List of Illustrations
p. 395-398
Texte intégral
0.1 | John Milton, Song, in process of revision towards At a Solemn Musick. © Master and Fellows of Trinity College, Cambridge, CC BY-NC 4.0 | 3 |
2.1 | An Epiphany-in-draft. The James Joyce Archive, vol. [7], p. 45 | 51 |
2.2 | First surviving manuscript page of Stephen Hero. The James Joyce Archive, vol. [8] | 54 |
2.3 | Revision in holograph fair copy of A Portrait of the Artist as a Young Man. The James Joyce Archive, vol. [9], p. 45 | 63 |
12.1 | ‘A Sketch of the Past’, manuscript, 19 July 1939, fols. 1-2. University of Sussex Library, The Keep, SxMs-18/2/A/5/C. © The Society of Authors, all rights reserved. | 260 |
12.2 | ‘A Sketch of the Past’, typescript, 19 July 1939, fol. ‘56’. University of Sussex Library, The Keep, SxMs-18/2/A/5/A. © The Society of Authors, all rights reserved. | 261 |
12.3 | 19 July 1939 preliminaries: a Juxta collation mock-up of manuscript versus typescript | 262 |
12.4 | ‘A Sketch of the Past’, typescript, 18 April 1939, fol. 1. University of Sussex Library, The Keep, SxMs-18/2/A/5/A. © The Society of Authors, all rights reserved. | 265 |
12.5 | ‘A Sketch of the Past’, typescript, 18 April 1939, fol. 2. University of Sussex Library, The Keep, SxMs-18/2/A/5/A. © The Society of Authors, all rights reserved. | 269 |
12.6 | ‘A Sketch of the Past’, typescript, 18 April 1939, fol. 3. University of Sussex Library, The Keep, SxMs-18/2/A/5/A. © The Society of Authors, all rights reserved. | 271 |
12.7 | A Juxta collation of the Virginia Stephen biography outline in two succeeding typescripts | 274 |
12.8 | ‘Sjetch of the Past’, typescript, n. d., fol. 1. University of Sussex Library, The Keep, SxMs-18/2/A/5/E. © The Society of Authors, all rights reserved. | 275 |
12.9 | ‘A Sketch of the Past’, typescript, November 1940, fols. ‘123’–‘124’. The British Library, MS 61973, fols. 55–56. © The Society of Authors, all rights reserved. | 279 |
12.10 | ‘A Sketch of the Past’, manuscript, November 1940, fol. 38. University of Sussex Library, The Keep, SxMs-18/2/A/5/D. © The Society of Authors, all rights reserved. | 281 |
12.11 | ‘A Sketch of the Past’, manuscript, November 1940, fol. 37. University of Sussex Library, The Keep, SxMs-18/2/A/5/D. © The Society of Authors, all rights reserved. | 282 |
12.12 | ‘A Sketch of the Past’, manuscript, November 1940, fol. 36. University of Sussex Library, The Keep, SxMs-18/2/A/5/D. © The Society of Authors, all rights reserved. | 285 |
15.1 | The Gutenberg Bible, https://commons.wikimedia.org/wiki/File:Gutenberg_Bible_B42_Genesis.JPG | 314 |
15.2 | Caxton edition of Chaucer, ‘The Man of Law’s Tale’ | 316 |
15.3 | Aldus Manutius: a title page. Bayerische Staatsbibliothek, Sig. 4 Ph. pr. 163, http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb10166566-2 | 318 |
15.4 | ‘A quarto printed by Johannes Frobenius, Basel, 1515: colophon. Private collection | 319 |
15.5 | From same quarto: title page/contents. Private collection | 320 |
15.6 | From same quarto: opening c3v-c4. Private collection | 321 |
15.7 | Gregor IX, Decretalium Liber, V Cod. 2040, Fol. 168r. Courtesy of the Österreichische Nationalbibliothek, Vienna | 324 |
15.8 | Hugo de Sancto Charo, Biblical commentaries, 1703. Courtesy of the Herzog August Bibliothek, Wolfenbüttel (Germany) | 325 |
15.9 | The Workes of Beniamin Jonson, 1616: title-page | 328 |
15.10 | The Workes of Beniamin Jonson, Volpone: part title and dedication | 328 |
15.11 | William Shakespeare, First Folio, 1623: title-page | 329 |
15.12 | William Shakespeare, First Folio: ‘A Catalogue’ | 329 |
15.13 | William Shakespeare, First Folio, Twelfe Night, Or what you will: opening page | 332 |
15.14 | William Congreve [Works, ed. M. Summers, 1924], Squire Trelooby: scene divisions in print | 334 |
15.15 | Scriblerus (Alexander Pope), The Dunciad, Variorum, London, 1729, p. 61, n. 3 | 336 |
15.16 | Hope Mirrlees, Paris, 1919: eked out by a page of notes | 337 |
15.17 | Alexander Pope’s Shakespeare edition, 1725: title-page | 339 |
15.18 | Pope’s Shakespeare: editor’s distancing footnote | 339 |
15.19 | Two pages from Pope’s Shakespeare | 340 |
15.20 | Isaac Reed’s revision of Johnson and Steevens’ [First] Variorum Shakespeare, 1803: title-page | 342 |
15.21 | [First] Variorum Shakespeare: a random page opening | 343 |
15.22 | The New Variorum Measure for Measure, 1980: random apparatus and commentary pages. All rights reserved | 344 |
15.23 | Henry Fielding, Joseph Andrews, ed. by Fredson Bowers, 1974: apparatus page. All rights reserved | 347 |
15.24 | Friedrich Hölderlin, ‘Heidelberg’, ed. by Friedrich Beissner, 1951: ‘Stepped-up’ apparatus of successive readings (cf. 15.27). All rights reserved | 349 |
15.25 | Conrad Ferdinand Meyer, ed. by Hans Zeller, 1975: synopsis of a textual progression through successive documents. All rights reserved | 350 |
15.26 | Friedrich Hölderlin, ‘Mein Eigenthum’, ed. by D. E. Sattler, 1984: visualisation of writing process. From vol. 4 of Sämtliche Werke, Frankfurter Ausgabe. © and courtesy Verlag Stroemfeld/Roter Stern, Frankfurt am Main and Basel, all rights reserved | 352 |
15.27 | Friedrich Hölderlin, ‘Heidelberg’, ed. by D. E. Sattler, 1984: visualisation of writing process (cf. 24). From vol. 4 of Sämtliche Werke, Frankfurter Ausgabe. © and courtesy Verlag Stroemfeld/Roter Stern, Frankfurt am Main and Basel, all rights reserved | 353 |
15.28 | James Joyce, Ulysses: A Critical and Synoptic Edition, ed. by Hans Walter Gabler et al., 1984: title-page opening. © H. W. Gabler, CC BY 4.0 | 355 |
15.29 | Ulysses: A Critical and Synoptic Edition: genetic synopsis (left page) facing reading text (right page). © H. W. Gabler, CC BY 4.0 | 356 |
15.30 | Ulysses: A Critical and Synoptic Edition: synopsis design (detail). © H. W. Gabler, CC BY 4.0 | 359 |
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