Table des matières

Claudine Raynaud

Remerciements

Claudine Raynaud

Introduction: "Violences, Silences and Metissages"

• I. Ethnicity and creolization: Nigerian drama
• II. Erasure and History: African American Voices
• III. Stereotypes, silences and myths: Native American Literature

Chantal Zabus

Bibliography of Ken Saro-Wiwa's works

• Biography

African Voices

Ezenwa-Ohaeto

Cultural Imperative and Social Validity in Modern Nigerian Drama: the Plays of Saro-Wiwa, Nwabueze and Irobi

Chantal Zabus

“Wɔta Don Pas Gari”: EnPi as the Post-Ethnic Voice in Nigeria

African American Voices

Michael Awkward

'A National Idea': Canons, Power, and (Afro-) American Literary Studies

Cheryl A. Wall

Whose Sweet Angel Child? Blues Women, Langston Hughes, and Writing during the Harlem Renaissance

Rafia Zafar

Cooking Up a Past: Two Black Culinary Narratives

Mae G. Henderson

(W)Rriting The Work and Working the Rites

William L. Andrews

Toni Morrison's Beloved and the Traditions of the African American Slave Narrative

Sabine Bröck

A Trace of Body Writing: Morrison's Beloved

Native American Voices

Kathryn W. Shanley

The Cinematic Eye in James Welch's Fools Crow

David L. Moore

Articulate Silence and the Mythic Eye in Ray Young Bear and Leslie Silko

• Relationality without a center
• Agency without mastery
• Positionality in a body without language

Contributors