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Adam Roberts


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Armstrong, Isobel, Victorian Glassworlds: Glass Culture and the Imagination 1830– 1880 (Oxford: Oxford University Press, 2008).

Baker, William, and Donald P Leinster-Mackay, The Libraries of George Eliot and George Henry Lewes (Victoria, BC: English Literary Studies, University of Victoria, 1981).

Baltazar, Lisa, ‘The Critique of Anglican Biblical Scholarship in Eliot’s “Middlemarch”’, Literature and Theology, 15 (2001), 40–60,

Bate, Walter Jackson, The Burden of the Past and the English Poet (London: Chatto and Windus, 1971).

Beale, Anthony, ed., D. H. Lawrence: Selected Literary Criticism (New York: Viking Press, 1956).

Beaty, Jerome, Middlemarch from Notebook to Novel: A Study of George Eliot’s Creative Method (Illinois: University of Illinois Press, 1960).

Beaumont Francis, and John Fletcher, The Maid’s Tragedy (1619),

Beer, Gillian, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (London: Routledge and Kegan Paul, 1983).

Béclard, Pierre Auguste, Additions to the General Anatomy of Xavier Bichat, trans. by George Hayward (Boston: Richardson and Lord, 1823).

‘The Bell’ [n.a.], The Southern Review, 22 (1877), 372.

Burrow, Colin, ‘Who Wouldn’t Buy It?’, London ReviewofBooks, 27.2 (2005),

Burton, Henry, The Gospel According to St. Luke (New York: A.C. Armstrong and Son, 1893).

Burstein, Miriam, Narrating Women’s History in Britain, 1770–1902 (Aldershot, Hampshire: Ashgate, 2004).

Cohen, J. Solis, The Throat and the Voice (London: Ward, Lock, & Co., 1880).

Dodd, Valerie, George Eliot: an Intellectual Life (London: Macmillan 1990)

Dryden, John, The Hind and the Panther: A Poem, in Three Parts (London: Printed for Jacob Tonson, 1687), poetical-works-vol1/15/

Eagleton, Terry, Sweet Violence: The Idea of the Tragic (Oxford: Blackwell Publishers, 2003).

Eliot, George, Adam Bede (Edinburgh: William Blackwood and Sons, 1859),

Eliot, George, ‘The Antigone and its Moral’, Leader, 7 (March 29, 1856), 306.

Eliot, George, ‘Art and Belles Lettres: Review of Modern Painters’, Westminster Review, 65 (April 1856), 625–33.

Eliot, George, Daniel Deronda (Edinburgh: William Blackwood and Sons, 1876),

Eliot, George, Middlemarch (Edinburgh: William Blackwood and Sons, 1871),

Eliot, George, Mill on the Floss (Edinburgh: William Blackwood, 1860),

Empson, William, Seven Types of Ambiguity, rev. edn (New York: New Directions, 1947).

Erskine-Hill, Howard, ‘Pope’s Epigraphic Practice’, The Review of English Studies, 62.254 (2011), 261–74,

Fleishman, Avrom, George Eliot’s Intellectual Life (Cambridge: Cambridge University Press, 2010),

Flint, Kate, ‘The Materiality of Middlemarch’, in Middlemarch in the Twenty-First Century, ed. by Karen Chase (Oxford: Oxford University Press, 2006), pp. 65–86.

Fuller, Thomas, The History of the Worthies of England [1662], ed. by John Nichols (London: F.C. and J. Rivington, 1811).

Furst, Lilian R, ‘Not So Long Ago: Historical Allusion in Realist Fiction’ in Through the Lens of the Reader: Explorations of European Narrative (Albany: State University of New York Press, 1992), pp. 133–48.

Gaston, Sean, ‘George Eliot and the Anglican Reader’, Literature and Theology, 31.3 (2017), 318–37,

Ginsburg, Michael Peled, ‘Pseudonym, Epigraphs, and Narrative Voice: Middlemarch and the Problem of Authorship’, ELH, 47.3 (1980), 542–58,

Guizot, François-Pierre-Guillaume, Cours D’Histoire Moderne: Histoire de la Civilisation en France (Paris: Didier, 1846), vol. 3,

Guth, Deborah, ‘George Eliot and Schiller: Narrative Ambivalence in Middlemarch and Felix Holt’, Modern Language Review, 94.4 (1999), 913–24.

Guth, Deborah, George Eliot and Schiller: Intertextuality and Cross-Cultural Discourse (Surrey: Ashgate Publishing, 2003).

Handley, Graham, George Eliot’s Midlands: Passion in Exile (London: Allison & Busby, 1991).

Herodotus, The History of Herodotus, trans. by Isaac Littlebury (Oxford: W. Baxter, 1824), p. 73,

Higdon, David Leon, ‘George Eliot and the Art of the Epigraph’, Nineteenth-Century Fiction, 25.2 (1970), 127–51.

Homer, Odyssey, trans. by A. T. Murray (London: William Heinemann, 1919),

Horace, The Art of Poetry: To the Pisos, ed. and trans. by C. Smart and Theodore Alois Buckley (New York: Harper and Brothers, 1863),

Horowitz, Evan, ‘Industrialism and the Victorian Novel’. Evan Horowitz, ‘Industrialism and the Victorian Novel’, in The Oxford Handbook of the Victorian Novel, ed. by Lisa Rodensky (Oxford: Oxford University Press, 2013),

‘Hypocrisy’ [n.a.], The Saturday Review [1869], in The Living Age, ed. by E. Littell (Boston: LittellandGay, 1869), vol. 103,pp.279–81,

Jackson, Catherine, ‘The “Wonderful Properties of Glass”: Liebig’s Kaliapparat and the Practice of Chemistry in Glass’, Isis, 106.1 (2015), 43–69,

Jameson, Fredric, The Antimonies of Realism (London: Verso Books, 2014).

Jones, H. S., Intellect and Character in Victorian England: Mark Pattison and the Invention of the Don (Cambridge: Cambridge University Press, 2007),

Kidd, Colin, The World of Mr Casaubon: Britain’s Wars of Mythography 1700– 1870 (Cambridge: Cambridge University Press, 2016),

Kierkegaard, Søren, On Authority and Revelation: The Book on Adler, or a Cycle of Ethico-Religious Essays, trans. by Walter Lowrie (Princeton: Princeton University Press, 1955).

Kitchel, Anna Theresa, ed., Quarry for Middlemarch (Riverside: University of California Press, 1950).

Kuzmic, Tatiana, ‘The German, the Sclave, and the Semite’: Eastern Europe in the Imagination of George Eliot’ Nineteenth-Century Literature, 68.4 (2014), 513–41,

Leckie, Barbara, Open Houses: Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain (Philadelphia: University of Pennsylvania Press, 2018),

Lewes, George Henry, Aristotle: A Chapter from the History of Science (London: Smith, Elder and Company, 1864).

Lewes, George Henry, A Biographical History of Philosophy (London: Charles Knight and Co., 1846).

Lewes, George Henry, The Life and Works of Goethe (London: David Nutt, 1855).

Lewes, George Henry, The Life of Maximilien Robespierre: With Extracts from his Unpublished Correspondence (Philadelphia: Carey and Hart, 1849).

Lewes, George Henry, ‘Realism in Art: Recent German Fiction’, Westminster Review, 70 (1858), 493–94.

Lucretius, De Rerum Natura Libri Sex, 2 vols, trans. by H. A. J. Munro (Cambridge: Deighton Bell & Co., 1866).

Macdonald, Fiona, ‘The Only Surviving Recording of Virginia Woolf’, BBC Culture (28 March 2016),

Mars-Jones, Adam, ‘Chop, Chop, Chop’, London Review of Books, 38.2 (2016),

Mason, Michael York, ‘Middlemarch and Science: Problems of Life and Mind, The Review of English Studies, 22.86 (1971), 151–69,

McClintock, John, Cyclopaedia of Biblical, Theological, and Ecclesiastical Literature, 2 vols (New York: Harper, 1868).

McDonagh, Josephine, ‘The Early Novels’, in The Cambridge Companion to George Eliot, ed. by George Levine (Cambridge: Cambridge University Press, 2001), pp. 38–56,

McGann, Jerome J., The Beauty of Inflections: Literary Investigations in Historical Method and Theory (Oxford: Clarendon Press, 1985).

McKee, Patricia, Heroic Commitment in Richardson, Eliot and James (Princeton: Princeton University Press, 1986).

Miller, Frank E., The Voice (New York: G. Schirmer, 1910).

Miller, J. Hillis, ‘Optic and Semiotic in Middlemarch’, in The Worlds of Victorian Fiction, ed. by Jerome Buckley (Cambridge: Harvard University Press, 1975), pp. 125–45.

Miller, J. Hillis, Reading for Our Time: Adam Bede and Middlemarch Revisited (Edinburgh: Edinburgh University Press 2012).

Milton, Paul, ‘Inheritance as the Key to all Mythologies: George Eliot and Legal Practice’, Mosaic: A Journal for the Interdisciplinary Study of Literature, 28.1 (1995), 49–68.

Moldstad, David, ‘The Mill on the Floss and Antigone’, PMLA, 85.3 (1970), 527–31,

Moring, Meg M., ‘George Eliot’s Scrupulous Research: The Facts behind Eliot’s Use of the Keepsake in Middlemarch’, Victorian Periodicals Review, 26.1 (1993), 19–23.

Mudge, Isadore Gilbert, and Minnie Earl Sears, A George Eliot Dictionary: The Characters and Scenes of the Novels, Stories, and Poems Alphabetically Arranged (London: Routledge & Sons, 1924).

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Nuttall, A. D., Dead from the Waist Down. Scholars and Scholarship in Literature and the Popular Imagination (New Haven: Yale University Press, 2003).

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Pattison, Mark, Isaac Casaubon 1559–1614 (London: Longmans, Green and Co., 1875),

Phillips, Adam, ‘Getting Ready to Exist’, London Review of Books, 19.4 (1997),

Phillips, Adam, In Writing (London: Penguin Books, 2019).

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Ricks, Christopher, Allusion to the Poets (Oxford: Oxford University Press, 2002).

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Rothfield, Lawrence, Vital Signs: Medical Realism in Nineteenth-Century Fiction (Princeton: Princeton University Press, 1994).

Runcimann, David, Political Hypocrisy: The Mask of Power, from Hobbes to Orwell and Beyond (Princeton: Princeton University Press, 2010).

Ruskin, John, Modern Painters, vol. 5 (London: Smith, Elder and Co., 1860),

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Schiller, Friedrich, Über naive und sentimentalische Dichtung (1795–96), ‘On Naïve and Sentimental Poetry’,,+Friedrich/

Scott, Walter, The Antiquary (Boston: Estes and Lauriat, 1893),

Scott, Walter, Guy Mannering, or the Astrologer (Boston: Estes and Lauriat, 1893),

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Thomson, Patricia, ‘The Three Georges’, Nineteenth-Century Fiction, 18.2 (1963), 137–50,

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