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OpenEdition Books

Yeats's Mask

 | 
Margaret Mills Harper
, 
Warwick Gould

Acknowledgements and editorial information

Warwick Gould

Texte intégral

1Our chief debt of gratitude is to the Yeats Estate over many years for granting permission (through A. P. Watt Ltd., now part of United Agents Partnership, Ltd.) to use published and unpublished materials by W. B. Yeats. Our contributors are further indebted to Caítriona Yeats and to the Yeats family for making unpublished materials available for study and for many other kindnesses, as is the Editor.

2A number of helpful librarians include Dr Declan Kiely of the Pierpont Morgan Library, New York, Professor Thomas F. Staley, Dr Cathy Henderson and Dr Richard Oram at the Harry Ransom Humanities Research Center, Austin, Catherine Fahy at the National Library of Ireland, all of whom have provided us with materials and research assistance. At the British Library, the Curator of the Macmillan Archive, Dr Elizabeth James, renders invaluable assistance to the Editor, while the research librarians at the Robert W. Woodruff Library at Emory University are equally generous and prompt in recovering specialist materials. Dr Karen Attar in Special Collections at the Senate House Library, University of London has been unfailingly helpful, especially in respect of the Thomas Sturge Moore Collection. Riette Sturge Moore (who died in 1995) allowed us to use in the livery of the Yeats Annuals the rose symbol adapted from Thomas Sturge Moore’s designs for the H. P. R. Finberg translation of Axël (1925). Linda Shaughnessy of A. P. Watt (now United Agents Partnership), Professors Roy Foster, FBA and John Kelly on behalf of Oxford University Press, are generous with permissions. Individuals, institutions and estates which gave permission for the reproductions of images in the Plate section are thanked within the legends. Every effort has been made to trace copyright holders, and while some images are by unknown photographers, the editor would be grateful to acknowledge any omissions in the next issue.

3At Open Book Publishers, William St. Clair FBA, Rupert Gatti and Alessandra Tosi provided patient assistance and invaluable advice to facilitate our transfer to Open Access publishing. Members of the Advisory Board continue to read a large number of submissions and we are grateful to them, and also to Mr R. A. Gilbert and other specialist readers who offered valuable assistance.

4The present number of Yeats Annual was set in Caslon SSi by Zoe Holman of the Institute of English Studies. Readers will recall that Caslon Old Face was the typeface which Yeats himself preferred for Cuala Press books.

5Deirdre Toomey as Research Editor of this journal continues to take up the challenges which routinely defeat contributors, finding innumerable ways to make good articles better by means of her restless curiosity and indefatigable reading. All associated with the volume (as well as its readers) continue to be grateful for her persistence with intractabilities.

6Contributions for Yeats Annuals No. 20 are largely in place, and those for No. 21 should reach me, preferably by email, by 1 June 2014 at:

7The Institute of English Studies,

8University of London

9Senate House, 239

10Malet Street

11London WC1E 7HU

12United Kingdom

13E-mail warwick.gould@sas.ac.uk.

14Yeats Annual is offered to its publishers in camera-ready form. A style sheet, instructions for the submission of articles to the Editorial Board and consequent editorial procedures will be found http://www.ies.sas.ac.uk/​publications/​yeats-annual, where it is also possible to find full information about, and to purchase, in-print numbers from the Yeats Annual backlist. The website is being further developed to complement the online and print availability of the current issues through the publisher’s website (http://www.openbookpublishers.com).

15Professor John Kelly of St. John’s College, Oxford is General Editor of The Collected Letters of W. B. Yeats. Later years of the letters are now available in the InteLex electronic edition, which presently includes only the first three fully annotated volumes as well as the ‘B’ text of all subsequent letters which have come to light. Priority in the publication of newly discovered letters remains, however, with the print-based volumes, the fifth of which is now in proof at the Clarendon Press. Colin Smythe (PO Box 6, Gerrards Cross, Bucks, SL9 8XA, UK, cpsmythe@aol.com) is completing his revision of the Wade-Alspach Bibliography for the Clarendon Press, while an authorised edition of Yeats’s Occult Diaries, 1898–1901 is being prepared by Deirdre Toomey and myself. We continue to revise A. Norman Jeffares’ New Commentary on the Poems of W. B. Yeats. All the above would be very grateful to hear of new letters, and to receive new information from readers.

16We are grateful to receive offprints and review copies and other bibliographical information (acknowledged at the end of each volume).

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