List of Illustrations
p. VII-X
Texte intégral
1Chapter 4
| Fig. 1 | Aerial view of the brain from the top depicting white matter pathways connecting the left and the right hemisphere. Image from data collected as part of ongoing study at the Brain and Creativity Institute (2012–2020); post-processed by Dr. Hanna Damasio (2020), CC-BY-NC-ND. | 34 |
2Chapter 10
| Fig. 1 | African American and Latinx representation in higher education music programs. Data drawn from National Association of Schools of Music (NASM) 2015-16 Heads Report. © NYU Global Institute for Advanced Study. CC-BY-NC-ND. | 95 |
| Fig. 2 | BIPOC musicians in community music schools. Data drawn from US Census Bureau, 2011 American Community Survey; National Guild for Community Arts Education Racial/Ethnic Percentages of Students Within Membership Organizations. © NYU Global Institute for Advanced Study. CC-BY-NC-ND. | 95 |
3Chapter 12
| Fig. 1 | New World Symphony’s performance and research cycle for audience acquisition and engagement. Graphic by Howard Herring and Craig Hall (2012), © 2012, New World Symphony, Inc. All rights reserved. | 125 |
| Fig. 2 | Jamie Bernstein narrates during an Encounters concert performed by the New World Symphony orchestra at the New World Center. This video as well as the graphics and animations featured as performance elements within the video were created in the Knight New Media Center at the New World Center campus in Miami Beach, FL. Knight Foundation and New World Symphony: Reimagining classical music in the digital age. © 2020, New World Symphony, Inc. All rights reserved. Duration: 1: 35. | 127 |
| Fig. 3 | NWS Fellow, Grace An, gives an introduction during a Mini-Concert (2012). New World Center, Miami Beach, FL. Photo courtesy of New World Symphony. © 2012, New World Symphony, Inc. All rights reserved. | 128 |
| Fig. 4 | NWS Conducting Fellow, Joshua Gersen, leads Pulse—Late Night at the New World Symphony. Photo by Rui Dias-Aidos (2013), New World Center, Miami Beach, FL. © 2013, New World Symphony, Inc. All rights reserved. | 129 |
| Fig. 5 | The chart indicates the variety of activities in which audiences engage throughout Pulse—Late Night at the New World Symphony. Research and results compiled by WolfBrown in partnership with New World Symphony. © WolfBrown dashboard, www.intrinsicimpact.org. All rights reserved. | 130 |
| Fig. 6 | Luke Kritzeck, Director of Lighting at NWS, describes the technical production and audience experience of Pulse—Late Night at the New World Symphony. The video, as well as the video projections and lighting treatments featured within this video, were created in the Knight New Media Center. Knight Foundation and New World Symphony: Reimagining classical music in the digital age. © 2020, New World Symphony, Inc. All rights reserved. Duration: 1: 49. | 131 |
| Fig. 7 | WALLCAST ® concert outside the New World Center. WALLCAST® concerts are produced in the Knight New Media Center at the New World Center campus. Photo by Rui Dias-Aidos (2013), New World Center and SoundScape Park, Miami Beach, FL. © 2013, New World Symphony, Inc. All rights reserved. | 131 |
| Fig. 8 | Clyde Scott, Director of Video Production at NWS, gives an overview of aspects of a WALLCAST® concert. This video as well as the WALLCAST® production featured in this video were produced in the Knight New Media Center. Knight Foundation and New World Symphony: Reimagining classical music in the digital age. © 2020, New World Symphony, Inc. All rights reserved. Duration: 2: 49. | 133 |
| Fig. 9 | Percent of first-time attendees by concert format at New World Symphony. Graphic by Craig Hall (2015). © 2015, New World Symphony, Inc. All rights reserved. | 133 |
| Fig. 10 | First-time attendees to alternate performance formats at NWS return at a higher rate than first-time attendees to traditional concerts at NWS. Graphic by Craig Hall (2018). © 2018, New World Symphony, Inc. All rights reserved. | 134 |
| Fig. 11 | Blake-Anthony Johnson, NWS Cello Fellow, introduces the symphony’s performance of Debussy’s Prelude to the Afternoon of a Faun drawing on his personal experience with the music to contextualize the piece for the audience. Video created in the Knight New Media Center. Knight Foundation and New World Symphony: Reimagining classical music in the digital age. © 2020, New World Symphony, Inc. All rights reserved. Duration: 15: 15. | 136 |
| Fig. 12 | Project artists, contributors, and NWS staff members describe Project 305 and the culmination of the project in Ted Hearne and Jon David Kane’s symphonic documentary, Miami in Movements. Project 305 was supported by the Knight Foundation. Video created in the Knight New Media Center. Knight Foundation and New World Symphony: Reimagining classical music in the digital age. © 2017, Ted Hearne and Jon David Kane, Miami in Movements. © 2020, New World Symphony, Inc. All rights reserved. Duration: 7: 23. | 137 |
| Fig. 13 | Explore NWS’s 2018 Community Concerts conceived and created by NWS musicians in an interactive video highlighting four projects. Video produced in the Knight New Media Center. Knight Foundation and New World Symphony: Reimagining classical music in the digital age. Video features ‘Suite Antique’ by John Rutter © Oxford University Press 1981. Licensed by Oxford University Press. All rights reserved. © 2020, New World Symphony, Inc. All rights reserved. | 138 |
4 Chapter 14
| Fig. 1 | ARS NOVA, Dress rehearsal for the Korean premiere of Pierre Boulez’ Notations pour orchestra. © 2008, Seoul Philharmonic Orchestra. CC-BY-NC-ND. | 166 |
| Fig. 2 | ARS NOVA, Korean premiere of John Cage’s Credo in the US. © 2008, Seoul Philharmonic Orchestra. CC-BY-NC-ND. | 169 |
| Fig. 3 | ARS NOVA, video installation of Hugo Verlinde. © Seoul Philharmonic Orchestra. CC-BY-NC-ND. | 171 |
| Fig. 4 | ARS NOVA, preparations for the Korean premiere of György Ligeti’s ‘Poéme symphonique pour 100 metronomes”. © 2007, Seoul Philharmonic Orchestra. CC-BY-NC-ND. | 172 |
| Fig. 5 | ARS NOVA, audiovisual installation inspired by Mauricio Kagel’s movie ‘Ludwig van’. © 2006, Seoul Philharmonic Orchestra. CC-BY-NC-ND. | 173 |
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