Illustrations
p. 395-406
Texte intégral
1Fig. 0.1a, b, c. Pyxis, manner of the Meidias Painter, 420-410. New York, Metropolitan Museum of Art 09.221.40.
2Fig. 0.2. Boeotian terracotta (8,7 x 11,4 x 9,4cm), 500-475. Paris, Musée du Louvre CA 1734.
3Fig. 0.3. Tanagra terracotta (H. 17,7cm), Boeotia, 325-200. Paris, Musée du Louvre CA 588.
4Fig. 1.1. Amphora signed Exekias (painter and potter), c. 540. Vatican, Museo Gregoriano Etrusco 16757 (344).
5Fig. 1.1a, b, c. Amphora signed Exekias (painter and potter), c. 540. Vatican, Museo Gregoriano Etrusco 16757 (344).
6Fig. 1.2a, b, c. Amphora attributed to the Swing Painter, 540-530. Naples, Museo Archeologico Nazionale H2460 (81305).
7Fig. 1.3a, b. Amphora attributed to the Leagros Group, c. 510. Richmond, Virginia Museum of Fine Arts, Adolph D. and Wilkins C. Williams Fund, 60.10.
8Fig. 1.4. Amphora attributed to the Painter of Vatican G 31, 510-500. Munich, Antikensammlungen J717 (1482).
9Fig. 1.5. Amphora, near Madrid Painter, c. 520. Berlin, Antikensammlung F1870.
10Fig. 1.6. Amphora attributed to the Swing Painter, c. 525. Brussels, Musée de la Loterie.
11Fig. 1.7. Amphora attributed to the Painter of Group E, 530-520. Basel, Antikenmuseum und Sammlung Ludwig BS 1921.328.
12Fig. 1.8a, b. Amphora attributed to Lysippides (painter) and Andokides (painter), c. 525 (drawings before restoration). Boston, Museum of Fine Arts 01.8037.
13Fig. 1.9. Kyathos attributed to the Caylus Painter, c. 490. Brussels, Musées Royaux R2512.
14Fig. 1.10a, b. Amphora attributed to the Antimenes Painter, 550-500. Cambridge, Fitzwilliam Museum GR.29.1864 (GR50).
15Fig. 1.11a, b. Calyx-krater attributed to the Rycroft Painter, 520-510. Toledo, Museum of Art 63.26 (1963.26).
16Fig. 1.12a, b. Amphora attributed to the Leagros Group, 540-530. Florence, Museo Archeologico Nazionale no inv. number (ex coll. Campana).
17Fig. 1.13a. Terracotta table (18 x 24,8 x 18,3cm), 675-650. Athens, National Museum NAM 25665. Terracotta dice (H. 2,5cm). Athens, National Museum NAM 25664.
18Fig. 1.13b. Terracotta table (H. 15cm), 580-570. Athens, Kerameikos Museum 45 and 47.
19Fig. 1.13c. Terracotta table (H. 14 x 37 x 18,3cm), 600-575. Copenhagen, National Museum 1950.
20Fig. 1.13d. Terracotta table (12,8 x 28 x 20,3cm), 600-575. La Tour-de-Peilz, Swiss Museum of Games 700.
21Fig. 1.14. Unattributed lekythos, 500-475. Athens, Acropolis Museum ΝΑ 1957 Αα 2146.
22Fig. 1.15. Amphora attributed to the Chiusi Painter, c. 510. Berlin, Antikensammlung 1962.28.
23Fig. 1.16. Cup signed Python (potter) and Douris (painter), c. 480. Vienna, Kunsthistorisches Museum 3695.
24Fig. 1.17. Unattributed hydria, 525-475. Paris, Musée du Louvre F 291 (Cp 202).
25Fig. 1.18a, b. Cup attributed to the Euergides Painter, c. 510. London, British Museum 1836,0224.125 (E10).
26Fig. 1.19. Amphora attributed to the Red-line Painter, 500-475. Copenhagen, Thorvaldsen Museum H512.
27Fig. 1.20. Stamnos attributed to the Berlin Painter, c. 485. Munich, Antikensammlungen 2406.
28Fig. 1.21. Amphora, Manner of the Acheloos Painter, c. 510. Munich, Antikensammlungen 1547 (J434).
29Fig. 1.22a, b. Hydria attributed to the Leagros Group, 510-500. Würzburg, Martin von Wagner Museum HA33 (L311).
30Fig. 1.23. Plate attributed to the Burgon Group, c. 525. Berlin, Antikensammlung V.I. 3267.
31Fig. 1.24. Apmhora attributed to the Leagros Group, 510-500. Munich, Antikensammlungen 1417 (J3).
32Fig. 1.25. Lekythos, near the Edinburgh Painter, c. 500. Boston, Museum of Fine Arts 95.15.
33Fig. 1.26. Cup signed Epictetes (painter), c. 510. Rome, Museo Nazionale Etrusco di Villa Giulia 57912.
34Fig. 1.27. Etruscan mirror, 300-250. Madrid, Museo Arqueológico Nacional 9829. After ES II: 235.
35Fig. 1.28. Amphora attributed to the Leagros Group, c. 500. Orvieto, Museo Etrusco Claudio Faina 2701/186.
36Fig. 1.29. Hydria attributed to the Leagros Group, 525-500. Paris, Musée du Louvre F 299 (Cp 129).
37Fig. 1.30. Cup attributed to the Group of Rodi 12264, c. 500. Marzabotto, Museo Nazionale Etrusco 489 (E28).
38Fig. 1.31. Amphora attributed to the Leagros Group, 525-500. Essen, Folkwang Museum A 176.
39Fig. 1.32. Oinochoe attributed to the Leagros Group, 520-510. Munich, Antikensammlungen J1334 (1790).
40Fig. 1.33a, b. Unattributed cup, c. 540. Vatican, Museo Gregoriano Etrusco Vaticano A343 (17811).
41Fig. 1.34. Bell-krater attributed to the Dolon Painter, c. 400. Princeton, Princeton University Art Museum y1986-33.
42Fig. 1.35a, b. Cup attributed to the Amasis Painter(?), c. 530. Copenhagen, National Museum 13521.
43Fig. 1.36. Cup fragment, 530-525. Moscow, Pushkin State Museum of Fine Arts GMII M-927.
44Fig. 1.37. Hydria attributed to the Berlin Painter, 490-480. New York, Metropolitan Museum of Art 65.11.12.
45Fig. 1.38a, b. Pelike attributed to the Plousios Painter, c. 520. Private collection.
46Fig. 1.39a, b. Pelike attributed to the Plousios Painter, c. 520. New York, Metropolitan Museum of Art 68.27.
47Fig. 1.40. Unattributed cup fragment, c. 520. Athens, Agora Museum P 30782.
48Fig. 1.41. Amphora attributed to the Euphiletos or Priam Painter, 520-510. Brussels, Musées Royaux R 328.
49Fig. 1.42. Column-krater attributed to the Hephaistos Painter, c. 440. Berlin, Antikensammlung V.I. 3199.
50Fig. 1.43a. Fragment of a statuary group, 510-500. Athens, Acropolis Museum 161, 168.
51Fig. 1.43b. Reconstruction of a fragmentary statuary group from the Acropolis, 510-500.
52Fig. 1.44. Funerary marble stele, c. 400. Eretria, Archaeological Museum M336.
53Fig. 1.45. Funerary marble altar, c. 400. Larissa, Diachronic Museum.
54Fig. 1.46. Marble abacus (8,5 x 127 x 78cm, 215kg), Oropos, Amphiaraos sanctuary.
55Fig. 1.47. Apulian volute krater, 330-320. Naples, Museo Archeologico Nazionale 81947 (H3253).
56Fig. 1.48. Bronze shield armband, 550-500. Olympia, Archaeological Museum B1647.
57Fig. 1.49a. Etruscan bronze mirror, 400-300. Rome, Museo Nazionale Etrusco di Villa Giulia 6425.
58Fig. 1.49b. Etruscan bronze mirror, 400-300. Milan, Sambon collection 439, St. 1753.
59Fig. 1.49c. Etruscan bronze mirror, 300-200. London, British Museum 1898.0716.4.
60Fig. 1.50a. Cup, circle of the Thalia Painter, c. 510. Basel, Collection Herbert A. Cahn 133.
61Fig. 1.50b, c, d. Details of the tondo.
62Fig. 1.51. Terracotta dice (4,5 x 4,2 x l. 4), 665-640. Athens, Archaeological Museum NAM 19366.
63Fig. 1.52a. Lost scarab, 5th century.
64Fig. 1.52b. Carnelian scarab (1,3 x 1,1cm), c. 450. Private collection.
65Fig. 1.52c. Carnelian scarab (1,6 x 1,2cm), 600-500. London, British Museum 1868,0520.19.
66Fig. 2.1a, b, c. Marble, funerary kouros base (32 x 81 x 81cm), 500-490. Athens, National Museum 3476.
67Fig. 2.2a, b, c. Pentelic marble, funerary kouros base (27,5 x 82 x 59), 500-490. Athens, National Museum 3477.
68Fig. 2.3a, b, c. Pentelic marble, funerary kouros base (29,3 x 79,2cm), 500-490. Athens, Kerameikos Museum 1002.
69Fig. 2.4. Cup signed Chachrylion (potter), attributed to the Louvre Painter G36, c. 510. Paris, Musée du Louvre MN 344 (N 3428).
70Fig. 2.5. Bronze figurine (H. 14,7cm), 460-450. Berlin, Antikensammlung 8089.
71Fig. 2.6. Marble funerary stele (44 x 33,5cm), 400-375. Athens, National Museum 873.
72Fig. 2.7. Corinthian terracotta (H. 21cm), 300-200. Paris, Musée du Louvre MNC 335.
73Fig. 2.8. Rhyton attributed to the Calliope Painter, 450-400. Beiruth, National Museum 123.
74Fig. 2.9. Unattributed chous, c. 420. New York, Metropolitan Museum of Art 25.78.48.
75Fig. 2.10a, b, c, d. Skyphos attributed to the Theseus Painter, 525-475. Brussels, Musées Royaux R327.
76Fig. 2.11. Amphora attributed to the Swing Painter, 550-500. London, British Museum 1837,0609.65 (B182).
77Fig. 2.12. Lekythos attributed to the Edinburgh Painter, 500-490. Oxford, Ashmolean Museum V250.
78Fig. 2.13. Unattributed chous, 475-450. Munich, Antikensammlungen 6092.
79Fig. 2.14. Lekythos attributed to the Beldam Painter, 470-460. Athens, Kerameikos Museum KER8259.
80Fig. 2.15. Calyx-krater attributed to the Niobid Painter, 460-450. London, British Museum 1856,1213.1.
81Fig. 2.16. Lekythos, Manner of the Tarquinia Painter, c. 470. Paris, Musée du Louvre CA 1988.
82Fig. 2.17. Chous attributed to the Painter of Munich 8742, c. 420, private collection.
83Fig. 2.18. Oinochoe attributed to the Shuvalov Painter, 430-420. Berlin, Antikensammlung F 2417.
84Fig. 2.19. Unattributed chous fragment, 400-375. Heidelberg, Antikensammlung der Universität K22.
85Fig. 2.20. Amphora attributed to the Geras Painter, 500-450. Copenhagen, Thorvaldsen Museum 99.
86Fig. 2.21a, b, c. Unattributed aryballos, c. 400. Würzburg, Martin von Wagner Museum H4540.
87Fig. 2.22. Cup attributed to Douris, c. 480. Baltimore, Johns Hopkins Archaeological Museum B9.
88Fig. 2.23. Lekythos attributed to the Painter of London E 342, c. 450. Tübingen, Archäologisches Institut S.10814.
89Fig. 2.24. Cup attributed to Brygos, 490-480. Florence, Museo Archeologico Nazionale 80528.
90Fig. 2.25. Cup attributed to the Kiss Painter, c. 500. Baltimore, Johns Hopkins Archaeological Museum B5.
91Fig. 2.26. Cup attributed to the Tarquinia Painter, c. 460. Princeton, University Art Museum 1945-182.
92Fig. 2.27. Volute krater attributed to the Group of Copenhagen 4223, 350- 340. Brussels, Musées Royaux A730.
93Fig. 2.28. Cup attributed to Douris, c. 480. Berlin, Antikensammlung F 3168.
94Fig. 2.29. Pelike signed Hermonax (painter), 470-460. Basel, Antikenmuseum und Sammlung Ludwig BS 483.
95Fig. 2.30a, b. Unattributed oinochoe, 435-400. Erlangen, Antikensammlung I 276.
96Fig. 2.31. Cup attributed to the Karlsruhe Painter, c. 425. Berlin, Antikensammlung F 2549.
97Fig. 2.32a, b. Bobbin attributed to the Penthesilea Painter, 475-425. New York, Metropolitan Museum of Art 28.167.
98Fig. 2.33. Unattributed bobbin, c. 470. Athens, National Museum A 10459.
99Fig. 2.34. Unattributed cup fragment, c. 520. New York, Metropolitan Museum of Art 2011.604.1.2385A-C.
100Fig. 2.35. Cup attributed to the Proto-Panaitian Group, 480-470. Private collection.
101Fig. 2.36. Gnathia style pelike, c. 320. Kiel, Antikensammlung B591.
102Fig. 2.37. Amphora attributed to the Tyszkiewicz Painter, 500-450. Orvieto, Museo Etrusco Claudio Faina 33.
103Fig. 2.38. Bell-krater attributed to the Berlin Painter, 500-490. Paris, Musée du Louvre G 175.
104Fig. 2.39. Oinochoe attributed to the Pan Painter, c. 470. New York, Metropolitan Museum of Art 23.160.55.
105Fig. 2.40. Cup signed Hieron (potter) and Makron (painter), c. 490. Munich, Antikensammlungen 2674.
106Fig. 2.41. Cup attributed to the Colmar Painter, c. 500. Paris, Musée du Louvre G81.
107Fig. 2.42. Psykter attributed to the Painter of the Yale Lekythos, c. 450. Berlin, Antikensammlung V.I. 3407.
108Fig. 2.43. Lekanis attributed to the Painter of Athens 1243/the Meidias Painter, c. 440. Geneva, Musée d’Art et d’Histoire 16902.
109Fig. 2.44. Amphora attributed to the Briseis Painter, c. 480. Cambridge, Fitzwilliam Museum GR.23.1937.
110Fig. 2.45. Unattributed lekythos, c. 440. Londres, British Museum 1920,1221,3 (D 58).
111Fig. 2.46. Skyphos attributed to the Foundry Painter, 500-450. Athens, National Museum 14705.
112Fig. 2.47a, b. Oinochoe attributed to the Harrow Painter or the Berlin Painter, 480-470. Tampa, Museum of Art, Joseph Veach Noble Collection 1986.073/1986.072.
113Fig. 2.48. Marble funerary relief, c. 380. Athens, National Museum 884.
114Fig. 2.49. Marble funerary stele, c. 460. Athens, National Museum 1825.
115Fig. 2.50. Fragmentary cup, c. 500. Berlin, Antikensammlung 2280 and 2281 (lost).
116Fig. 2.51. Loculus Slab. Rome, catacomb of Callixtus, in situ.
117Fig. 2.52a, b, c. Spinning tops fragments from the Kabeiron of Thebes, c. 375. Thebes Museum A 363.
118Fg. 2.53. Bronze statuette (H. 36cm), 350-325. Munich, Antikensammlungen SL25.
119Fig. 3.1. Lekythos attributed to the Karlsruhe Painter, c. 450. New York, Metropolitan Museum of Art 41.162.147.
120Fig. 3.2a, b. Amphora, manner of the Painter of London E342, c. 450. Milan, Sambon collection 698, St. 1323.
121Fig. 3.3. Cup attributed to the Penthesilea Painter, c. 460. Boston, Museum of Fine Arts 13.84.
122Fig. 3.4. Boeotian pyxis, 430-410. Athens, Moutoussi collection. Photographic reconstruction.
123Fig. 3.5. Apulian pelike attributed to the Painter of Karlsruhe B9, 380-360. Matera, Museo Nazionale Domenico Ridola 164517.
124Fig. 3.6a, b. Apulian pelike, 330-320. Cambridge, Fitzwilliam Museum GR.47.1865.
125Fig. 3.7. Lebes attributed to the Washing Painter, 430-420. Tübingen, Archäologisches Institut 5643.
126Fig. 3.8. Pyxis attributed to the Pistoxenos, 480-470. Brussels, Bibliothèque royale 9.
127Fig. 3.9. Unattributed cup, 440-420. Chicago, the David and Alfred Smart Museum of Art 1967.115.347.
128Fig. 3.10a, b. Apulian baril, 380-360. Reggio Calabria, Museo Archeologico Nazionale 4794.
129Fig. 3.11. Non-attic skyphos, c. 425. Private collection.
130Fig. 3.12a, b, c. Silver obols, 420-400. Würzburg, Martin von Wagner Museum H 6591, 6600, 6593.
131Fig. 3.13a, b. Bell-krater attributed to the Konnakis Painter, c. 450. Munich, Antikensammlungen DV73.
132Fig. 3.14. Hydria fragment attributed to the Kleophon Painter, 440-430. Tübingen, Archäologisches Institut 1632.
133Fig. 3.15. Apulian pelike attributed to the Painter of Zurich 2657, c. 330. Milan, Civico Museo Archeologico A 0.9.1868 - St. 6874.
134Fig. 3.16a, b, c. Unattributed pyxis, 425-400. New York, Metropolitan Museum of Art 06.1021.119.
135Fig. 3.17. Lekanis lid, near the Meidias Painter, 425-400. Athens, National Museum 17534.
136Fig. 3.18a, b. Apulian skyphos attributed to the workshop of the Ilioupersis Painter, 375-350. Providence, Rhode Island School of Design 25.089.
137Fig. 3.19. Oinochoe attributed to the Class of Altenburg, c. 510. Private collection (ex Rome, coll. Signorelli).
138Fig. 3.20. Lekythos attributed to the Karlsruhe Painter, 470-460. Malibu, J. Paul Getty Museum 71.AE.444.
139Fig. 3.21. Campanian amphora attributed to the Ixion Painter, c. 330. Paris, Musée du Louvre CA 3202.
140Fig. 3.22. Gnathia style Apulian pelike, 325-300. Bari, Museo Archeologico Provinciale 2736.
141Fig. 3.23. Siceliote calyx-krater attributed to the Chessboard Painter, 410-380. Palermo, Collection Mormino 285.
142Fig. 3.24. Bell-krater attributed to the Painter of Group G, c. 330. Munich, Antikensammlungen 2396.
143Fig. 3.25. Terracotta figurine (H. 13,8cm), c. 300. New York, Metropolitan Museum of Art 07.286.4.
144Fig. 3.26. Terracotta figurine (H. 22,5cm), 300-200. Munich, Antikensammlungen 187.
145Fig. 3.27. Terracotta figurine (H. 33,7cm), c. 240. Munich, Antikensammlungen TC 6758.
146Fig. 3.28. Unattributed lekythos, 440-430. New York, Metropolitan Museum of Art 1875, 75.2.9.
147Fig. 3.29a, b. Lekythos attributed to the Bosanquet Painter, 440-430. Boston, coll. John Herrmann Jr.
148Fig. 3.30a, b, c, d. Pyxis lid attributed to Aison Painter, 440-430. Athens, National Museum BS 58.
149Fig. 3.31. Lekythos attributed to the Sabouroff Painter, 460-450. Athens, National Museum, collection M. Vlastos-Serpieris.
150Fig. 3.32. Cup signed Hegesiboulos (potter), attributed to the workshop of the Sotades Painter, c. 460. Brussels, Musées Royaux A891.
151Fig. 3.33a, b. Apulian pelike, 390-380. Matera, Museo Nazionale Domenico Ridola 14294.
152Fig. 3.34. Apulian pelike attributed to the Darius Painter, 340-320. Morlanwelz, Musée royal de Mariemont 2016/47.
153Fig. 3.35. Apulian bell-krater, c. 425. Syracuse, Museo Archeologico Regionale Paolo Orsi 36465.
154Fig. 3.36. Unattributed pyxis lid, 420-410. Athens, Paul and Alexandra Kanellopoulos Museum Δ 117.
155Fig. 3.37. Gold earrings, 340-300. Berlin, Antikensammlung G.I. 165/166.
156Fig. 3.38a, b. Lekythos attributed to the Apollonia Painter, c. 350. Baltimore, The Walters Art Museum 48.84.
157Fig. 3.39a, b. Amphora attributed to the Princeton Painter, c. 530. Stuttgart, Landesmuseum Württemberg 65/1.
158Fig. 3.40. Unattributed squat lekythos, c. 400. Munich, Antikensammlungen 2520.
159Fig. 3.41a, b. Hydria attributed to the Painter of Athens 1454, 430-420. Athens, National Museum 1178 (CC1247).
160Fig. 3.42a, b. Column-krater fragment attributed to the Leningrad Painter, 470- 460. Boston, Museum of Fine Arts 10.191.
161Fig. 3.43. Hydria attributed to the Dwarf Painter, 440-430. Madrid, Museo Arqueológico Nacional 11128.
162Fig. 3.44. Apulian bell-krater, 390-380. Metaponto, Archaeological Museum 324335.
163Fig. 3.45. Gnathia style Taretine pelike (Rose Painter?), c. 330. Private collection.
164Fig. 3.46. Paestan bell-krater attributed to Asteas, c. 380. Vienna, private collection.
165Fig. 3.47. Calyx-krater attributed to the LC Group, c. 330. Athens, National Museum 12544.
166Fig. 3.48. Gold ring (2,2 x 1,8cm), c. 350. Malibu, J. Paul Getty Museum 85.AM.277.
167Fig. 3.49. Hydria attributed to the Washing Painter, c. 440-420. Warsaw, National Museum 14299.3.
168Fig. 3.50. Apulian volute-krater attributed to the Sisyphus Painter, c. 420. Munich, Antikensammlungen 3268.
169Fig. 3.51. Cup fragment attributed to the Sotades Painter, c. 450. Basel, coll. Herbert A. Cahn 431.
170Fig. 3.52. Lekane attributed to the Ilioupersis Painter, c. 380. Naples, Museo Archeologico Nazionale 82038 (H2574).
171Fig. 3.53a, b, c, d. Oon attributed to a workshop near the Eretria Painter, c. 420. Athens, National Museum 332.
172Fig. 3.53e. Oon attributed to a workshop near the Eretria Painter, c. 420. Athens, National Museum 332.
173Fig. 3.54. Boeotian skyphos, c. 410. Boston, Museum of Fine Arts 99.533.
174Fig. 4.1a, b. Amphora attributed to the Painter of Munich, c. 530. Karlsruhe, Badisches Landesmuseum 61/89.
175Fig. 4.2. Unattributed chous, c. 430. Gotha, Schlossmuseum Ahv 66.
176Fig. 4.3. Unattributed chous, c. 400. Paris, Musée du Louvre CA 2961.
177Fig. 4.4. Unattributed chous, 425-400. Paris, Musée du Louvre CA 2916.
178Fig. 4.5. Unattributed chous, c. 420. Munich, collection Preyss.
179Fig. 4.6. Bronze (H. 14,2cm), 400-300. Ioaninna, Musée archéologique 1410.
180Fig. 4.7. Unattributed chous, 440-425. London, British Museum 1910,0615.4.
181Fig. 4.8. Unattributed chous, 400-390. Athens, National Museum 1268 (CC 1878).
182Fig. 4.9. Unattributed chous, c. 410. Munich, Antikensammlungen 1747.
183Fig. 4.10. Attic marble funerary stele, 400-300. Brauron, Brauron Museum ΒΕ 4455.
184Fig. 4.11. Chous attributed to the Group of Boston 10.190, c. 420. Malibu, J. Paul Getty Museum 96.AE.28.
185Fig. 4.12. Unattributed chous, c. 420. London, British Museum 1842,0728.928.
186Fig. 4.13. Unattributed chous, c. 430. Davis Museum at Wellesley College, Wellesley 1969.17.5.
187Fig. 4.14. Unattributed chous, 450-400. Vienna, Kunsthistorisches Museum IV 1973.
188Fig. 4.15. Unattributed chous, 450-400. Athens, Agora Museum P 20090.
189Fig. 4.16. Unattributed chous, 450-400. Brussels, Musées Royaux A906.
190Fig. 4.17. Unattributed chous, 450-400. Athens, National Museum 1611 (CC 1316).
191Fig. 4.18. Unattributed chous, 450-400. Berlin, Antikensammlung F 2425.
192Fig. 4.19. Unattributed chous, 425-375. Athens, National Museum 2543 (CC 133C).
193Fig. 4.20. Unattributed chous, 425-375. Athens, National Museum 12141.
194Fig. 4.21. Unattributed chous, 425-375. Athens, National Museum 1321 (CC 1334).
195Fig. 4.22. Unattributed chous, 430-426. Athens, Kerameikos Museum A15272.
196Fig. 4.23. Unattributed chous, c. 420. New Haven, Yale University Art Gallery 1993.46.25.
197Fig. 4.24. Unattributed chous, 450-400. Berlin, Antikensammlung F 2423.
198Fig. 4.25. Unattributed chous, c. 420. Worcester, Art Museum 1931.56.
199Fig. 4.26. Unattributed chous, 450-400. Zürich, Archäologische Sammlung der Universität Zürich 2504.
200Fig. 4.27. Unattributed chous, 450-400. Private collection.
201Fig. 4.28. Chous attributed to the Painter of Munich 8742, c. 420. Munich, Antikensammlungen 8742.
202Fig. 4.29a, b. Unattributed aryballos, 450-400. Private collection.
203Fig. 4.30a, b. Unattributed chous, c. 425. Berlin, Humboldt University, Institut Winckelmann D436.
204Fig. 4.31. Unattributed chous, 430-425. Athens, National Museum 1654.
205Fig. 4.32. Chous, 425-375. Munich, Antikensammlungen S69.
206Fig. 4.33. Chous, 430-420. Tübingen, Archäologisches Institut S.101380.
207Fig. 4.34. Chous, 425-375. Paris, Musée du Louvre L 73 (MNB 3061).
208Fig. 4.35. Chous, 450-400. Leiden, Rijksmuseum van Oudheden KVB 64.
209Fig. 4.36. Unattributed chous, c. 425. Athens, Agora Museum P 27313.
210Fig. 4.37. Unattributed chous, c. 450-400. Athens, National Museum 14527.
211Fig. 4.38. Unattributed chous, 450-400. Athens, National Museum 1223 (CC 1337).
212Fig. 4.39. Chous attributed to the Group of Athens 12144, 450-400. Athens, National Museum 12144 (N1047).
213Fig. 4.40. Unattributed chous, 450-400. Athens, National Museum 17753.
214Fig. 4.41. Unattributed chous, 450-400. Athens, National Museum 1267 (CC 1312).
215Fig. 4.42. Unattributed chous, 440-420. Brussels, Musées Royaux A2319.
216Fig. 4.43. Unattributed chous, c. 410. Munich, Antikensammlungen J196 (2464).
217Fig. 4.44. Unattributed chous, c. 420. Athens, National Museum 17282.
218Fig. 4.45. Unattributed chous, 430-420. Munich, Antikensammlungen 8933.
219Fig. 4.46. Unattributed chous fragment, c. 420. Amsterdam, Allard Pierson Museum 326.
220Fig. 4.47. Unattributed chous, c. 400. New York, Metropolitan Museum of Art 1921 21.88.80.
221Fig. 4.48. Unattributed chous, 425-375. Paris, Musée du Louvre CA 1354.
222Fig. 4.49. Unattributed chous, 430-420. Athens, National Museum 17286.
223Fig. 4.50a, b. Unattributed chous, c. 450. New York, Metropolitan Museum of Art 24.97.34.
224Fig. 4.51. Unattributed chous, c. 410. Baltimore, The Walters Art Museum 48.206.
225Fig. 4.52. Unattributed lekythos, 450-425. Berlin, Antikensammlung F 2439.
226Fig. 4.53. Chous attributed to the Amphitrite Painter, c. 460. Athens, National Museum 12139.
227Fig. 4.54. Amphora attributed to the Flying Angel Painter, c. 480. Boston, Museum of Fine Arts 98.882.
228Fig. 4.55. Unattributed cup, 500-450. Berlin, Sammlung des Winckelmann-Instituts der Humboldt-Universität zu Berlin F 2550.
229Fig. 4.56. Unattributed chous, c. 420. Athens, National Museum 1322 (CC 1333).
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