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Steven Spielberg

David Roche

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David Roche

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Books and PhD Dissertations on Spielberg

Audissino, Emilio. John Williams’s Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style. Madison, WI: U of Wisconsin P, 2014.

Awalt, Steven. Steven Spielberg and Duel: The Making of a Film Career. Lanham, MD: Rowman & Littlefield, 2016.

Baxter, John. Steven Spielberg: The Unauthorised Biography. London: HarperCollins, 2014 [1997].

Bobo, Jacqueline. Black Women as Cultural Readers. New York: Columbia UP, 1995.

Bossy, Cyrille. Steven Spielberg: Un univers de jeux. Paris: L’Harmattan, 1998.

Brode, Douglas. The Films of Steven Spielberg. New York: Carol Publisher, 1996.

Buckland, Warren. Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster. New York and London: Continuum, 2006.

Clarke, James. Steven Spielberg. Harpenden, UK and North Pomfret, VT: Pocket Essentials, 2004.

Cohen, Clélia. Steven Spielberg. Paris: Cahiers du Cinéma, 2007.

Couté, Pascal. Figures de l’humain et de l’inhumain dans le cinéma de Steven Spielberg. PhD Dissertation. Université de Caen, 2012.

Friedman, Lester D. Citizen Spielberg. Urbana and Chicago: U of Illinois P, 2006.

Friedman, Lester D. and Brent Notbohm (ed.). Steven Spielberg: Interviews. Jackson, MS: UP of Mississippi, 2000.

Godard, Jean-Pierre. Steven Spielberg. Paris: Rivages, 1994.

Godard, Jean-Pierre. Steven Spielberg: Mythe et chaos. Boulogne-Billancourt: Horizon illimité, 2003.

Gordon, Andrew M. Empire of Dreams: The Science Fiction and Fantasy Films of Steven Spielberg. London, Boulder, New York, Toronto and Plymouth, UK: Rowman & Littlefield, 2008.

Haskell, Molly. Steven Spielberg: A Life in Films. New Haven, CN: Yale UP, 2017.

Jackson, Kathi. Steven Spielberg: A Biography. Santa Barbara, CA: Greenwood, 2007.

Kendrick, James. Darkness in the Bliss-Out: A Reconsideration of the Films of Steven Spielberg. New York, London, New Delhi and Sydney: Bloomsbury, 2014.

Kenworthy, Christopher. Shoot Like Spielberg: The Visual Secrets of Action, Wonder and Emotional Adventure. Studio City, CA: Michael Wiese Productions, 2015.

Kowalski, Dean A. (ed.). Steven Spielberg and Philosophy: We’re Gonna Need a Bigger Book. Lexington, KY: The UP of Kentucky, 2008.

Livecchi, Nicolas. L’enfant acteur: De François Truffaut à Steven Spielberg et Jacques Doillon. Bruxelles: Les Impressions nouvelles, 2012.

Loshitzky, Yosefa (ed.). Spielberg’s Holocaust: Critical Persectives on Schindler’s List. Bloomington and Indianapolis, IN: Indiana UP, 264.

McBride, Joseph. Steven Spielberg: A Biography, Second Edition. Jackson, MS: UP of Mississippi, 2011.

Morris, Nigel. The Cinema of Steven Spielberg: Empire of Light. London and New York: Wallflower Press, 2007.

Morris, Nigel (ed.). A Companion to Steven Spielberg. Hoboken, NJ: Wiley-Blackwell, 2017.

Morton, Ray. Close Encounters of the Third Kind: The Making of Steven Spielberg’s Classic Film. New York: Applause Theatre and Cinema Books, 2007.

Moscovitz, Jean-Jacques. Lettre d’un psychanalyste à Steven Spielberg. Paris: Bayard, 2004.

Mott, Donald R. and Cheryl McAllister Saunders. Steven Spielberg. Boston: Twayne Publishers, 1986.

Safra, Clément. Dictionnaire Spielberg. Paris: Vendémiaire, 2011.

Sanello, Frank. Spielberg: The Man, the Movies, the Mythology. Lanham: Taylor Trade Publishing, 2002 [1996].

Schober, Adrian and Debbie Olson (ed.). Children in the Films of Steven Spielberg. Lanham, MD: Lexington Books, 2016.

Silet, Charles L.P. (ed.). The Films of Steven Spielberg: Critical Essays. Lanham, MD, and Oxford: The Scarecrow Press, 2002.

Struthers, Jane M. and Jan Harlan. A.I. Artificial Intelligence: From Stanley Kubrick to Steven Spielberg: The Vision Behind the Film. London and New York: Thames & Hudson, 2009.

Taylor, Philip M. Steven Spielberg: The Man, His Movies, and Their Meaning. New York: Continuum, 1992.

Wasser, Frederick. Steven Spielberg’s America. Cambridge, UK and Malden, MA: Polity Press, 2010.

Articles and Chapters on Spielberg

Aichele, George. “The Possibility of Error: Minority Report and the Gospel of Mark.” Biblical Interpretation: A Journal of Contemporary Approaches 14.1–2 (2006): 143–157.

Alexander, William. “Send ’Em Back Where They Came From: Another Look at E.T.North Dakota Quarterly 51.3 (Summer 1983 Summer): 24–34.

Allison, Deborah. “Catch Me If You Can, Auto Focus, Far from Heaven and the Art of Retro Title Sequences.” Senses of Cinema 26 (May–June 2003). Web.

André, Emmanuelle. “Pour mieux voir: filmer la main (Minority Report, Steven Spielberg, 2002).” Filmer l’acte de création. Ed. Pierre-Henry Frangne, Gilles Mouëllic and Christophe Viart. Rennes, France: PU de Rennes, 2009, 169-178.

Aronstein, Susan. “‘Not Exactly a Knight’: Arthurian Narrative and Recuperative Politics in the Indiana Jones Trilogy.” Cinema Journal 34.4 (Summer 1995): 3–30.

Arva, Eugene. “Disciplinary Power and Testimonial Narrative in Schindler’s List.” Film and Philosophy 8 (2004): 51–62.

Auster, Albert. “Saving Private Ryan and American Triumphalism.” Journal of Popular Film and Television 30.2 (Summer 2002): 98–104.

Baecque (de), Antoine. “Il était une fois le débarquement. Saving Private Ryan.” Cahiers du cinéma 528 (Oct 1998): 84–86.

Baird, Robert. “Animalizing Jurassic Park’s Dinosaurs: Blockbuster Schemata and Cross-Cultural Cognition in the Threat Scene.” Cinema Journal 37.4 (Summer 1998): 82–103.

Bakewell, Geoff. “The One-Eyed Man Is King: Œdipal Vision in Minority Report.” Arethusa 4.1 (Winter 2008): 95–112.

Balides, Constance. “Jurassic Post-Fordism: Tall Tales of Economics in the Theme Park.” Screen 41.2 (Summer 2000): 139–60.

Ball, Karyn. “For and against the Bilderverbot: The Rhetoric of ‘Unrepresentability’ and Remediated ‘Authenticity’ in the German Reception of Steven Spielberg’s Schindler’s List.” Visualizing the Holocaust: Documents, Aesthetics, Memory. Ed. David Bathrick, Brad Prager and Michael D. Richardson. Rochester, NY: Camden House, 2008, 162–184.

Baumann, Fabien. “La désertion du merveilleux: Spielberg d’Omaha Beach à Munich.” Positif 540 (Feb 2006): 8–10.

Beard, William. “A.I. or, the Agony of Steven Spielberg.” CineAction 66 (Apr 2005): 2–11.

Beja, Morris. “Spielberg’s Schindler: ‘The Presentation.’” Yiddish/Modern Jewish Studies 12.4 (2001): 12–21.

Bekale Nguema, Gilbert Blaise. “Paradoxal procès dans Amistad de Steven Spielberg.” Discursos poscoloniales y renegociaciones de las identidades negras/Post-colonial Discourses and Renegotiations of Black Identities/Discours post-coloniaux et renégociations des identités noires. Ed. Clément Animan Akassi and Victorien Lavou Zoungbo. Perpignan, France; PU de Perpignan, 2010, 299–316.

Beloso, Brooke M. “Making E.T. Perfectly Queer: The Alien Other and the Science Fiction of Sexual Difference.” Feminist Media Studies 14.2 (Apr 2014): 222–236.

Benito, Jesús. “Hospitality Across the Atlantic: American Guests and the International Space of Flows in Spielberg’s The Terminal and Frears’s Dirty Pretty Things.” The Transnationalism of American Culture: Literature, Film, and Music. Ed. Rocïo G. Davis. New York: Routledge, 2012, 205–219.

Benton, Graham. “Shark Films: Cinematic Realism and the Production of Terror.” This Watery World: Humans and the Sea. Ed. Vartan P. Messier and Nandita Batra. Mayagüez, Puerto Rico: College English Association-Caribbean Chapter, 2007, 123–132.

Berkemeier, Christian. “Kingdoms of the Blind: Technology and Vision in Douglas Coupland’s Girlfriend in a Coma and Stephen Spielberg’s Minority Report.” The Holodeck in the Garden: Science and Technology in Contemporary American Fiction. Ed. Peter Freese and Charles B. Harris. Normal, IL: Dalkey Archive, 2004, 100–109.

Bernstein, Michael André. “The Schindler’s List Effect.” The American Scholar 6.3 (Summer 1994): 429–432.

Berthomieu, Pierre. “Le Monde perdu. Le signe qui tue.” Positif 441 (Nov 1997): 55–57.

Berthomieu, Pierre. “Le Cinéma américain et le parc jurassique: Technologie mystique.” RFEA 76 (Mar 1998): 84-92.

Berthomieu, Pierre. “Minority Report. L’œil et le chef d’orchestre.” Positif 500 (Oct 2002): 211–213.

Berthomieu, Pierre. “Steven Spielberg, ou le retour des voyants.” Le Cinéma hollywoodien. Le temps du renouveau. Paris: Nathan, 2003, 99–108.

Berthomieu, Pierre. “Les Génériques chez Steven Spielberg: Beauté finale de l’écran noir.” Les Cinéastes et leurs génériques. Ed. Alexandre Tylski. Paris: L’Harmattan, 2008, 251–269.

Berthomieu, Pierre. “L’œil, Dieu et le monstre: le canon Steven Spielberg.” Hollywood moderne: Le temps des voyants. Pertuis: Rouge Profond, 2011, 545–588.

Bodnar, John. “Saving Private Ryan and Postwar Memory in America.” American Historical Review 106.3 (2001): 805–817.

Boillat, Alain. “La technologie en abyme: l’acte de création dans Jurassic Parc.” Cinéma, machine à mondes. Chêne-Bourg: Georg, 2014, 51–56.

Bourget, Jean-Loup. “Amistad. Le roi lion, le vieil homme et l’infante.” Positif 445 (March 1998): 25–27.

Brenner, David. “Working through the Holocaust Blockbuster: Schindler’s List and Hitler’s Willing Executioners, Globally and Locally.” Germanic Review 75.4 (Fall 2000): 296–316.

Brigham, Ann. “Consuming Pleasures of Re/Production: Going Behind the Scenes in Spielberg’s Jurassic Park and at Universal Studios Theme Park.” Genders 36 (2002). Web.

Brode, Douglas. “Visionary Children and Child-Like Heroes: Steven Spielberg’s ‘Primal Sympathy.’” A Necessary Fantasy? The Heroic Figure in Children’s Popular Culture. Ed. Dudley Jones and Tony Watkins. New York: Garland, 2000, 327–341.

Buckland, Warren. “The Artistry of Spielberg’s Long Takes.” Senses of Cinema 27 (July–Aug 2003). Web.

Buckland, Warren. “The Role of the Auteur in the Age of the Blockbuster: Steven Spielberg and DreamWorks.” Movie Blockbusters. Ed. Julian Stringer. London: Routledge, 2003, 84–98.

Buckland, Warren. “Between Science Fact and Science Fiction: Spielberg’s Digital Dinosaurs, Possible Worlds and the New Aesthetic Realism.” Liquid Metal: The Science Fiction Film Reader. Ed. Sean Redmond. London; Wallflower, 2004, 24–34.

Buckley, Anthony D. “Royal Arch, Royal Arch Purple and Raiders of the Lost Ark: Secrecy in Orange and Masonic Ritual.” From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey. Ed. Trefor M. Owen. Belfast, Ireland: Institute of Irish Studies, Queens University Belfast, with Ulster Folk and Transport Museum, 2000, 163–180.

Burke, Ken. “Cinema 2001: Despite Hobbits, Hallucinations, and Artificial Sweeteners, Kubrick Re-Emerges.” Journal of Visual Literacy 23.1 (Spring 2003): 1–30.

Bush, Harold J. (ed.). “What Historians Think about Spielberg’s Lincoln.” Cineaste 38.2 (Spring 2013): 13–19.

Butler, Cheryl B. “The Color Purple Controversy: Black Woman Spectatorship.” Wide Angle: A Film Quarterly of Theory, Criticism, and Practice 13.3–4 (1991): 62–69.

Byrd, M. Lynn. “Somewhere outside the Forest: Ecological Ambivalence in Neverland from The Little White Bird to Hook.” Wild Things: Children’s Culture and Ecocriticism. Eds. Sidney I. Dobrin and Kenneth B. Kidd. Detroit, MI: Wayne State UP, 2004, 48–70.

Caldwell, Christopher. “Spielberg at War.” Commentary 106.4 (Oct 1998): 48–51.

Caron, André. “Spielberg’s Fiery Lights.” Senses of Cinema 27 (July–Aug 2003). Web.

Chira, Rodica-Gabriela. “About SF and Fantasy through Artificial Intelligence.” Caietele Echinox 26 (2014): 345–359.

Cholodenko, Alan. “‘Objects in Mirror Are Closer than They Appear’: The Virtual Reality of Jurassic Park and Jean Baudrillard.” International Journal of Baudrillard Studies 2.1 (Jan 2005). Web.

Christensen, Matthew J. “Neoliberal Masculinity, Black Transnationalism, and the United States’ Disappearing Borders in Amistad and Echo of Lions.” Rebellious Histories: The Amistad Slave Revolt and the Cultures of Late Twentieth-Century Black Transnationalism. Albany, NY: SUNY Press, 2012, 79–110.

Combe, Kirk. “Spielberg’s Tale of Two Americas: Postmodern Monsters in War of the Worlds.” Journal of Popular Culture 44.5 (Oct 2011): 934–953.

Comer, Todd A. “The Indigestibility of the World: Birthing the Posthuman in Spielberg’s A.I.Terror and the Cinematic Sublime: Essays on Violence and the Unpresentable in Post-9/11 Films. Ed. Todd A. Comer and Lloyd Isaac Vayo. Jefferson, NC: McFarland, 2013, 165–180.

Cooper, Mark Garrett. “The Contradictions of Minority Report.” Film Criticism 28.2 (Winter 2003–2004): 24–41.

Coursodon, Jean-Pierre. “Il faut sauver le soldat Ryan. La mort et rien d’autre.” Positif 452 (Oct 1998): 40–42.

Dalzell, Frederick. “Dreamworking Amistad: Representing Slavery, Revolt, and Freedom in America, 1839 and 1997.” New England Quarterly: A Historical Review of New England Life and Letters 71.1 (Mar. 1998): 127–133.

Davis, Todd F. and Kenneth Womack. “The List Is Life: Schindler’s List as Ethical Construct.” Mapping the Ethical Turn: A Reader in Ethics, Culture, and Literary Theory. Ed. Todd F. Davis and Kenneth Womack. Charlottesville, VA: UP of Virginia, 2001, 151-164.

Deschamps, Youri. “Duel: masculin singulier.” Eclipses 23 (Jul-Aug 1997): 1–12.

Desilets, Sean. “Pedal Pushers: Spielberg, De Sica, and Dismemberment.” Film Criticism 37.1 (Fall 2012): 19–34.

Díaz-Cuesta Galián, José. “Man as Rescuer and Monster in Steven Spielberg’s Film Text Schindler’s List.” Journal of English Studies 5–6 (2005–2008): 63–81.

Digby, Joan. “From Walker to Spielberg: Transformations of The Color Purple.” Novel Images: Literature in Performance. Ed. Peter Reynolds. London: Routledge, 1993, 157–174.

Dillman, Joanne Clarke. “Minority Report: Narrative, Images, and Dead Women.” Women’s Studies: An Interdisciplinary Journal 36.4 (June 2007): 229–249.

Dimock, Wai Chee. “Crowdsourcing History: Ishmael Reed, Tony Kushner, and Steven Spielberg Update the Civil War.” American Literary History 25.4 (Winter 2013): 896–914.

Dole, Carol M. “The Return of the Father in Spielberg’s The Color Purple.” Literature Film Quarterly 24.1 (1996): 12–16.

Dorst, John. “Postcolonial Encounters: Narrative Constructions of Devils Tower National Monument.” Postcolonial America. Ed. Richard C. King. Urbana, IL: U of Illinois P, 2000, 303–320.

Downing, Crystal. “Deconstructing Herbert: The War of the Worlds on Film.” Literature Film Quarterly 35.4 (2007): 274–281.

Early, Gerald. “The Color Purple as Everybody’s Protest Art.” The Antioch Review 44.3 (Summer 1986): 261–275.

Eberl, Jason T. “‘Please Make Me a Real Boy’: The Prayer of the Artificially Intelligent.” The Philosophy of Stanley Kubrick. Ed. Jerold J. Abrams. Lexington, KY: UP of Kentucky, 2007, 235–246.

Eitzen, Dirk. “Cultural Effects of Cinematic Violence: Private Ryan and The Dark Knight.” Projections: The Journal for Movies and Mind 7.1 (Summer 2013): 3–24.

Eley, Geoff and Atina Grossmann. “Watching Schindler’s List: Not the Last Word.” New German Critique: An Interdisciplinary Journal of German Studies 71 (Spring-Summer 1997): 41–62.

Engel, Charlene. “Language and the Music of the Spheres: Steven Spielberg’s Close Encounters of the Third Kind.” Literature Film Quarterly 24.4 (1996): 376–382.

Evrard, Marceline. “Monstres et hybridité dans les films de Steven Spielberg.” CinémAction 126 (2008): 211–223.

Farrell, Kirby. “The Economies of Schindler’s List.” Arizona Quarterly 52.1 (Spring 1996): 163–188.

Faubert, Patrick. “Back and Forth and Forward: Metareference in Recent Film Adaptations.” Journal of Adaptation in Film and Performance 7.2 (2014): 159–167.

Fiala, Andrew. “General Patton and Private Ryan: The Conflicting Reality of War and Films about War.” The Philosophy of War Films. Ed. David LaRocca. Lexington, KY: UP of Kentucky, 2014, 335–353.

Finnegan, Cara A. “Slave Photographs in Lincoln.” Rhetoric and Public Affairs 18.1 (Spring 2015): 129–134.

Foundas, Scott. “Boy Wonder.” Film Comment 48.1 (Jan-Feb 2012): 38–41.

Frentz, Thomas S. and Janice Hocker Rushing. “Integrating Ideology and Archetype in Rhetorical Criticism, Part II: A Case Study of Jaws.” The Quarterly Journal of Speech 79.1 (Feb 1993): 61–81.

Frías, María. “The Walker-Spielberg Tandem and Lesbianism in The Color Purple: ‘[Spielberg] Don’t Like It Dirty.’” BELLS: Barcelona English Language and Literature Studies 9 (1998): 49–56.

Friedman, Lester D. “Minority Report: A Dystopic Vision.” Senses of Cinema 27 (July-Aug 2003). Web.

Friedman, Lester D. “Hooked on Pan: Barrie’s Immortal Pirate in Fiction and Film.” Second Star to the Right: Peter Pan in the Popular Imagination. Ed. Allison B. Kavey and Lester D. Friedman. New Brunswick, NJ: Rutgers UP, 2009, 188–218.

Gabilondo, Joseba. “The Global Phallus: On the Digital and Allegorical Economy of the Hispanic Subaltern in Hollywood Film.” Discourse: Journal for Theoretical Studies in Media and Culture 23.1 (Winter 2001): 4-24.

Garbowski, Christopher. “The Glorious Dead and Sacred Communities in Spielberg’s Saving Private Ryan and Wajda’s Katyń.” Religion and the Arts 18.3 (2014): 373–398.

Garsault, Alain. “D’un requin et des hommes (sur Jaws).” Positif 179 (March 1976): 35–38.

Glaister, Stephen M. “Saving A.I. Artificial Intelligence: Philosophical Aspects of Spielberg’s Neglected Robo-Epic.” Bright Lights Film Journal 48 (May 2005). Web.

Gordon, Andrew. “E.T. as Fairy Tale.” Science Fiction Studies 10.3 (Nov. 1983): 298–305.

Gordon, Andrew. “Science-Fiction and Fantasy Film Criticism: The Case of Lucas and Spielberg.” Journal of the Fantastic in the Arts 2.2 (Summer 1989): 81–94.

Gordon, Andrew. “Raiders of the Lost Ark: Totem and Taboo.” Extrapolation: A Journal of Science Fiction and Fantasy 32.3 (Fall 1991): 256–267.

Gordon, Andrew. “Steven Spielberg’s Empire of the Sun: A Boy’s Dream of War.” Literature/Film Quarterly 19.4 (1991): 210–221.

Gormlie, Frank. “Ballard’s Nightmares/Spielberg’s Dreams: Empire of the Sun.” Cinema and Fiction: New Modes of Adapting, 1950–90. Ed. John Orr and Colin Nicholson. Edinburgh: Edinburgh UP, 1992, 140–150.

Greenberg, Harvey R. “Raiders of the Lost Text: Remaking as Contested Homage in Always.” Play It Again, Sam: Retakes on Remakes. Ed. Andrew Horton, Stuart Y. McDougal and Leo Braudy. Berkeley, CA: U of California P, 1998, 115–130.

Hagelin, Sarah. “Bleeding Bodies and Post-Cold War Politics: Saving Private Ryan and the Gender of Vulnerability.” The War Body on Screen. Ed. Karen Randell and Sean Redmond. New York: Continuum, 2008, 102–119.

Haggith, Toby. “D-Day Filming-For Real. A Comparison of ‘Truth’ and ‘Reality’ in Saving Private Ryan and Combat Film by the British Army’s Film and Photographic Unit.” Film History: An International Journal 14.3–4 (2002): 332–353.

Haggith, Toby. “Realism, Historical Truth and the War Film: The Case of Saving Private Ryan.” Repicturing the Second World War: Representations on Film and Television. Ed. Michael Paris. Basingstoke, UK: Palgrave Macmillan, 2008, 177–191.

Hall, Martin. “Time and the Fragmented Subject in Minority Report.” Rhizomes: Cultural Studies in Emerging Knowledge 8 (Spring 2004). Web.

Hammond, Michael. “Saving Private Ryan’s ‘Special Effect.’” Action and Adventure Cinema. Ed. Yvonne Tasker. London: Routledge, 2004, 153–166.

Hanlon, Dennis. “Does Anyone Have the Right to Say, ‘I Don’t Care’?: Resistance and Reverence at Schindler’s List.” Film & History: An Interdisciplinary Journal of Film and Television 39.1 (Spring 2009): 53–65.

Hansen, Miriam Bratu. “Schindler’s List Is Not Shoah: The Second Commandment, Popular Modernism, and Public Memory.” Critical Inquiry 22.2 (Winter 1996): 292–312.

Hart, Kylo-Patrick R. and Metasebia Woldemariam. “Oprah Winfrey as Melodramatic Actress: Contributions of Winfrey’s Feature-Film Performance to the Authenticity of Her Star Persona.” Quarterly Review of Film and Video 25.3 (2008): 183–195.

Hartman, Geoffrey. “The Cinema Animal: On Spielberg’s Schindler’s List.” Salmagundi 106–107 (Spring–Summer 1995): 127–145.

Hawkins, Harriett. “Paradigms Lost: Chaos, Milton and Jurassic Park.” Textual Practice 8.2 (Summer 1994): 255–267.

Heise, Ursula K. “From Extinction to Electronics: Dead Frogs, Live Dinosaurs, and Electric Sheep.” Zoontologies: The Question of the Animal. Ed. Cary Wolfe. Minneapolis, MN: U of Minnesota P, 2003, 59–81.

Helff, Sissy. “Fragile balance: Imaginary Europes, Transcultural Aesthetics and Discourses of European Identity in Pawel Pawlikowski’s Last Resort and Steven Spielberg’s War Horse.” Journal of Postcolonial Writing 51.2 (May 2015): 132–143.

Henthorne, Tom. “Boys to Men: Medievalism and Masculinity in Star Wars and E.T.: The Extra Terrestrial.” The Medieval Hero on Screen: Representations from Beowulf to Buffy. Ed. Martha W. Driver and Sid Ray. Jefferson, NC: McFarland, 2004, 73–89.

Hintin, Dave. “Jurassic Park and the Generic Paradox in Science Fiction Film.” Impossibility Fiction: Alternativity, Extrapolation, Speculation. Amsterdam, Netherlands: Rodopi, 1996, 177–190.

Hoberman, J. “The Gremlins Franchise: Standing Spielberg on His Head.” Joe Dante. Ed. Nil Baskar and Gabe Klinger. Vienna, Austria: SYNEMA, 2013, 106–124.

Hori, Junji. “Godard, Spielberg, the Muselmann, and the Concentration Camps.” The Legacies of Jean-Luc Godard. Ed. Douglas Morrey, Christina Stojanova and Nicole Côté. Waterloo, ON: Wilfrid Laurier UP, 2014, 67–79.

Huemer, Michael. “Free Will and Determinism in the World of Minority Report.” Science Fiction and Philosophy: From Time Travel to Superintelligence. Ed. Susan Schneider. Chichester, UK: Wiley-Blackwell, 2009, 103–112.

Jess-Cooke, Carolyn. “Virtualizing the Real: Sequelization and Secondary Memory in Steven Spielberg’s Artificial Intelligence: A.I.” Screen 47.3 (Autumn 2006): 347–365.

Jones, Kent. “A King of Infinite Space.” Film Comment 49.1 (Jan-Feb 2013): 20–25.

Joseph, Barry. “Comforting Nightmares: A Meditation on Schindler’s List, Holocaust Memories and Jewish Liberation.” Response: A Contemporary Jewish Review 62 (Spring-Summer 1994): 4–14.

Kael, Pauline. “The Greening of the Solar System.” The New Yorker, 28 November 1977: 174–181.

Kafewo, Samuel Ayedime. “Exploring Narratives of the Trans-Atlantic Slave Trade in Amistad and Sankofa.” Africa and Trans-Atlantic Memories: Literary and Aesthetic Manifestations of Diaspora and History. Ed. Naana Opoku-Agyemang, Paul E. Lovejoy, and David V. Trotman. Trenton, NJ: Africa World, 2008, 147–159.

Keser, Robert. “Catch Me If You Can.” Senses of Cinema 27 (July-Aug 2003). Web.

Kluwick, Ursula. “Food for Sharks: Abjection on the Beach.” The Beach in Anglophone Literatures and Cultures: Reading Littoral Space. Ed. Ursula Kluwick and Virginia Richter. Farnham, UK: Ashgate, 2015, 139–154.

Kodat Gunther, Catherine. “Saving Private Property: Steven Spielberg’s American DreamWorks.” Representations 71 (Summer 2000): 77–105.

Koldau, Linda Maria. “Of Submarines and Sharks: Musical Settings of a Silent Menace.” Horror Studies 1.1 (2010): 89–110.

Kotwal, Kaizaad. “Steven Spielberg’s Indiana Jones and the Temple of Doom as Virtual Reality: The Orientalist and Colonial Legacies of Gunga Din.” Film Journal 1.12 (Apr 2005). Web.

Koven, Mikel J. “Schindler’s List as Jewish Rite: The Esoteric-Exoteric Factor of Cinema-Going.” Culture & Tradition 20 (1999): 5–17.

Krämer, Peter. “The Good German?: Oskar Schindler and the Movies, 1951–1993.” Hollywood’s Chosen People: The Jewish Experience in American Cinema. Ed. Daniel Bernardi, Hava Tirosh-Samuelson and Murray Pomerance. Detroit, MI: Wayne State UP, 2013, 125–140.

Krämer, Peter. “Adaptation as Exploration: Stanley Kubrick, Literature, and A.I. Artificial Intelligence.” Adaptation 8.3 (2015): 372–382.

Laist, Randy. “Hypersaurus Rex: Recombinant Reality in Jurassic Park.” Unnatural Reproductions and Monstrosity: The Birth of the Monster in Literature, Film, and Media. Ed. Andrea Wood and Brandy Schillace. Amherst, NY: Cambria, 2014, 213–234.

Lalanne, Jean-Marc. “Juridiction des images — Minority Report.” Cahiers du cinéma 572 (Oct 2002): 74–75.

Lefait, Sébastien. “Postproducing, Pre-surveillance: Minority Report.” Surveillance on Screen: Monitoring Contemporary Film and Television Programs. Lanham: Scarecrow Press, 2013, 58–69.

Lemkin, Jonathan. “Archetypal Landscapes and Jaws.” Planks of Reason: Essays on the Horror Film. Ed. Gary Keith Grant. Metuchen, NJ: Scarecrow, 1984, 277–289.

Lerner, Neil. “Nostalgia, Masculinist Discourse and Authoritarianism in John Williams’ Scores for Star Wars and Close Encounters of the Third Kind.” Off the Planet: Music, Sound and Science Fiction Cinema. Ed. Philip Hayward. London: Libbey, 2004, 96–108.

Levine, Daniel J. “Munich: Warp-Speed Storytelling and the War on Terror.” Theory and Event 9.3 (2006). Web.

Lewis, Jon. “The Perfect Money Machine(s): George Lucas, Steven Spielberg and Auteurism in the New Hollywood.” Film International 1.1 (2003): 12–26.

Lin, Ya-Huei. “The Slave Trade in the Work of Fox, Johnson, and Spielberg.” CLCWeb: Comparative Literature and Culture 14.5 (Dec 2012). Web.

Lipkin, Steve. “Defining Docudrama: In The Name of the Father, Schindler’s List, and JFK.” Why Docudrama? Fact-Fiction on Film and TV. Ed. Alan Rosenthal. Carbondale, IL: Southern Illinois UP, 1999, 370–383.

Löffler, Philipp. “Aliens in America: Toni Morrison, Steven Spielberg, and the Ends of Postmodernism.” The Poetics of Genre in the Contemporary Novel. Ed. Tim Lanzendörfer. Lanham, MD: Lexington, 2016, 17–33.

Loren, Scott. “Mechanical Humanity, or How I Learned to Stop Worrying and Love the Android: The Posthuman Subject in 2001: A Space Odyssey and Artificial Intelligence: A.I.Stanley Kubrick: Essays on His Films and Legacy. Ed. Gary D. Rhodes. Jefferson, NC: McFarland, 2008, 211–231.

Loshitsky, Yosefa. “Fantastic Realism: Schindler’s List as Docudrama.” Why Docudrama? Fact-Fiction on Film and TV. Ed. Alan Rosenthal. Carbondale, IL: Southern Illinois UP, 1999, 357–369.

Loshitsky, Yosefa. “The Post-Holocaust Jew in the Age of ‘The War on Terror’: Steven Spielberg’s Munich.” Journal of Palestine Studies 40.2 (Winter 2011): 77–87.

Lowentrout, Peter M. “The Meta-Aesthetic of Popular Science Fiction Film.” Extrapolation: A Journal of Science Fiction and Fantasy 29.4 (Winter 1988): 349–364.

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