Table des matières

Diamantis Panagiotopoulos et Ute Günkel-Maschek

Introduction: the Power of Images and Architecture

Clairy Palyvou

Wall Painting and Architecture in the Aegean Bronze Age: Connections between Illusionary Space and Built Realities

• West House, Room 5
• Xeste 3, Room 3, upper floor
• Conclusion

Quentin Letesson

‘Open Day Gallery’ or ‘Private Collections’? An Insight on Neopalatial Wall Paintings in their Spatial Context

• Tables

Diamantis Panagiotopoulos

Aegean Imagery and the Syntax of Viewing

• 1. The Aegean viewer: the great stranger
• 2. The image: toward an Aegean decorum?
• 3. Viewing
• 4. Concluding remarks

Fritz Blakolmer

Image and Architecture: Reflections of Mural Iconography in Seal Images and Other Art Forms of Minoan Crete

• 1. Reflections of Wall Decoration in Other Art Forms
• 2. Interior Scenes in Aegean Iconography
• 3. Reflections of Fresco Iconography on Relief Vessels and Seal Glyptic
• 4. The Origin of the Iconography of the Gold Cups from Vapheio in Minoan Stucco Reliefs
• 5. A Compilation of Motifs in the Wall Paintings from Room 14 at Hagia Triada
• 6. Conclusions

Ute Günkel-Maschek

Spirals, Bulls, and Sacred Landscapes: The Meaningful Appearance of Pictorial Objects within their Spatial and Social Contexts

• 1. Theoretical and methodological outlines
• 2. Case Studies
• 2.1. Running Spirals
• 2.2. Bulls
• 2.3. ‘Sacred Landscapes’
• 3. Summary

Jan Driessen

Chercher la femme: Identifying Minoan Gender Relations in the Built Environment

• 1. Public female roles
• 1.1. The Room of the Lady Seat
• 1.2. Women in Action
• 2. The House in Action
• 3. Conclusions

Maud Devolder

Labour Costs and Neopalatial Architecture: A Study of the Buildings at Klimataria-Manares and Achladia and the Palace at Gournia

• 1. Labour costs estimates: standard costs, sampling and volumes
• 2. Applications
• 2.1. The palace at Gournia
• 2.2. The buildings at Klimataria-Manares and Achladia

Contributors