Table des matières
1. Dancing to Architecture?
- 1.1. Problems in Researching and Writing about Music Performance
- Problems with Historical Investigations of Music Performance
- Is HIP a Modern Invention/Aesthetic or Does it Have Historical Grounding?
- Data versus Narrative–Letting Go of Dancing or Returning to the Dance Floor?
- 1.2. Summary: Recordings, Aims and Methods
2. Theoretical Matters
- 2.1. Cultural Theories
- HIP and Modernism
- Modernism versus Postmodernism
- HIP as a Mirror of Cultural Change
- Aesthetics and Value Judgment: Beauty and the Sublime
- 2.2. Analytical Theories
- Music Performance Studies
- Empirical and Psychological Studies of Performance
- 2.3. Music Performance and Complex Systems
- Gilles Deleuze and Difference in Music Performance
- Music Performance as Complex Dynamical System
- 2.4. Performance Studies, Oral Cultures and Academia
- Research Roles: Performing Music or Analysing Performance?
- Oral Cultures and the Aurality of Music Performance
- Keeping Music Performance in the Aural Domain
- Academia Once More
- 2.5. Conclusion
4. Analysis of Performance Features
- 4.1. Tempo Choices
- 4.2. Vibrato
- 4.3. Ornamentation
- Problems of Aesthetics and Notation Practices
- The Role of Delivery
- The Performance of Embellishments
- Diversity—Once More
- Ornamenting or Improvising?
- Summary
- 4.4. Rhythm
- Dotted Rhythms
- Rhythmic Alteration
- Rhythm and Musical Character
- 4.5. Bowing, Articulation and Phrasing
- Bowing and Timbre
- Multiple Stops
- Phrasing and Dynamics
- 4.6. Conclusions
5. Affect and Individual Difference: Towards a Holistic Account of Performance
- 5.1. Differences within the MSP and within the HIP Styles
- The Loure
- MSP Interpretations
- HIP Interpretations
- The Gavotte en Rondeau
- HIP: Wallfisch and Huggett
- MSP: Lev and Girngolts
- Menuet I-II
- 5.2. Multiple Recordings of Violinists
- Gidon Kremer
- Rachel Barton Pine
- Christian Tetzlaff
- Sigiswald Kuijken
- Viktoria Mullova
- 5.3. The Holistic Analysis of Interpretations
- “Subjective” Aural Analysis: The D minor Giga
- “Objective” Measures: The A minor Grave and G minor Adagio
- Perception of Affect
- 5.4. Idiosyncratic Versions and Listeners’ Reactions
- Thomas Zehetmair
- Monica Huggett
- The E Major Preludio
- 5.5. Conclusions
Discography of Recordings Studied
- Bach, Johann Sebastian: Sonatas and Partitas for Unaccompanied Violin
- Other Recordings Mentioned
- Bach, Johann Sebastian: Sonatas and Partitas for Solo Violin (BWV1001-1006)
- Bach, Johann Sebastian: Selected Sonatas and Partitas
- Bach, Johann Sebastian: Goldberg Variations BWV 988
- Bach, Johann Sebastian: Various Other Works
- Beethoven, Ludwig van: Violin Sonatas
- Mozart, Wolfgang Amadeus
- Other