Credits
p. 337-340
Texte intégral
13. ‘THE WHOLE SET TO VIEW’: ORDERS OF KNOWLEDGE IN CHAMBERS’ CYCLOPAEDIA
2Fig. 1.
Full Network Diagram of the Cyclopaedia, 1728.
© Seth Rudy
3Fig. 2.
Chambers’ “View of Knowledge”, from the preface to his Cyclopaedia, 1728,
p. 15. ii.
© University of Wisconsin-Madison, https://search.library.wisc.edu/digital/A4C5AV6Q7LZ5DY8E/pages/A5XESVNMZRRD2U8A,
licence CC BY 4.0
4Fig. 3.
The four elements: ‘Air’, ‘Earth’, ‘Fire’, ‘Water’.
© Seth
Rudy
5Fig. 4.
‘Action’.
© Seth Rudy
6Fig. 5.
The five largest communities.
© Seth Rudy
7Fig. 6.
‘Eye’.
© Seth Rudy
8Fig. 7.
Communities 3 and 8.
© Seth Rudy
9Fig. 8.
Doctrine of Offices.
© Seth Rudy
104. NAVIGATING THE LABYRINTH OF KNOWLEDGE: ‘DISTANTIATION’ AND NARRATIVE EXPERIMENTS IN THE STRUCTURING OF ENCYCLOPAEDIC KNOWLEDGE
11Fig. 1.
The title-page of the first volume of The General Magazine, 1755.
© The
British Library
12Fig. 2.
The table of contents for the first volume of The Library, 1761.
The first of three
pages
© The Bodleian Libraries, University of Oxford
138. PRODUCTION AND EXCHANGE OF KNOWLEDGE AROUND 1800: THE EXAMPLE OF ANATOMICAL MODELS IN EDINBURGH AND PHILADELPHIA
14Fig. 1a.
Photograph of a white plaster anatomical model of Penman’s
face.
Source: Anatomy collection of the University of Edinburgh,
No 4697.
© Anatomy collection, University of Edinburgh
15Fig. 1b.
Photograph of a bronze-coloured anatomical model of Penman’s
face.
Source: collections of the Royal College of Surgeons of
Edinburgh, No HC.AS.1.9-2.
© Surgeons Hall Museums, The Royal
College of Surgeons of Edinburgh
16Fig. 1c.
Photograph of a painted anatomical model of Penman’s face.
Source:
collections of the Royal College of Surgeons of Edinburgh,
No HC.AS.1.9-4.
© Surgeons Hall Museums, The Royal College of
Surgeons of Edinburgh
179. THE CONSTITUTION AND EVOLUTION OF THE FIRST RUSSIAN MINERALOGICAL COLLECTION: THE MINERAL CABINET OF ST. PETERSBURG’S KUNSTKAMERA
18Fig. 1.
The current appearance of the Fersman Mineralogical Museum of the
Russian academy of sciences.
© Photograph by Daria Novgorodova /
Fersman Mineralogical Museum
19Fig. 2a.
The first page of a catalogue of the Mineral cabinet,
1745.
© Fersman Mineralogical Museum
20Fig. 2b.
The first page of a catalogue of the Mineral cabinet,
1760.
© Fersman Mineralogical Museum
21Fig. 2c.
The first page of a catalogue of the Mineral cabinet,
1786–89.
© Fersman Mineralogical Museum
22Fig. 3a.
The classes of Kentman’s system of mineralogy.
Source: Conrad
Gesner, De Omni Rerum
Fossilium Genere, Gemmis, Lapidibus, Metallis, Et Huiusmodi, Libri
Aliquot, 1566, https://digital.slub-dresden.de/werkansicht/dlf/4362/16#.
© Public
Domain Mark 1.0 / SLUB Dresden
23Fig. 3b.
A special type of a cabinet (scrinium) for a collection of minerals from
the catalogues of Kentmann’s collection, with drawers (capsulae) correlating to
classes of the system of mineralogy.
Source: Conrad Gesner, De Omni Rerum Fossilium Genere,
Gemmis, Lapidibus, Metallis, Et Huiusmodi, Libri Aliquot, 1566,
https://digital.slub-dresden.de/werkansicht/dlf/4362/17#.
© Public
Domain Mark 1.0 / SLUB Dresden
24Fig. 4.
Flat display cases for minerals in the Fersman Mineralogical
Museum.
© Photograph by Daria Novgorodova / Fersman
Mineralogical
25Fig. 5a.
The table as a working tool in the mineral collection.
Engraving
by Maria de Wilde, c. 1700.
Source: Jacob de Wilde, Maria
de Wilde, Signa antiqua / e
museo Jacobi de Wilde; veterum poetarum carminibus illustrata et per
Mariam filiam æri inscripta, 1700, p. 27.
26Fig. 5b.
Christoph Gottwald, Museum
Gottwaldianum, 1714, tab. A.
Source: Fonds Jean Hermann,
Bibliothèques de l’université de Strasbourg, Collection BNU en dépôt à
l’université de Strasbourg, cote : H 305, https://docnum.unistra.fr/digital/collection/coll13/id/43894.
©
Collection BNU en dépôt à l’université de Strasbourg
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