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Acoustemologies in Contact

Emily Wilbourne
Suzanne G. Cusick


Texte intégral

Abé, Takao, The Jesuit Mission to New France: A New Interpretation in the Light of the Earlier Jesuit Experience in Japan (Leiden and Boston: Brill, 2011),

Acosta, Joseph de, Historia natural y moral de las indias, ed. by Edmundo O’Gorman (México: Fondo de Cultura Económica, 2006).

Addis, Bill, ‘A Brief History of Design Methods for Building Acoustics’, in Proceedings of the Third International Congress on Construction History, Cottbus, Germany, May 2009, pp. 1–10,

Ahmed, Sara, The Cultural Politics of Emotion (New York: Routledge, 2004),

Alazard, Florence, ‘Ahimé, ahi, o, deh: Interjections and Orality in Lamenti during the Italian Wars’, in Interactions between Orality and Writing in Early Modern Italian Culture, ed. by Luca Degl’Innocenti, Brian Richardson, and Chiara Sbordoni (London and New York: Routledge, 2016), pp. 67–80,

Alcántara Rojas, Berenice, ‘ “En mestizo y indio”: Las obras con textos en lengua náhuatl del Cancionero de Gaspar Fernández’, in Conformación y retórica de los repertorios catedralicios, ed. by Drew Edward Davies and Lucero Enríquez (México: Universidad Nacional Autónoma de México, 2016), pp. 53–84.

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Allen, Don Cameron, ‘The Predecessor of Champollion’, Proceedings of the American Philosophical Society, 104 (1960), 527–547.

Allen, Joseph R., ‘Postface: A Literary History of the Shi Jing’, in The Book of Songs: The Ancient Chinese Classic of Poetry, ed. by Joseph R. Allen, trans. by Arthur Waley, with foreword by Stephen Owen (New York: Grove Press, 1996), pp. 336–383.

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Amiot, Jean-Joseph Marie, Éloge de la Ville de Moukden et d ses Environs; poème compose par Kien-Long, Empereur de la Chine & de la Tartarie, actuellement regnant (Paris: N. M. Tilliard, 1770).

Anderson, Emma, ‘Blood, Fire, and “Baptism”: Three Perspectives on the Death of Jean de Brebeuf, Seventeenth-Century Jesuit “Martyr”’, in Native Americans, Christianity, and the Reshaping of the American Religious Landscape, ed. by Joel W. Martin and Mark A. Nicholas (Chapel Hill: University of North Carolina Press, 2010), pp. 125–158,

Andrews, Walter G., and Mehmet Kaplaki, The Age of Beloveds: Love and the Beloved in Early-Modern Ottoman and European Culture and Society (Durham, NC: Duke University Press, 2005),

Anon. [Cibot, Pierre-Martial], Lettre de Pekin sur le génie de la langue chinoise et de la nature de leur écriture symbolique comparée avec celle des anciens égyptiens, en réponse à celle de la Société Royale des Sciences de Londres, sur le même sujet (Paris: J. L. de Boubers, 1773).

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Bisceglia, Anna, Matteo Ceriana, and Simona Mammana, eds., Buffoni, villani e giocatori alla corte dei Medici (Livorno: Sillabe, 2016).

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Bramón, Francisco, Auto del triunfo de la Virgen y gozo mexicano (México: [n.p.], 1620).

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Brennecke, Ernest, ‘The Entertainment at Elvetham, 1591’, in Music in English Renaissance Drama, ed. by John H. Long (Lexington: University of Kentucky Press, 1968), pp. 32–56.

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Candelaria, Lorenzo, ‘Bernardino de Sahagún’s Psalmodia Christiana: A Catholic Songbook from Sixteenth-Century New Spain’, Journal of the American Musicological Society, 67.3 (2014), 619–84,

— , ‘Music and Pageantry in the Formation of Hispano-Christian Identity: The Feast of St. Hippolytus in Sixteenth-Century Mexico City’, in Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism, ed. by Benjamin Brand and David J. Rothenberg (Cambridge, UK: Cambridge University Press, 2016), pp. 89–108,

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— , Monteverdi’s Musical Theatre (New Haven: Yale University Press, 2002).

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— , ‘Singing in the City of Angels: Race, Identity, and Devotion in Early Modern Puebla de los Ángeles’ (PhD thesis, Princeton University, 2018).

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