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Theatre and War

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Nandita Dinesh

Index

Texte intégral

Abramović, Marina 125, 184

Agamben, Giorgio 86, 87

applied theatre 3, 14

Arendt, Hannah 90

armed forces 5, 26, 59, 73, 79, 91, 93, 94, 100–102, 107, 109, 112, 149, 151, 176, 178

Armenia 168, 173, 177, 181

Atkinson, Paul 71

auto-ethnography 4, 8–11, 32, 109, 187, 188

Balfour, Michael 3, 30, 41, 44, 49, 51, 55–58, 60, 83, 85, 126, 139, 151

Barrett, Esther 14, 39

Baumeister, Roy 91, 92, 105

Beckett, Samuel 107

bell hooks (Gloria Jean Watkins) 71

Bhand Pather 112

Bianchi, Marina 130

Boal, Augusto 18, 37, 45, 79, 115, 153

Bochner, Arthur P. 10, 11

Bolt, Barbara 14, 39

Bourdieu, Pierre 39, 97, 118

Brayboy, Bryan M. 71

Brecht, Bertolt 119, 120

Brown, Corinna 8, 16

Browning, Christopher 89

Burnier, DeLysa 10

child soldiers 6, 23, 33, 34, 91, 170

cognitive neuroscience 117

Community Theatre 3, 14

Construal Level Theory (CLT) 153, 156

Das, Veena 97

Dean, Roger T. 16, 44

De Beer, Maresa 89, 90, 96

Denshire, Sally 10, 11

Denzin, Norman K. 4, 9, 11, 21, 42

Devlieger, Patrick 9, 10

Deyhle, Donna 71

Diaspora 5, 7, 24, 25, 27, 63, 67, 120, 121, 184

Di Benedetto, Stephen 131

Documentary Theatre 7, 57, 100, 104, 113, 116, 120, 149

Dwyer, Paul 111, 119

Edmondson, Laura 34, 42, 43

elaborative rehearsal 160, 161, 165

Ellis, Carolyn 8, 10, 11

Epic Theatre 111, 119

Erdemir, Aykan 67

Ergun, Ayça 67

European Union (EU) 106, 110

focus on timeline 29, 39–41, 44–47, 54, 75, 169

Förster, Jens 117–120, 122, 131–133, 152, 153

Forsyth, Alison 57

Forum Theatre 18, 37, 79, 153, 170, 182

Foster, Don 89–92, 105

Friedman, Ronald S. 120, 122, 131

Gambaro, Griselda 18, 19, 133, 134, 162

Gillebaart, Marleen 117, 118, 120

Ginters, Laura 51, 140, 157, 158

Giwa, Aisha 71

Gordon, Peter C. 132

grey zones 5, 12, 18, 95, 97, 98, 100–106, 117, 132–136, 144, 146, 148, 150, 156, 159, 172, 175, 176, 178, 182, 188

Guatemala 3, 5, 6, 12, 17, 22, 23, 88, 97, 107, 141, 142, 188

Haedicke, Susan 18, 106

Hammersley, Martyn 71

Haseman, Brad 16

Haupt, Paul 89, 90, 96, 97, 105

Higgins, E. Tory 133

Hobart, Mark 140, 157

Holyoak, Keith J. 132

Hughes, Jenny 3, 41, 44, 55, 56, 57, 58, 60, 83, 126, 139, 151

Humphrey, Caroline 58, 61, 71

Illich, Ivan 43, 172

Immersive Theatre 18, 19, 110, 112, 131

Information for Foreigners (IFF) (Performance, 2015) 18, 19, 133, 134, 135, 156–162, 165, 169, 171, 172, 186

information gaps 132, 133, 136, 146, 152, 180

In Place of War 3, 60

insider-outsider hyphen 71, 75, 76, 80, 82, 174

intention/response interactions 50, 52, 75, 170, 172

Kashmir 3, 5, 7, 8, 14, 15, 19, 26, 43, 48, 72, 73, 74, 75, 80, 81, 88, 93, 94, 95, 97, 98–102, 112, 126, 127, 129, 133–135, 147–151, 155–160, 162, 164, 165, 169, 171, 172, 176, 177, 180, 186, 188

Kenya 3, 5, 7, 15, 22, 25, 47, 113, 120, 121, 122, 188

Khan, Shahnaz 71

Kincheloe, Joe L. 11

Kipling, Rudyard 3, 21, 167

Kusow, Abdi 59, 61, 67, 68

Lecomte, Frederique 58, 83, 101

Levine, Stephen K. 17, 41, 42

Levi, Primo 86, 95, 100

Liberman, Nira 152, 153, 154

Loewenstein, George 120, 132

Loots, Gerrit 9, 10

Mamdani, Mahmood 87

Marguc, Janina 117, 118, 120

Marinis, Marco de 111, 119, 120

McLaren, Peter 11

McNiff, Shaun 41

Megson, Chris 57

memorial afterlife 51, 52, 54, 78, 106, 132, 135, 144, 145, 146, 150, 157, 160, 161, 169, 170, 179, 186

Menon, Jisha 112

Meri Kahani Meri Zabani (MKMZ) (Performance, 2014) 124–129, 125, 127, 129, 132, 133, 149, 153

Mexico 3, 5, 7, 8, 15, 22, 25, 43, 47, 69, 70, 77, 110, 172

Meyer, Leonard B. 132

militants/ex-militants 5, 100–104, 124, 125, 128, 129, 149, 151, 153

Mitra, Shoyoni 29

mood and coping potential 122, 124

Morrison, Toni 9

Nagaland 3, 5, 7, 13, 26, 47, 79, 80, 81, 188

Nazism 86, 90, 95

Non-Governmental Organizations (NGOs) 35, 36, 46–48, 52, 62, 63, 67, 77, 149, 150

Nordstrom, Carolyn 85, 145

Northern Ireland 3, 5, 6, 12, 17, 24, 88, 97, 107, 188

northern Uganda 2, 3, 5, 11, 12, 14, 17, 22, 23, 32, 33, 34, 36, 37, 38, 43, 46, 49, 52, 88, 91, 106, 170, 188

Notes from the field 1, 5, 11, 17, 23, 32, 46, 53, 62, 69, 72, 79, 88, 93, 99, 107, 114, 120, 124, 133, 141, 147, 155, 162, 168, 173, 177, 181, 188

novelty 18, 19, 20, 22, 43, 111, 113, 117–124, 127–137, 143–146, 149, 150, 151, 152, 153, 167, 172, 179–182

Novelty Categorization Theory 117, 118, 131

Political Theatre 3, 14

post-process/post-performance outcomes 41, 44, 45, 46, 54, 75, 78

primary action 29, 38, 39, 40, 54, 169

process-based spectatorship 42, 43, 44, 52, 131, 132, 136, 157, 159, 161, 165, 180

Promenade Theatre 19, 116, 122

Pune (India) 107

Roy, Arundathi 9, 84, 91, 97

Rwanda 3, 5–7, 12–17, 20, 22, 24, 26, 46–48, 62–67, 69, 76, 80, 88, 97, 113–116, 120, 122, 144, 148, 154, 173, 174, 181, 185, 188

Sagristano, Michael D. 153, 154

Sarukkai, Sundar 31, 59, 60, 68

Schechner, Richard 44

Scheper-Hughes, Nancy 97

Schimmel, Katrin 152, 153

Schinina, Guglielmo 32

Sen, Amartya 56, 68

Sermjin, Jasmina 9, 10

Silvia, Paul J. 123

Sircar, Badal 29

Site-specific Theatre 19, 116, 126

Smith, Hazel 16, 44

Srinivas, M. N. 4, 68

temporal distance 20, 152, 154, 181

temporal zones 140, 143, 147, 148, 149, 150, 151, 164, 168, 180

Theatre for Development 3, 5, 14

Theatre for Social Change 14, 17, 18

Theatre of the Oppressed 18, 37, 111, 113, 115, 153, 179

The Question Mark (Performance, 2008) 64, 114, 115

Thompson, James 3, 11, 30, 38, 40, 41, 44, 49–52, 55–58, 60, 83, 87, 108, 112, 117, 118, 126, 139, 151

Trade Winds (Performance, 2010) 120, 121

Trope, Yaacov 152, 153, 154

United States 2, 12, 37, 57, 72, 110, 112, 141, 172, 182

Villenas, Sofia 71

Visweswaran, Kamala 11

Voyage Pas Comme Les Autres Sur Les Chemins De L’Exil, Un 18, 19, 106, 110

Waiting… (Performance, 2013) 107, 109

Werth, Lioba 133

What (Strategy). See novelty

When (Strategy). See temporal zones, temporal distance, process-based spectatorship

Where (Strategy). See insider-outsider hyphen

Who (Strategy). See grey zones

Why (Strategy). See primary action, focus on timeline, intention/response interactions

Acheter

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