Table des matières
Christine Reynier et Jean-Michel Ganteau
IntroductionJean-Jacques Lecercle
Autonomy Versus Commitment: Eliot, Adorno, Bakhtin and Foreign WordsGulshan R. Taneja
Privilege and Allegiance in Literature: Joyce the SatiristElena Gualtieri
Ezra Pound: Fascist Modernism as Committed Literature?Margaret Gillespie
Autonomy and Commitment and the Woman Modernist: The Example of Mina LoyAnne Besnault-Levita
Criticism, New Criticism and Virginia Woolf’s Critical CommitmentChristine Reynier
Autonomy as Commitment in Virginia Woolf’s Short StoriesMichel Morel
The Modernists’ Commitment to the Instant MomentAude Ferrand
Commitment and the Still Centre: Rosamond Lehmann’s Political and Literary War WritingsPascale Tollance
‘How Can I Be Escaping From Myself When I Am Without a Place On Earth?’: Autonomy and Commitment in Malcolm Lowry’s Under The VolcanoBen Winsworth
Existential Psychodynamics in John Fowles’s The MagusJean-Michel Ganteau
In Thy Autonomy Is Thy Commitment: Brigid Brophy’s In TransitEileen Williams-Wanquet
Committed Autonomy: Emma Tennant’s Faustine and Two Women of LondonJakob Winnberg
‘Don’t join the dots...’: Reading the Interplay of Autonomy and Commitment in Martin Amis’s Time’s ArrowSabine Requier-Ulrich
Pullman’s His Dark Material, a Paradoxical Equilibrium between Responsibility and AutonomyDavid Nowell Smith
James Kelman and the Politics of the VoiceLaurent Mellet
Zadie Smith’s Autonomous Writing Commitments to E.M. Forster- 1 White Teeth: the commitments of fiction to history
- 2 From history to aesthetics: On Beauty’s literary commitments
- 3 Autonomous means for committed ends: the linguistic actualisation of Forster
- 4 The meaning of emptiness: ‘How can I tell what I think till I see what I say?’
- 5 Committed means for autonomous ends