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Prose Fiction

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Ignasi Ribó

Illustrations

Texte intégral

Chapter 1

1Fig. 1.1 Collision of Costa Concordia, cropped (2012). By Roberto Vongher, CC BY-SA 3.0, https://commons.wikimedia.org/​wiki/​File:Collision_of_Costa_Concordia_5_crop.jpg : 3

2Fig. 1.2 El Ateneo Gran Splendid. A theatre converted into a bookshop. Buenos Aires, Argentina. Photo by Galio, CC BY-SA 3.0, https://commons.wikimedia.org/​wiki/​File:Buenos_Aires_-_Recoleta_-_El_Ateneo_ex_Grand_Splendid_2.JPG : 5

3Fig. 1.3 Boccaccio, Decameron: ‘The Story of the Marchioness of Montferrat, ’ 15th century. Bibliothèque nationale de France, Public Domain, https://commons.wikimedia.org/​wiki/​File:Decameron_BNF_MS_Italien_63_f_22v.jpeg : 7

4Fig. 1.4 Title page of the first edition of Miguel de Cervantes’ DonQuixote (1605). Biblioteca Digital Hispánica, Public Domain, https://en.wikipedia.org/​wiki/​Don_Quixote#/​media/​File:El_ ingenioso_hidalgo_don_Quijote_de_la_Mancha.jpg : 8

5Fig. 1.5 Semiotic model of narrative. By Ignasi Ribó, CC BY. : 8

6Fig. 1.6 Ernest Hemingway posing for a dust-jacket photo by Lloyd Arnold for the first edition of For Whom the Bell Tolls (1940), at Sun Valley Lodge, Idaho, 1939. By Lloyd Arnold, Public Domain, https://en.wikipedia.org/​wiki/​File:ErnestHemingway.jpg : 10

7Fig. 1.7 Semiotic model of narrative shown in speech bubbles. By Ignasi Ribó, CC BY. : 11

8Fig. 1.8 Warner Bros. Studio Tour London: The Making of Harry Potter. Photo by Karen Roe, CC BY 2.0, https://commons.wikimedia.org/​wiki/​File:The_Making_of_Harry_Potter_29-05-2012_(7528990230).jpg : 12

Chapter 2

9Fig. 2.1 Bust of Aristotle. Marble Roman copy after a Greek bronze original by Lysippos from 330 BC. Ludovisi Collection, photograph by Jastrow (2006), Public Domain, https://commons.wikimedia.org/​wiki/​File:Aristotle_Altemps_Inv8575.jpg : 18

10Fig. 2.2 Diagram showing events interconnected by time only. By Ignasi Ribó, CC BY. : 19

11Fig. 2.3 Diagram showing events interconnected by time and cause. By Ignasi Ribó, CC BY. : 19

12Fig. 2.4 Diagram showing events interconnected by time and cause, with the order of events altered by emplotment. By Ignasi Ribó, CC BY. : 20

13Fig. 2.5 Miniature of St. George and the Dragon, ms. of Legenda aurea, Paris (1382). British Library Royal 19 B XVII, f. 109, Public Domain, https://upload.wikimedia.org/​wikipedia/​commons/​e/​ef/​St_George_Royal19BXVII_109.jpg : 21

14Fig. 2.6 Title page and portrait of Robinson Crusoe in the first edition of Daniel Defoe’s The Life and Strange Surprizing Adventures of Robinson Crosoe (1719). British Library, Ambre Troizat, CC BY-SA 4.0, https://upload.wikimedia.org/​wikipedia/​commons/​f/​f1/​The_life_and_Strange_Surprizing_Adventures_of_Robinson_Crosoe%2C_London%2C_1719.png : 23

15Fig. 2.7 Illustration of ‘Hansel and Gretel’ by Arthur Rackham (1909), Public Domain, https://upload.wikimedia.org/​wikipedia/​commons/​d/​d1/​Hansel-and-gretel-rackham.jpg : 24

16Fig. 2.8 Oedipus and the Sphinx. Tondo of an Attic red-figure kylix, 480–470 BC. From Vulci. Photograph by Juan José Moral (2009), captured at Museo Gregoriano Etrusco, room XI, Public Domain, https://commons.wikimedia.org/​wiki/​File:Oidipous_sphinx_MGEt_16541_reconstitution.svg : 26

17Fig. 2.9 Schema of Freytag’s pyramid. By Ignasi Ribó, based on Gustav Freytag, Freytag’s Technique of the Drama: An Exposition of Dramatic Composition and Art, trans. by Elias J MacEvan (Charleston, SC: Bibliobazaar, 2009), CC BY. : 27

Chapter 3

18Fig. 3.1 Relationships between existents in the storyworld. By Ignasi Ribó, CC BY. 33

19Fig. 3.2 Cover of an early German edition of Franz Kafka’s TheMetamorphosis (Die Verwandlung, 1915), Public Domain, https://commons.wikimedia.org/​wiki/​Category:Kafka_Die_Verwandlung#/​media/​File:Kafka_Verwandlung_016.jpg : 36

20Fig. 3.3 Map of Middle Earth, the fantasy world of J.R.R. Tolkien’s novels. CC BY-SA 4.0, https://commons.wikimedia.org/​wiki/​File:World_map_.jpg : 38

21Fig. 3.4 Pit No. 10 of the Compagnie des mines de Béthune, Nord- Pas-de-Calais, France (ca. 1910), Public Domain, https://commons.wikimedia.org/​wiki/​File:Sains-en-Gohelle_-_Fosse_n%C2%B0_10_-_10_bis_des_mines_de_B%C3%A9thune_(B).jpg : 39

22Fig. 3.5 Hogwarts Castle in the ride Harry Potter and the ForbiddenJourney at The Wizarding World of Harry Potter, Universal Studios Islands of Adventure Orlando, Florida. Source: Marcos Becerra, CC BY 2.0, https://www.flickr.com/​photos/​mbecerra/​6402825573 : 41

23Fig. 3.6 ‘The Art of Painting’ (1666–1668), oil on canvas by Jan Vermeer, Public Domain, https://commons.wikimedia.org/​wiki/​File:Jan_Vermeer_-_The_Art_of_Painting_-_Google_Art_Project.jpg : 42

24Fig. 3.7 Drawing of a wall barometer, Public Domain, https://pixabay.com/​p-1297523 : 43

25Fig. 3.8 Schema of verisimilitude in fiction and nonfiction. By Ignasi Ribó, CC BY. : 44

Chapter 4

26Fig. 4.1 Illustration of Lewis Carroll Alice in Wonderland (1865). By John Tenniel, Public Domain, https://en.wikipedia.org/​wiki/​Alice%27s_Adventures_in_Wonderland#/​media/​File:Alice_par_John_Tenniel_02.png : 48

27Fig. 4.2 Fan art representing Lord Voldemort and Nagini, from the Harry Potter saga, made with charcoal, acrylics and watercolours. By Mademoiselle Ortie aka Elodie Tihange, CC BY 4.0, https://fr.wikipedia.org/​wiki/​Fichier:Lord_Voldemort.jpg : 52

28Fig. 4.3 ‘Madame Hessel en robe rouge lisant’ (1905), oil on cardboard. By Édouard Vuillard, Public Domain, https://commons.wikimedia.org/​wiki/​File:%C3%89douard_Vuillard_-_Madame_Hessel_en_robe_rouge_lisant_(1905).jpg : 53

29Fig. 4.4 ‘Don Quixote and Sancho Panza at a crossroad, ’ oil on canvas. By Wilhelm Marstrand (1810–1873), CC0 1.0, https://commons.wikimedia.org/​wiki/​File:Wilhelm_Marstrand,_Don_Quixote_og_Sancho_Panza_ved_en_skillevej,_uden_datering_(efter_1847),_0119NMK,_Nivaagaards_Malerisamling.jpg : 53

30Fig. 4.5 Warner Bros. Studio Tour, London: The Making of Harry Potter. Source: Karen Roe, CC BY 2.0, https://commons.wikimedia.org/​wiki/​File:The_Making_of_Harry_Potter_29-05-2012_(7358054268).jpg : 55

31Fig. 4.6 ‘Man without Qualities n° 2’ (2005), oil and metal on canvas. By Erik Pevernagie, CC BY-SA 4.0, https://commons.wikimedia.org/​wiki/​File:Man_without_Qualities_n%C2%B02.jpg : 56

32Fig. 4.7 Portrait of Fyodor Dostoevsky by Vasily Petrov (1872). Tretyakov Gallery, Public Domain, https://commons.wikimedia.org/​wiki/​Фёдор_Михайлович_Достоевский#/media/File:Dostoevsky_1872.jpg : 61

Chapter 5

33Fig. 5.1 Édouard Frédéric Wilhelm Richter, Scheherazade (before 1913), Public Domain, https://commons.wikimedia.org/​wiki/​File:Edouard_Frederic_Wilhelm_Richter_-_Scheherazade.jpg : 67

34Fig. 5.2 First-edition cover of The Catcher in the Rye (1951) by J. D. Salinger, Public Domain, https://commons.wikimedia.org/​wiki/​File:The_Catcher_in_the_Rye_(1951,_first_edition_cover).jpg : 69

35Fig. 5.3 Promotional still from the 1941 film The Maltese Falcon, published in the National Board of Review Magazine, p. 12, Public Domain, https://commons.wikimedia.org/​wiki/​File:Maltese-Falcon-Tell-the-Truth-1941.jpg : 73

36Fig. 5.4 Theatre scene: two women making a call on a witch (all three of them wear theatre masks). Roman mosaic from the Villa del Cicerone in Pompeii, now in the Museo Archeologico Nazionale (Naples). By Dioscorides of Samos, Public Domain, https://commons.wikimedia.org/​wiki/​File:Pompeii_-_Villa_del_Cicerone_-_Mosaic_-_MAN.jpg : 75

37Fig. 5.5 Illustration of Nikolai Gogol’s short story ‘Diary of a Madman’ (1835) by Ilya Repin, Public Domain, https://commons.wikimedia.org/​wiki/​File:Repin_IE-Illustraciya-Zapiskisumasshedshego-Gogol_NV4.jpg : 78

Chapter 6

38Fig. 6.1 First page of the Book of Genesis in the Gutenberg Bible, Public Domain, https://de.wikipedia.org/​wiki/​Gutenberg-Bibel#/​media/​File:Gutenberg_Bible_B42_Genesis.JPG : 81

39Fig. 6.2 Facsimile of the first draft of Gustave Flaubert’s short story ‘A Simple Heart’ (Paris: Edition Conard des Oeuvres Complètes, 1910), Public Domain, https://commons.wikimedia.org/​wiki/​File:Gustave_Flaubert_-_Trois_Contes,_page_66.jpg : 84

40Fig. 6.3 A depiction of a pig dressed as a human capitalist to illustrate George Orwell’s Animal Farm. By Carl Glover, CC BY 2.0, https://www.flickr.com/​photos/​34239598@N00/​16143409811 : 91

41Chapter 7

42Fig. 7.1 Harriet Beecher Stowe, Uncle Tom’s Cabin (Boston: John P. Jewett, 1852), Internet Archive Book Images, Public Domain, https://commons.wikimedia.org/​wiki/​File:Uncle_Tom%27s_cabin_-_or,_life_among_the_lowly_(1852)_(14586176090).jpg : 97

43Fig. 7.2 ‘Young Woman Drawing’ (1801), oil on canvas by Marie-Denise Villers depicting an independent feminine spirit (possibly a self-portrait), Public Domain, https://commons.wikimedia.org/​wiki/​File:Villers_Young_Woman_Drawing.jpg : 100

44Fig. 7.3 Mural of Frantz Fanon, author of The Wretched of theEarth, Public Domain, https://www.flickr.com/​photos/​montrealprotest/​19582249739 : 101

45Fig. 7.4 Poster depicting Big Brother’s slogan from George Orwell’s dystopian novel 1984. By Frederic Guimont, Free Art Licence,https://commons.wikimedia.org/​wiki/​File:Cropped-big-brother-is-watching-1984.png : 103

46Fig. 7.5 Oscar Wilde (1884), photographic print on card mount: albume. By Napoleon Sarony, Public Domain, https://commons.wikimedia.org/​wiki/​File:A_Wilde_time_3.jpg : 104

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