Borders and Ecotones in the Indian Ocean
Cultural and Literary Perspectives
Les essais critiques réunis dans ce volume prennent leur ancrage dans l’océan Indien et explorent les multiples façons dont la dynamique des échanges a formé cette région multilingue, de l’Inde aux Mascareignes et au sud de l’Afrique. Frontières, bords et tiers espaces sont revisités à travers la notion d’écotone, une zone de transition entre deux écosystèmes. Si le terme a été surtout utilisé par les biologistes et les écologistes, l’angle métaphorique est particulièrement fertile en ce q...
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This collection of critical essays anchors itself in the Indian Ocean and explores the multiple ways dynamic exchanges have shaped this multilingual region of the world, from India to the Mascarene Islands to Southern Africa. Borders, edges and third spaces are revisited through the notion of the ecotone, a transitional zone between two ecosystems. If the term has primarily been used by biologists and ecologists, the metaphorical angle proves to be fruitful as it authorizes trans-disciplin...
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Nota del editor
Ouvrage publié avec le soutien de l’université de La Réunion (OSOI) et l’université du Cap.
- Editor : Presses universitaires de la Méditerranée
- Colección : Horizons anglophones
- Lugar de edición : Montpellier
- Año de edición : 2020
- Publicación en OpenEdition Books : 25 mars 2021
- EAN (publicación papel) : 978-2-36781-357-8
- EAN electrónico : 978-2-36781-422-3
- DOI : 10.4000/books.pulm.6687
- Número de páginas : 336 p.
- Sumario
- Presentación
- Autor(es)
Borders, Ecotones, and the Indian Ocean
I—Between Land and Water: Motion, Flux and Displacement
II—Individuals and Communities: The Human and the Nonhuman Ecotone
III—Here, There and Across: the Macro and the Micro Ecotone
L’Océan Indien en perspective comparée dans Voyage à Rodrigues (J.M.G. Le Clézio) et Hombo. Transcription d’une biographie (C. Spitz)
IV—Beyond Borders
En conversation avec Shenaz Patel
Les essais critiques réunis dans ce volume prennent leur ancrage dans l’océan Indien et explorent les multiples façons dont la dynamique des échanges a formé cette région multilingue, de l’Inde aux Mascareignes et au sud de l’Afrique. Frontières, bords et tiers espaces sont revisités à travers la notion d’écotone, une zone de transition entre deux écosystèmes. Si le terme a été surtout utilisé par les biologistes et les écologistes, l’angle métaphorique est particulièrement fertile en ce qu’il autorise les approches trans-disciplinaires et rend possibles des perspectives nouvelles. En anglais et en français, le but de ce volume est d’enrichir la recherche déjà publiée dans plusieurs champs disciplinaires et de participer au développement des études indo-océaniques. Les auteurs du volume réexaminent ces écotones comme des espaces de frictions autant que des espaces de fusion. Les essais sont écrits par Pallavi Chakravarty, Debdatta Chowdhury, Cécile Do Huu, Pierre-Éric Fageol et Frédéric Garan, Laurence Gouaux-Rabasa, Elisa Huet, Marianne Hillion, J.U. Jacobs, Annu Jalais, Valérie Magdelaine-Andrianjafitrimo, Nicolas Roinsard, Laëtitia Saint-Loubert, Meg Samuelson, Ritu Tyagi. Une conversation avec l’écrivaine mauricienne Shenaz Patel offre une conclusion en forme d’ouverture vers la création littéraire.
This collection of critical essays anchors itself in the Indian Ocean and explores the multiple ways dynamic exchanges have shaped this multilingual region of the world, from India to the Mascarene Islands to Southern Africa. Borders, edges and third spaces are revisited through the notion of the ecotone, a transitional zone between two ecosystems. If the term has primarily been used by biologists and ecologists, the metaphorical angle proves to be fruitful as it authorizes trans-disciplinary approaches and empowers fresh perspectives. In French and in English, the aim of the volume is to contribute to scholarship already published across various disciplinary fields and to participate in the development of Indoceanic studies. The authors of the volume aim to rethink those ecotonal sites that are spaces of frictions as much as spaces of fusion. The essays are by Pallavi Chakravarty, Debdatta Chowdhury, Cécile Do Huu, Pierre-Éric Fageol and Frédéric Garan, Laurence Gouaux-Rabasa, Elisa Huet, Marianne Hillion, J.U. Jacobs, Annu Jalais, Valérie Magdelaine-Andrianjafitrimo, Nicolas Roinsard, Laëtitia Saint-Loubert, Meg Samuelson, Ritu Tyagi. A conversation with the Mauritian writer Shenaz Patel offers a conclusion that opens the horizon towards literary creation.
Markus Arnold is Associate Professor in French and Francophone Studies at the University of Cape Town. He holds a bi-national German-French doctorate on Comparative/Francophone literature, has taught at ENS Lyon, ESA Reunion and University of Reunion where he is research associate (LCF 7390). His interests cover Francophone and Comparative literatures and cultures from the ‘Global South’ (notably Indian Ocean), postcolonial theory, graphic literature (bande dessinée) and contemporary cinema. Next to several book chapters and articles in journals such as Les Lettres Romanes, Journal of Romance Studies, Journal of World Literatures, Nouvelles Études Francophones, Présence Francophone, and Interculturel Francophonies, his publications comprise the monograph La littérature mauricienne contemporaine: Un espace de création postcolonial entre revendications identitaires et ouvertures interculturelles (Berlin, 2017) and the co-directed volume L’image et son dehors: contours, transitions, transformations (Pau, 2017). He is editor of the journal FSSA—French Studies in Southern Africa and currently works on the notion ‘Afropolitanism’ and on the relation between graphic literature and fine art.
Corinne Duboin is Professor of African American and postcolonial literatures in the Department of English Studies at the University of Reunion Island, France, and serves as director of DIRE, an interdisciplinary research centre (Déplacements, Identités, Regards, Écritures). She has published book chapters as well as articles in the CLA Journal, Mississippi Quarterly, Obsidian, the Southern Literary Journal, Caliban, Commonwealth, Études caribéennes, Études Littéraires Africaines, Transatlantica, and other journals. She has also (co-)edited seven volumes of essays. Her most recent book, co-edited with Claudine Raynaud, is Diaspora, Cultures of Mobilities, ‘Race’: African Americans and the Black diaspora (PULM, PoCoPages series, 2017). In 2018, she edited a special issue of TrOPICS, ‘Itinéraires : littératures du voyage, de la migration et de l’exil’ (https://tropics.univ-reunion.fr/accueil/). Her current research examines the transnational diaspora literature produced by twenty-first century African novelists, such as Chris Abani, Chimamanda Ngozi Adichie, NoViolet Bulawayo, Dinaw Mengestu, or Taiye Selasi.
Judith Misrahi-Barak is Associate Professor at University Paul Valéry Montpellier 3, France, where she teaches English and postcolonial literatures. A member of EMMA, she has published numerous articles on Caribbean and Indo- and Sino-Caribbean writers, and the diaspora as well as book chapters in edited collections, among which Tracing the New Indian Diaspora (Om Dwivedi, ed. Rodopi, 2014), or Turning Tides: Caribbean Intersections in the Americas and Beyond (Heather Cateau and Milla Riggio, eds. Kingston, Jamaica: Ian Randle Publishers, 2019). She is General editor of the series PoCoPages (Collection ‘Horizons anglophones’, Pulm, Montpellier). Reimagining the Guyanas is the latest volume (2019). Her more recent interests include Dalit literatures. She was Co-Investigator on the AHRC Research Network series on ‘Writing, Analysing, Translating Dalit Literature’ (2014–16) and is Co-Investigator on the AHRC Follow-on Funding for Impact and Engagement ‘On Page and on Stage: Celebrating Dalit and Adivasi Literatures and Performing Arts (2020-21). She co-edited Dalit Literatures in India (Routledge, 2015; 2nd edition 2018) with Joshil K. Abraham. Dalit Text: Aesthetics and Politics Reimagined, co-edited with K. Satyanarayana & Nicole Thiara was published by Routledge in 2019.
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Cultural and Literary Perspectives
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