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Prose Fiction

Ignasi Ribó


Texte intégral

Abbott, H. Porter, The Cambridge Introduction to Narrative (Cambridge, UK: Cambridge University Press, 2008),

Adichie, Chimamanda N., ‘The Danger of a Single Story’ (TED Global, July 2009),

Aristotle, Poetics, trans. by Malcolm Heath (London, UK: Penguin Books, 1996).

Bakhtin, Mikhail M., Problems of Dostoevsky’s Poetics, ed. by Caryl Emerson (Minneapolis, MN: University of Minnesota Press, 1984).

Bakhtin, Mikhail M., The Dialogic Imagination: Four Essays, trans. by Michael Holquist and Caryl Emerson (Austin, TX: University of Texas Press, 2011).

Bal, Mieke, Narratology: Introduction to the Theory of Narrative (Toronto: University of Toronto Press, 2017).

Barthes, Roland, The Rustle of Language (Berkeley, CA: University of California Press, 1989).

Barthes, Roland, ‘Introduction to the Structural Analysis of Narrative, ’ in A Roland Barthes Reader, ed. by Susan Sontag, trans. by Stephen Heath (London, UK: Vintage, 1994), pp. 251–95.

Bascom, William, ‘The Forms of Folklore: Prose Narratives, ’ The Journal of American Folklore, 78.307 (1965), 3–20.

Bassnett, Susan, and André Lefevere, Constructing Cultures: Essays on Literary Translation (Clevedon, UK: Multilingual Matters, 1998).

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Booker, Christopher, The Seven Basic Plots: Why We Tell Stories (London, UK: Continuum, 2004).

Booth, Wayne C., The Rhetoric of Fiction (Chicago, IL: University of Chicago Press, 1983).

Bridgeman, Teresa, ‘Time and Space’, in The Cambridge Companion to Narrative, ed. by David Herman (Cambridge, UK: Cambridge University Press, 2007), pp. 52–65,

Buchanan, Daniel Crump, One Hundred Famous Haiku (Tokyo: Japan Publications, 1973).

Burroway, Janet, Writing Fiction: AGuide to Narrative Craft (Chicago, IL: University of Chicago Press, 2019),

Chatman, Seymour Benjamin, Reading Narrative Fiction (New York, NY: Macmillan, 1993).

Chatman, Seymour Benjamin, Story and Discourse: Narrative Structure in Fiction and Film (Ithaca, NY: Cornell University Press, 2000).

Cobley, Paul, Narrative (London, UK: Routledge, 2014).

Cohn, Dorrit, Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction (Princeton, NJ: Princeton University Press, 1988).

Coleridge, Samuel Taylor, Biographia Literaria, or, Biographical Sketches of My Literary Life and Opinions, ed. by James Engell and Walter Jackson Bate (Princeton, NJ: Princeton University Press, 1984).

Culler, Jonathan D., Literary Theory: A Very Short Introduction (Oxford, UK: Oxford University Press, 2011).

Eagleton, Terry, Ideology: An Introduction (London, UK: Verso, 1991).

Eagleton, Terry, Literary Theory: An Introduction (Minneapolis, MN: University of Minnesota Press, 2008).

Eco, Umberto, The Open Work (Cambridge, MA: Harvard University Press, 1989).

Farnsworth, Ward, Farnsworth’s Classical English Rhetoric (Jaffrey, NH: David R Godine, 2016).

Flaubert, Gustave, Madame Bovary: Provincial Manners, trans. by Margaret Mauldon and Mark Overstall (Oxford, UK: Oxford University Press, 2004).

Forster, E. M., Aspects of the Novel (San Diego, CA: Harcourt Brace Jovanovich, 1985).

Freytag, Gustav, Freytag’s Technique of the Drama: An Exposition of Dramatic Composition and Art, trans. by Elias J. MacEvan (Charleston, SC: Bibliobazaar, 2009).

Genette, Gérard, Narrative Discourse: An Essay in Method (Ithaca, NY: Cornell University Press, 1990).

Gilbert, Sandra M., and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven, CT: Yale University Press, 2000).

Goethe, Johann Wolfgang von, Conversations with Eckermann, trans. by John Oxenford (New York, NY: North Point Press, 1994).

Greimas, Algirdas Julien, and Joseph Courtés, Semiotics and Language: An Analytical Dictionary, trans. by Larry Crist and Daniel Patte (Bloomington, IN: Indiana University Press, 1982).

Herman, David, ed., The Cambridge Companion to Narrative (Cambridge, UK: Cambridge University Press, 2007),

Herman, David, Basic Elements of Narrative (Chichester, UK: Wiley-Blackwell, 2009),

Herman, David, ‘Events and Event-Types, ’ in Routledge Encyclopedia of Narrative Theory, ed. by David Herman, Manfred Jahn, and Marie-Laure Ryan (London, UK: Routledge, 2005), pp. 151–52,

Hühn, Peter, ed., Handbook of Narratology (New York, NY: Walter de Gruyter, 2009),

Iser, Wolfgang, The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett (Baltimore, MD: Johns Hopkins University Press, 1995).

Jakobson, Roman, ‘Linguistics and Poetics’, in Style in Language (Cambridge, MA: MIT Press, 1960), pp. 350–77.

Johansen, Jørgen Dines, Literary Discourse: A Semiotic-Pragmatic Approach to Literature (Toronto, CA: University of Toronto Press, 2002),

Joyce, James, A Portrait of the Artist as a Young Man (Oxford, UK: Oxford University Press, 2000).

Lakoff, George, and Mark Johnson, Metaphors We Live By (Chicago, IL: University of Chicago Press, 2017).

Leech, Geoffrey N., Language in Literature: Style and Foregrounding (Harlow, UK: Pearson Longman, 2008),

Lodge, David, The Art of Fiction: Illustrated from Classic and Modern Texts (New York, NY: Viking, 1993).

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Margolin, Uri, ‘Character’, in The Cambridge Companion to Narrative, ed. by David Herman (Cambridge, UK: Cambridge University Press, 2007), pp. 66–79,

Margolin, Uri, ‘Individuals in Narrative Worlds: An Ontological Perspective, ’ Poetics Today, 11.4 (1990), 843–71

Onega Jaén, Susana, and José Angel García Landa, eds., Narratology: An Introduction (London, UK: Routledge, 1996),

Page, Norman, Speech in the English Novel (London, UK: Macmillan, 1988).

Peirce, Charles Sanders, Philosophical Writing of Peirce, ed. by Justus Buchler (New York, NY: Dover Publications, 1955).

Prince, Gerald, A Dictionary of Narratology (Lincoln, NE: University of Nebraska Press, 2003).

Rimmon-Kenan, Shlomith, Narrative Fiction: Contemporary Poetics (London, UK: Routledge, 2002),

Ryan, Marie-Laure, Possible Worlds, Artificial Intelligence, and Narrative Theory (Bloomington, IN: Indiana University Press, 1991).

Said, Edward W., Orientalism (New York, NY: Vintage Books, 1979).

Sklovskij, Viktor Borisovic, Theory of Prose (Elmwood Park, IL: Dalkey Archive Press, 1991).

Stam, Robert, Film Theory: An Introduction (Malden, MA: Blackwell, 2000).

Strunk, William, and E. B. White, The Elements of Style (Boston, MA: Allyn and Bacon, 1999).

Tuan, Yi-Fu, Space and Place: The Perspective of Experience (Minneapolis, MN: University of Minnesota Press, 2011).

Wilde, Oscar, The Picture of Dorian Gray, ed. by Robert Mighall (London, UK: Penguin, 2003).

Woolf, Virginia, To the Lighthouse, ed. by Max Bollinger (London, UK: Urban Romantics, 2012).


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