List of Illustrations
p. 291-293
Texte intégral
1Chapter 1
| Johann Wolfgang von Goethe. Etching by W. Unger after G.O. May (1779). Wellcome Library, London. Wellcome Images, CC BY 4.0, https://commons.wikimedia.org/wiki/File:Johann_Wolfgang_von_Goethe._Etching_by_W._Unger_after_G._O._Wellcome_V0002292.jpg | 2 |
2Chapter 2
| Gotthold Ephraim Lessing, Nathan the wise. A dramatic poem in five acts ( [no place or publisher information], 1779). © Foto H.-P. Haack, https://commons.wikimedia.org/wiki/File:Lessing_Nathan_der_Weise_1779.jpg | 34 |
3Chapter 3
| Painting of Gotthold Ephraim Lessing by Anton Graff (1771), Kunstsammlung der Universität Leipzig, Photograph by Liberal Freemason (2007), Wikimedia, Public Domain, https://commons.wikimedia.org/wiki/File:Gotthold_Ephraim_Lessing_Kunstsammlung_Uni_Leipzig.jpg |
56 |
4 Chapter 4
| Giovanni Battista Tiepolo, Pope St Clement Adoring the Trinity (1737– 1738), oil on canvas, Alte Pinakothek, Munich, Photograph by Bot (Eloquence) (2005), Wikimedia, Public Domain, https://commons.wikimedia.org/wiki/File:Giovanni_Battista_Tiepolo_016.jpg | 80 |
5Chapter 5
| La Matrone d’Éphèse, etching and engraving from Contes et nouvelles en vers par Jean de La Fontaine (Paris: de l’imprimerie de P. Didot, 1795), Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1933, Photograph by Pharos (2017), Wikimedia, CC0 1.0, https://commons.wikimedia.org/wiki/File:La_Matrone_d%27Ephese, _ from_Contes_et_nouvelles_en_vers_par_Jean_de_La_Fontaine._A_ Paris, _de_l % 27imprimerie_de_P._Didot, _l % 27an_III_de_ la_R % C3 % A9publique, _1795_MET_DP813934.jpg | 108 |
6Chapter 6
| Portrait of Thomas Amory by Joseph Blackburn, Photograph by Okita2 (2012), Wikimedia, Public Domain, https://commons.wikimedia.org/wiki/File:Thomas_Amory_1760_Joseph_Blackburn.jpg | 128 |
7Chapter 7
| Portrait of Johann Gottfried Herder by Gerhard von Kügelgen (1809), oil on canvas, Tartu University Library, Photograph by Trzęsacz (2018), Wikimedia, Public Domain, https://commons.wikimedia.org/wiki/File:Herder_by_K%C3%BCgelgen.jpg | 144 |
8 Chapter 8
| Darstellung der Urpflanze. Woodcut by Pierre Jean François Turpin based on a concept by Johann Wolfgang von Goethe (1837), scanned from Anita Albus, Die Kunst der Künste. Erinnerungen an die Malerei (Frankfurt am Main: Eichborn Verlag 1997). Photograph by JuTa (2010), Wikimedia, Public Domain, https://commons.wikimedia.org/wiki/File:Urpflanze.png | 162 |
9Chapter 9
| Portrait of Immanuel Kant by Johann Gottlieb Becker (1768), oil on canvas, Schiller-Nationalmuseum, Marbach am Neckar, Germany. Photograph by UpdateNerd (2018), Wikimedia, Public Domain, https://upload.wikimedia.org/wikipedia/commons/f/f2/Kant_gemaelde_3.jpg | 178 |
10Chapter 10
| Autograph of Schiller’s ‘Ode to Joy’ (1785). Photograph by Historiograf (2011), Wikimedia, Public Domain, https://upload.wikimedia.org/wikipedia/commons/2/2d/Schiller_an_die_freude_manuskript_2.jpg | 214 |
11Chapter 11
| ‘Laocoon and his sons’, also known as ‘the Laocoon Group’. Marble, copy after an Hellenistic original from ca. 200 BC. Found in the Baths of Trajan in 1506. Museo Pio-Clementino, Octagon, Laocoon Hall, Vatican Museums. Photograph by Marie-Lan Nguyen (2009), Wikimedia, Public Domain, https://upload.wikimedia.org/wikipedia/commons/1/17/Laocoon_Pio-Clementino_Inv1059-1064-1067.jpg | 240 |
Le texte seul est utilisable sous licence Creative Commons - Attribution 4.0 International - CC BY 4.0. Les autres éléments (illustrations, fichiers annexes importés) sont « Tous droits réservés », sauf mention contraire.
1
/ 12
