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Éditeur : Open Book Publishers

Lieu d’édition : Cambridge

Publication sur OpenEdition Books : 8 octobre 2021

ISBN numérique : 978-2-8218-6814-4

Collection : OBP collection

Année d’édition : 2021

ISBN (Édition imprimée) : 978-1-80064-119-8

Nombre de pages : xxviii-274

Sommaire
Résumé
Auteurs
This edited volume employs the paradoxical notion of ‘anticipatory plagiarism’—developed in the 1960s by the ‘Oulipo’ group of French writers and thinkers—as a mode for reading Russian literature. Reversing established critical approaches to the canon and literary influence, its contributors ask us to consider how reading against linear chronologies can elicit fascinating new patterns and perspectives.

Reading Backwards: An Advance Retrospective on Russian Literature re-assesses three major nineteenth-century authors—Gogol, Dostoevsky and Tolstoy—either in terms of previous writers and artists who plagiarized them (such as Raphael, Homer, or Hall Caine), or of their own depredations against later writers (from J.M. Coetzee to Liudmila Petrushevskaia).
 
Far from suggesting that past authors literally stole from their descendants, these engaging essays, contributed by both early-career and senior scholars of Russian and comparative literature, encourage us to identify the contingent and familiar within classic texts. By moving beyond rigid notions of cultural heritage and literary canons, they demonstrate that inspiration is cyclical, influence can flow in multiple directions, and no idea is ever truly original.

This book will be of great value to literary scholars and students working in Russian Studies. The introductory discussion of the origins and context of ‘plagiarism by anticipation’, alongside varied applications of the concept, will also be of interest to those working in the wider fields of comparative literature, reception studies, and translation studies.

Lectures in Russian Literature at the University of Exeter, UK. She is the principal researcher on ‘RusTrans, The Dark Side of Translation: 20th and 21st Century Translation from Russian as a Political Phenomenon in the UK, Ireland, and the USA’ (2019–23), an academic project funded by the European Research Council. Her academic specializations include Gothic-fantastic literature, the fictional representation of pregnancy and childbirth, and the nineteenth-century Russian novel. Her book Stalin’s Ghosts: Gothic Themes in Early Soviet Literature was published by Peter Lang in 2012. She has published articles on Russian literature in Modern Language Review, Slavic Review, the Slavonic and East European Review, and other journals.

Teaches Russian language, literature, and cultural history at the University of Missouri. His research interests include the writings of Nikolai Gogol, Andrey Bely, and Sigizmund Krzhizhanovsky, and the intellectual history of late nineteenth- and early twentieth-century Russia. He is author of The Stony Dance: Unity and Gesture in Andrey Bely’s “Petersburg” (2005) and co-editor and co-translator, with Justin Weir, of Eight Twentieth-Century Russian Plays (2000).


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