Ouvrages consultés
p. 277-289
Texte intégral
I. Histoire et analyse de la culture américaine
1BLAKE, Casey Nelson, Beloved Community : The Cultural Criticism of Randolph Bourne, Van Wyck Brooks, Waldo Frank and Lewis Mumford, Chapel Hill et Londres, The University of North Carolina Press, 1990.
2BELLAH, Robert N., MADSEN, Richard, SULLIVAN, William M., SWID-LER, Ann, et TIPTON, Steven M., Habits of the Heart : Individualism and Commitment in American Life, New York, Cambridge, etc. Harper and Row, Perennial Library, 1986.
3BOORSTIN, Daniel J., The Americans : The Democratic Experience, New York, Vintage Books (A Divison of Random House), 1974.
4—————————, The Image : A Guide to Pseudo-Events in America, New York, Random House, Vintage Books, 1992 (First ed. 1961).
5BORDMAN, Gerald Martin, ed., The Oxford Companion to the American Theatre, Oxford, Oxford University Press, 1984.
6BRAUDY, Leo, The Frenzy of Renown : Fame and its History, New York, Vintage Books, 1997.
7BROOKS, Van Wyck, America’s Coming-of-Age, (1st ed.1915), New York, Octagon Books, a Division of Farrar, Straus and Giroux, 1975.
8BRUCCOLI, Matthew J., Some Sort of Epic Grandeur : the Life of F. Scott Fitzgerald, New York, A Harvest HBJ Book, Harcourt Brace Jovanovich, 1981.
9CHENETIER, Marc, ed., Americônes : études sur l’image aux États-Unis, ENS éd., Fontenay-Saint-Cloud, 1997.
10CLURMAN, Harold, The Fervent Years : the Story of the Group Theatre and the Thirties, New York, Alfred A. Knopf, 1945
11DARDIS, Tom, The Thirsty Muse : Alcohol and the American Writer, New York, Ticknor and Fields, 1989.
12DAVIDSON, Cathy N., ed., Reading in America : Literature and Social History, Baltimore et Londres, The Johns Hopkins University Press, 1989.
13DENNING, Michael, The Cultural Front : The Laboring of American Culture in the Twentieth Century, Londres et New York, Verso, 1998.
14DICKASON, Renée et KERJEAN, Liliane (dir.), La consommation culturelle dans le monde anglophone, Rennes, Presses universitaires de Rennes, 1999.
15DONAHUE, Deirdre, « Has Oprah Saved Books ? But Some Wonder if People Are Really Reading », USA Today, 12 December 1996, page 01D.
16DOUGLAS, George H., The Smart Magazines : 50 Years of Literary Revelry and High Jinks at Vanity Fair, the New Yorker, Life, Esquire and The Smart Set, Hamden Connecticut, The Archon Press, A Division of the Shoe String Press, 1991.
17EMERY, Edwin, The Press and America : an Interpretive History of the Mass Media, Englewood Cliffs, New Jersey, Prentice-Hall, 1972.
18EVANS, Harold, with BUCKLAND, Gail et BAKER, Kevin, The American Century, New York, Knopf, 1998.
19FRANK, Waldo, Our America, New York, Boni and Liveright, 1919.
20——————, The Re-Discovery of America, New York, Charles Scribner’s Sons, 1929.
21HARRIMAN, Margaret Case, The Vicious Circle : The Story of the Algonquin Round Table, New York, Rinehart and Company, 1951.
22HART, James D., The Popular Book : A History of America’s Literary Taste, Berkeley, Los Angeles, et Londres, University of California Press, 1950.
23HART, James D., ed., The Oxford Companion to American Literature, Sixth Edition, New York et Oxford, Oxford University Press, 1995.
24HEIDENRY, John, Theirs Was the Power : Lila and De Witt Wallace and the Story of the Reader’s Digest, New York et Londres, W.W. Norton and Company, Norton Paperback, 1994.
25HOFSTADTER, Richard, Anti-Intellectualism in American Life, New York, Alfred A. Knopf, 1966.
26KAZIN, Alfred, An American Procession : the Major American Writers from 1830 to 1930-The Crucial Century, New York, Alfred A. Knopf, 1984.
27——————, On Native Grounds, New York, Reynal and Hitchcock, 1942.
28LAPHAM, Lewis, Money and Class in America : Notes and Observations on Our Civil Religion, New York, Weidenfeld and Nicolson, 1988.
29LAUBER, John, The Inventions of Mark Twain : A Biography, New York, Hill and Wang, a Division of Farrar, Straus and Giroux, 1990.
30LAZERE, Donald, ed., American Media and Mass Culture : Left Perspectives, Berkeley, Los Angeles et Londres, University of California Press, 1987.
31LEFF, Leonard J., Hemingway and His Conspirators : Hollywood, Scribners, and the Making of American Celebrity Culture, Lanham, Boulder, New York et Oxford, Rowman and Littlefield Publishers, Inc., 1997.
32LEVINE, Lawrence W., Highbrow, Lowbrow : The Emergence of Cultural Hierarchy in America, Cambridge, Massachusetts, et Londres, Harvard University Press,1988.
33MESERVE, Walter J., Outline History of the American Drama, New York, Feed-back Theatre books and Prospero Press, 1994.
34MINTER, David, A Cultural History of the American Novel ; Henry James to William Faulkner, New York, Cambridge University Press, 1994.
35MORDDEN, Ethan, Movie Stars : A Look at The Women Who Made Hollywood, New York, St Martin’s Press, 1983.
36——————, The American Theatre, New York, Oxford University Press, 1981.
37MUNSON, Graham, The Awakening Twenties : A Memoir History of a Literary Period, Baton Rouge et Londres, Louisiana State University Press, 1985.
38NAREMORE, James, et BRANTLINGER, Patrick, eds, Modernity and Mass Culture, Bloomington et Indianapolis, Indiana University Press, 1991.
39PECKHAM, Robert D., « Dark Laughter in the Chambers of the King : François Villonin America », 123-142, in, Verduin, Kathleen, ed. Medievalism in North America, Studies in Medievalism IV, Cambridge, D. S. Brewer, 1994.
40PELLS, Richard, Not Like Us : How Europeans Have Loved, Hated, and Transformed American Culture Since World War II, New York, Basic Books, A Division of Harper Collins, Inc., 1997.
41PYE, Michael, Maximum City : The Biography of New York, Londres, Picador, 1993.
42RADWAY, Janice A., A Feeling for Books : The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire, Chapel Hillet Londres, The University of North Carolina Press, 1997.
43ROBINSON, Forrest G., ed., The Cambridge Companion to Mark Twain, Cambridge, Cambridge University Press, 1995.
44SOCHEN, June, Enduring Values : Women in Popular Culture, New York et Westport, Connecticut, Praeger, 1987.
45————————, Herstory : A Woman’s View of American History, New York, Alfred Publishing Co. Inc, 1974.
46SPRAGUE, Claire, ed., Van Wyck Brooks : The Early years, A Selection from His Works, 1908-1921, Edited with Introduction and Notes by Claire Sprague, New York, Evanston et Londres, Harper and Row, Harper Torchbooks, 1968.
47SUSMAN, Warren I., Culture as History : The Transformation of American Society in the Twentieth Century, New York, Pantheon Books,1984.
48TEBBEL, John et ZUCKERMAN, Mary Ellen, The Magazine in America 1741-1990, New York et Oxford, Oxford University Press, 1991.
49TOMPKINS, Vincent, ed., Development of the Industrial United States, 1878-1899, American Eras, Detroit, Gale Research, c1998, vol. 6.
50WARSHOW, Robert, The Immediate Experience : Movies, Comics, Theatre and Other Aspects of Popular Culture, Garden City, New York, Doubleday and Company, 1962.
51WEBER, Ronald, Hired Pens Professional Writers in America’s Golden Age of Print, Athens, Ohio, Ohio University Press, 1997.
52WERTHEIM, Arthur Frank, The New York Little Renaissance : Iconoclasm, Modernism and Nationalism in American Culture, 1908-1917, New York, New York University Press, 1976.
II. Histoire, psychologie et esthétique de la littérature
53ANDRZEJCZAK, Krzysztof, The Writer in the Writing, Bethesda, Maryland, International Scholars Pubications, 1998 (first edition, Lodz, 1996).
54ANY, Carol, Boris Eikhenbaum : Voices of a Russian Formalist, Stanford, California, Stanford University Press, 1994.
55ANZIEU, Didier, Le Corps de l’œuvre, Gallimard, 1981.
56BEEBE, Maurice, Ivory Towers and Sacred Founts : The Artist as Hero in Fiction from Goethe to Joyce, New York, New York University Press, 1964
57BERGER, Arthur Asa, Narratives in Popular Culture, Media and Everyday Life, Thousand Oaks, Londres and New Delhi, Sage Publications, 1997.
58BIRKERTS, Sven, The Gutenberg Elegies, Boston et Londres, Faber and Faber, 1994.
59BLOOM, Clive, Cult Fiction : Popular Reading and Cult Theory, New York, St Martin’s Press, 1996.
60BROOKS, Peter, Body Work : Objects of Desire in Modern Narrative, Cambridge (Mass.) et Londres, Harvard University Press, 1993.
61———————, Reading for the Plot : Design and Intention in Narrative, Cambridge (Mass.) et Londres, Harvard University Press, 1992.
62COUTURIER, Maurice, La figure de l’auteur, Seuil, Collection Poétique, 1995.
63DOCHERTY, Thomas, ed., Postmodernism : A Reader, New York, Londres, Toronto, Sydney, Tokyo, Singapore, Harvester Wheatsheaf, 1993.
64EAKIN, Paul John, How Our Lives Become Stories : Making Selves, Ithaca et Londres, Cornell University Press, 1999.
65EVRARD, Franck, Lire le roman policier, Dunod, 1996.
66FORRESTER, Michael A., Psychology of Language : A Critical Introduction, Londres, Thousand Oaks, New Delhi, Sage Publications, 1996.
67FRYE, Northrop, Anatomy of Criticism : Four Essays, New York, Atheneum, 1966.
68GIRARD, René, Shakespeare : les feux de l’envie, Bernard Grasset, 1991.
69GLAUDES, Pierre et REUTER, Yves, eds., Personnage et histoire littéraire : Actes du colloque de Toulouse 16/18 mai 1990, Toulouse, Presses Universitaires du Mirail, 1991.
70GOODWIN, Donald W., M.D., Alcohol and the Writer, Kansas City et New York, Andrews and McMeel, 1988.
71GURKO, Leo, Thomas Wolfe : Beyond the Romantic Ego, New York, Thomas Y. Crowell Company, 1975.
72HALL, David M., Cultures of Print ; Essays in the History of the Book, Amherst, Massachusetts, University of Massachusetts Press, 1996.
73HUF, Linda, A Portrait of the Artist as a Young Woman : The Writer as Heroine in American Literature, New York, Frederick Ungar Publishing Co, 1983 (paperback 1985), Berkeley, Los Angeles et Oxford, University of California Press, 1992.
74JOHNSON, Paul, The Intellectuals, Londres, Weidenfeld and Nicolson, 1988.
75JONES, Gerard, Honey, I’m Home ! Sitcoms : Selling the American Dream, New York, Grove Weidenfeld, 1992.
76LAPLANCHE, J., et PONTALIS, J.-B., Vocabulaire de la psychanalyse, Presses universitaires de France, 1967.
77LEJEUNE, Philippe, Je est un autre : l’autobiographie, de la littérature aux médias, Seuil, Collection Poétique, 1980
78———————, Moi aussi, Seuil, Collection Poétique, 1986.
79MAY, Lary, ed., Recasting America : Culture And Politics In The Age Of Cold War, Londres et Chicago, University of Chicago Press, 1989.
80MANGUEL, Alberto, A History of Reading, Londres, Flamingo, an Imprint of Harper Collins Publishers, 1997.
81———————, Une histoire de la lecture, Essai traduit de l’anglais par Christine Le Bœuf, Actes Sud, Babel, 1998.
82MELLIER, Denis, et Ruiz, Luc, (dir.), Dramaxes : de la fiction policière, fantastique et d’aventures, Fontenay/Saint-Cloud, ENS éd., Collections Signes, 1995.
83NEUMAN, Susan B., Literacy in the Television Age : The Myth of the TV Effect, Norwood, New Jersey, Ablex Publishing Corporation, 1991.
84NEUBAUER, Alexander, ed., Conversations on Writing Fiction : Interviews with 13 Distinguished Teachers of Fiction Writing in America, New York, Harper Collins, 1994.
85SPACKS, Patricia Mayer, The Adolescent Idea : Myths of Youth and the Adult Imagination, New York, Basic Books, Inc., Publishers, 1981.
86STORR, Anthony, Churchill’s Black Dog, Kafka’s Mice, and Other Phenomena of the Human Mind, New York, Grove Press, 1988 (first ed. 1965).
87——————, The Dynamics of Creation, Londres, Penguin, 1991 (first ed. 1972).
88UPDIKE, John, One Cheer for Literary Biography, The New York Review of Books, 4 February 1999, p. 3-5.
89WILSON, Edmund, The Wound and the Bow : Seven Studies in Literature, New York, Oxford University Press, 1947.
90WILSON, Robert N., ed., The Arts in Society, Englewood Cliffs, N.J., Prentice-Hall, Inc., 1964.
91WINNER, Ellen, Invented Worlds : The Psychology of the Arts, Cambridge, Massachusetts, Londres, Harvard University Press, 1982.
92WINOCK, Michel, L’Affaire Dreyfus, Présentation par Michel Winock, Seuil, 1998 (reprise du numéro spécial de L’Histoire), « L’Affaire Dreyfus : Vérité et mensonges », n° 173, janvier 1994.
III. Histoire, théorie et critique de l’art et du cinéma
93ALLEN, Richard et SMITH, Murray, eds., Film Theory and Philosophy, Oxford, Oxford University Press, Clarendon Paperback, 1999.
94ALL-MOVIE GUIDE, Base de données disponible sur internet, http://www.all-movie.com.
95ALTMAN, Rick, Film/Genre, Londres, British Film Institute, 1999.
96———————, Sound Theory, Sound Practice New York et Londres, Routledge, 1992.
97AMERICAN FILM INSTITUTE CATALOGUES (filmographies, encyclopédie) :
98GEVINSON, Alan, ed., American Film Institute catalogue, The American Film Institute Berkeley, Los Angeles, Londres, University of California Press, 1997.
99HANSON Patricia King, et DUNKLEBERGER Amy, eds., American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1941-1950 : T. F4, Film Entries, A-L, The American Film Institute Catalogue, Berkeley, Los Angeles, Londres : University of California Press, 1999.
100——————, American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1941-1950 : T. F4, Film Entries, M-Z, The American Film Institute Berkeley, Los Angeles, Londres, University of California Press, 1999.
101——————, American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1941-1950 : T. F4, Indexes. The American Film Institute Berkeley ; Los Angeles ; Londres : University of California Press, 1999.
102KRAFSUR, Richard P., ed., American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1961-1970, New York, Londres : R. R. Bowker, 1976.
103——————, American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1961-1970 : The American Film Institute, New York, Londres : R. R. Bowker, [s.d.].
104MUNDEN, Kenneth W., ed., American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1921-1930 : T. F2 The American Film Institute New York, Londres : R.R. Bowker, [s.d.].
105HANSON Patricia King, et GEVINSON Alan, eds., American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1911-1920 : T. F1, Credit and Subject Index, Berkeley, Los Angeles, Londres : University of California Press, 1988.
106——————, American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1911-1920 : T. F1, Film Entries, Berkeley, Los Angeles, Londres : University of California Press, 1988.
107MUNDEN, Kenneth W., ed., American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1921-1930 : T. F2, Credit and Subject Index, New York, Londres : R.R. Bowker, 1971.
108HANSON Patricia King, et GEVISON Alan eds., American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1931-1940 : T. F3, Film Entries, M-Z, The American Film Institute Berkeley, Los Angeles, Oxford : University of California Press, 1993.
109——————, The American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1931-1940 : T. F3, Film Entries, A-L The American Film Institute Catalogue, Berkeley, Los Angeles : University of California Press, 1993.
110——————, The American Film Institute Catalog of Motion Pictures Produced in the United States : Feature Films, 1931-1940 : T. F3, Index, The American Film Institute Berkeley, Los Angeles, Oxford : University of California Press, 1993.
111SAVADA Elias, The American Film Institute Catalog of Motion Pictures Produced in the United States : Film Beginnings, 1893-1910 : T. A, Index, The American Film Institute Metuchen, Londres : Scarecrow Press, 1995.
112——————, The American Film Institute Catalog of Motion Pictures Produced in the Unites States : Film Beginnings, 1893-1910 : T. A, Film Entries, The American Film Institute, Metuchen, Londres : Scarecrow Press, 1995.
113ANDREW, Dudley, ed., The Image in Dispute ; Art and Cinema in the Age of Photography, Austin, University of Texas Press, 1997.
114AUBRON, Hervé, « Le geste et le mythe : l’écrivain ordinaire du cinéma », Lector in Cinema, Vertigo n°17, 43-49, Jean-Michel Place, 1998
115BALIO, Tino, Grand Design : Hollywood as a Modern Business Enterprise, 1930-39 : History of the American Cinema, vol. 5 (1930-39), Berkeley, Los Angeles, et Londres, University of California Press paperback, 1995.
116BARRIS, Alexander, Stop the Presses ! The Newspaperman in American Films, South Brunswick New York, A.S. Barnes, Londres, Yoseloff, 1976.
117BASINGER, Jeanine, A Woman’s View : How Hollywood Spoke to Women, 1930-1960, New York, Alfred A. Knopf, 1993.
118BAUDRY, Jean-Louis, L’Effet-Cinéma, Collection Cahiers du cinéma, Editions Albatros, 1978.
119BENEDEN, Peter van, Viewer ‘Identification’ with Characters in Television and Film Fiction, MCS Constructivism site,
120http://www.aber.ac.uk/ednwww/MAinTV/pjv9801.html.
121BERTHOMIEU, Pierre, Rouben Mamoulian : la Galerie des Doubles, Liège, Editions du Cefal, Collection Grand écran, petit écran, 1995.
122BIDAUD, Anne-Marie, Hollywood et le rêve américain : cinéma et idéologie aux États-Unis, Masson, Collection « Langue et civilisation anglo-américaines », 1994.
123BIGNELL, Jonathan, ed., Writing and Cinema, Harlow, Pearson Education Limited, 1999.
124BLUESTONE, George, Novels Into Film, Berkeley et Los Angeles, University of California Press, 1968.
125BORDAT, Francis, et ETCHEVERRY, Michel, (dir.), Cent ans d’aller au cinéma : Le spectacle cinématographique aux États-Unis, 1896-1995, Rennes, Presses universitaires de Rennes, Collection « Le Spectaculaire », 1995.
126BORDWELL, David, The Cinema of Eisenstein, Cambridge, Mass., et Londres, Harvard University Press, 1993.
127——————, Making Meaning, Cambridge, Massachusetts, Harvard University Press, 1989.
128——————, Narration in the Fiction Film, Madison, Wisconsin, University of Wisconsin Press, 1985.
129BORDWELL, David, et Carroll, Noel, eds., Post Theory : Reconstructing Film Studies, Madison et Londres, The University of Wisconsin Press, 1996.
130BORDWELL, David, STAIGER, Janet, et THOMPSON, Kristin, The Classical Hollywood Cinema : Film Style and Mode of Production to 1960, New York, Columbia University Press, Londres, Routledge and Kegan Paul, 1985.
131BOURGET, Jean-Loup, Hollywood, la norme et la marge, Nathan, 1998.
132——————, Le Mélodrame hollywoodien, Stock, 1985.
133BOUJUT, Michel, Wim Wenders, Edilig, Collection Cinégraphiques, 1986.
134BRANIGAN, Edward, Narrative Comprehension and Film, Londres et New York, Routledge and Kegan Paul, 1992.
135BROWNE, Nick, Refiguring American Film Genres : Theory and History, Berkeley, Los Angeles et Londres, University of California Press, 1998.
136BROWNLOW, Kevin, Behind the Mask of Innocence, New York, Alfred A.Knopf, 1990.
137BRYANT, Jennings et ZILLMAN, Dolf, eds., Responding to the Screen ; Reception and Reaction Processes, Hove et Londres, Lawrence Erlbaum Associates, 1991.
138CARROLL, Noel, vide supra, sous « Bordwell ».
139CASETTI, Franceso, D’un regard l’autre : le film et son spectateur, Lyon, Presses universitaire de Lyon, 1990.
140——————, Théories du film depuis 1945, Nathan, 1999.
141CAUGHIE, John, ed., Theories of Authorship, Londres, Routledge and Kegan Paul, 1981 (BFI Paperback 1995).
142CHION, Michel, La toile trouée, Cahiers du Cinéma, Collection Essais, 1988.
143——————, La voix au cinéma, Éditions de l’Étoile, 1982.
144COHAN, Steven, Masked Men : Masculinity and The Movies in The Fifties, Bloomington et Indianapolis, Indiana University Press, 1997.
145COWIE, Elizabeth, Representing the Woman : Cinema and Psychoanalysis, Minneapolis, University of Minnesota Press, 1997.
146CROWDUS, Gary, Political Guide to American Film, sans lieu, Lake View Press, 1994.
147DIXON, Wheeler Winston, Film Genre 2000/ New Critical Essays, New York, State University of New York Press, 2000.
148DOHERTY, Thomas, Projections of War : Hollywood, American Culture and World War II, New York, Columbia University Press, 1993.
149DOUGLAS, Ian, Cognition and Inner Speech, Chapter 8 of Film and Meaning : an Integrative Theory, edited by Horst Ruthrof, Perth : Continuum Publications and Film and Television Institute, 1981, adresse url wwwtds.murdoch.edu.au/-cntinuum/Douglas/DOUG8.HTM
150DURGNAT, Raymond, « The Wedding Night », p. 36-40, Film Comment, vol. IX, n°4,juillet1973.
151DYER, Richard, Stars, Londres, British Film Institute, 1986 (1979).
152EICHENBAUM, Boris, « Problèmes de la ciné-stylistique » p.70-78, Cahiers du Cinéma, n° 220-21, « Russie années vingt », mai-juin 1970.
153EICHENBAUM, Boris, « Problems of Film Stylistics », Screen Magazine, vol.15, n°3, Winter 1974/75, p.7-32.
154EISENSTEIN, Sergueï M., « Dickens, Griffith, et Nous », Première partie : p.16-22, Cahiers du Cinéma, n°231, août-septembre 1971, Deuxième partie : p. 24-26, Cahiers du Cinéma, n° 232, octobre 1971, Troisième partie : p. 11-26, Cahers du Cinéma, n°233, novembre, 1971, Dernière partie : p. 27-42, Cahiers du Cinéma, n° 234-235, décembre 1971, janvier-février 1972.
155EISNER, Lotte H, Fritz Lang, Traduction par Bernard Eisenschnitz, Cahiers du Cinéma-Editions de l’étoile-Cinémathèque française, 1984 (1e édition Londres, 1976) p. 343.
156FINE, Richard, Hollywood and the Profession of Authorship, Ann Arbor, Michigan, UMI Research Press, 1985.
157FISCHER, Lucy, Cinematernity : Film, Motherhood, Genre, Princeton, New Jersey, Princeton University Press, 1996.
158FILM INDEX INTERNATIONAL, Base de données, copyright British Film Institute 1993-1997, sur cédérom FIAF (Fédération internationale des Archives du Film), logiciel copyright Chadwyck-Healey, 1993-1997 (Disponible à Paris à la Bibliothèque du Film et à la Grande Bibliothèque, Salle Audio-Visuel).
159GAUDREAULT, André et JOST, François, Le récit cinématographique, Nathan, 1990.
160GIRGUS, Sam B., Hollywood Renaissance : The Cinema of Democrary in the Era of Ford, Capra, and Kazan, Cambridge (England), New York et Melbourne, Cambridge University Press, 1998.
161——————, The Films of Woody Allen, Cambridge, University of Cambridge Press, 1993.
162GLEDHILL, Christine, ed., Stardom : Industry of Desire, Londres et New York, Routledge,1998.
163GOMBRICH, E.H., Art and Illusion : A Study in the Psychology of Pictorial Representation, Londres, Phaidon Press, 1959.
164——————, The Image and the Eye : Further Studies in the Psychology of Pictorial Perception, Londres, Phaidon, 1982.
165GRIGGS, John, The Films of Gregory Peck, Secaucus, Citadel Press, 1984.
166HAMILTON, Ian, Writers in Hollywood, 1915-51, Londres, Heinemann, 1990.
167HARTLEY, Hal, Henry Fool, with a Preface by Graham Fuller, and an interview « Hal Hartley in Conversation with Graham Fuller », Londres, Faber and Faber, 1998.
168HILLIER, Him et WOLLEN, Peter, Howard Hawks : American Artist, Londres, British Film Institute, 1996.
169HOROWITZ, Marc, « Co en Brothers, A-Z : the Big Two-Headed Picture », Film Comment, September-October 1991, p. 27-32.
170HORVILLEUR, Gilles, (dir.), assisté de CARCASSONNE, Philippe, CHION, Michel et FIESCHI, Jacques, Dictionnaire des personnages du cinéma, Bordas,1988.
171INTERNATIONAL MOVIE DATA BASE : Base de données disponible sur internet, http://www.imdb.com.
172JACOBS, Diane, Christmas in July : The Life and Art of Preston Sturges, Berkeley, Los Angeles et Oxford, University of California Press, 1992.
173JAMESON, Richard T., « What’s In the Box ? » Film Comment, September-October 1991, p. 26 et 32.
174JOST, François, Le Temps d’un regard : du spectateur aux images, Méridien Klincksieck, 1998.
175KAPLAN, E. Ann, ed, Psychoanalysis and Cinema, New York et Londres, Routledge, 1990.
176KLAWANS, Stuart, « Fool’s Paradise » (Review of Henry Fool), The Nation, 13 July 1998, p. 35-36.
177KRUTNIK, Frank, In a Lonely Street : film noir, genre, masculinity, Londres, Routledge and Kegan Paul, 1991.
178–––––––––, Lector in Cinema, Vertigo n° 17, Revue d’esthétique et d’histoire du cinéma, Jean-Michel Place,1998.
179LAGNY, Michèle, ROPARS, Marie-Claire, SORLIN, Pierre, L’état d’auteur, n° 8, Hors Cadre, (Le cinéma à travers champs disciplinaires), Printemps 1990.
180LEFEBVRE, Martin, Psycho : de la figure au musée imaginaire, Théorie et pratique de l’acte de la spectature, L’Harmattan, 1997.
181LEUTRAT, Jean-Louis, Le western : archéologie d’un genre, Lyon, Presses universitaires de Lyon, 1987.
182LEVACO, Ronald, « Eikhenbaum, Inner Speech and Film Stylistics », Screen Magazine, vol. 14/15, n° 4, 1974/75, p. 47-58.
183LEVY, Shawn, « Dramaby Under wood : Movies from the Write Side of the Cinema », American Film, vol. 16, January 1991, p. 54-57.
184LYONS, Donald, « Lubricating the Muse », Film Comment, January-February 1992, p. 14-16.
185MALTBY, Richard et CRAVEN, Ian, Hollywood Cinema, Oxford, Blackwell, 1995.
186MAST, Gerald, COHEN, Marshall, et BRAUDY, Leo, Film Theory and Criticism : Introductory Readings, New York et Oxford, Oxford University Press, 1992.
187MAY, Lary, Screening Out the Past : The Birth of Mass Culture and the Motion Picture Industry, With a New Preface, Chicago et Londres, The University of Chicago Press, 1983.
188——————, The Big Tomorrow : Hollywood and the Politics of the American Way, Chicago et Londres, University of Chicago Press, 2000.
189MAYNE, Judith, Cinema and Spectatorship, Londres et New York, Routledge and Kegan Paul, 1992.
190MÉNEGALDO, Gilles(dir.), « Crises de la représentation dans le cinéma américain », La Licorne n° 34, Presses universitaires de Poitiers, 1996.
191METZ, Christian, Essais sur la signification au cinéma, Tome I, Klincksieck, 1978.
192——————, Film Language : A Semiotics of the Cinema, Traduit par Michael Taylor, Chicago, The University of Chicago Press, 1991. ——————, Le Signifiant imaginaire : psychanalyse et cinéma, C. Bourgeois, 1984.
193MORIN, Edgar, Le Cinéma, ou l’homme imaginaire : essai d’anthropologie, Minuit, Collection « Arguments », 1856.
194MORIN, Edgar, Les Stars, Seuil, Collection Points, Seuil, 1972.
195MUSCIO, Giuliana, Hollywood’s New Deal, Philadelphia, Temple University Press, 1997.
196NARBONI, Jean, « Introduction à Poetica Kino », p. 52-57, Cahiers du Cinéma, n° 220-21, « Russie années vingt », mai-juin 1970.
197NAREMORE, James, Acting in the Cinema, Berkeley, Los Angeles et Londres, University of California Press, Paperback, 1990.
198——————, The Films of Vincente Minnelli, Cambridge, Cambridge University Press (Cambridge Film Classics), 1993.
199NATALI, Maurizia, L’image-paysage : iconologie et cinéma, Saint-Denis, Presses universitaires de Vincennes, Collection Esthétiques Hors-cadre, 1996.
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