The Works of Giovanni Paolo Gallucci

Gallucci, Giovanni Paolo, ed. and transl., Ionnis Hasfurti… de cognoscendis et medendis morbis ex corporum coelestrium positione libri IIII cum argumentis et expositionibus Ioannis Paulli Gallucci Saloensis… quibus accesserunt in eandem sententiam auctores alii… (Venice: ex officinal Damiani Zenarii, 1584).

— De formis enthymetatum (Venice: P. Marinelli, 1586).

— Theatrum mundi et temporis… ubi astrologiae principia cernuntur… nunc primum in lucem editum (Venice: J. B. Somascum, 1588), http://digital.onb.ac.at/OnbViewer/viewer.faces?doc=ABO_%2BZ186392402

— transl., Della simmetria dei corpi humani, libri quattro (Venice: Domenico Nicolini, 1591; repr. Roberto Meietti, 1594), https://archive.org/details/dialbertodurero00gallgoog/page/n4

— Della fabrica et uso del novo horologio universale (Venice: Giovanni Battista Ciotti, 1592), https://books.google.co.uk/books?id=nB5aAAAAcAAJ&printsec=frontcover&hl=it#v=onepage&q&f=false

— Speculum Uranicum in quo vera loca tum octavae sphaerae tum septem plaentarum… ad quodlibet datum tempus ex Prutenicarum ratione colliguntur, una cum regulis fabricandi duodecim coeli domici’ia ex Regiomontano et Alcabitio et dirigendi significatores (Venice: Damiani Zenarii, 1593), https://www.e-rara.ch/zut/doi/10.3931/e-rara-49833.

— I tre libri della perspettiva commune dell’ illustriss (Venice: G. Varisco, 1593).

— Historia naturale e morale delle Indie (Venice: B. Basa, 1596).

— De fabrica, et usu hemisphaerii uranici (Venice: Bernardo Basa, 1596).

— Nova fabricandi horaria mobilia et permanentia, et permanentia, tam acu Magnetico, quam sine acu ad omnem latitudinem, ratio nuper excogiata (Venice: Bernardum Basam 1596).

— Della fabrica et uso di diversi stromenti di Astronomia e Cosmographia (Venice: Ruberto Meietti, 1597).

— transl., Margarita filosofica (Venice: Barezzo Barezzi, 1599).

— Coelestium corporum et rerum ab ipsis pendentium accurata explicatio per instrumenta, rotulas et figuras (Venice: J.A. Somaschum, 1605).

— transl., Specchio e disciplina militare (Venice: Paolo Jordano Orsini, 1616).

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— Leon Battista Alberti on Painting and Sculpture: The Latin Texts of “De Pictura” and “De Statua,” ed. Cecil Grayson (London: Phaidon Press, 1972).

Anacreon, The First Twenty-Eight Odes of Anacreon in Greek and English, ed. John Broderick (London: Sherwood, Gilbert and Piper, 1827).

— The Odes of Anacreon, transl. Thomas Moore (London: John, Camden Hotten, 1871, https://www.gutenberg.org/files/38230/38230-h/38230-h.htm; repr. 2011).

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— Poetics, transl. Stephen Halliwell (Cambridge, MA: Harvard University Press, 1995).

— Politics, transl. C. D. C. Reeve (Indianapolis: Hackett Publishing, 1998).

— Rhetoric, ed. and transl. Edward Meredith Cope and John Edwin Sandys (Cambridge, UK: Cambridge University Press, 2010).

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— On the True Precepts of the Art of Painting, transl. Robert Baldick (New York: Vintage Books, 1977).

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— Theatrum chemicum Britannicum (Hildesheim: G. Olms, 1968).

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Camillli, Camillo, Imprese illustri di diuersi, coi discorsi di Camillo Camilli, et con le figure intagliate in rame di Girolamo Porro Padouano…, 3 vols (Venice: Francesco Ziletti, 1586), https://archive.org/details/impreseillustrid04cami/page/n4/mode/2up

Camillo, Giulio, L’idea del theatro (Venice: Agostino Bindoni, 1550), https://archive.org/details/bub_gb_R59T2RFRhjkC/page/n10/mode/2up

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— Poems of Catullus, transl. Peter Green (Berkely: University of California Press, 2005).

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— De re publica, ed. Günter Laser (Stuttgart: Reclam, 2014).

— Dream of Scipio, transl. Andre Chaves (Pasadena: The Clinker Press, 2012).

Condivi, Ascanio, The Life of Michelangelo, transl. Alice Sedgwick Wohl (University Park, PA: Pennsylvania State University Press, 1999).

Conway, William Martin, transl., The Writings of Albrecht Dürer (London: Owen, 1958).

Cozzando, Leonardo, Della libraria bresciana (Brescia: Gio. Maria Rizzardi, 1685).

Danti, Vincenzo, Il primo libro del Trattato delle perfette proporzioni (Perugia: Bartelli, 1830).

Della Porta, Giovanni Battista, De humana physiognomonia, libri VI (Vico Equense: Giuseppe Cacchi, 1586).

— Della fisionomia dell’huomo (Venice: Presso C. Tomasini, 1598).

Dürer, Albrecht, Vier Bücher von menschlicher Proportion (Nuremberg: Hieronymous Andreae, 1528).

— Von der Malerei (London: Ernst Heidrich, 1928).

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— De la pintura antigua por Francisco de Hollanda, versión castellana de Manuel Denis (1563), ed. E. Tormo (Madrid: Ratés, 1921).

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— Scritti sulle arti, ed. Roberto P. Ciardi, 2 vols (Florence: Centro Di, 1973–1974).

— Idea del tempio della pittura (Milan: Paolo Gottardo Pontio 1590, https://archive.org/details/bub_gb_YC59KugXgdQC/page/n4/mode/2up; repr. ed. Robert Klein, Florence: Istituto Nazionale di Studi sul Rinascimento, 1974).

— Idea of the Temple of Painting, transl. Jean Julia Chai (University Park, PA: The Pennsylvania State University Press, 2013).

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Mancini, Giulio, Considerazioni sulla pittura, ed. Adriana Marucchi and Luigi Salerno, 2 vols (Rome: Accademia Nazionale dei Lincei, 1957).

Martial, Epigrams, ed. and transl. Gideon Nisbet (Oxford: Oxford University Press, 2017).

Ovid, Metamorphoses, transl. A.D. Melville (Oxford: Oxford University Press, 2008).

Pacioli, Luca, Summa de arithmetica, geometrica, proportioni et proportionalita (Venice: Paganini, 1494).

— De viribus quantitatis (Bologna: unpublished, 1500).

— De divina proportione (Venice: Paganini, 1509).

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Tasso, Torquato, Discourses on the Heroic Poem ed. Mariella Cavalchini and Irene Samuel (Oxford: Clarendon Press, 1973).

— Scritti sull’arte poetica, ed. Einaudi Mazzali, 2 vols (Turin: Einaudi, 1977).

— Discorsi del poema eroico, ed. Ettore Mazzali and Francesco Flora (Milan: Ricciardi, 1959; repr. Rome: Biblioteca Italiana, 2004), http://www.bibliotecaitaliana.it/testo/bibit000856

— The Liberation of Jerusalem, transl. Max Wickert (Oxford: Oxford University Press, 2009).

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