Notes on contributors
Notes sur les auteurs
p. 149-151
Texte intégral
Jean-Jacques Chardin
1Jean-Jacques Chardin is professor emeritus of English literature at the University of Strasbourg. He was Sterling Maxwell Fellow (2010-2011), then Honorary Professorial Research Fellow (2011-2013), at the Centre for Emblem Studies at the University of Glasgow. His research focuses on theatre and poetry in early modern England and the emblematic turn of the seventeenth century. He has published numerous articles on, among other subjects, the emblem tradition in early modern English literature.
Janet Clare
2Janet Clare is professor emeritus in Renaissance literature at the University of Hull, honorary professor in English at the University of Bristol and research fellow at the Institute of English Studies, School of Advanced Studies, University of London. In 2016 she was visiting professor at the Università degli studi di Firenze. Her books include Art Made Tongue-Tied by Authority: Elizabethan and Jacobean Dramatic Censorship (2nd ed., Manchester, Manchester University Press, 1999); Drama of the English Republic, 1649-60 (Manchester, Manchester University Press, 2002); and Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre (Cambridge, Cambridge University Press, 2014). She has edited What You Will for the Oxford Complete Works of John Marston (forthcoming). Her current research, for which she has been awarded a Leverhulme Emeritus Fellowship, concerns cosmography and the early modern English literary imagination.
Stephen Collis
3Stephen Collis is the author of a dozen books of poetry and prose, including The Commons (2008), the BC Book Prize winning On the Material (2010), Once in Blockadia (2016), Almost Islands: Phyllis Webb and the Pursuit of the Unwritten (2018), and A History of the Theories of Rain (2021) – all published by Talonbooks. In 2015 he was awarded the Nora and Ted Sterling Prize in Support of Controversy, and in 2019 he was the recipient of the Latner Writers’ Trust of Canada Poetry Prize. He lives near Vancouver, on unceded Coast Salish Territory, and teaches poetry and poetics at Simon Fraser University.
Laurent Curelly
4Laurent Curelly is professor of early modern studies at the University of Haute-Alsace. He has written extensively on radical sects, political and religious dissent as well as the press at the time of the English Revolution (1640s-1650s). His publications include The Moderate: An Anatomy of an English Radical Newspaper (1648-9) (Newcastle upon Tyne, Cambridge Scholars Publishing, 2017); Radical Voices, Radical Ways: Articulating and Disseminating Radicalism in Seventeenth- and Eighteenth-Century Britain (Manchester, Manchester University Press, 2016, co-edited with Nigel Smith); as well as a joint translation with Mickaël Popelard of a selection of Gerrard Winstanley’s political pamphlets, Gerrard Winstanley. Pamphlets politiques (Brussels, Zones sensibles, 2023). He is the editor of Revue française de civilisation britannique.
Jeremy Elprin
5Jeremy Elprin is senior lecturer in English literature at the University of Caen Normandy. He holds graduate degrees from the University of Oxford and Paris Cité University, where he completed his doctoral research on the letters of John Keats. His research focuses on eighteenth- and nineteenth-century British literature, with particular interest in British Romantic poetry, epistolary culture and poetics, and manuscript studies. His recent publications include articles on John Keats, William Wordsworth, Samuel Taylor Coleridge, and Charlotte Lennox.
Jonathan Pollock
6Jonathan Pollock is professor of English and comparative literature at the University of Perpignan Via Domitia. His publications include eleven books or edited volumes – including Qu’est-ce que l’humour? (Paris, Klincksieck, 2001); Hétérologies: pour une dé-neutralisation de la critique littéraire et artistique (Perpignan, Presses universitaires de Perpignan, 2006, with Paul Carmignani and Didier Girard); Déclinaisons: le naturalisme poétique de Lucrèce à Lacan (Paris, Hermann, 2010); Pratiques du hasard: pour un matérialisme de la rencontre (Perpignan, Presses universitaires de Perpignan, 2012); and Cheminements de la pensée: l’infini, le risque, la parole, le lieu (Perpignan, Presses universitaires de Perpignan, 2021, co-edited with Arnaud Villani) – and more than seventy articles in different journals and edited volumes.
Mickaël Popelard
7Mickaël Popelard is professor in early modern English literature at the University of Caen Normandy. His books include Francis Bacon. L’humaniste, le magicien, l’ingénieur (Paris, Presses universitaires de France, 2009); Rêves de puissance et ruine de l’âme. La figure du savant chez Shakespeare et Marlowe (Paris, Presses universitaires de France, 2010); as well as a French translation of Francis Bacon’s New Atlantis (Paris, Classiques Garnier, 2022). He is the co-editor, with Sophie Chiari, of Spectacular Science, Technology and Superstition in the Age of Shakespeare (Edinburgh, Edinburgh University Press, 2017) and the author, with Laurent Curelly, of a joint translation of some of Gerrard Winstanley’s political pamphlets (Gerrard Winstanley. Pamphlets politiques, Brussels, Zones sensibles, 2023). His research focuses on early modern drama and philosophy, on which he has published many articles.
Rémi Vuillemin
8Rémi Vuillemin is senior lecturer in early modern English literature at the University of Strasbourg. He has authored a monograph on Michael Drayton’s sonnets (Le recueil pétrarquiste à l’ère du maniérisme, Paris, H. Champion, 2014) as well as articles and book chapters on early modern poetry, poetic theory, and the reception and historiography of the sonnet – including recent pieces in Études Épistémè, Littérales, Studies in Philology and Notes & Queries. Among other recent works, he has co-edited two essay collections: The Early Modern English Sonnet: Ever in Motion (Manchester, Manchester University Press, 2020, with Laetitia Sansonetti and Enrica Zanin) and Language Commonality and Literary Communities in Early Modern England: Translation, Transmission, Transfer (Turnhout, Brepols, 2022, with Laetitia Sansonetti). He is currently working on a monograph entitled Framing the Early Modern English Sonnet Sequence and co-editing a collective volume on the ordering of early modern lyric collections.
Z’hor Zizi
9Z’hor Zizi is (retired) senior lecturer at the University of Caen Normandy where she taught British history. Her field of research concerns more specifically the English travellers and the Royal Society in seventeenth- and eighteenth-century North Africa and the Near-East.

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