Table des matières
Warwick Gould
Acknowledgements and Editorial InformationEssays in Honour of Eamonn Cantwell
Bernard O’Donoghue
Yeats the Love PoetHelen Vendler
The Puzzle of Sequence: Two Political Poems- APPENDIX: SCHEMATIC SUMMARY OF ‘NINETEEN HUNDRED AND NINETEEN’
- I: ‘Many ingenious lovely things are gone’
- II: ‘When Loie Fuller’s Chinese dancers enwound’
- III: ‘Some moralist or mythological poet’ (same stanza form as in II)
- IV: ‘We, who seven years ago’: (4 X 4, a perfect square)
- V: ‘Come let us mock at the great’
- VI: ‘Violence upon the roads: violence of horses’
- ‘NINETEEN HUNDRED AND NINETEEN’: SUMMARY
Paul Muldoon
Moving on Silence: Yeats and the Refrain as SymbolJohn Kelly
Eliot and YeatsCrónán Ó Doibhlin
The Cantwell CollectionResearch Updates and Obituaries
Colin Smythe
W. B. Yeats’s MosadaWarwick Gould
Yeats and the Flying DutchmanGeert Lernout
Yeats and Tukaram: ‘An Asylum for my Affections’Günther Schmigalle
‘I am sitting in a café with two French-Americans’: W. B. Yeats, Max Dauthendey, James and Theodosia Durand. Durand’s ‘Communistic Manifesto’Deirdre Toomey
Three Letters from Yeats to the Anarchist, Augustin HamonJohn Kelly
Ghost-writing for Sara AllgoodNicolas Barker
Jon Stallworthy (1935–2014)Richard Allen Cave
Katharine Worth (1922-2015)'Mastering What is most Abstract': A Forum on a Vision
Warwick Gould
An Afterword: The Macmillan Archive and Editorial PolicyDeirdre Toomey
Olivia Shakespear, Beauty’s HourEdited by Anne Margaret Daniel (Richmond, VA: Valancourt Books, 2016), pp. 89. Foreword, Introduction, and Notes by the Editor. ISBN 978-1-943910-40-3
