Digital Scholarly Editing
Theories and Practices
This volume presents the state of the art in digital scholarly editing. Drawing together the work of established and emerging researchers, it gives pause at a crucial moment in the history of technology in order to offer a sustained reflection on the practices involved in producing, editing and reading digital scholarly editions-and the theories that underpin them.
The unrelenting progress of computer technology has changed the nature of textual scholarship at the most fundamental level: the...
Éditeur : Open Book Publishers
Lieu d’édition : Cambridge
Publication sur OpenEdition Books : 13 juillet 2017
ISBN numérique : 978-2-8218-8400-7
Collection : Digital Humanities Series
Année d’édition : 2016
ISBN (Édition imprimée) : 978-1-78374-238-7
Nombre de pages : xvi + 274
Hans Walter Gabler
ForewordMatthew James Driscoll et Elena Pierazzo
1. Introduction: Old Wine in New Bottles?Section 1. Theories
Patrick Sahle
2. What is a Scholarly Digital Edition?Joris van Zundert
5. Barely Beyond the Book?Dirk Van Hulle
6. Exogenetic Digital Editing and Enactive CognitionKrista Stinne Greve Rasmussen
7. Reading or Using a Digital Edition? Reader Roles in Scholarly EditionsSection 2. Practices
Ray Siemens, Constance Crompton, Daniel Powell et al.
8. Building A Social Edition of the Devonshire ManuscriptGreta Franzini, Melissa Terras et Simon Mahony
9. A Catalogue of Digital EditionsCamille Desenclos
10. Early Modern Correspondence: A New Challenge for Digital EditionsCynthia Damon
11. Beyond Variants: Some Digital Desiderata for the Critical Apparatus of Ancient Greek and Latin TextsRoberto Rosselli Del Turco
12. The Battle We Forgot to Fight: Should We Make a Case for Digital Editions?This volume presents the state of the art in digital scholarly editing. Drawing together the work of established and emerging researchers, it gives pause at a crucial moment in the history of technology in order to offer a sustained reflection on the practices involved in producing, editing and reading digital scholarly editions-and the theories that underpin them.
The unrelenting progress of computer technology has changed the nature of textual scholarship at the most fundamental level: the way editors and scholars work, the tools they use to do such work and the research questions they attempt to answer have all been affected. Each of the essays in Digital Scholarly Editing approaches these changes with a different methodological consideration in mind. Together, they make a compelling case for re-evaluating the foundation of the discipline-one that tests its assertions against manuscripts and printed works from across literary history, and the globe.
The sheer breadth of Digital Scholarly Editing along with its successful integration of theory and practice help redefine a rapidly-changing field, as its firm grounding and future-looking ambit ensure the work will be an indispensable starting point for further scholarship. This collection is essential reading for editors, scholars, students and readers who are invested in the future of textual scholarship and the digital humanities.
Le texte seul est utilisable sous licence Creative Commons - Attribution 4.0 International - CC BY 4.0. Les autres éléments (illustrations, fichiers annexes importés) sont « Tous droits réservés », sauf mention contraire.
The Digital Public Domain
Foundations for an Open Culture
Melanie Dulong de Rosnay et Juan Carlos De Martin
2012
Text and Genre in Reconstruction
Effects of Digitalization on Ideas, Behaviours, Products and Institutions
Willard McCarty
2010
The Digital Public Domain
Foundations for an Open Culture
Melanie Dulong de Rosnay et Juan Carlos De Martin
2012
Text and Genre in Reconstruction
Effects of Digitalization on Ideas, Behaviours, Products and Institutions
Willard McCarty
2010
