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A Musicology of Performance

Dorottya Fabian


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Dirst, Matthew, ‘Bach’s French Overtures and the Politics of Overdotting’, Early Music, 25/1 (1997), 35-44,

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Dolan, David, John A. Sloboda, Henrik Jeldtoft Jensen, Björn Crüts, and Eugene Feygelson, ‘The Improvisatory Approach to Classical Music Performance: An Empirical Investigation into its Characteristics and Impact’, Music Performance Research, 6 (2013), 1-38,

Dolmetsch, Arnold, The Interpretation of the Music of the Seventeenth and Eighteenth Centuries (London: Novello, 1949/1915 [R1969]).

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Dreyfus, Laurence, ‘Beyond the Interpretation of Music’, Dutch Journal of Music Theory, 12/3 (2007), 253-272.

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Fabian, Dorottya, and Eitan Ornoy, ‘Identity in Violin Playing on Records: Interpretation Profiles in Recordings of Solo Bach by Early Twentieth-Century Violinists’, Performance Practice Review, 14 (2009), 1-40,

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