Table des matières
Dennis Tredy
PrefaceAdrian Harding
On ‘The European Society of Jamesian Studies’I. Ethics and Aesthetics
Esther Sánchez-Pardo
3. James’s Sociology of Taste: The Ambassadors, Commodity Consumption, and Cultural CritiqueEric Savoy
4. Bad InvestmentsII. French and Italian Hours
Agnès Derail-Imbert
7. French as the Fantasmal Idiom of Truth in What Maisie KnewRosella Mamoli Zorzi
9. The Aspern Papers: From Florence to an Intertextual City, VeniceEnrico Botta
10. The Wavering Ruins of The AmericanIII. Appropriating European Thematics
Simone Francescato
12. A Discordance Between the Self and the World: The Collector in Balzac’s Cousin Pons and James’s ‘Adina’IV. Allusion
Angus Wrenn
14. Some Allusions in the Early StoriesOliver Herford
16. James and the Habit of AllusionV. Performance
Nelly Valtat-Comet
17. The Absent Writer in The Tragic MuseRichard Anker
18. James and the “Paradox of the Comedian”VI. Authorship and Self-Representation
Eleftheria Arapoglou
20. Narrative Heterogeneity as an Adjustable Fictional Lens in The American SceneJakob Stougaard-Nielsen
21. James’s Faces: Appearance, Absorption and the Aesthetic Significance of the FacePaula Marantz Cohen
22. From Copying to Revision: The American to The AmbassadorsPierre A. Walker
23. Friction with the Publishers, or How James Manipulated his Editors in the Early 1870’sJohn Holland
24. Losing Oneself: Autobiography, Memory, Vision