Row, 1966.
14 O. von Simson, The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order, New York, Pantheon, 1956.
15 J. Bony, French Gothic Architecture of the 12th and 13th Centuries, Berkeley, University of California, 1983; J. Bony, The English Decorated Style: Gothic Architecture Transformed, 1250-1350. The Wrightsman lectures, Ithaca, Cornell University Press, 1979.
16 E. Panofsky, Abbot Suger on the Abbey Church of St Denis and Its Art Treasures, Princeton, Princeton University Press, 1948; E. Panofsky, Gothic Architecture and Scholasticism, Latrobe, Archabbey Press, 1951.
17 E. Panofsky, Early Netherlandish Painting, Cambridge (MA), Harvard University Press, 1953.
18 E. Panofsky, Renaissance and Renascences in Western Art, New York, Harper Row, 1972.
19 P. Frankl, Gothic Architecture, Baltimore, Penguin Books, 1962.
20 J. Białostocki, “Late Gothic: Disagreements about the Concept,” Journal of the British Archaeological Association 3, 1966, p. 76-105.
21 Fr. Cali, L’ordre flamboyant et son temps. Essai sur le style gothique du xive au xvie siècle, Paris, Arthaud, 1967.
22 R. Sanfaçon, 1971, p. 9.
23 R. Sanfaçon, 1971, p. 11, 196-197.
24 R. Sanfaçon, 1971, p. 59-84.
25 R. Sanfaçon, 1971, p. 197, lists Saint-Maclou in Pontoise, the nave of Saint-Étienne du Mont in Paris, Blois Cathedral, and the cloister of Saint-Martin of Tours as examples of this mode.
26 R. Sanfaçon, 1971, p. 198.
27 Y. Bottineau-Fuchs, “Maîtres d’ouvrage et maîtres d’œuvre en Haute-Normandie à la fin du Moyen Âge,” in L’Architecture normande au Moyen Âge, Actes du colloque de Cerisy-la-Salle, 28 septembre-2 octobre 1994, M. Baylê ed., i, Regards sur l’art de bâtir, Condé-sur-Noireau/Caen, Corlet/Presses universitaires de Caen, 1997, p. 315-335; É. Hamon, Un chantier flamboyant et son rayonnement. Gisors et les églises du Vexin français, Besançon/Caen, Presses universitaires de Franche-Comté/Société des antiquaires de Normandie, 2008; I. Isnard, L’Abbatiale de la Trinité de Vendôme, Rennes, Presses universitaires de Rennes (coll. « Art et Société »), 2007; Fl. Meunier, Martin et Pierre Chambiges. Architectes des cathédrales flamboyantes, Paris, Picard, 2015.
28 S. Murray, The Work of Martin Chambiges, Ph. D., Courtauld Insitute-University of London, London, 1973; S. Murray, Building Troyes cathedral: The Late Gothic Campaigns, Bloomington, Indianapolis University Press, 1987; L. Neagley, Disciplined Exuberance. The Parish Church of Saint-Maclou and Late Gothic Architecture in Rouen, University Park, The Pennsylvania State University Press, 1998; Cl. Labrecque, “From Painting to Sculpture : The Delayed Impact of Represented Architectural Models from the Time of Rogier van der Weyden on the Pilgrimage Setting of the St. Esprit Chapel at Rue in Picardy,” in Art and Architecture of Late Medieval Pilgrimage, S. Blick, R. Tekippe ed., Leiden, E.J. Brill, November 2005, p. 77-95; Cl. Labrecque, “Du ‘gothique picard’ au ‘picard renaissant’: les voûtes de la chapelle du Saint-Esprit de Rue,” racar: revue d’art canadienne/Canadian Art Review, 23, 1-2/1996, Autumn 1998, p. 14-21.
29 See this volume.
30 E. M. Kavaler, Renaissance Gothic: Architecture and the Arts in Northern Europe, 1470-1540, New Haven, Yale University Press, 2012.
31 Ibid., p. 231-258.
32 P. Crossley, “The Return to the Forest: Natural Architecture and the German Past in the Age of Dürer,” in Künstlerischer Austausch: Artistic Exchange, Akten des xxviii. Internationalen Kongresses für Kunstgeschichte, Th. W. Ghaetgens ed., Berlin, Akademie Verlag, 1993; H. Hubach, “Johann von Dalberg und das naturalistische Astwerk, Der Wormser Bishchoff Johann von Dalberg, 1482-1505, und seine Zeit,” G. Bönnen, B. Keilmann ed., Mainz, Gesellschaft für mittelrheinische Kirchengeschichte, 2005, p. 207-232. See also E. M. Kavaler, op. cit., 2012, p. 200.
33 S. Hoppe, “Northern Gothic, Italian Renaissance and Beyond: Toward a ‘Thick’ Description of Style,” in Le Gothique de la Renaissance, Monique Chatenet ed., Paris, Picard, 2011, esp. p. 49-52.
34 Other books of conference proceedings valuable in this context include J. Guillaume ed., L’Invention de la Renaissance: la réception des formes ‘à l’antique’ au début de la Renaissance, Actes du colloque de Tours, 1er-4 juin 1994, Paris, Picard, 2003; Y. Esquieu ed., Du gothique à la Renaissance: architecture et décor en France, 1470-1550, Actes du colloque de Viviers, 20-23 septembre 2001, Aix-en-Provence, Publications de l’Université de Provence, 2003; N. Nussbaum, C. Euskirchen, S. Hoppe eds., Wege zur Renaissance : Beobachtungen zu den Anfängen neuzeitlicher Kunstauffassung im Rheinland und in den Nachbargebieten, Cologne, sh-Verlag, 2003.
35 P. de la Riestra, Die Revolte der Gotik, Lindenberg, Josef Fink, 2018. De la Riestra considers mostly the period from 1350 to 1550.
36 Ibid., p. 376-389.
37 R. Bork, Late Gothic Architecture: Its Evolution, Extinction, and Reception, Turnhout, Brepols, 2018.
38 P. Burke, Hybrid Renaissance, Natalie Zemon Davis Annual Lectures, Budapest, Central European University Press, 2015.
39 T. Dandelet, The Renaissance of Empire in Early Modern Europe, Cambridge, Cambridge University Press, 2014.