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John Keats

Caroline Bertonèche


Texte intégral


Houghton Library, Harvard Keats Collection 1814-1891 (inclusive), MS Keats 1-6 (ca. 25 linear ft.).

Houghton Library, Harvard Keats Collection 1817-1922, MS Keats 7, 1 vol., 1 box (3 linear ft.).

Houghton Library, Harvard Keats Collection, Adonais... with notes... by Joseph Severn [the notes only], MSS ; Rome, 30 August 1873, 4.16.3.

Houghton Library, Harvard Keats Collection, Biographical notes on Keats by Joseph Severn, KC 182. MS (unsigned; incomplete) ; [n. p., October 1845 ?], 4.16.1.

Houghton Library, Harvard Keats Collection, Fragment of a Travel Journal in Italy in 1822 by Joseph Severn, MS (unsigned, incomplete) ; [n. p., n. d.], 4.16.5.

Houghton Library, Harvard Keats Collection, Manuscripts concerning Joseph Severn collected by Arthur Amory Houghton, MS Eng. 1427, 1 v. (1 linear ft.).

Houghton Library, Harvard Keats Collection, My Tedious Life by Joseph Severn, MSS ; Tossa, September 1863. 4.16.4.

Houghton Library, Harvard Keats Collection, On the Adversities of Keats’s Fame by Joseph Severn, MSS ; Rome, [25 December] 1861, 4.16.2.

Houghton Library, Keats Room, Plan for the Various Incidents of my Life by Joseph Severn, MS (unsigned) ; [n. p.] 18 Jan. 1857-5 Sep. 1858 and [n. d.]. 45 f. (85 p.), no 493.

Keats-Shelley House, Rome, Compilation of manuscripts on John Keats by G. Robertson, 13 loose sheets, no G008.

London Metropolitan Archives, Unpublished Letters by Joseph Severn, MSS, no 1-192.

New York Library, Carl H. Pforzheimer Collection of Shelley and his Circle: Manuscripts, 1772-1925 (bulk 1780-1850), Pforz MS., 9000 items.

Textes de John Keats

Éditions anglophones

« Letters of John Keats to his Family and Friends. London: 1891 », Sydney Colvin (éd.), Edinburgh Review, vol 183, no 376, 1896, p. 306-335.

Letters of John Keats to Fanny Brawne: 1819-1820, New York, G. Broughton & B. Dunham, 1901.

The Letters of John Keats, 1814-1821, Hyder E. Rollins (éd.), 2 vol., Cambridge, Harvard University Press, 1958.

John Keats’s Anatomical and Physiological Notebook, printed from the holograph in the Keats Museum, Hampstead, Maurice B. Forman (éd.), Brooklyn, Haskell House, 1970.

The Letters of John Keats: A Selection, Robert Gittings (éd.), Oxford, Oxford University Press, 1970.

The Odes of Keats and their Earlier Known Manuscripts in Facsimile, Robert Gittings (éd.), Kent, The Kent State University Press, 1970.

Complete Poems, Jack Stillinger (éd.), Cambridge, Harvard University Press, 1978.

A Critical Edition of the Major Works, Elizabeth Cook (éd.), Oxford, Oxford University Press, 1990.

Traductions françaises

Poèmes choisis, Albert Laffay (trad. et éd.), édition bilingue, Paris, Aubier-Flammarion, 1968.

Lettres, Robert Davreu (trad.), Paris, Belin, « Littérature et politique », 1993.

Poèmes et poésies, Paul Gallimard (trad.), Paris, Gallimard, 1996.

Sur l’aile du phénix, Claude Dandréa (trad. et éd.), Paris, José Corti, 1996.

Poèmes, Robert Ellrodt (trad. et éd.), Paris, Imprimerie nationale, 2000.

Textes de Percy B. Shelley

Éditions anglophones

Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc., H. Buxton Forman (éd.), Pise, With the types of Didot, 1821.

Essays, Letters from Abroad, Translations and Fragments, Mary Shelley (éd.), Londres, E. Moxon, 1845.

Relics of Percy Bysshe Shelley, Richard Garnett (éd.), Londres, E. Moxon, 1862.

The Letters of Percy Bysshe Shelley, Frederick L. Jones (éd.), 2 vol., Oxford, Clarendon Press, 1964.

Shelley’s Poetry and Prose: Authoritative Texts, Criticism, Donald H. Reiman & Sharon B. Powers (éd.), Londres, W.W. Norton, 1977.

Shelley’s Adonais: A Critical Edition, Anthony D. Knerr (éd.), New York, Columbia University Press, 1984.

Fair-Copy Manuscripts of Shelley’s Poems in European and American Libraries, Donald H. Reiman & Michael O’Neill (éd.), New York, Garland Pub, 1997.

Traductions françaises

Ode au vent d’Ouest. Adonaïs et autres poèmes, Robert Davreu (trad. et éd.), édition bilingue, Paris, José Corti, 1998.

Poèmes, Robert Ellrodt (trad.), édition bilingue, Paris, Imprimerie nationale, 2006.

Textes de référence

Anonyme, « Endymion: A Poetic Romance. By John Keats. 8 vo. 207 p. London, 1818 », Edinburgh Review, vol. 34, no 67, 1820, p. 203-213.

Anonyme, « Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. By Percy Bysshe Shelley. Pisa, 1821 », The European Magazine and London Review, no 18, 1825, p. 345-354.

Anonyme, « Review of Adonais: An Elegy on the Death of John Keats… », The Athenaeum, no 97, 1829, p. 544-546.

Anonyme, « Poems by John Keats. 16mo. London: 1817 », Edinburgh Review, vol. 162, no 331, 1885, p. 1-36.

Arnold Matthew, Essays in Criticism, Londres, Dent & Sons, Everyman’s Library, 1964.

Auden Wystan H., « Keats in his Letters: A Review of The Selected Letters of John Keats, edited by Lionel Trilling », Partisan Review, vol. 18, no 6, 1951, p. 701-706.

Brawne Fanny, Letters of Fanny Brawne to Fanny Keats, 1820-1824, Fred Edgcumbe (éd.), Londres, Oxford University Press, 1936.

Brown Charles A., Life of John Keats, D. H. Bodurtha & W.B. Pope (éd.), Folcroft, Folcroft Press, 1937.

—, The Letters of Charles Armitage Brown, Jack Stillinger (éd.), Cambridge, Harvard University Press, 1966.

Burgess Thomas H., The Physiology or Mechanism of Blushing; Illustrative of the Influence of Mental Emotion on the Capillary Circulation; with a General View of the Sympathies, and the Organic Relations of those Structures with which they Seem to Be Connected, Londres, John Churchill, 1839.

Byron George G., lord, Don Juan, Truman G. Steffan & Willis W. Pratt (éd.), Londres, Penguin Books, 1973.

—, Byron’s Poetry: Authoritative Texts, Letters and Journals, Criticism and Images of Byron, Franck D. McConnell (éd.), Londres, W.W. Norton, 1978.

Carlyle Thomas, On Heroes, Hero-Worship and the Heroic in History, Carl Niemeyer (éd.), Lincoln, University of Nebraska Press, 1966.

Clamptt Amy, A Homage to John Keats, New York, Sarabande Press, 1984.

Colvin Sydney, Keats, Londres, Macmillan, 1957.

Cornwall Barry, « An Elegy on the Death of John Keats », The Athenaeum, no 228, 1832, p. 162.

Eliot Thomas S., « Shelley and Keats », The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England, Londres, Faber & Faber, 1933, p. 87-102.

Fergusson Margaret, Salter Mary Jo & Stallworthy Jon (éd.), The Norton Anthology of Poetry, New York/Londres, W.W. Norton, 1996.

Forman H. Buxton, Shelley and Keats in the Twentieth Century: A Causerie, Londres, Bookman, 1912.

—, John Keats and his Family. A Series of Portraits, Edinburgh, Dunedin Press, 1933.

Hazlitt William, The Spirit of the Age or Contemporary Portraits, Eric D. Mackerness (éd.), Plymouth, Northcote House, 1991.

Howitt William, Homes and Haunts of the Most Eminent British Poets, 2 vol., Londres, Richard Bentley, 1847.

Hunt Leigh, « Mr. Keats. With a Criticism of his Writings », Lord Byron and Some of his Contemporaries, Londres, Henry Colburn, 1828, p. 407-450.

L., « Town Conversation no iv: Death of Mr. John Keats », London Magazine, no 3, 1821, p. 426-427.

Lockhart John G., « The Cockney School of Poetry », Blackwood’s Edinburgh Magazine, no 3, août 1818, p. 519.

Milnes Richard M. (éd.), Life, Letters and Literary Remains of John Keats, Londres, E. Moxon, 1848.

Milton John, The Complete Poetry of John Milton, John T. Shawcross (éd.), New York, Anchor Books/Doubleday, 1963.

Morris Harrison S., Two Epitaphs, Londres, Macmillan, 1913.

Norton Charles E., A Memorial to John Keats, Cambridge, Harvard University Press, 1894.

Owings Frank N., Jr., The Keats Library: A Descriptive Catalogue, Londres, Keats-Shelley Memorial Association, 1978.

Rilke Rainer Maria, Letters to a Young Poet, M.D. Herter Norton (trad.), Londres, W.W. Norton, 1993.

Rilke Rainer Maria & Severn Joseph, On the Drawing of John Keats in Death, C. Corman & H. Lyman (trad.), édition bilingue, New Rochelle, James L. Weil, 2002.

Rollins Hyder E. (éd.), The Keats Circle: Letters and Papers, 1816-1878, 2 vol., Cambridge, Harvard University Press, 1948.

Rossetti Dante G., John Keats: Criticism and Comment, Londres, printed [for T.J. Wise] for private circulation only by R. Clay and Sons, 1919.

Rossetti William M., Life of John Keats, Londres, Walter Scott, 1887.

Severn Joseph, « On the Vicissitudes of Keats’s Fame », Atlantic Monthly: A Magazine of Literature, Art and Politics, avril 1893, p. 401-407

—, John Keats: Letters of Joseph Severn to H. Buxton Forman, Oxford, J. Johnson, 1933.

—, Letters and Memoirs, Grant F. Scott (éd.), Aldershot, Ashgate, 2005.

Sharp William, The Life and Letters of Joseph Severn, Londres, Sampson Low, Marston & Co, 1892.

Stoddard Richard H., « To the Immortal Memory of Keats », Scribner’s Monthly Magazine, no 20, 1880, p. 224.

Swinburne Algernon C., Notes on Poems and Reviews, Londres, J.C. Hotten, 1866.

Trelawny Edward J., The Last Days of Shelley and Byron: Being the Complete Text of Trelawny’s « Recollections » Edited with Additions from Contemporary Sources, Jack E. Morpurgo (éd.), Westminster, Folio Society, 1952.

—, Records of Shelley, Byron, and the Author, David Wright (éd.), Londres, Penguin Books, 1973.

Wordsworth William, The Poetical Works of William Wordsworth, Londres, E. Moxon, 1847.

Autres textes critiques

Critiques anglophones

Abrams Meyer H., The Mirror and the Lamp: Romantic Theory and the Critical Tradition, Oxford, Oxford University Press, 1953.

—, Natural Supernaturalism: Tradition and Revolution in Romantic Literature, Londres, W.W. Norton, 1971.

Adami Marie, Fanny Keats, New Haven, Yale University Press, 1938.

Aske Martin, Keats and Hellenism: An Essay, Cambridge, Cambridge University Press, 1985.

Austin Timothy R., « Constraints on Syntactic Rules and the Style of Shelley’s Adonais: An Exercise in Stylistic Criticism », P. T. L.: A Journal for Descriptive Poetics and Theory of Literature, no 4, 1979, p. 315-343.

Barcus James E. (éd.), Shelley: The Critical Heritage, Londres, Routledge/Kegan Paul, 1975.

Barnard John, John Keats, Cambridge, Cambridge University Press, 1987.

Bate Jonathan, Shakespeare and the English Romantic Tradition, Oxford, Oxford University Press, 1986.

—, (éd.), The Romantics on Shakespeare, Londres, Penguin Books, 1992.

Bate Walter J., John Keats, Cambridge, Belknap Press of Harvard University Press, 1963.

—, The Burden of the Past and the English Poet, Cambridge, Harvard University Press, 1999.

Becht Ronald E., « Shelley’s Adonais: Formal Design and the Lyric Speaker’s Crisis of Imagination », Studies in Philology, vol. 78, no 2, 1981, p. 194-210.

Bennett Andrew, « Fragment of Castle-Builder and Keats’s Use of Sexual Slang », English Language Notes, no 28, 1990, p. 39-50.

—, Keats, Narrative and Audience: The Posthumous Life of Writing, Cambridge, Cambridge University Press, 1994.

—, Romantic Poets and the Culture of Posterity, Cambridge, Cambridge University Press, 1999.

Birkenhead Sheila, Against Oblivion: The Life of Joseph Severn, Londres, Cassel & Co, 1943.

—, Illustrious Friends: The Story of Joseph Severn and his Son Arthur, Londres, H. Hamilton, 1965.

Blank G. Kim, Wordsworth’s Influence on Shelley: A Study of Poetic Authority, Londres, Macmillan, 1988.

Bloom Harold, The Visionary Company: A Reading of English Romantic Poetry, New York, Doubleday, 1961.

—, « Keats and the Embarrassments of Poetic Tradition », The Ringers of the Tower: Studies in Romantic Tradition, Chicago, University of Chicago Press, 1971, p. 131-142.

—, The Anxiety of Influence: A Theory of Poetry, Oxford, Oxford University Press, 1997.

—, Genius: A Mosaic of One Hundred Exemplary Creative Minds, New York, Warner Books, 2002.

—, A Map of Misreading, Oxford, Oxford University Press, 2003.

Blunden Edmund (éd.), Shelley and Keats as They Struck their Contemporaries, Londres, C.W. Beaumont, 1925.

Bowra Cecil M., The Romantic Imagination, Londres, Oxford University Press, 1950.

Brassard Nigel, Keats in Rome: A Posthumous Existence 15th November 1820-23rd February 1821, Londres, Brassard, 2004.

Briggs Harold E., « Swift and Keats », Publications of the Modern Language Association, no 61, 1946, p. 1101-1108.

Brock Russell C., John Keats and Joseph Severn: The Tragedy of the Last Illness, Londres, Keats-Shelley Memorial Association, 1973.

Brooks Sarah W., « Leigh Hunt and Keats », English Poetry and Poets, Boston, Estes & Lauriat, 1890, p. 440-455.

Brotemarkle Diane, Imagination and Myths in John Keats’s Poetry, San Francisco, Mellen Research University Press, 1993.

Burton James, « Keats and Coldness », Keats-Shelley Review, no 13, 1999, p. 15-23.

Bush Donald, Mythology in the Romantic Tradition, Cambridge, Harvard University Press, 1937.

Butler Marilyn, Romantics, Rebels and Reactionaries: English Literature and its Background 1760-1830, Oxford, Oxford University Press, 1981.

Cavaliero Roderick, « A Swoon to Death, Keats’s Debt to Italy », Keats-Shelley Review, no 11, 1997, p. 41-51.

Clark David L., « What was Shelley’s Indebtedness to Keats? », Publications of the Modern Language Association, no 58, 1941, p. 479-497.

Clark Tom, Junkets on a Sad Planet: Scenes from the Life of John Keats, Santa Rosa, Black Sparrow Press, 1994.

Coombs Heather, The Age of Keats and Shelley, Glasgow, Blackie, 1978.

Cooperman Robert & Wensinger Arthur, Petitions of Immortality: Scenes from the Life of John Keats, Londres, Higgaum Hill Books, 2004.

Coote Stephen, John Keats: A Life, Londres, Hodder and Stoughton, 1995.

Cox Jeffrey N., « Keats, Shelley and the Wealth of Imagination », Studies in Romanticism, no 34, 1995, p. 365-400.

—, Poetry and Politics in the Cockney School: Keats, Shelley, Hunt and their Circle, Cambridge, Cambridge University Press, 1998.

Cox Philip, « Keats and the Performance of Gender », Keats-Shelley Journal, no 44, 1995, p. 40-65.

Cronin Richard, Shelley’s Poetic Thoughts, New York, St Martin’s, 1981.

Curran Stuart, « Adonais in Context », dans Kelvin Everest (dir.), Shelley Revalued: Essays from the Gregynog Conference, Leicester, Leicester University Press, 1983, p. 165-182.

—, Poetic Form and British Romanticism, Oxford, Oxford University Press, 1986.

De Almeida Hermione, Critical Essays on John Keats, Boston, G.K. Hall, 1990.

—, Romantic Medicine and John Keats, New York/ Oxford, Oxford University Press, 1991.

De Man Paul, « Shelley Disfigured », dans Harold Bloomet al., Deconstruction and Criticism, New York, The Seabury Press, 1979, p. 39-74.

—, The Rhetoric of Romanticism, New York, Columbia University Press, 1984.

Dougherty Charles T., « The Protestant Cemetery in Adonais », Keats-Shelley Memorial Bulletin, no 30, 1979, p. 48-50.

Draper John W., The Funeral Elegy and the Rise of English Romanticism, New York, New York University Press, 1929.

Edmundson Mark, « Keats’s Mortal Stance », Studies in Romanticism, no 26, 1987, p. 86-104.

Elliott George R., « The Real Tragedy of Keats », Publication of Modern Language Association, no 36, 1921, p. 315-331.

Ende Stuart A., Keats and the Sublime, New Haven, Yale University Press, 1976.

Epstein Andrew, « “Flowers that Mock the Corse Beneath”: Shelley’s Adonais, Keats, and Poetic Influence », Keats-Shelley Journal, no 48, 1999, p. 90-128.

Evert Walter H., Aesthetic and Myth in the Poetry of John Keats, Princeton, Princeton University Press, 1965.

Faflak Joel & Wright Julia M., Nervous Reactions: Victorian Recollections of Romanticism (Suny Series, Studies in the Long Nineteenth Century), New York, State University of New York, 2004.

Ferris David S., Silent Urns, Romanticism, Hellenism, Modernity, Stanford, Stanford University Press, 2000.

Finney Claude L., The Evolution of Keats’s Poetry, 2 vol., Cambridge, Harvard University Press, 1936.

Fogle Richard H., The Imagery of Keats and Shelley: A Comparative Study, Hamden, Archon Books, 1949.

—, « Dante and Shelley’s Adonais », Bucknell Review, no 15, 1967, p. 11-21.

Ford George H., Keats and the Victorians: A Study of his Influence and Rise to Fame 1821-1895, Hamden/Londres, Archon Books, 1962.

Friedman Geraldine, « The Erotics of Interpretation in Keats’s Ode on a Grecian Urn: Pursuing the Feminine », Studies in Romanticism, no 32, 1993, p. 225-243.

Frye Northrop, The Anatomy of Criticism: Four Essays, Londres, Penguin Books, 1957.

—, A Study of English Romanticism, Brighton, Harvester, 1983.

Gittings Robert, John Keats: The Living Year, 21 September 1818 to 21 September 1819, Londres, Heinemann, 1954.

—, The Mask of Keats: A Study of Problems, Cambridge, Harvard University Press, 1956.

—, The Keats Inheritance, Londres, Heinemann, 1964.

—, John Keats, Londres, Heinemann, 1968.

Goslee Nancy M., Uriel’s Eye: Miltonic Stationing and Statuary in Blake, Keats, and Shelley, University, University of Alabama Press, 1985.

Graham William, Last Links with Byron, Shelley and Keats, Londres, Leonard Smithers, 1898.

Green David B. & Wilson Edwin G. (éd.), Keats, Shelley, Byron, Hunt and their Circles; A Bibliography: July 1, 1950-June 30, 1962, Lincoln, University of Nebraska Press, 1964.

Hales John W., Shelley’s Adonais, tiré à part de The Hampstead Annual, 1901.

Hanford James H., « The Pastoral Elegy and Milton’s Lycidas », Publications of Modern Language Association, no 25, 1910, p. 441-442.

Harding Anna T., « Shelley’s Adonais and Swinburne’s Ave Atque Vale », Sewanee Review, no 27, 1919, p. 32-42.

Hartman Geoffrey H., « Spectral Symbolism and Keats’s Hyperion », Essays in Criticism, no 24, 1974, p. 1-19.

Havens Raymond D., The Influence of Milton on English Poetry, Cambridge, Harvard University Press, 1922.

Heffernan James A. W., « Adonais: Shelley’s Consumption of Keats », Studies in Romanticism, no 23, 1984, p. 295-315.

Hewlett Dorothy, Adonais: A Life of John Keats, Londres, Hurst & Blackett, 1937.

Hilton Timothy, Keats and his World, New York, Viking, 1971.

Hime Henry W.L., The Greek Materials of Shelley’s Adonais with Remarks on the Three Great Elegies, Londres, privately printed, 1888.

Holmes Richard, The Romantic Poets and their Circle, Londres, National Portrait Gallery Publications, 1997.

Homans Margaret, « Keats Reading Women, Woman Reading Keats », Studies in Romanticism, no 29, 1990, p. 341-370.

Hunter Parks C., Jr., « The Equivocal Cain Images in Shelley’s Adonais », Keats-Shelley Memorial Bulletin, no 24, 1973, p. 12-15.

Hutchens Eleanor N., « Cold and Heat in Adonais », Modern Language Notes, no 76, 1961, p. 124-126.

Jack Ian, Keats and the Mirror of Art, Oxford, Clarendon Press, 1967.

Jackson Heather J., Romantic Readers: The Evidence of Marginalia, New Haven, Yale University Press, 2005.

Jones Frederick L., « Adonais: The Source of xxvii-xviii », Modern Language Notes, no 46, 1931, p. 236-239.

Kitson Peter J. (éd.), Coleridge, Keats and Shelley: Contemporary Critical Essays, Londres, Macmillan, 1996.

Lau Beth, Keats’s Reading of the Romantic Poets, Ann Arbor, University of Michigan Press, 1991.

—, Keats’s Paradise Lost, Gainsville, University Press of Florida, 1998.

Leighton Angela, « Adonais: The Voice and the Text », Keats-Shelley Memorial Bulletin, no 31, 1980, p. 39-51.

—, « Deconstruction Criticism and Shelley’s Adonais », dans Kelvin Everest (dir.), Shelley Revalued: Essays from the Gregynog Conference, Leicester, Leicester University Press, 1983, p. 147-164.

Levin Harry, The Broken Column: A Study in Romantic Hellenism, Cambridge, Harvard Univeristy Press, 1931.

Levinson Marjorie, Keats’s Life of Allegory: The Origins of A Style, Oxford, Oxford University Press, 1988.

McGillivray James R., Keats: A Bibliography and Reference Guide with an Essay on Keats’s Reputation, Toronto, University of Toronto Press, 1949.

Mahony Patrick J., « An Analysis of Shelley’s Craftmanship in Adonais », Studies in English Literature, no 4, 1964, p. 555-568.

Marquess William H., Lives of the Poet: The First Century of Keats Biography, University Park, Pennsylvania State University Press, 1985.

Matthews Geoffrey M. (éd.), Keats: The Critical Heritage, Londres, Routledge/Kegan Paul, 1971.

Mcfarland Thomas, The Masks of Keats: The Endeavour of a Poet, Oxford, Oxford University Press, 2000.

Mellor Anne K., English Romantic Irony, Cambridge, Harvard University Press, 1980.

—, Romanticism and Gender, New York/Londres, Routledge, 1993.

Motion Andrew, Keats, Londres, Faber & Faber, 1997.

Muir Kenneth (éd.), John Keats: A Reassessment, Liverpool, Liverpool University Press, 1959.

Murchie Guy, The Spirit of Place in Keats; Sketches of Persons and Places Known by Him, Londres, Newman Neame, 1955.

Najarian James, Victorian Keats: Manliness, Sexuality and Desire, Londres, Macmillan, 2003.

Notopoulos James A., The Platonism of Shelley, Durham, University of North, 1949.

O’Neill Michael (éd.), Keats: Bicentenary Readings, Edinburgh, Edinburgh University Press for the University of Durham, 1997.

—, Literature of the Romantic Period: A Bibliographical Guide, Oxford, Clarendon Press, 1998.

Peare Catherine O., John Keats: A Portrait in Words, New York, Dodd/Mead, 1960.

Peck Walther E., « The Source-Book of Shelley’s Adonais? », Times Literary Supplement, 7 avril 1921, p. 228-229.

—, « Shelley Defends Keats », Modern Language Notes, no 38, 1923, p. 443-445.

Raymond Ernest, Two Gentlemen of Rome: Keats and Shelley, Folcroft, Folcroft, 1973.

Redpath Theodore (éd.), The Young Romantics and Critical Opinion, 1807-1824: Poetry of Byron, Shelley, and Keats as Seen by their Contemporary Critics, New York, St Martin’s, 1973.

Reiman Donald H., Shelley and his Circle, Cambridge, Harvard University Press, 1973.

—, (éd.), Evidence of the Imagination: Studies in Romantic Thought and Literature, New York, New York University Press, 1978.

Richardson Joanna, Fanny Brawne: A Biography, New York, Vanguard, 1952.

—, Keats and his Circle: An Album of Portraits Collected and Presented, Londres, Cassell, 1980.

Ricks Christopher, Keats and Embarrassment, Oxford, Clarendon Press, 1974.

—, Allusion to the Poets, Oxford, Oxford University Press, 2002.

Roberts Charles G.D. (éd.), Shelley’s Adonais and Alastor, New York, Silver/Burdett, 1902.

Rodriguez Andrés, Book of the Heart: The Poetics, Letters, and Life of John Keats, New York, Lindisfarne Press, 1993.

Roe Nicholas (dir.), Keats and History, Cambridge, Cambridge University Press, 1995.

—, John Keats and the Culture of Dissent, New York, Clarendon Press, 1997.

Rogers Neville (dir.), Keats, Shelley and Rome: An Illustrated Miscellany, New York, Ungar, 1961.

Rollins Hyder E., Keats’s Reputation in America to 1848, Cambridge, Harvard University Press, 1946.

Russett Margaret, Fictions and Fakes: Forging Romantic Authenticity, 1760-1845, Cambridge, Cambridge University Press, 2006.

Ryan Robert M. & Sharp Ronald A. (dir.), The Persistence of Poetry: Bicentennial Essays on Keats, Amherst, University of Massachussets, 1998.

Sachs Peter, « “Last Clouds”: A Reading of Adonais », Studies in Romanticism, no 23, 1984, p. 379-400.

—, The English Elegy: Studies in the Genre from Spenser to Yeats, Londres, The John Hopkins University Press, 1987.

Sandy Mark, « “Stormy Visions”: Shelley’s Reinvention of Myth, Memory and Identity in Adonais », Keats-Shelley Review, no 14, 2000, p. 84-94.

Schwartz Lewis M. (éd.), Keats Reviewed by his Contemporaries: A Collection of Notices for the Years 1816-1821, Metuchen, Scarecrow, 1973.

Scott Grant F., The Sculpted Word: Keats, Ekphrasis, and the Visual Arts, Hanover, University Press of New England, 1994.

—, « Writing Keats’s Last Days: Severn, Sharp and Romantic Biography », Studies in Romanticism, no 42, 2003, p. 3-26.

Shaw William D., Elegy and Paradox: Testing the Conventions, Londres, The Johns Hopkins University Press, 1994.

Sheley Erin L., Reimagining Olympus: The Creative Mythologies of Keats and Shelley, Cambridge, Harvard University Press, 2002.

Sherwin Paul, « Dying into Life: Keats’s Struggle with Milton in Hyperion », Publications of the Modern Language Association, no 93, 1978, p. 383-395.

Sherwood Margaret, « Keats’s Imaginative Approach to Myth », Undercurrents of Influence in English Romantic Poetry, Cambridge, Harvard University Press, 1934, p. 203-264.

Silverman Edwin B., Poetic Synthesis in Shelley’s Adonais, Paris/The Hague, Mouton, 1972.

Spender Stephen, « Shelley’s Adonais », The Listener, no 27, 1942, p. 115-117.

Stevenson Warren, Poetic Friends: A Study of Literary Relations during the English Romantic Period, New York, P. Lang, 1990.

Stillinger Jack, « Keats and his Helpers: The Multiple Authorship of Isabella », Multiple Authorship and the Myth of Solitary Genius, Oxford, Oxford University Press, 1991, p. 25-49.

—, Reading The Eve of St. Agnes: The Multiples of Complex Literary Transaction, New York, Oxford University Press, 1999.

Suddard Sarah J.M., Keats, Shelley and Shakespeare: Studies and Essays in English Literature, Folcroft, Folcroft, 1912.

Teall Gardner, « Keats and Shelley: A Frustrated Friendship », Bookman’s Journal, no 4, 1922, p. 145-47.

Thorpe Clarence D., The Mind of John Keats, Oxford, Oxford University Press, 1926.

Trilling Lionel, The Opposing Self: Nine Essays in Criticism, New York, Viking Press, 1955.

Ulmer William A., « Adonais and the Death of Poetry », Studies in Romanticism, no 32, 1993, p. 425-451.

Vendler Helen, The Odes of John Keats, Cambridge, Harvard University Press, 1998.

—, Coming of Age as a Poet: Milton, Keats, Eliot and Plath, Cambridge, Harvard University Press, 2003.

Verrall Margaret de G., « Allusions in Adonais to the Poems of Keats », Modern Language Review, no 6, 1911, p. 354-359.

Waldorf Leon, Keats and the Silent Work of the Imagination, Urbana, University of Illinois Press, 1985.

Ward Aileen, John Keats: The Making of a Poet, Londres, Secker & Warburg, 1963.

Wasserman Earl R., The Subtler Language: Critical Readings of Neoclassic and Romantic Poems, Baltimore, The Johns Hopkins University Press, 1959.

—, Shelley: A Critical Reading, Baltimore, The Johns Hopkins University Press, 1971.

Watson Melvin R., « The Thematic Unity of Adonais », Keats-Shelley Journal, no 2, 1953, p. 41-46.

Webb Timothy, The Violet in the Crucible: Shelley and Translation, Oxford, Clarendon Press, 1976.

White Robert S., Keats as a Reader of Shakespeare, Londres, Athlone Press, 1987.

Wicker Brian, The Disputed Lines in The Fall of Hyperion, Oxford, Oxford University Press, 1957.

Wilcox Stewart C. & Raines John M., « Lycidas and Adonais », Modern Language Notes, no 67, 1952, p. 19-21.

Wolfson Susan J., « Keats and the Manhood of the Poet », European Romantic Review, no 6, 1995, p. 1-37.

—, « Keats Enters History: Autopsy, Adonais, and the Fame of Keats », dans Nicholas Roe (dir.), Keats and History, Cambridge, Cambridge University Press, 1995, p. 17-45.

Woodman Ross, « Shelley’s Urania », Studies in Romanticism, no 17, 1978, p. 61-75.

—, « Adonais », dans Percy B. Shelley, Shelley’s Poetry and Prose, Donald H. Reiman & Sharon B. Powers (éd.), Londres, Norton Critical Edition, 1999, p. 659-675.

Woof Robert & Hebron Stephen, John Keats, Grasmere, The Wordsworth Trust, 1995.

Critiques francophones

Bonnecase Denis, Shelley, ou, Le complexe d’Icare, Paris, Broché, 1990.

Bonnefoy Yves, Keats et Leopardi, Paris, Mercure de France, 2000.

Chasles Philarète, « Les deux tombeaux (Keats et Shelley) : jeunesse et mort de Keats », Études sur la littérature et les mœurs de l’Angleterre au xixe siècle, Paris, Amyot, 1850, p. 175-230.

Chevalley Abel, « Keats et le romantisme anglais », La Grande Revue, no 3, 1899, p. 454-481.

Crinquand Sylvie, Lettres et poèmes de John Keats : Portrait de l’artiste, Toulouse, Presses Universitaires du Mirail, 2000.

Davreu Robert, « La correspondance de Keats et le sens de l’œuvre poétique », dans A. Suberchicot (dir.), Perdre et trouver le sens, Clermont-Ferrand, Université Blaise Pascal Clermont-Ferrand ii, Centre de recherche sur les littératures modernes et contemporaines, 1994, p. 27-34.

Dayre Éric, « Keats and the Artist. Pathologies de la parution romantique, 1815-1825 », Poésie, no 74, 1995, p. 61-77.

Du Bos Charles, « John Keats : extraits d’un cours inédit », Études anglaises, vol. 6, no 2, 1953, p. 117-121.

Erlande Albert, La Vie de John Keats, Paris, Gallimard, 1928.

Gallet René, Romantisme et postromantisme, de Coleridge à Hardy, Paris, L’Harmattan, 1996.

—, Romantisme et postromantisme, de Wordsworth à Pater, Paris, L’Harmattan, 2004.

Grimal Pierre, Dictionnaire de la mythologie grecque et romaine, Paris, Presses universitaires de France, 1951.

La Cassagnère Christian, « Le voyage imaginaire et ses écritures dans la poésie de Keats », dans Christian La Cassagnère (dir.), Le Voyage romantique et ses réécritures, Clermont-Ferrand, Publications de la Faculté des Lettres de l’Université Blaise Pascal Clermont-Ferrand ii, 1987, p. 97-117.

—, « Écrire, réécrire le mythe. Les deux Hypérion de Keats », dans Denis Bonnecase (dir.), Création et re-création dans le romantisme anglais. Idéologies dans le monde anglo-saxon, Grenoble, Université Stendhal-Grenoble 3, 2001, p. 87-100.

—, (dir.), Keats ou le sortilège des mots, Lyon, Presses universitaires de Lyon, 2003.

—, John Keats. Les terres perdues, Paris, Aden, 2008.

Laffay Albert, « Introduction », dans John Keats, Poèmes choisis, Albert Laffay (trad. et éd.), édition bilingue, Paris, Aubier-Flammarion, 1968, p. 17-125.

Mouchard Claude, « Mourir dans la vie », dans John Keats, Lettres, Robert Davreu (trad.), Paris, Belin, « Littérature et politique », 1993, p. 5-23.

Milton John, Lycidas et Sonnets, Émile Saillens (trad.), Paris, Aubier Montaigne, 1971.

Perrin Jean, Les Structures de l’imaginaire shelleyen, Grenoble, Presses universitaires de Grenoble, 1973.

Porée Marc, « Le visage de Moneta : un autre regard sur la vie de Keats », Études anglaises, Paris, Didier, 1988, p. 387-404.

—, « Positions byroniennes : Don Juan ou le corps-événement », dans Christian La Cassagnère (dir.), Byron : Lectures du Don Juan, Paris, Didier, 1995, p. 129-148.

—, « La diététique de Keats », Poésie, no 74, 1995, p. 79-86.

—, « Préface », dans John Keats, Poèmes et poésies, Paul Gallimard (trad.), Paris, Gallimard, 1996, p. 7-23.

Raimond Jean, « Keats ou l’éternité immobile », Visages du romantisme anglais, Paris, Bordas, 1977, p. 131-146.

Rabbe Félix, Shelley : sa vie et ses œuvres, Paris, Albert Savine, 1887.

Ramadier Bernard, L’Errance romantique : Byron, Shelley, Keats, Paris, Relié, 2000.

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