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Digital Technology and the Practices of Humanities Research

Jennifer Edmond


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1First and foremost, the editor of this volume would like to thank the European Science Foundation for making possible both the original working group along with its meetings, and this open access publication. The NeDiMAH network continues to be a point of reference for scholars who are exploring not just how to use digital methods in the humanities and what it means to do this, but also what is at stake in the digital turn for our diverse and yet interconnected disciplines.

2It would be remiss not to also thank the participants in the NeDiMAH events: their contributions to that early discussion are woven into the fabric of this volume and the issues it pursues. In particular, I would like to thank the Zadar meeting group: Linda Bree, Emma Clarke, Marin Dacos, Bianca Gualandi, Angela Holzer, Christina Kamposiori, Eva Kekou, Camilla Leathem, Francesca Morselli, Claudine Moulin, Alex O’Connor, Franjo Pehar, and Susan Reilly. Their collective and enthusiastic commitment to capturing a multidisciplinary and multisectoral snapshot of the shifts occurring in the communications landscape of the arts and humanities remain astonishingly relevant even after so many years. Finally, I am grateful to the many authors of this work who have either been required to show great patience with the slow development of the volume or work to very tight deadlines in order to bring its slow-growing content up to date. I include in this group those authors who were, for a number of reasons, unable to stay with the volume until the end, but whose drafts contributed to my own understanding of the institutional and individual issues in play. In particular, I would like to warmly thank Susan Schreibman for her early contributions in clarifying the focus of this volume and assembling an exciting panel of contributors and Laurence Taylor for his careful copyediting.


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