Table des matières
Warwick Gould
IntroductionWarwick Gould
Acknowledgements and Editorial InformationEssays
Hannah Sullivan
How Yeats Learned to ScanDenis Donoghue
Easter 1916Anita Feldman
The Invisible Hypnotist: Myth and Spectre in Some Post-1916 Poems and Plays by W. B. YeatsWarwick Gould
‘Satan Smut & Co’: Yeats and the Suppression of Evil Literature in the Early Years of the Free State- FOOTNOTING IRRECONCILABLE REALITY
- VIGILANCE, OUR BOYS, AND THE CATHOLIC BULLETIN
- A VAST, SHAPELESS, AND HIDEOUS HEAP OF THE MOST UTTERLY DEPRAVED AND BEASTLY FILTH
- YOU DIRTY BOY!
- ‘[F]UMBLING IN THE GREASY TILL’
- WIDER STILL, AND WIDER
- ‘PRE-EMINENCE OF PUTRESCENCE’
- THE TO-MORROW FALLOUT
- AN OLD SONG RESUNG
- CENSORSHIP: YEATS’S PRESCIENCE
James Pethica
‘Uttering, Mastering it’? Yeats’s Tower, Lady Gregory’s Ballylee, and the Eviction of 1888Lauren Arrington
Fighting Spirits: W. B. Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929)Grevel Lindop
Charles Williams and W. B. YeatsStanley Van Der Ziel
Shakespeare in Purgatory: ‘A Scene of Tragic Intensity’Research updates
Warwick Gould
Conflicted Legacies: Yeats’s Intentions and Editorial Theory- SOMETHING INTENDED, COMPLETE
- LE GRAND OEUVRE
- Barbara Johnson translates:
- VAIN GAIETY: LOST ALLUSIONS, BIOGRAPHICAL DELUSIONS, SPECIFIC CONFUSIONS
- RECOVERIES: WIDER STILL, AND WIDER
- THE WORD-HOARD, SELF-ANNOTATION, SELF-ALLUSION, COMMENTARY
- VAIN BATTLE: COLLECTED EDITIONS, INTENTION AS EXPECTATION
- BLOWING THE DOORS OFF
- LIVING TESTIMONIES FROM DEAD AUTHORS
- WINDS OF CHANGE: ‘THINGS THOUGHT TOO LONG’
- G. Thomas Tanselle widens this pragmatism:
- SACRED WRIT
- VAIN REPOSE
- LE DICTIONNAIRE DES IDÉES REÇUES
- LA CRITIQUE GÉNÉTIQUE
- I ADD IN COMMENTARY
Review essays and reviews
Deirdre Toomey
‘Both Beautiful, One a Gazelle’: A Review EssayRichard Allen Cave
W. B. Yeats, On Baile’s Strand: Manuscript Materials, ed. by Jared Curtis and Declan Kiely(Ithaca and London: Cornell University Press, 2014), pp. lvii + 595
Grevel Lindop
W. David Soud, Divine Cartographies: God, History and Poeisis in W. B. Yeats, David Jones, and T. S. Eliot(Oxford: Oxford University Press, Oxford English Monographs, 2016), pp. 246, £60; $100; also available as an e-book and via Oxford Scholarship Online. ISBN 9780198777779
R. A. Gilbert
Yeats, Philosophy, and the Occult, ed. by Matthew Gibson and Neil Mann(Clemson, SC: Clemson University Press, 2016). Hardcover, pp. 237, £75 [Distributed by Liverpool University Press, 4 Cambridge Street, Liverpool L69 7ZU]. ISBN 9781942954255
Jad Adams
Alexander Bubb, Meeting Without Knowing It: Kipling and Yeats at the Fin de Siècle(Oxford: Oxford University Press, 2017), pp. 288. ISBN 9780198753872
Emilie Morin
Emily C. Bloom, The Wireless Past: Anglo-Irish Writers and the BBC, 1931–1968(Oxford: Oxford University Press, 2016), pp. 224. ISBN 978019874961
Stoddard Martin
Ezra Pound, Posthumous Cantos, ed. by Massimo Bacigalupo(Manchester: Fyfield Books, Carcanet Press, 2015), pp. 220. ISBN 9781784101206
Stoddard Martin
Adrian Frazier, The Adulterous Muse: Maud Gonne, Lucien Millevoye and W. B. Yeats(Dublin: The Lilliput Press, 2016), pp. 322
- First Songs: Lullabies for Ireland
- The Rose and the Crossway
- [Disc One: from ‘Crossways’]
- [Disc Two: from ‘The Rose’]
- The Wind, the Reeds, and the Seven Woods
- [Disc One]
- [Disc Two]
- Responsibilities
- The Wild Swans at Coole
- [Disc One]
- [Disc Two]
- Youth and Age
- Music for Words Perhaps
- Upon a Golden Bough
- Last Songs: Upanishads for Ireland (and All)
- [Disc One]
- [Disc Two]
