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Whose Book Is it Anyway?

 | 
Janis Jefferies
, 
Sarah Kember

Index

Texte intégral

aaarg. org 35, 42–44, 53–54

academic 1, 3–5, 7–8, 10–13, 44, 47, 54, 65, 76–77, 92–93, 101, 110–111, 120, 146–147, 150, 158, 182–185, 188, 190–192, 196, 204, 206–210, 214–217, 243–244, 246, 249, 262, 270, 273, 284, 309–315, 317–324, 327–333, 337, 339, 349, 352–353, 361, 365–367, 369–371, 408

academic publishing 3, 8, 77, 93, 120, 182, 184–185, 216, 312–314, 337, 349, 371

Actor Network Theory (ANT) 81–82

Adema, Janneke 1, 13–14, 65

Aesop 258, 261

aesthetic 7, 24, 27–28, 274, 277

Africa, African 235–237, 322, 334

Afterall 36, 40, 59

Ahmed, Sara 300

Alliance of Independent Authors 117

Amazon 84, 91, 102, 124, 130, 167,

406–410

amplification 14, 91, 96, 100–101, 103

anthropology 309–311, 315–316, 323, 325

appropriation 8, 13–14, 67, 81–83, 110–111, 120, 192, 243, 245, 248, 250, 260–263, 272–273, 275–278, 316, 328, 330–332, 334–336, 338–340, 348, 351–353, 355–357, 359, 363, 367, 370, 372, 395, 399

Artecubano 47–48

article processing charges (APCs) 10–11, 93, 185

Artificial Intelligence (AI) 13, 21–22, 29

artists 1, 3–6, 9, 12, 14, 24, 27, 33–38, 44, 47–49, 51–52, 55–58, 99, 109, 141, 146, 153, 164, 170–171,

181–182, 191, 195–196, 243, 246, 248, 252–253, 259, 267, 271–274, 276–282, 284, 291, 293, 296–297, 332, 334, 348, 362–363, 384–385, 387, 399–400, 411–414, 427

arts 1, 34, 36, 38, 40, 47, 52, 55, 61, 142, 154–155, 204, 216, 236, 251–252, 258–260, 268, 284, 310, 312, 317, 319–321, 325, 327–328, 338–339

Arts Council England (ACE) 39–40, 136, 230

arXiv 93, 101

Asia, Asian 136, 229–230, 233, 235–237, 239

Association of Authors’ Agents (AAA) 107–108

Atkinson, Owen 66–68

Australia, Australian 133, 235, 257, 324–325, 327, 334, 336, 379, 381–382, 385–386, 389, 391–398, 401

author 4, 7–8, 10, 13–15, 21–22, 24–27, 50, 65–81, 85, 93–96, 99, 103, 105–125, 129–131, 133, 137, 141–144, 146–147, 149–152, 158, 160, 163–166, 168–169, 172–173, 175, 181–182, 184, 188, 190, 194, 204, 215–216, 229, 231, 235–237, 240, 243–244, 247–248, 250, 252, 254, 256, 259–260, 262, 268, 271, 273–274, 279, 282, 284, 288–289, 292, 295, 298–299, 301, 314, 320–324, 326–328, 330, 337–339, 349–351, 354–359, 362, 365–366, 369, 371, 381–382, 385–394, 396–397, 405–408, 410, 416, 424, 427–428

Authorea 326–328

authorship 13–14, 21, 28, 52, 69–75, 77–80, 82, 85, 244, 263, 267–268, 271, 273–275, 279–282, 287–290, 293–294, 297–298, 300, 310, 312, 315–316, 318–327, 329–332, 334, 338–339, 351, 353, 355, 358, 364–365

Authors’ Licensing & Collecting Society (ALCS) 65–72, 80–81, 85, 94, 149–151, 406

Bailey, Louisa 48, 50, 412

BAME 136, 229–239

Banff Centre, The 252–253, 258

Barnes, Julian 133

Barnes & Noble 272, 409

barriers 9, 39, 92, 206, 232, 365
barriers to access 9, 206
price barriers 9, 92

Barthes, Roland 351–352

BBC 46, 108, 203

Beckett, Samuel 13, 24, 27–28
How It Is 13, 24–28

Belfast 182, 192

Benjamin, Walter 295
‘The Author as Producer’ 295

Benkler, Yochai 94, 103

Bergvall, Caroline 246–247

Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities (2003) 332, 365–366

Berne Convention (1886) 424

Bethesda Statement on Open Access Publishing (2003) 333, 365–366

Bhaskar, Michael 1, 14, 91

The Content Machine 96

Black 136, 229–230, 233, 235–237, 239

Blackman, Malorie 231

Blake, Carole 106

borrowing 14, 248, 383, 391, 418

Brazil 240, 295, 336

Brisbane 381, 385–386, 392

Bristol 35, 247

British Library 2, 208

Brown, Chester 193–195

Brown, Wendy 69, 182, 232

Bruguera, Tania 37–38, 50–52, 54, 58–59

Budapest Open Access Initiative 365–366

Burrell, Robert 206, 208

Butler, Judith 293, 313

Cambridge 232, 237

Canada, Canadian 8, 35, 39, 133, 249, 252, 257–258, 348–349, 368–372

Canelo 1, 94

career 3, 93, 95–96, 111, 133, 156, 158, 160, 163, 165, 168, 172, 175, 234, 236, 238, 314

Cariou, Patrick 276, 278–279
Canal Zone 276, 278

Carpenter, J. R. 1, 14, 243, 249–251, 253, 257
‘CityFish’ 257–258, 261–262
Fishes and Flying Things 253–254
Mythologies of Landforms and Little Girls 249, 258

Carr, Nicholas 94

Castro, Fidel 36–37

Cayley, John 1, 13–14, 21

censorship 33, 37, 41, 284, 287, 293

Centre for Copyright and New

Business Models in the Creative

Economy 54, 181

Chapman, Neil 291

China, Chinese 134–135, 239

citation 3, 217, 243, 248, 331

Clarke, Cat 171–172

Clarke, Marcus 379, 392–393
Hunted Down and Other Tales 379–381, 392–393, 398, 400

class 3, 233, 237, 239, 278, 405, 420

Coelho, Paolo 119

The Alchemist 119

Coleman, Allison 206, 208

Coleman, Gabriella 299

collaboration 44, 74, 78 collective 13, 104, 112, 122, 146, 261, 267–268, 270–271, 291, 294, 296–297, 299–300, 332

College Art Association (CAA) 4, 283

Collins, Wilkie 193

comics 4, 164–165, 181–183, 185, 188, 191–193, 195–196, 198–201, 209, 215, 237

Comics Grid, The 182–183, 192, 208, 210

CommentPress 328

commodification 72, 81, 85, 349, 367

commodity 80, 262, 280, 309, 337

commons 13, 23–24, 27, 313–314

communication 9, 12, 74, 206, 217, 245, 286, 325, 327, 347, 351, 361–362, 365, 416

community 7, 35, 42–43, 46, 54, 75, 92, 111, 119, 135, 137, 183–184, 237, 256, 294, 328, 332–334, 336–338, 359–361, 366, 385, 414, 428

competition 6, 11, 92, 100, 103–104, 202, 214, 233, 239, 270, 300, 413

Coney Island 258, 262

control 29, 33, 41, 77, 91, 97, 99, 117, 120, 124, 130, 164–166, 170, 173, 241, 260, 274, 280, 284, 291, 325, 336, 354, 357–358, 363, 365–366, 418, 421, 423, 427–428

Coombe, Rosemary J. 72–74

‘copyfight’ 2–3, 8–9

copying 3, 6, 23, 82, 169, 192, 193, 198, 199, 200, 201, 205, 206, 208, 210, 287, 356, 369, 370, 371, 383, 384, 397, 398, 400, 418, 419, 423, 427, 428. See also plagiarism

copyright 1–9, 12–15, 19, 22–23, 29, 43, 45, 54–55, 66–68, 72–75, 80–81, 83–85, 93, 97–98, 105–106, 108–109, 111, 116–117, 141–150, 152–156, 158–165, 167–175, 181–185, 188, 190–193, 196, 198, 200–204, 206, 208–210, 214–216, 259, 267–269, 275–276, 278–279, 282, 284, 290, 294, 309–310, 312–321, 325–327, 330–340, 348–352, 355–356, 358–359, 365–372, 379, 381–385, 394–400, 406, 415–425, 427–428

Copyright Designs and Patents Act 1988 (CDPA) 192, 198, 201, 203, 209

Cornell, Joseph 250

cost 6, 10, 40, 49–50, 52–53, 77, 92–93, 95, 99, 109–110, 185, 214, 232, 240, 285, 322, 329, 339, 366, 383, 396, 409, 411, 427

Craig, Carys 72–74, 80–81, 83–85, 268, 288

CREATe 1, 5, 8, 142, 181–183, 403

creation 29, 68, 71, 74, 78–79, 96–97, 100, 170, 246, 260–261, 280, 283, 291, 318, 324, 329–331, 335, 340, 348, 350–351, 353–354, 358–359, 362, 364, 369, 386, 389, 396, 408, 411, 421

Creative Commons licenses 10, 75, 93, 120, 327, 337, 364, 395, 398

creative practice 1, 7–9, 12–14, 35, 141–142, 146–147, 149, 153–154, 156, 158–159, 162, 172–173, 283, 312, 316, 338, 340, 348–349, 361, 365, 371

creativity 1–3, 5–9, 12–14, 19, 23, 28, 35, 43–44, 65, 68–74, 79–86, 104, 109, 121–122, 132–134, 141–142, 146–147, 149, 152–156, 158–160, 162, 172–174, 194, 236, 238, 241, 260, 262, 268, 275, 282–283, 287, 296, 310–314, 316–318, 321, 324, 326, 331, 334, 336–340, 347–372, 385–388, 394, 396, 398, 400, 405–406, 409–412, 415, 418, 424, 427

creator 6–7, 67, 69–70, 72–73, 81, 105, 141–143, 146–148, 154–155, 158, 174, 268, 319, 321, 328, 350, 357–358, 360, 363, 369–370, 384, 396, 398, 406, 411–412, 417–424

Cuba, Cuban 13, 33–39, 41–42, 44–48, 50–51, 54–55, 59–61

Cuban-American 33, 59

culture 3–5, 7, 14, 22–24, 27–30, 60–61, 69–74, 80–81, 84–85, 91, 94, 98, 101, 125, 136, 161, 171, 188, 210, 233–237, 239, 243–244, 248,

255, 260, 263, 268, 271, 273, 281, 283–284, 286–287, 289, 296, 298, 309, 311–313, 315–317, 319, 321, 323, 325, 330–338, 340, 347–349, 352–355, 357–358, 361–363, 366–368, 371, 382, 384–385, 391–392, 396, 398–399, 406, 411–412, 415

Curham, Siobhan 112

Dear Dylan 112

Currie, Christopher 391–392

The Tweets of @ HenrySavery 392

Curtis Brown 107, 114–115

Dadaist 248, 387

Deazley, Ronan 1, 4, 181, 185

Deleuze, Gilles 291

Proust and Signs 291

democracy 35, 55–56, 75, 247

Department of Culture, Media and Sport (DCMS) 5, 57, 283

Derrida, Jacques 252

Paper Machine 252

design 40, 47, 49, 339, 380–381, 388, 390

Diamond, Beverley 324, 331–332

Dickens, Charles 193, 393

Great Expectations 193

digital 1–3, 6–7, 14, 21–22, 27–28, 35, 38, 41–42, 48–49, 53, 60, 67–68, 70–71, 78–80, 82–85, 92, 95, 102, 104, 108–109, 114, 117, 133–137, 143, 146, 154, 160–161, 165–166, 170, 183, 199, 206, 208, 215, 217, 233, 243–248, 250–254, 256, 258–263, 285, 288, 311, 313–315, 328–330, 337–339, 347–349, 358, 361–364, 367–368, 372, 380–385, 387–389, 392, 399–400, 406, 408–409, 411, 415–420, 422, 427–428

digital literature 78

digital publishing 67, 252, 256, 262

Digital Rights Management (DRM) 117, 256

digital technological protection measures (TPM) 363-364, 371-372

Dimita, Gaetano 65
dissemination 29, 96, 110, 114, 122, 206, 208, 214, 216–217, 259, 287, 290, 295, 310, 318, 325, 331, 334–335, 338, 348, 350, 355, 364, 366, 372, 413–414

diversity 12, 52, 101, 136, 160, 230–235, 238–241, 246, 259, 310–311, 317, 322, 333, 411

Dockray, Sean 42–43, 53–54, 61, 290

Doctorow, Cory 93, 384

Drucker, Johanna 78–79, 245

Dryden, John 98–100

Ducasse, Isidore-Lucien (Le Comte de Lautréamont) 247–248, 260

The Songs of Maldoror 248

Duchamp, Marcel 196

Box in a Valise 196

Duchampian 281

earnings 7, 65, 66, 67, 94, 110, 142, 147, 148, 149, 150, 151, 152, 156, 157, 159, 160, 163, 167, 168, 172, 173, 174, 406. See also income

ebooks 130, 157, 166, 170, 259, 408–410

economic 2–3, 6–8, 10, 13, 22, 34, 50, 60, 68–70, 72, 81, 85, 92, 99–101, 137, 141–142, 146, 148, 152–154, 156–157, 161, 163–165, 167–169, 172–175, 184, 214, 217, 268, 274, 281, 313, 318, 320–322, 337, 340, 347–351, 353–354, 359–361, 368, 405–407, 417, 421

ecosystem 96, 132, 137

editing 4, 27, 36, 41, 82, 93, 123, 130–131, 217, 267, 288, 327, 385, 388–389, 411

editors 40, 42, 48–49, 54, 76–77, 109, 114, 131, 134, 235, 285, 320, 328, 385, 388, 405, 410

e-flux 38, 54

embargo 34, 45, 51, 61, 185, 314

Emerson, Lori 78–79, 254, 256

Writing Interfaces: From the Digital to the Bookbound 254

Enlightenment 74, 361

entertainment 95, 104, 124, 259, 360

Ernst, Max 251

ethics 1, 3, 12–13, 70, 75–76, 80, 85–86, 106, 310, 312–313, 316–317, 339, 409 of care 75–76, 80, 85–86

ethnicity 229, 230, 231, 232, 234, 235, 236, 237, 240, 311, 359. See also race

ethnomusicology 309–321, 323–324, 330–332, 334, 336–337

ethos 55, 76, 364

European Comic Art 184, 188

European Commission 10, 141

European Information Society

Directive 2001 203

European Union (EU) 46, 108, 145, 327, 371, 406

Europe, European 10, 99, 108, 141, 184, 188, 203, 247, 309, 311, 335, 356, 371, 406, 408, 416

Eve, Martin Paul 11, 318, 321–322 exchange 33, 35, 45, 61, 71, 74, 81, 278, 281, 349, 365, 421

Facebook 45–46, 59, 61, 84, 94, 118, 143, 155, 415

fair dealing 8, 193, 196, 198, 202–205, 208–210, 214, 349, 369–372, 396

fair use 4, 22–23, 192, 276–277, 279, 283–284, 396

Feld, Steven 334

feminist 1, 4, 12–14, 72, 74, 76, 86, 288, 300, 323, 349

Figshare 327–328

filtering 96, 100, 123, 130

Finch Report 2012 206

Fitzpatrick, Kathleen 269, 271, 328
Generous Thinking 269

Flood, Alison 119, 407

Foucault, Michel 72, 288, 310, 320–321
Foucauldian 80

France, French 35, 98, 248

Francke, Andrea 289

Fraser, Helen 203, 231, 233

freedom 11–12, 34, 50–51, 54, 114, 185, 214, 395, 421

free labour 3–4, 50, 84

free speech 34, 421

Frieze 60, 413

Fry, Stephen 410–411

funding 9–11, 34–35, 38–40, 52–54, 57–58, 60–61, 66, 92–93, 110, 120, 122, 137, 142, 144, 158, 160–161, 184, 205, 213, 231–232, 239, 250, 259, 263, 293, 314, 318, 334, 337–339, 401, 407, 412

Fusco, Coco 33–34, 38, 54

future 1, 5, 10, 13–14, 27, 105–106, 115, 117, 124–125, 133, 145, 149, 167, 173, 183, 217, 229, 239–241, 259, 276, 278, 295, 320, 325, 336, 340, 351, 360, 381, 385, 400, 406, 412

Gagosian, Larry 276, 278

Gaiman, Neil 137

gender 3, 298

Genova, Lisa 121

Still Alice 121

Germany, German 66, 257–258, 295

Gibson, Johanna 65, 81, 83–85

Goldsmith, Kenneth 82–83, 272

Google 5, 39, 84, 262, 415

government 2, 5, 11, 38, 41–42, 45, 47, 52, 56–58, 97–98, 144, 184–185, 208, 213–215, 263, 283, 286, 293, 337, 339, 350, 360, 367

graphic 48, 184, 188, 192, 254

Greece, Greek 261, 286, 354

Green Party 143–147

Groth, Simon 14–15, 379

Haaften-Schick, Lauren van 277

Hachette 238, 407–408

Hagedorn, Katherine 324

Hargreaves, Ian 5–6, 8–9, 15, 416

Harnad, Stevan 321–322

HarperCollins 231, 238–239, 241

Harris, Thomas 237

Harvard University 240, 382

Havana 33–38, 41, 44, 46–50, 52, 56–60

Havana Biennial 35, 38

Havana Times 47

Havana University 36, 44

Hayles, N. Katherine 22–23, 78, 245

Hesiod 248, 260

Hindley, Victoria 4

Hocking, Amanda 131

Hodder, Clare 116

Holden-Brown, Heather 108, 110, 124

Hood, Mantle 318–319

Howe, Daniel C. 13–14, 21

human 22, 24, 27–29, 69, 78–79, 82, 84, 112, 171, 261, 268, 311, 325, 349, 351–353, 359, 362, 366, 368

humanist 70–71, 83–84, 269, 323

humanities 1, 204, 215–216, 259, 310, 312, 317, 320–321, 327–329, 338–339

ideology 4–6, 29, 75–76, 170, 172

if:book Australia 379, 381–382, 385–389, 394–395, 398–399, 401

income 14, 60, 65, 66, 68, 94, 95, 117, 142, 144, 148, 149, 150, 151, 152, 156, 158, 159, 160, 161, 162, 163, 164, 165, 166, 168, 172, 173, 175, 230, 334, 406, 408. See also earnings

India, Indian 236–237, 239, 313

Indigenous 312–313, 315, 324–325, 331–336, 338–340, 361

individual 7, 15, 68–70, 72–74, 106, 111, 116, 122, 142, 150–152, 154, 157, 172, 181, 193, 195–196, 201, 207, 246, 267, 270, 274, 283, 288, 294, 297–298, 300, 313–314, 319, 327, 332, 336, 348, 350–351, 353, 355–357, 359, 384, 387, 399, 420, 424

inequality 11, 150–152, 298

information 34–35, 42, 54, 74, 82, 102, 104, 109, 112, 116–119, 122, 124, 183, 188, 192, 206, 255, 259–260, 314, 328, 330, 333–334, 337, 350,

352, 357, 361–364, 366–367, 369, 372, 383–384, 427

In Full Colour 230, 241

innovation 2–3, 6, 9–10, 24, 81, 84–85, 254, 260, 326, 348, 351–352, 354, 360, 362–363, 365, 368, 371, 405, 410, 412, 415, 418, 428

intellectual property 2, 6, 8–9, 13, 21–23, 28–29, 34, 43–45, 68–72, 74, 80–81, 83–84, 92–93, 95–96, 100–101, 108, 143, 147, 152–153, 164, 172, 174, 244, 268–269, 282–283, 285–286, 293, 312, 314, 320, 324–326, 330, 336–337, 339–340, 347–352, 354–361, 363–368, 370, 381–382, 384, 399, 417–418, 427

intellectual property law 6, 13, 74, 84, 244, 348–352, 354–360, 363, 366–368, 418

intellectual property rights 2, 68, 70, 74, 83, 147, 269, 325, 339–340, 360, 417

Internet 3, 23–24, 27–28, 35, 38, 41–42, 44, 91–92, 94, 135, 190, 208, 252, 254–255, 263, 314–315, 328, 332, 354, 361–364, 366, 382–384, 388, 401, 411–412, 415, 418–419

Internet Archive 208, 401

invention 3, 256, 350–351, 355, 368

iPad 256, 409

iPhone 60, 256

Ireland, Irish 106, 314, 407

Italy, Italian 60, 257

James, E. L. 121

Fifty Shades of Grey 103, 121

Jancou, Marc 280–282

Janke, Terri 334–335

Jaszi, Peter 351

Johnson, Philip 65

JSTOR 44, 314

Kean, Danuta 12, 229

Keay, John 158

Kelly, Susan 270–271, 296–297

Kember, Sarah 1, 9, 12, 84

Kheria, Smita 1, 7

Kindle 92, 130, 410

King, Stephen 118

Koons, Jeff 278

labour 3–4, 12, 50, 68, 76–77, 84, 92, 182, 208, 294, 322, 353, 357, 383, 421

Larsen, Mel 230, 235

Lassiter, Luke E. 322–323

Lecercle, Jean-Jacques 244
A Marxist Philosophy of Language 244

legal 1, 4, 14, 22, 29, 53, 61, 72, 74, 94, 106–111, 114, 116–118, 123–125, 145, 153–154, 168, 174, 196, 208, 268, 274–276, 278, 280, 282, 285–288, 321, 325–326, 335, 339, 348–350, 353, 355–356, 358–359, 361, 364–365, 367–371, 383–384, 395–396, 417–418, 420–421, 423–424, 428

Lessig, Lawrence 73, 93, 362

Letterists 248, 260

Levine, Sherri 273–274

library 11, 35, 43–44, 53, 191, 216, 270, 290–294, 365, 371, 413–414

Lissitzky, El 252

literary 13, 21, 27–28, 65, 83, 85, 97–99, 106–107, 111–112, 114, 123, 130, 134, 137, 155, 193, 196, 204, 229–231, 235–238, 243–244, 247–248, 250–252, 258–260, 262, 299, 351, 365, 379–380, 387–391, 396–397, 399, 407, 415–416, 424

Literary Agency, The 114. See

also Swift, Rebecca

Literary Platform, The 1, 255

literature 24, 36, 47, 78, 82–83, 98, 119, 135–136, 148–149, 169, 174, 215, 243, 246, 248, 250, 254, 256, 258, 260, 272, 317, 351–352, 357, 366, 381, 387–388, 397

Little, Brown Book Group 238, 271

Liu, Alan 259–260

The Laws of Cool: Knowledge Work and the Culture of Information 259

Llópiz, Julio César 48, 50, 56

London 2–3, 33–36, 38–39, 42, 44, 46, 48–50, 52–56, 58–61, 65, 97, 232, 234–235, 237, 250, 283, 291, 295, 406, 410, 412–413, 415

love 6, 46, 119, 162, 166, 182, 185, 248, 254, 256, 259, 385, 407

machines 21, 78–79, 82, 102, 208, 254, 269, 288, 293, 384, 416, 418–419

magazines 4, 8, 13, 34–35, 37, 41–43, 47–50, 54–55, 58–60, 136, 243, 250, 413

Malkani, Gautam 237
Londonstani 237

Malloy, Judy 254–255
Uncle Roger 254–255

Mantel, Hilary 133
Wolf Hall 133

marketing 60, 92–93, 96, 103, 106, 114, 122, 131, 134, 137, 236, 367, 428

Mars, Marcell 53, 290

mass media 4, 92

materiality 78–79, 244, 250, 291

Mattering Press 4, 75–77

McCloud, Scott 199–200
Understanding Comics 199–201

McIntyre, Sarah 143–144, 147

methodology 66, 154, 243–244, 246–247, 318

Milton, John 97–100

Mollet, Richard 8–9

money 6–7, 40, 92, 94, 100, 109, 118, 124, 134, 144, 151, 159, 161–162, 165–167, 231, 243, 259, 322, 332, 383, 405, 407–408, 421, 427–428

Montreal 253, 258

moral 7, 14, 22–23, 57, 73, 209, 268, 335, 350–351, 355–356, 398, 417, 422

moral rights 7, 14, 22–23, 335, 355–356

multimedia 41, 259, 327

music 9, 14, 41, 45, 56, 59, 109, 142, 154, 160–161, 171, 204, 217, 244, 309–311, 313–315, 318–321, 323–324, 327–328, 330–332, 334–337, 339, 348, 356, 368, 387–388, 391, 400, 409, 411

musicology 311, 313, 339

narrative 9, 71–72, 82, 84, 86, 182, 196, 199, 249–250, 255, 324, 380–381, 389, 411

Nesta 2, 406

Nettl, Bruno 313, 339

newspapers 4, 48, 102, 119, 134, 144, 196, 201, 237, 393, 406

New York 34, 38, 59, 102, 240, 258, 271, 273, 280, 328, 348

New Yorker Magazine 285

New York Times 102, 240

Noland, Cady 279–282, 294
Cowboys Milking 280

Obama, Barack 50, 61

object 24, 69–73, 76–77, 80–82, 84, 217, 245, 251, 258, 267, 270, 296, 338, 358

O’Hare, Louise 13–14, 33, 412–413

online 7, 9, 35–36, 40, 42, 47, 49, 53–54, 58, 61, 92, 102, 119, 121, 123, 131–136, 150, 155, 161, 166–167, 170–172, 181–182, 198–199, 207–208, 247, 254, 256–257, 262, 290–291, 298, 313, 328, 337, 363–365, 367, 385–386, 388, 393, 401, 411, 413–414, 416

Open Access (OA) 1–4, 8–14, 70, 74–75, 85, 92–93, 101, 110, 120, 182, 184–185, 205, 309–310, 312–318, 320–322, 326, 329–335, 337–340, 349, 361–362, 364–367, 371–372

Open Access movement 14, 74

Open Book Publishers 207–208, 313

Open Library of the Humanities 93, 101

openness 3, 10–12, 75, 92, 315, 332, 337–338

original 7, 13, 22, 24, 27, 70, 73, 79–81, 142, 154, 164, 173, 181, 183, 203, 214, 244, 268, 271, 273–274, 277, 292, 351–352, 380–381, 383, 388, 391, 393, 397–399, 413, 415, 424

originality 24, 73, 82, 244, 268, 273, 275, 279, 351, 353

Other, Otherness 81, 104, 108, 162, 229, 237–238, 290, 293, 313, 320, 322, 367

Ovid 248, 260

Owen, Lynette 66, 106

ownership 5, 22–23, 29, 49, 53, 58–59, 70–74, 80, 98, 100, 111, 119, 147–148, 157, 164–165, 175, 191–192, 196, 198, 208, 210, 238, 262, 275, 282, 291, 309, 312–314, 316, 320, 325, 327, 330–336, 356, 361, 364, 370, 394, 416, 418, 420–421

Oxbridge 229, 232, 235

Paquete Semanal, El 35, 41–42, 45, 60

payment 94, 141, 164, 174, 215, 400

peer review 3, 11, 93, 101, 120, 184, 328, 330–331

Penguin Random House 94, 103, 107, 231, 233, 239, 241, 410–411

permission 4, 10, 37, 47, 58–59, 92, 116, 161, 182, 184–185, 188–193, 198, 208, 210, 214–216, 262, 284–285, 287, 320, 326, 387, 396, 400, 416, 419

photography 58, 193, 243, 248, 257–258, 262, 271, 273–274, 276, 278, 280, 311, 321, 356

piracy 45–46, 73, 81, 93, 97, 117, 119, 271–272, 286–287, 289, 293, 367, 383

Piracy Project 286–291, 293–294, 297

plagiarism 247, 260, 271. See also copying

platforms 34–35, 43, 48, 91–92, 94, 101, 118, 121, 124, 130, 132, 135, 137, 143, 217, 245, 252, 256, 263, 290–291, 311, 327, 329–330, 388, 411, 414–415

poetry 1, 78, 82–83, 235, 387, 389, 391, 410

policy 3, 5, 7, 10, 12, 14, 50, 61, 66, 81, 141, 143–147, 150, 154, 191–192, 205, 283, 291, 300, 311–312, 314, 318, 325, 337, 370–371, 414

politics 3–4, 9, 12, 22, 35, 69, 75–77, 98, 170, 273, 275, 285, 293, 295–297, 321, 347, 351, 353–354, 361–362, 368, 415

posthuman 70, 78–81, 83, 85–86

postmodern 22, 323, 390

power 22–23, 29–30, 33, 54, 103, 107, 119, 134–135, 233, 281, 285, 321, 323, 330, 352, 354, 362

practice 1, 3, 7–9, 11–14, 21–23, 27–29, 35, 45, 49, 70, 76, 81, 85–86, 107, 111, 115–116, 141–142, 146–147, 149, 152–156, 158–164, 170, 172–174, 230, 238, 245–246, 248, 250, 262, 267–271, 283–284, 286, 288, 290, 292–300, 310–318, 320, 322, 326, 330–331, 333, 335–340, 347–349, 353, 355–356, 360–361, 365–368, 371, 398, 405, 411, 421, 424, 427

price 9, 50, 92, 94–95, 130, 280–281, 337, 379, 407–408, 428

price barriers 9, 92

Prince, Richard 96, 271–279, 281–282, 287, 289, 294

private 4, 9, 12, 41, 43, 45, 53, 61, 72, 204–206, 261, 268, 278, 280, 283, 327, 357–359, 361, 363–364, 366, 370, 394, 405

professional 9, 57, 66, 91, 94, 96–97, 100–101, 112–114, 122, 125, 133, 146, 149–151, 154–155, 160, 162, 164, 166, 168–169, 175, 184, 232, 238, 270, 298, 353, 406, 411, 416

profitability 239–240

Project, The 23–24, 27–28

public 4, 8–10, 12, 35, 38, 40–42, 45, 52–53, 57, 83, 92, 98, 100, 146, 160, 183, 205–207, 209, 214, 232–233, 235, 241, 253, 257, 259, 270, 276, 283–285, 291, 322, 326, 334–335,

350, 355, 357–359, 363–367, 370, 386, 389, 391, 394–395, 397–399, 405, 407, 413–414, 418, 420

publication 42, 47, 49, 94, 99, 107, 110–111, 113–114, 123, 137, 144, 146, 157, 160, 167, 173, 182–185, 188, 202, 207, 215–217, 237, 240, 243, 249, 263, 270–271, 278, 314, 319–320, 326, 349, 366, 393, 397, 400, 410, 413, 423, 427

Publication Studio 35, 49, 412–413

Public Library of Science 93, 101

publisher 1, 3–6, 8, 12, 14, 53, 91–94, 96–109, 111–115, 120, 122–124, 130–131, 133, 135–137, 148, 156–157, 165–171, 181, 183–185, 188–191, 196, 207–210, 216–217, 230–241, 244, 248, 252, 254, 256–257, 259–260, 262, 270–271, 276, 288, 292, 295, 298, 313, 317, 320, 324, 329, 331, 335, 337–339, 358, 366, 369, 396, 406–408, 410, 412–413, 416–417, 421, 423–424, 427–428

Publishers Association (PA) 5, 8, 106, 108, 192, 202, 206, 209–210, 216, 230, 238

publishing industry 2, 76, 97, 124, 130, 133–135, 168, 229, 244, 254, 262, 382, 405, 412

Queen Mary, University of London 65, 406

race 3, 229, 236, 237. See also ethnicity

Ranciere, Jacques 292

Ignorant Schoolmaster 292

readers 4, 13, 15, 21, 23, 28–29, 42, 76, 78, 103, 109, 112, 118–119, 121, 123–124, 130–132, 134–137, 144, 172, 188, 192–193, 195–196, 199, 208, 229–230, 236, 244, 249, 252–253, 255–256, 261, 263, 288–289, 292, 298, 313–314, 322, 330, 380–390, 394, 398–399, 405, 407–410, 412, 416

Readers Project, The 13, 21, 23, 28–29

relationality 13–15, 70, 73–75, 80–81, 83–86, 287, 348–349, 351–354, 357, 359–362, 364–367, 369–370, 372

relational creativity 348–349, 353, 360, 364, 367, 369–370, 372

remix 14–15, 73–74, 82–83, 260, 348, 379–380, 387–391, 393, 395–400

research 2, 4, 6, 8–12, 27, 35, 44, 65–66, 69, 92–94, 109, 111–112, 142, 147–148, 152–154, 156–157, 163, 172–174, 182, 184–185, 188, 196, 198, 202–206, 208, 210, 213–217, 230, 237–241, 243, 245, 270, 276, 284, 286–288, 298–299, 309–314, 318–319, 321–326, 328–329, 331, 334, 337–340, 349, 352, 354, 366–367, 370, 372, 407

responsibility 3–4, 67, 79, 85–86, 104, 107, 109–111, 115–116, 122–125, 188, 216, 241, 310, 312, 326, 333, 336–337, 409

reuse 10, 81–82, 92–93, 328, 395

rights 2, 6–7, 9–10, 13–15, 22–23, 40, 66–72, 74, 80, 83–84, 98, 105–106, 108–109, 115, 117, 119, 124–125, 135, 142, 147, 155–157, 159–162, 164–175, 188, 190, 210, 215, 268–269, 280–282, 284, 310, 312, 317, 319, 325–326, 329, 331–332, 335–337, 339–340, 349–350, 355–360, 363–365, 368–372, 382, 384–385, 394, 396, 398–400, 406, 416–424

Rochester, Sophie 1, 14, 129

Romantic 288, 348–349, 351, 353–354, 361

Rose, Mark 72–73, 268, 356, 411, 425

Ross, Orna 117–118

Rowling, J. K. 144

Royal Literary Fund 158

Rushdie, Salman 107

Satanic Verses 107

Russia, Russian 119, 252

Ruth, Jan 7, 118

sales 40, 46, 95, 100, 103, 119, 130–131, 148, 157, 160–161, 165–166, 171–172, 214, 217, 243, 259, 274, 278, 280, 359, 410, 413, 424

Salinger, J. D. 271–272, 281

The Catcher in The Rye 271

Sarmiento, Sergio Muñoz 277–278

Savery, Henry 392

Quintus Servinton 392, 397

Scotland, Scots 8, 149, 166

self-publishing 91, 93, 95, 101, 103, 111–125, 130–133, 135–136, 247, 259, 291

Shakespeare, William 98–100, 248, 260

sharing 3, 10, 14, 35, 41–44, 53, 61, 104, 106, 110–111, 114, 116, 118, 122, 132, 147–148, 170–172, 230, 240, 250, 283–284, 290–291, 293, 310–314, 316–318, 320–321, 327–339, 349, 362–364, 367, 369, 384–385, 395, 399, 408, 413, 415

Sicot, Catherine 35–38, 41, 47–48, 57, 59, 61

Sim, Dave 182, 193, 197

Cerebus the Aardvark 193

Church & State 193, 196–197

social 2–4, 8, 14, 36, 72, 74, 77, 80, 94, 102, 116, 123, 131–132, 144, 146, 153, 155, 209, 229, 231, 241, 243, 267–268, 270, 273, 278, 286–287, 293, 296, 310–312, 317, 326–327, 330, 338–339, 347–349, 351, 353–355, 357, 359–361, 364, 367–368, 386, 405, 412, 415, 421 media 94, 102, 116, 123, 131–132, 144, 146, 155, 241, 311, 386, 415

Society for Ethnomusicology (SEM) 312, 314

Society of Authors (SoA) 105–106, 108–109, 115–116, 120, 133, 149–150, 407

Society of Young Publishers 231–232

Solomon, Nicola 52, 133, 407–408

Sotheby’s 280–281

source 71, 108, 131, 144, 149–150, 158–159, 165, 172, 232, 243, 246, 252, 256, 258–259, 263, 329, 351,

364, 366, 380, 387–388, 390–391, 395–396, 398–399, 405

Soviet Union 34

Spain, Spanish 35

Spinosa, Dani 78

Spivak, Gayatri 300

Spread the Word 136, 230, 238, 240

Statute of Anne 1710 141, 355–356, 423

Stewart, Kevin 116, 427

Supreme Court of Canada (SCC) 349, 369–372

sustainability 40, 48–50, 70, 86, 124, 313, 318, 320, 329–330, 340, 405, 412

Swift, Rebecca 98, 114. See

also Literary Agency, The

Swijghuisen Reigersberg, Muriel 14, 309, 324

Szilak, Illya 250–251

Tate galleries 4, 28, 57, 59

Taylor & Francis 189–190, 210

technology 2–3, 5–6, 9, 67, 77–79, 84, 92, 101–102, 107, 109, 112, 117, 137, 268, 355–356, 362, 381, 383–385, 401, 409–412, 417–420, 422

text 8, 13, 24, 27–28, 34, 36, 43–44, 61, 73–74, 76, 78–80, 82, 84, 91, 95–96, 98, 102, 119, 182–183, 189, 243–248, 250–251, 253, 256, 258, 261–263, 270–271, 284, 286–288, 290, 292, 295, 297–300, 313, 315, 318–319, 321–324, 328–330, 334, 338, 348, 351–353, 356, 362–364, 366–367, 369, 371, 379–381, 386–388, 390, 393–394, 397–398, 409, 412, 420

theft 23, 172, 384

theoretical 70, 273, 275, 295, 312, 318, 355

theorists 78, 94, 295, 362

theory 22, 43, 46, 48, 78, 81, 93, 96, 100, 154, 250, 268, 311, 315, 323, 350, 353, 357, 421

Titon, Jeff Todd 312, 336

Tonson, Jacob 96–101, 103–104

Toronto 36, 38, 258

University of Toronto 38

Trade-Related Aspects of Intellectual Property (TRIPS) Agreement 357, 359–360, 363

Turcotte, Joseph 13–14, 72–74, 347

Twitter 118, 155, 256, 392, 405, 412, 415

UK Research Integrity Office

(UKRIO) 325–326

UNESCO 37, 333, 406

United Kingdom 2–6, 8, 10–12, 24, 35, 38–39, 48–49, 56–57, 59, 65–68, 70, 95, 97–99, 101, 104, 106, 123–124, 129–130, 133, 136, 141–143, 147–150, 152, 154, 159, 163–164, 169, 172, 184–185, 192, 206, 208, 210, 213, 216, 229–232, 234, 236, 238–241, 247, 257, 260, 283, 296, 325–327, 338, 355–356, 405–410, 416

United States 4, 33–36, 45–46, 50–53, 55–56, 59–61, 95, 102, 104, 117, 123–124, 133, 167, 192, 236, 240, 257–258, 271–273, 279–280, 283, 322, 324, 332, 334, 356–357, 360, 386, 396–397, 400, 407, 410

University of the Arts London (UAL) 39–40, 52–53, 283, 291

value 5, 6, 7, 8, 11, 12, 23, 28, 68, 69, 70, 71, 72, 73, 74, 76, 79, 84, 85, 96, 100, 101, 102, 103, 136, 142, 147, 152, 161, 163, 165, 168, 170, 173, 174, 183, 184, 217, 234, 269, 276, 281, 282, 295, 314, 321, 326, 388, 416, 428. See also worth

version 38, 42, 44–45, 59, 117, 119, 159, 166, 181–185, 207, 249, 258, 289, 292, 314, 387–388, 393, 399, 410

Virgil 99, 260

Ware, Chris 182, 196
Building Stories 196

Wark, McKenzie 248, 260–261
The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International 248

Waterstones 131, 409–410

Wattpad 135

wealth 23, 30, 68, 96, 98, 278, 283, 320, 333, 406

Weinmayr, Eva 1, 14, 267, 412

Williams, Raymond 2

structure of feeling 2

Wise, Gordon 107–108, 115

Woodley, Caroline 39–40, 59

Woodmansee, Martha 351

works 7–9, 11, 13–15, 21–22, 24, 27–29, 35–36, 40, 43–46, 48–52, 55–56, 60, 67, 69–70, 72–77, 80–82, 92–93, 95, 97–100, 102, 105–106, 108–112, 114–120, 122–124, 131, 133–134, 141, 144, 148, 152, 155, 157–158, 160, 162, 164–168, 170–172, 174, 181–183, 185, 188, 190–196, 198, 200–204, 206–210, 213–217, 231–232, 235–238, 241, 243–244, 248–250, 253–261, 263, 267–272, 274–275, 277–285, 287–289, 291, 294–295, 297–299, 311, 313–314, 316–317, 320–329, 332–333, 336–337, 340, 348–350, 352–353, 355–360, 362–367, 371–372, 380–392, 394–400, 406, 411–412, 415–421, 423–424, 427–428

World Trade Organization (WTO) 357, 359

worth 13, 68–71, 80, 86, 91, 93, 95–96, 100–104, 144, 152, 169–170, 184, 202–203, 298, 339, 351, 383, 397, 399, 406–407

writers 1, 5, 6, 7, 9, 14, 28, 29, 33, 35, 40, 44, 45, 47, 49, 65, 66, 67, 68, 69, 70, 78, 83, 91, 94, 95, 98, 99, 100, 105, 106, 114, 119, 123, 124, 130, 131, 132, 133, 134, 135, 136, 137, 141, 142, 143, 144, 146, 147, 148, 149, 150, 151, 152, 154, 155, 156, 157, 158, 159, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 188, 229, 230, 232, 233, 234, 235, 236, 237, 239, 240, 241, 243, 244, 245, 252, 254, 256, 259, 262, 263, 272, 291, 293, 298, 328, 352, 367, 381, 382, 385, 386, 387, 388, 389, 390, 394, 396, 398, 399, 405, 406, 407, 412, 423, 424, 425

Writing the Future 136, 230, 231, 232, 233, 234, 235, 237, 238, 239, 240, 241

YouTube 109, 132, 135, 315

Yummy Fur 194, 195

Zittrain, Jonathan 382, 384

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