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Essays in Honour of Eamonn Cantwell

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Warwick Gould

Acknowledgements and Editorial Information

Warwick Gould

Texte intégral

1Our chief debt of gratitude is to the Yeats Estate over many years for granting permission (through A. P. Watt, Ltd., now part of United Agents Partnership, Ltd.) to use published and unpublished materials by W. B. Yeats. Many of our contributors are further indebted to the Yeats family and Estate for making unpublished materials available for study and for many other kindnesses, as is the Editor. Linda Shaughnessy of United Agents has recently retired after a long and distinguished career, and stewardship of the Yeats Estate is now in the hands of Amy Mitchell (amitchell@unitedagents.co.uk) also formerly of A. P. Watt and her Assistant, Kat Aitken (kaitken@unitedagents.co.uk) at +44 (0) 2032140931, who also handle, in addition to their estate work, foreign rights in a large number of countries.

2Declan Kiely of the Pierpont Morgan Library, New York, Dr Cathy Henderson and Dr Richard Oram at the Harry Ransom Humanities Research Center, Austin, Catherine Fahy at the National Library of Ireland continue to provide us with research materials and research assistance. At the British Museum, Mr Iain Calderwood and at the British Library, the Curator of the Macmillan Archive, Dr Elizabeth James, rendered invaluable assistance to the Editor, while the research librarians at the Robert W. Woodruff Library at Emory University are equally generous and prompt in recovering specialist materials. Dr Karen Attar in Special Collections at the Senate House Library, University of London has been unfailingly helpful, especially in respect of the Thomas Sturge Moore Collection. Riette Sturge Moore (who died in 1995) allowed us to use in the livery of the Yeats Annuals the rose symbol adapted from Thomas Sturge Moore’s designs for the H. P. R. Finberg translation of Axel (1925).

3Martin Enright, President of the Yeats Society, Sligo, alerted us to the existence of Constance Gore-Booth’s drawing of Yeats in the Sligo County Museum and Library, and the County Librarian, Dónal Tinney, kindly provided it. Professors Roy Foster, F. B. A. and John Kelly on behalf of Oxford University Press, are generous with permissions. Individuals, institutions private collectors and estates which gave permission for the reproductions of images are profoundly to be thanked for helping us to take advantage of the digital publishing. Every effort has been made to trace copyright holders, and while some images are by unknown photographers, the editor would be grateful to acknowledge any omissions in the next issue.

4At Open Book Publishers, William St. Clair FBA, Dr Rupert Gatti, Dr Alessandra Tosi and Bianca Gualandi provided patient assistance and invaluable advice to facilitate our transfer to Open Access publishing. Members of the Advisory Board continue to read a large number of submissions and we are grateful to them, and also to Mr R. A. Gilbert and other specialist readers who offered valuable assistance.

5Deirdre Toomey as Research Editor of this journal continues to take up the challenges which routinely defeat contributors, finding innumerable ways to make good articles better by means of her restless curiosity and indefatigable reading. All of us associated with the volume (as well as its readers) continue to be grateful for her persistence with intractabilities.

6Contributions for Yeats Annual No. 21 should reach me, preferably by email as soon as possible after publication of this volume at:

7The Institute of English Studies,
University of London,
Senate House, Malet Street,
London WC1E 7HU
United Kingdom
Email: warwick.gould@sas.ac.uk

8A style sheet, instructions for the submission of articles to the Editorial Board and consequent editorial procedures are available on our website at http://www.ies.sas.ac.uk/​publications/​yeats annual where it is also possible to find full information about, and to purchase, in-print numbers from the Yeats Annual backlist. The website is being further developed to complement the online and print availability of the current issues through Open Book Publishers (http://www.openbookpublishers.com).

9Professor John Kelly of St John’s College, Oxford is General Editor of The Collected Letters of W. B. Yeats. Later years of the letters are available in the InteLex electronic edition, which is now online at http://www.nlx.com/​collections/​130. This resource presently includes only the first three fully annotated volumes as well as the ‘B’ text of all subsequent letters which have come to light. Priority in the publication of newly discovered letters remains, however, with the print-based volumes, the fifth of which is shortly to be published by the Clarendon Press.

10Colin Smythe (PO Box 6, Gerrards Cross, Bucks, SL9 8XA, UK, cpsmythe@aol.com) is completing his revision of the Wade-Alspach Bibliography for Colin Smythe, Ltd., while an authorised edition of Yeats’s Occult Diaries, 1898–1901 is being prepared by Deirdre Toomey and myself. We continue to revise A. Norman Jeffares’ New Commentary on the Poems of W. B. Yeats. All the above would be very grateful to hear of new letters, and to receive new information from readers.

11We are grateful to receive offprints and review copies and other bibliographical information (acknowledged at the end of each volume).

121 September 2016

Auteur

FRSL, FRSA, FEA is Emeritus Professor of English Literature in the University of London (at Royal Holloway), and Senior Research Fellow of the Institute of English Studies (in the School of Advanced Study), of which he was Founder-Director 1999–2013. He is co-author of Joachim of Fiore and the Myth of the Eternal Evangel in the Nineteenth and Twentieth Centuries (1988, revised 2001), and co-editor of The Secret Rose, Stories by W. B. Yeats: A Variorum Edition (1981, revised 1992), The Collected Letters of W. B. Yeats, Volume II, 1896–1900 (1997), and Mythologies (2005). He has edited Yeats Annual for thirty years. Email: Warwick.Gould@sas.ac.uk

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