Twentieth-Century Russian Poetry
Reinventing the Canon
OBP collectionÉditeur : Open Book Publishers
Lieu d’édition : Cambridge
Publication sur OpenEdition Books : 31 janvier 2018
Collection : OBP collection
Année d’édition : 2017
Nombre de pages : x + 502
Présentation
The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia's shifting relationship to its own literature in the face of social upheaval.
Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation's culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin's second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel'shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term “Soviet literature” with a new definition - “Russian literature of the Soviet period”.
Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as “classics”. Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground.
Required reading for students, teachers and lovers of Russian literature, Twentieth-Century Russian Poetry brings our understanding of post-Soviet Russia up to date.
Sommaire
Katharine Hodgson et Alexandra Smith
1. Introduction: Twentieth-Century Russian Poetry and the Post-Soviet Reader: Reinventing the CanonAaron Hodgson
2. From the Margins to the Mainstream: Iosif Brodskii and the Twentieth-Century Poetic Canon in the Post-Soviet PeriodAlexandra Harrington
3. ‘Golden-Mouthed Anna of All the Russias’: Canon, Canonisation, and CultNatalia Karakulina
4. Vladimir Maiakovskii and the National School CurriculumAndrew Kahn
6. Canonical Mandel′shtamJosephine von Zitzewitz
8. From Underground to Mainstream: The Case of Elena ShvartsKatharine Hodgson
9. Boris Slutskii: A Poet, his Time, and the CanonAlexandra Smith
12. The Post-Soviet Homecoming of First-Wave Russian Émigré Poets and its Impact on the Reinvention of the PastStephanie Sandler
13. Creating the Canon of the Present
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