Table des matières
Paola Italia et Giulia Raboni
PrefacePaola Italia et Giulia Raboni
Introduction to the English TranslationPaola Italia et Giulia Raboni
AcknowledgmentsPaola Italia et Giulia Raboni
IntroductionPaola Italia et Giulia Raboni
1. History- 1.1 Author’s variants from a historical perspective
- 1.2 Methods throughout history: from Ubaldini to Moroncini
- 1.3 Authorial philology and criticism of variants
- 1.4 Authorial philology and critique génétique
- 1.5 Dante Isella’s authorial philology
- 1.6 Authorial philology in the digital era
- 1.7 Authorial philology in the latest decade
Paola Italia
2. Methods- 2.1 The text
- 2.1.1 Edition of in fieri texts
- 2.1.2 Editions of texts in multiple versions
- The author’s last will?
- 2.2 The apparatus
- 2.2.1 Genetic and evolutionary apparatus
- 1. Text corresponding to the ‘author’s last will’
- Idillio
- L’Infinito
- 2. Text corresponding to the base-version (first writing of the text)
- Idillio
- L’Infinito
- 2.2.2 Vertical and horizontal apparatus
- Vertical or column representation
- Horizontal or linear apparatus
- 2.3 Variants
- 2.3.1 Immediate and late variants
- 2.3.2 Horizontal apparatus: Explicit or symbolic
- 2.3.3 Photographic apparatus and diachronic apparatus
- 2.3.4 Horizontal apparatus: progressive or derivative
- 2.4 Marginalia and alternative variants
- 2.4.1 The apparatus
- 2.4.2 Marginalia (metatextual notes)
- 2.4.3 The alternative variants
- 2.5 Diacritic signs and abbreviations
- 2.6 How to prepare a critical edition
- AN p. 1
- Idillio
- La Ricordanza
Paola Italia et Giulia Raboni
3. Italian Examples- 3.1 Petrarch: The Codice degli abbozzi
- 36 [150]
- 1. Above the sonnet, left: tr(anscriptus)
- 3.2 Pietro Bembo: The Prose della volgar lingua
- 1. Editorial strata in V
- 2. Passage from V to P
- 3. P’s errors
- 3.3 Tasso: The Rime d’amore
- xxi c. 13r
- 3.4 Alessandro Manzoni: Fermo e Lucia and the seconda minuta
- 3.5 Giacomo Leopardi’s Canti
- La Ricordanza
- Idillio iii
- Alla luna.
- 3.6. Carlo Emilio Gadda’s work
- Eros e Priapo. ‘A’ Redaction. Chapter i
Marco Presotto, Sònia Boadas, Margherita Centenari et al.
4. European Examples