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Rameau’s Nephew - Le Neveu de Rameau

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Denis Diderot

List of Musical Pieces

Texte intégral

1The music mentioned by Diderot in Rameau’s Nephew is French and Italian, although Diderot was also well aware of the work of other foreign composers, such as C.P.E. Bach. The pieces specially performed and recorded for this multi-media edition were chosen to provide samples of music or composers that are less well known today, or to give examples of transcription, one of the principal ways that pieces came to be known and played in a private setting at the time.

2Throughout this book the musical note symbol identifies when a recording is available. To access these musical pieces either click on the symbol or refer to the relevant endnote. If your device supports MP3 files you will be able to listen to the music directly. Alternatively, you can access the music online by following the links or scanning the QR codes provided.

3The musical extracts recorded for this edition are available to download at http://www.openbookpublishers.com/​product/​498#resources. All musical recordings have been released under a CC BY license and their copyright belongs to the Conservatoire national supérieur de musique et de danse de Paris.

4François-André Danican Philidor, L’Art de la modulation
[The Art of Modulation], extract:
Sixth suite: Sinfonia (Adagio — Allegro ma non troppo)

Clémentine Frémont, traverso
Josef Žák, violin
Tatsuya Hatano, violin
Rémy Petit, cello
Felipe Guerra, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.04

Score available at
http://gallica.bnf.fr/​ark:/12148/​btv1b9057234b/​f2.image.r=l’art de la modulation.langEN

5Jean-Philippe Rameau, Fêtes de Polymnie
[The Festivals of Polyhymnia], extract:
Air: ‘A la beauté tout cède sur la terre’
[Everything on earth gives way to beauty]

Dania El Zein, soprano
Rémy Petit, cello
Camille Ravot, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.05

Score available at
http://gallica.bnf.fr/​ark:/12148/​bpt6k398018b/​f70.image.r=fêtes de polymnie.langEN

6Jean-Philippe Rameau, Fêtes de Polymnie
[The Festivals of Polyhymnia], extract:
Air: ‘Au vain plaisir de charmer…’
[To the empty pleasure of charming…]

Dania El Zein, soprano
Rémy Petit, cello
Camille Ravot, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.06

Score available at
http://gallica.bnf.fr/​ark:/12148/​bpt6k398018b/​f145.image.r=fêtes de polymnie.langEN

7Jean-Philippe Rameau, Fêtes de Polymnie
[
The Festivals of Polyhymnia], extract:
Air en rondeau: ‘Hélas, est-ce assez pour charmer…’
[Alas, in order to charm, is it enough…]

Dania El Zein, soprano
Rémy Petit, cello
Camille Ravot, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.07

Score available at
http://gallica.bnf.fr/​ark:/12148/​bpt6k398018b/​f107.image.r=fêtes de polymnie.langEN

8Pietro Locatelli, Sonata op. VI no 5, extract:
Aria (Vivace)

Tania-Lio Faucon-Cohen, violin
Sarah Gron-Catil, cello
Camille Ravot, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.08

Score available at
http://digital.blb-karlsruhe.de/​id/​1034692

9Domenico Alberti, Sonata for the fortepiano op. I no. 5, extract:
Andante — Allegro

Luca Montebugnoli, piano (Clarke/Lengerer)

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.09

Score available at
http://gallica.bnf.fr/​ark:/12148/​btv1b9058374h/​f15.image.r=alberti.langEN

10Giovanni Battista Pergolesi, Stabat Mater, extract, transcribed for solo violin by Johan Helmich Roman.

Tania-Lio Faucon-Cohen, violin

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.10

Score available at http://conquest.imslp.info/​files/​imglnks/​usimg/​e/​e5/​IMSLP14647-Roman_Stabat_Mater arr_solo_violin_pdf

11Jean-Féry Rebel, Pieces for the violin, divided into suites by keys, extract:
First suite in G-sol-ré: Allemande

Josef Žák, violin
Antoine Touche, cello
Loris Barrucand, harpsichord
Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.11

Score available at
http://gallica.bnf.fr/​ark:/12148/​btv1b90099503/​f9.image.r=Pièces pour le violon.langEN

12Jean-Féry Rebel, Pieces for the violin, divided into suites by keys, extract:
First suite in G-sol-ré: Prelude

Josef Žák, violin
Antoine Touche, cello
Loris Barrucand, harpsichord
Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.12

Score available at
http://gallica.bnf.fr/​ark:/12148/​btv1b90099503/​f7.image.r=Pièces pour le violon.langEN

13Jean-Joseph Mouret, Les Amours de Ragonde, ou la soirée de village [The Loves of Ragonde, subtitled An Evening in the Village], extract:
Bourrées I-II

Clémentine Frémont, traverso
Nicolay Sheko, oboe
Josef Žák, violin
Tatsuya Hatano, violin
Felipe Guerra, harpsichord
Rémy Petit, cello

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.13

Score available at
http://gallica.bnf.fr/​ark:/12148/​btv1b9058670w/​f24.image.r=ragonde.langEN

14Jean-Joseph Mouret, Les Amours de Ragonde, ou la soirée de village [The Loves of Ragonde, subtitled An Evening in the Village], extract:µ
Air: ‘Accourez, jeunes garçons’ [Come running, young men]

Marie Soubestre, soprano
Sarah Gron-Catil, cello
Camille Ravot, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.14

Score available at
http://gallica.bnf.fr/​ark:/12148/​btv1b9058670w/​f23.image.r=ragonde.langEN

15Egidio Duni, Le Peintre amoureux de son modèle [The Painter in Love with his Model], extract:
Arietta: ‘Dans le badinage, l’Amour se plait’ [Love is pleased with playfulness]

Marie Soubestre, soprano
Clémentine Frémont, traverso
Josef Žák, violin

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.15

Score available at
http://gallica.bnf.fr/​ark:/12148/​btv1b9067334z/​f64.image.r=le peintre amoureux.langEN

16Johann Adolf Hasse, Cléofide, extract:
Air: ‘Vuoi saper se tu mi piaci?’ [Do you want to know if I like you?]

Fiona McGown, mezzo
Josef Žák, violin
Rémy Petit, cello
Louis-Nöel Bestion de Camboulas, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.16

17Nicola Antonio Porpora, Polyphemus, extract:
Act III, sc. 5: Aria: ‘Alto Giove’ [Jove on high]

Victoire Bunel, soprano
Tania-Lio Faucon-Cohen, Ajay Ranganathan, altos
Juliana Velasco, Marie Bouvard, Josef Žák, Patrick Oliva, Catherine Rose Barrett, Cyril Lacheze, Tatsuya Hatano, violins Sarah Gron-Catil, Rémy Petit, Antoine Touche, cellos
Benoît Berrato, bass
Alejandro Perezmarin, bassoon
Takahisa Aida, harpsichord/organ
Martin Gester, conductor

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.17

18Nicola Antonio Porpora, Polyphemus, extract:
Act III, sc. 5: Recitativo and Aria: ‘Senti il fato’ [Feel the hand of destiny]

Victoire Bunel, soprano
Tania-Lio Faucon-Cohen, Ajay Ranganathan, altos
Juliana Velasco, Marie Bouvard, Josef Žák, Patrick Oliva, Catherine Rose Barrett, Cyril Lacheze, Tatsuya Hatano, violins Sarah Gron-Catil, Rémy Petit, Antoine Touche, cellos
Benoît Berrato, bass
Alejandro Perezmarin, bassoon
Takahisa Aida, harpsichord/organ
Martin Gester, conductor

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.18

19Leonardo Vinci, Twelve solos for a German flute or violin with a thorough bass for the harpsichord or cello, extract:
Sonata II: Sicilienne and Allegro

Clémentine Frémont, traverso
Felipe Guerra, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.19

20Leonardo Vinci, Elpidia, extract:
Air: ‘Barbara, mi schernisci’ [Cruel woman, you scorn me]

Fiona McGown, mezzo
Tatsuya Hatano, violin
Camille Ravot, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.20

21Score available at http://gallica.bnf.fr/​ark:/12148/​btv1b90675797/​f10.image.r=elpidia.langEN

22Pietro Locatelli, Six sonatas for three parts, two violins, or two flutes, and bass with a harpsichord, extract:
Sonata op. V no. 2: 1st Movement: Largo-Andante

Tania-Lio Faucon-Cohen, violin
Clémentine Frémont, traverso
Sarah Gron-Catil, cello
Camille Ravot, harpsichord

Recording available at
http://dx.doi.org/​10.11647/​OBP.0044.21

Score available at
http://digital.blb-karlsruhe.de/​id/​1004479

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