Notes on contributors
p. 251-257
Texte intégral
1 Isabelle Brasme is Senior Lecturer in British Literature at the University of Nîmes, and a member of the E.M.M.A. research team at the University of Montpellier. She defended her doctorate on ‘Ford Madox Ford’s Parade’s End: Towards an aesthetics of crisis’ in 2008 and has published articles on Ford’s novels and war writing. Her areas of interest include modernism, transitions, and the processes (or lack thereof) of canonisation.
2 Elsa Cavalié is a research associate at the University of Toulouse—Le Mirail, France. Her doctoral dissertation was entitled ‘Rewritings of England in Contemporary British Literature (Julian Barnes, Kazuo Ishiguro, Ian McEwan, Pat Barker).’ Her work focuses on the notion of Englishness, stereotypes and the invention of tradition, as well as the (re-) writing of history in contemporary literature.
3 Noëlle Cuny is Senior Lecturer in English at Mulhouse University. She holds a doctorate from the University Paris 3—Sorbonne Nouvelle. She is the author of D.H. Lawrence: le corps en devenir (PSN, 2008). Her latest pieces focus on the various interwoven discursive influences (aesthetic, political, scientific) which form the poetics of the avant-garde and Modernist magazines of the 1913-1930 period in England. She co-edited a project on scientific poetics in European avant-garde periodicals, that appeared in 2012 with Classiques Garnier.
4 Vincent Dussol is Senior Lecturer at the University Paul Valéry-Montpellier III, France, and a member of E.M.M.A. His field is American poetry. He wrote his dissertation on Thomas McGrath. He has published articles on Ray DiPalma, Eleni Sikelianos and Lew Welch as well as translations of work by Ed Dorn, Ray DiPalma and Charles Olson. Shortly to be published is a translation of two collections by Fanny Howe. That of Languedoc Variorum is in progress.
5 Rainer Emig is Chair of English Literature and Culture at Leibniz University in Hanover, Germany. He is especially interested in nineteenth-and twentieth-century literature and culture and Literary, Critical, and Cultural Theory, especially theories of identity, power, gender and sexuality. His publications include the monographs Modernism in Poetry (1995), W.H. Auden (1999) and Krieg als Metapher im zwanzigsten Jahrhundert (2001) as well as edited collections on Stereotypes in Contemporary Anglo-German Relations (2000), Ulysses (2004), Gender? Religion (with Sabine Demel, 2008), Hybrid Humour (with Graeme Dunphy, 2010), Performing Masculinity (with Antony Rowland, 2010), and Commodifying (Post-) Colonialism (with Oliver Lindner, 2010). He is one of the three editors of the Journal for the Study of British Cultures.
6 Christine Froula professor of English and Comparative Literature at Northwestern University, has published Virginia Woolf and the Bloomsbury Avant-Garde: Aesthetics, Politics, Modernity (2005), Modernism’s Body: Sex, Culture, and Joyce (1996), To Write Paradise: Style and Error in Pound’s Cantos (1984), A Guide to Ezra Pound’s Selected Poems (1983) and essays on interdisciplinary and transnational modernism, contemporary literary and feminist theory, textual scholarship, and translation, recently: ‘The Beauties of Mistranslation’ in Ezra Pound and China (2003); ‘On French and British Freedoms: Early Bloomsbury and the Brothels of Modernism’ (2005), ‘Truth on Trial: Western Enlightenment, Quantum Physics and A Passage to India’ (2005), ‘Giacomo Joyce, or, Assumed Dongiovannism’ (2007), ‘Sex’ in Joyce in Context (2009), “Proust’s China,” Modernism/Modernity (2012), ‘Scribbling into Eternity: Paris, Proust, “Proteus”’ (2013).
7 Jean-Michel Ganteau is Professor of Contemporary British Literature at the University Paul Valéry Montpellier 3 (France), where he chaired the Department of English Studies for four years and co-chaired the CERVEC research team between 2004 and 2010. He is at the moment in charge of the postgraduate programmes and of the Doctoral School (E.D.58). He is the editor of the journal Études britanniques contemporaines. He is the author of two monographs: David Lodge: le choix de l’éloquence (Presses universitaires de Bordeaux, 2001) and Peter Ackroyd et la musique du passé (Michel Houdiard, 2008). He is also the editor, with Christine Reynier, of four volumes of essays Impersonality and Emotion in Twentieth-Century British Literature (Publications Montpellier 3, 2005), Impersonality and Emotion in Twentieth-Century British Arts (Presses universitaires de la Méditerrannée, 2007), Autonomy and Commitment in Twentieth-Century British Literature (PULM, 2010), and Autonomy and Commitment in Twentieth-Century British Arts being due in late 2011 (PULM). He has also edited three volumes of essays in collaboration with Susana Onega, The Ethical Component in Experimental British Fiction since the 1960s (Cambridge Scholars Publishing, 2007), Trauma and Ethics in Contemporary British Literature (Rodopi, 2011) and Trauma and Romance in Contemporary British Fiction (Routledge, 2013). He has edited special issues of various journals (Études anglaises, Cahiers victoriens et édouardiens). He has published some sixty articles on contemporary British fiction, with a special interest in the ethics of affects (as manifest in such aesthetic resurgences and concretions as the baroque, kitsch, camp, melodrama, romance), in France and abroad (other European countries, the USA) as chapters in edited volumes or in such journals as Miscelánea, Anglia, Symbolism, The Cambridge Quarterly, etc.
8 Julián Jiménez Heffernan is Professor of English Literature and teaches English and Comparative Literature at the Universidad de Córdoba, Spain. He holds a Ph. D in Philology from the University of Bologna (1994) with a doctoral dissertation on philosophy and rhetoric in the work of Giordano Bruno. He has written articles and essays on English Renaissance verse and drama, deconstructive rhetoric, romantic theory and contemporary fiction, and is the author of translations and critical editions of works by Paul de Man, Fredric Jameson, Christopher Marlowe, Joseph Conrad, Wallace Stevens, John Ashbery, Mark Strand and Jorie Graham.
9 Michael Kindellan completed his PhD at the University of Sussex in 2010. Between October 2010 and November 2011 he was a postdoctoral researcher at the University Paul-Valéry, Montpellier III, working with the Études Montpelliéraines du Monde Anglophone (E.M.M.A.) research group. In January 2012 he was appointed Teaching Fellow in 19th and 20th century literature at the University of Sussex. In the autumn of 2012 he will take up a two-year Alexander von Humboldt postdoctoral research fellowship at the Universität Bayreuth. Based on research conducted while at University Paul-Valéry, he is currently preparing two further research articles on the poetry of Wordsworth and J. H. Prynne.
10 Florence Marie-Laverrou is Senior Lecturer at the University of Pau et les Pays de l’Adour (France). She defended her thesis on J.C. Powys in 2003 and since then she has published several articles on his first eight novels and on other Modernist writers (Dorothy Richardson in particular).
11 Maria J. Lopez is Lecturer in the English Department at the University of Córdoba, Spain. She has published Acts of Visitation: The Narrative of J.M. Coetzee (Rodopi, 2012) and has written on other post-colonial writers such as Patrick White, Salman Rushdie, Anita Desai, and Zoë Wicomb. Her current research interests focus on forms of community in British modernism and contemporary South African literature, and on the (anti) pastoral tradition in the South African novel in English.
12 Paula Martín Salván is Associate Professor at the Department of English and German Studies of the University of Córdoba, Spain. Her research interests include American literature, Modernist and Postmodernist fiction, literary and critical theory, 18th century political and aesthetic thought. She is currently engaged in a collective research project entitled’Community and Immunity in Contemporary Fiction in English,’ funded by the Spanish Ministry of Science and Innovation. She has been a visiting scholar at the School of Criticism and Theory at Cornell University, USA (2009), and at the Universities of Aalborg, Denmark (2006), Toronto, Canada (2005), California at Irvine, USA (2003 and 2004) and Nottingham, UK (2001). She has written on the work of Modernist and Postmodernist authors, including Don DeLillo, Thomas Pynchon, William Gaddis, Robert Coover, Cormac McCarthy, J.M. Coetzee, Joseph Conrad and Graham Greene.
13 Laurent Mellet is Senior Lecturer in 20th-century British Literature at the University of Burgundy in Dijon, where he teaches literature and film. He published in 2010 a book with Shannon Wells-Lassagne entitled Étudier l’adaptation filmique—Cinéma anglais, cinéma américain (PUR). His book on E. M. Forster’s novels and their film adaptations was published by the Presses universitaires de la Méditerranée in 2012. He has written several papers on modernist and contemporary literature, and film aesthetics (Ishiguro, Coe, McEwan, Zadie Smith). His major research interests include contemporary British fiction and its stylistic aestheticisation of political ideology, adaptation theory, phenomenology and literature, film adaptations of 20th-century novels. His monogramh on Jonathan Coe is to be be published by the PUPS in 2013.
14 David Nowell Smith received a PhD in English at the University of Cambridge in 2010, and is currently maître de langue anglaise at the université Paris Diderot, institut Charles-V. He has published on literary theory and 20th century British poetry, in journals including the British Journal of Aesthetics, Études britanniques contemporaines, Parataxis, Radical Philosophy and Textual Practice, and is editor of the online poetics journal Thinking Verse (www.thinkingverse.com).
15 Susana Onega is Professor of English Literature at the University of Zaragoza, (Spain) and the Head of an excellence research team of 18 members currently working on ethics and trauma in contemporary fiction (http://cne.literatureresearch.net). She has written numerous articles and book chapters on contemporary British literature and narrative theory and is the author of Análisis estructural, método narrativo y ‘sentido’ de The Sound and the Fury de William Faulkner (Pórtico, 1980), of Form and Meaning in the Novels of John Fowles (UMI Research Press, 1989. Winner of the Enrique García Díez Research Award, granted by the Spanish Association of Anglo-American Studies, 1990), of Peter Ackroyd: The Writer and his Work (Northcote House & The British Council, 1998), of Metafiction and Myth in the Novels of Peter Ackroyd (Candem House, 1999), and of Jeanette Winterson (Manchester UP, 2006. Shortlisted for The European Society for the Study of English Book Award, 2008). She is the editor of Estudios literarios ingleses II: Renacimiento y barroco (Cátedra, 1986) and of’Telling Histories’: Narrativizing History / Historicizing Literature (Rodopi, 1995. Reprinted and transferred to digital printing, 2006). She has introduced, edited and translated into Spanish John Fowles’ The Collector (Cátedra, 1999) and has co-edited with José Angel García Landa Narratology: An Introduction (Longman, 1996. ‘Introduction’ translated into Turkish, 2002), with John A Stotesbury London in Literature: Visionary Mappings of the Metropolis (Carl Winter, 2001), with Christian Gutleben Refracting the Canon in Contemporary Literature and Film (Rodopi, 2004), with Annette Gomis George Orwell: A Centenary Celebration (Carl Winter, 2005), and with Jean-Michel Ganteau, The Ethical Component in Experimental British Fiction since the 1960s (Cambridge Scholars Publishing, 2007), Ethics and Trauma in Contemporary Narrative in English (Rodopi, 2011) and Trauma and Romance in Contemporary British Fiction (Routledge, 2013). She is also the author of monographic sections on ‘John Fowles in Focus’ in Anglistik 13.1 (Spring 2002, 45–107), ‘Intertextuality,’ in Symbolism: An International Journal of Critical Aesthetics, 5 (New York: AMS. Press, 2005, 3–314) and on ‘Structuralism and Narrative Poetics,’ in Literary Theory and Criticism: An Oxford Guide (2006).
16 Frédéric Regard is Professor of 19th- and 20th-century English literature at the Sorbonne. He was educated at the Ecole Normale Supérieure de Saint-Cloud, Paris, and wrote his Doctorat d’Etat under the supervision of Hélène Cixous. He is the author of books on William Golding, George Orwell, Virginia Woolf, and ‘feminine writing.’ His contributions to Victorian studies include essays on Cardinal Newman, Richard Burton, E.B. Tylor, Honoria Lawrence, and Mary Prince. His publications also include a collection of essays on life-writing, Mapping the Self. Space, Identity, Discourse in British Auto/Biography (Saint-Etienne: Puse, 2003) and one on exploration narratives (British Narratives of Exploration: Case Studies on the Self and Other, London: Pickering and Chatto, 2009).
17 Christine Reynier is Professor of English Literature at the University of Montpellier III. She has published extensively on major Modernist writers, edited books and journals on Woolf (Insights into the Legacy of Bloomsbury. With Unpublished Essays and Memoirs by Roger Fry, V. Bell and V. Woolf, Cahiers victoriens et édouardiens 62, octobre 2005; Journal of the Short Story in English, Special Issue on Woolf 50, July 2008) and published Virginia Woolf’s Ethics of the Short Story (Palgrave Macmillan 2009). She has also written a monograph on Jeanette Winterson, Le Miracle ordinaire (P.U. Bordeaux 2004). She is the editor, with J-M.Ganteau, of Impersonality and Emotion in Twentieth-Century British Literature (Publications Montpellier 3, 2005), Impersonality and Emotion in Twentieth-Century British Arts (Publications Montpellier 3, 2007), Autonomy and Commitment in Twentieth-Century British Literature (PULM, 2010) and Autonomy and Commitment in Twentieth-Century British Arts (PULM, 2012).
18 Stephen Ross is Associate Professor of English and Cultural, Social, and Political Thought at the University of Victoria, in Canada. He is author of Conrad and Empire (Missouri, 2004) and editor of Modernism and Theory (Routledge, 2009) and a special issue of MFS: Modern Fiction Studies on ‘Working-Class Fiction’ (2001). He is presently writing a book on tropes of spectrality in modernist novels, co-directing the Modernist Versions Project (modernistversions.com), and serving as General Editor of the Routledge Encyclopedia of Modernism (due out in 2015). He can be found online at http://english.uvic.ca/faculty/stephen_ ross.html.
19 Eileen Williams-Wanquet is Professor of English literature at the University of La Réunion (France). She is the author of a monograph on the novels of Anita Brookner (Art and Life in the Novels of Anita Brookner. Peter Lang, 2004) and the editor of two collections of essays on re-writing. She has published several articles on contemporary British fiction in French, American and German journals, notably on the novels of Marina Warner, Michèle Roberts, Penelope Lively, Jeannette Winterson, Lindsey Collen, Jean Rhys, and Emma Tennant. She is currently working on the notion of ‘postre-alism’ in English literature, on ‘re-writing modernity’ in the literature of the Indian Ocean, and on the links between ‘post-modernist,’ ‘post-colonial’ and ‘post-feminist’ literature.
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