Table des matières
On the Symmetry of Human Bodies
Gio. Paolo Gallucci
DedicationM[onsignor] Giovanni Paolo Gallucci
Preface to ReadersM[onsignor] Giovanni Paolo et Gallucci Salodiano
Book Five- 1. On the Utility of this Doctrine
- 2. On the Differences of Humans with Respect to Countries, Sex, and Age
- 3. On the Beauty of Human Bodies, Especially Women
- 4. The Figure of a Strong Man
- 5. How the Figure of a Timid Man Should Be Painted
- 6. How One Should Paint a Furious and Angry Man
- 7. The Figure of a Man, Who Is by Nature Cold and Wet, therefore, Meek and Humble, Feeble, Slow, Quiet, and Effeminate
- 8. How an Ingenious Man Should Be Painted
- 9. The Figure of an Uncouth Man Compared to One with Great Intelligence
- 10. The Figure and Painting of an Effeminate Man, Soft by Nature and also through Incident
- 11. How a Humble Man Should Be Painted, and One Who Is Shameful, either by Nature or Chance, and a Woman Again
- 12. The Figure of an Insolent and Presumptuous Man
- 13. The Figure of a Cheerful Man
- 14. The Figure of a Melancholic and Grieved Man
- 15. The Figure of a Cruel and Inhumane Man
- 16. The Figure of a Flatterer
- 17. The Figure of a Desperate Woman
- 18. The Figure of a Man Full of Astonishment
- 19. The Figure of Beastly or Savage Men
- 20. The Figure of a Fraud
- 21. The Figure of a Deceitful Man, and of a Mean, Miserable, and Cowardly Man
- 22. The Figure of a Wicked Man, Who, in Speaking, Says Impertinent Things
- 23. The Figure of an Insane Man Who Is, at the Same Time, Wicked
- 24. The Figure of Big Eater, and of One of Great Memory
- 25. The Figure of a Loquacious Man
- 26. The Figure of a Drowsy Man
- 27. The Figure of a Libidinous Man
- 28. The Figure of an Envious Man
- 29. The Figure of an Ugly Man and Woman
- 30. On the Different Feet of Men, and Those Which Are Suitable
- 31. On the Diversity of Heels or Ankles Compared to the Figure that [the Painter] Wishes to Represent
- 32. On the Diversity of Legs with Respect to the Different Figures They Want to Make
- 33. On the Diversity of Knees Appropriate to Different Figures
- 34. Which Thighs and Buttocks are Appropriate for Which Figures
- 35. Which Limbs and Stomachs Belong to Which Figures
- 36. Which Back and Ribs Suit Which Figures
- 37. Different Measures of the Stomach, Chest, and Belly that Suit Different Figures
- 38. On Some Correspondences that Some Members Have between Them
- 39. How the Chest and Shoulders Should Be Done in Several Different Figures
- 40. On the Shoulders and Chest Most Appropriate to Different Figures
- 41. On Arms and Hands Appropriate to Different Figures
- 42. Which Fingernails Are Appropriate to Different Figures
- 43. On the Diversity of Necks Appropriate to Different Figures
- 44. Diverse Cheeks Appropriate to Different Figures
- 45*. Diversity of Lips and Mouths Appropriate to Different Figures
- 45*. The Way to Form the Chin in Different Figures
- 46. On the Diversity of Noses Appropriate to Different Figures
- 47. On the Diversity of Faces Appropriate to Different Figures
- 48. On the Diversity of Eyes and Parts Nearby Appropriate to Different Figures
- 49. Which Face is Appropriate for Which Figure
- 50. On the Various Heads Appropriate to Different Figures
- 51. On the Diversity of Ears Appropriate to Different Figures
- 52. Which Hair Colors and Complexions Should Be Used for All Figures One Wants to Represent
- 53. On the Eye Colors Appropriate to Different Figures
- 54. On the Eye Movement Appropriate to Different Figures
- 55. On the Diversity of Hair Appropriate to Different Figures
- 56. On the Diversity of Stature Appropriate to Different Figures
- 57. In What Thing Beauty Consists, and Proportion of Bodies According to Marsilio Ficino and Painters
