Star Turns in Hollywood Musicals
More than any other film genre, the musical of Hollywood’s Golden Age depended on the presence of performers on the bill: these personalities met the expectations of the star system and, in addition, their dancing and/or singing skills gave them a special place in a context where star images were foregrounded. This book studies what makes musical stars so specific from the 1930s on: their performances, especially solo, which also reveal how film musicals tackle highbrow and popular culture.
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Note de l’éditeur
This book benefits from financial support from the ANR as part of the “Investments for the future” program (ANR-10-LABX-80-01).
Éditeur : Presses universitaires de Paris Nanterre
Lieu d’édition : Nanterre
Publication sur OpenEdition Books : 5 juillet 2023
ISBN numérique : 978-2-84016-532-3
DOI : 10.4000/books.pupo.30640
Collection : La Grande Collection ArTeC
Année d’édition : 2017
ISBN (Édition imprimée) : 978-2-84066-971-5
Nombre de pages : 272
Introduction
Technological bodies
Minority performers
Karen McNally
Featuring the Nicholas Brothers: Spectacle, Structure and Racial Interventions in the Hollywood MusicalMusical Comedians
“Star-Making” and Media Stereotypes
Adrienne L. McLean
Cyd Charisse: America’s Movie BallerinaFanny Beuré
Nicolas Cognard (trad.)
Doris Day’s Early Warner Bros. Musicals: The Transition of a Star from the Recording IndustryAppendices
More than any other film genre, the musical of Hollywood’s Golden Age depended on the presence of performers on the bill: these personalities met the expectations of the star system and, in addition, their dancing and/or singing skills gave them a special place in a context where star images were foregrounded. This book studies what makes musical stars so specific from the 1930s on: their performances, especially solo, which also reveal how film musicals tackle highbrow and popular culture.
Acts by Fred Astaire, Cyd Charisse, Rita Hayworth, Barbra Streisand, Carmen Miranda, Eleanor Powell, Bing Crosby, Bob Hope, Eddie Cantor, Doris Day and the Nicholas Brothers are analyzed according to four main issues: the role of technology in cinema-made performances (editing, dubbing…); ethnicity issues and the distinctive place that the musical genre granted - or not - to “non-white” artists; the importance of stars specialized in comedy who developed a carnivalesque dimension in films; and the process of star construction itself within the Hollywood system, in relation to other forms of performance or cultural industries.
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Le Sujet Digital
Claire Larsonneur, Arnauld Regnauld, Pierre Cassou-Noguès et al. (dir.) Stéphane Vanderhaeghe, Géraldine Bertres, Hélène Soldano et al. (trad.)
2015
Le Comportement des choses
Emanuele Quinz (dir.) Lise Thiollier, Gabriele Stera et Armelle Chrétien (trad.)
2021
Artistes-chercheur·es, chercheur·es-artistes
Performer les savoirs
Boudier Marion et Déchery Chloé (dir.)
2022
Architectures of memory
Jean-Marie Dallet et Bertrand Gervais (dir.) Armelle Chrétien et Joshua David Jordan (trad.)
2022
Angles morts du numérique ubiquitaire
Glossaire critique et amoureux
Yves Citton, Marie Lechner et Anthony Masure (dir.)
2023
