Table des matières
Margaret Mills Harper et Warwick Gould
Editors’ IntroductionWarwick Gould
Acknowledgements and editorial informationYeats’s mask
Warwick Gould
The mask before The MaskAisling Carlin
To ‘make others see my dream as I had seen it’: Yeats’s aesthetics in Cathleen ni HoulihanDavid Bradshaw
‘Oxford Poets’: Yeats, T. S. Eliot and William Force SteadPierre Longuenesse
Playing with Voices and with Doubles in Two of Yeats’s Plays: The Words upon the Window-pane and A Full Moon in MarchElizabeth Müller
The Mask of Derision in Yeats’s Prologue to A Vision (1937)Neil Mann
The Mask of A VisionMichael Cade-Stewart
Mask and Robe: Yeats’s Oxford Book of Modern Verse (1936) and New Poems (1938)Jerusha McCormack
The Poem on the Mountain: A Chinese Reading of Yeats’s ‘Lapis Lazuli’Steve L. Adams et George Mills Harper
The Manuscript of ‘Leo Africanus’Shorter notes
Warwick Gould
Wheels and Butterflies: Title, Structure, Cover DesignReviews
Richard Allen Cave
The King’s Threshold: Manuscript Materials, edited by Declan Kiely, Yeats in Manuscript Series (Ithaca and London: Cornell University Press, 2005), pp. lxi + 620.Richard Allen Cave
W. B. Yeats, At The Hawk’s Well and The Cat and the Moon: Manuscript Materials, ed. by Andrew Parkin (Ithaca and London: Cornell University Press, 2010), lxiv + 267 pp.Stoddard Martin
Sean Pryor, W. B. Yeats, Ezra Pound and the Poetry of Paradise (Farnham: Ashgate, 2011), pp. xiii + 226.Nicholas Allen
Writings on Literature and Art: G. W. Russell – A.E. Edited and with an Introduction by Peter Kuch (Gerrards Cross: Colin Smythe, 2011)Michael Cade-Stewart
Joseph M. Hassett, W. B. Yeats and the Muses (Oxford: Oxford University Press, 2010), pp. xiv, 258.Tara Stubbs
Michael McAteer, Yeats and European Drama (Cambridge: Cambridge University Press, 2010), pp. xii, 223
