Version classiqueVersion mobile
OpenEdition Books

Privilege and Property

Ronan Deazley
Martin Kretschmer
Lionel Bently


Texte intégral

Abrams, Howard B., ’The Historic Foundation of American Copyright Law: Exploding the Myth of Common Law Copyright’, Wayne Law Review, 29 (1983), 1119-91.

Agnew, Geoffrey, Agnew’s 1817-1967 (London: The Bradbury Agnew Press, 1967).

Alberti, Leon Battista, De picture, in Opere volgari, ed. by Cecil Grayson (Bari: Laterza, 1973).

Alberts, R.C., Benjamin West: A Biography (Boston: Houghton Mifflin, 1978).

Alpers, Svetlana, The Art of Describing: Dutch Art in the Seventeenth Century (London: John Murray, 1983).

Anon., A Letter to the Society of Booksellers (1738).

Anon., A Course of Lectures to Young Men ... Delivered in Glasgow, by Ministers of Various Denominations (Glasgow, 1842).

Anon., ’Lord Overstone and Art’, The Times (29 November 1883).

Anon., Actes de la Conférence de l’Union internationale pour la protection des oeuvres littéraires et artistiques: réunie à Paris du 15 avril au 4 mai 1896 (Berne: Bureau international de l’Union, 1897).

Anon., Annalen der Gesetzgebung und Rechtsgelehrsamkeit in den preussischen Staaten (1788-1809). Available online at <>.

Anon., Arguments Relating to a Restraint upon the Press ... in a Letter to a Bencher from a Young Gentleman of the Temple (London, 1712).

Anon., The Importance of the Liberty of the Press (1748).

Arber, Edward (ed.), A Transcript of the Registers of the Company of Stationers of London 1554-1640, 5 vols (London, 1875).

Archer, Ian W., ’The Framework of Social Relations: The Livery Companies’, In the Pursuit of Stability: Social Relations in Elizabethan London (Cambridge: Cambridge University Press, 1991), 100-48.

Armstrong, Elizabeth, Before Copyright. The French Book-privilege System 1498-1526 (Cambridge: Cambridge University Press, 1990).

Astbury, Raymond, ’The Renewal of the Licensing Act in 1693 and its Lapse in 1695’, The Library, 33 (1978), 296-322.

Atkyns, Richard, Original and Growth of Printing (London: Printed by John Streater, for the Author, 1664).

[Aubry], Mémoire sur la contestation qui est entre les libraires de Paris et ceux de Lyon au sujet des privilèges et des continuations que le Roy accorde, Bibliothèque nationale de France, Manus. Fçs. 22071, n. 177.

Ballon, Hillary, The Paris of Henry IV. Architecture and Urbanism (Cambridge, MA: MIT Press, 1991).

Barber, Giles, ’French Royal Decrees Concerning the Book Trade, 1700-1789’, Australian Journal of French Studies, 3 (1966), 312-30.

Barker, Francis, The Tremulous Private Body (New York and London: Methuen, 1984).

Barnes, James J., Authors, Publishers and Politicians: The Quest for an Anglo-American Copyright Agreement, 1815-1854 (London: Routledge & Kegan Paul, 1974).

Barratt, D., ’The Dramatic Authors’ Society (1833-1883) and the Payment of English Dramatists’, Essays in English Theatre, 7 (1988), 19-33.

Barthes, Roland, ’The Death of the Author’, in Image, Music, Text, ed. by Stephen Heath (London: Fontana, 1977).

Baudrillard, Jean, ’Trompe l’oeil’, in Calligram: Essays in New Art History from France, ed. by Norman Bryson (Cambridge: Cambridge University Press, 1988), 53-62.

Bayley, Daniel, Select Harmony (Newburyport, Mass: Daniel Bayley, 1784).

Beaufort, Henri Louis de, Het auteursrecht in het Nederlandsche en Internationale recht (Utrecht: Den Boer, 1909; repr. Amsterdam: Buma, 1993).

Becker, P.A., ’Das Druckprivileg für Marots Werke von 1538’, Zeitschrift für französische Sprache und Litteratur, 42 (1914), 224-25.

Bell, Maureen, John Barnard, and D. F. McKenzie (eds), Cambridge History of the Book in Britain, Volume IV (Cambridge: Cambridge University Press, 2002).

Benkler, Yochai, ’From Consumers to Users: Shifting the Deeper Structures of Regulation’, Federal Communications Law Journal, 52 (2000), 561-79.

Bently, Lionel, ’Art and the Making of Modern Copyright Law’, in Dear Images: Art, Copyright and Culture, ed. by D. McClean and K. Schubert (London: Ridinghouse/ ICA, 2002), 331-51.

—, ’Requiem for Registration? Reflections on the History of the UK Registered Designs System’, in The Prehistory and Development of Intellectual Property Systems, ed. by Alison Firth, Perspectives on Intellectual Property Series, 1 (London: Sweet & Maxwell, 1997), 1-46.

—, and Brad Sherman, ’Great Britain and the Signing of the Berne Convention in 1886’, Journal of the Copyright Society of the USA (2001), 311-40.

—, Intellectual Property Law, 2nd edn (Oxford: Oxford University Press, 2004).

Berengo, Marino, ’La crisi dell’arte della stampa veneziana alla fine del XVIII secolo’, in Studi in onore di Armando Sapori (Milan: Istituto Editoriale Cisalpino, 1957), II, 1321-38.

Berger, A., Encyclopedic Dictionary of Roman Law (Philadelphia: American Philosophical Society, 1953).

Berger, John, ’Past Seen from a Possible Future’, in Selected Essays and Articles. The Look of Things, ed. by N. Stangos (Harmonsworth: Penguin, 1972), 211-20.

Berger, Peter, and Thomas Luckmann, The Social Constitution of Reality (Harmonsworth: Penguin, 1971).

Berveglieri, Roberto, Inventori stranieri a Venezia (1474-1788): Importazione di tecnologia e circolazione di tecnici artigiani inventori (Venice: Istituto Veneto di Scienze Lettere e Arti, 1995).

Birn, Raymond, ’The Profit of Ideas. Privilèges en librairie in Eighteenth-century France’, Eighteenth-Century Studies, 4 (1971), 131-68.

Birrell, Augustine, Seven Lectures on The Law and History of Copyright in Books (London: Cassell and Company, 1899).

Bisse, Philip, A Sermon preach’d at the Anniversary Meeting of the Sons of the Clergy in the Cathedral Church of St Paul on Thursday December the 2nd (1709).

Blagden, Cyprian, ’The English Stock of the Stationers’ Company: An Account of its Origins’, The Library, 5th ser., 10 (1955), 163-85.

—, ’Thomas Carnan and the Almanack Monopoly’, Studies in Bibliography, 14 (1961), 23-43.

—, The Stationers’ Company: A History, 1403-1959 (London: George Allen & Unwin Ltd, 1960).

Blaine, D.R., On the Laws of Artistic Copyright and their Defects (London: Murray, 1853).

—, Suggestions on the Copyright (Works of Art) Bill (London: Hardwicke, 1861).

Blanc, Étienne, Traité de la contrefaçon en tous genres et de sa poursuite en justice, 4th edn (Paris: Plon, 1855).

Bloch, Maurice, ’Property and the End of Affinity’, in Marxist Analyses and Social Anthropology, ed. by Maurice Bloch (London: Malaby Press, 1975), 203-28.

[Blount, Charles], Reasons Humbly Offered for the Liberty of Unlicensed Printing (London, 1693).

Blum, Abbe, ’The Author’s Authority: Areopagitica and the Labour of Licensing’, in Remembering Milton, ed. by Mary Nyquist and Margaret W. Ferguson (New York and London: Methuen, 1987), 74-96.

Bluntschli, Johann Kaspar, Deutsches Privatrecht, 2 vols (Munich: Literarischartistische Anstalt, 1853-54).

—, Deutsches Privatrecht, trans. Luis Sundkvist (München: 1853), Primary Sources on Copyright (1450-1900) <>.

Bond, Richmond P., ’The Pirate and the Tatler’, The Library, 18, 4 (1963), 257-74.

Bonnell, Thomas F., The Most Disreputable Trade: Publishing the Classics of English Poetry 1765-1810 (Oxford: Oxford University Press, 2008).

Booth, Martin R., ’Public Taste, the Playwright and the Law’, in The Revels History of Drama in English, ed. by Clifford Leech and T.W. Craik, 8 vols (London: Methuen & Co., 1975) VI, 29-57.

Borchgrave, Jean de, Evolution historique du droit d’auteur (Bruxelles: Larcier, 1916).

Born, G., and D. Hesmondhalgh (eds), Western Music and its Others: Difference, Appropriation and Representation in Music (Berkeley: University of California Press, 2000).

Bornemann, Friedrich Wilhelm Ludwig, Systematische Darstellung des Preußischen Civilrechts mit Benutzung der Materialien des Allgemeinen Landrechts, 2nd edn (Berlin: Jonas Verlagsbuchhandlung, 1843). Available online at <>.

Borsi, Franco, Leon Battista Alberti (Milano: Electa, 1975).

Botero, Giovanni, Le relazioni universali (Paris, 1605), in Venice: A Documentary History, 1450-1630, ed. by D. Chambers and B. Pullan (Oxford: Oxford University Press, 1992), 167-8.

Bouchard, D. (ed.), Language, Counter-Memory, Practice, trans. D. Bouchard and S. Simon (Ithaca, NY: Cornell University Press, 1977).

Boutier, Jean, Jean-Yves Sarracin and Marianne Sibille, Les plans de Paris des origins (1493) à la fin du xviiie siècle (Paris: Bibliothèque nationale de France, 2002).

Bowker, Richard Rogers, Copyright: Its History and its Law (Boston and New York: Hougton Mifflin Company, 1912).

Bowrey, Kathy, ’Who’s Writing Copyright History?’, European Intellectual Property Review, 18, 6 (1996), 322-9.

Boyle, James, Shamans, Software, and Spleens: Law and the Construction of the Information Society (Cambridge, MA: Harvard University Press, 1996).

Boytha, G., ’La justification de la protection des droits d’auteur à la lumière de leur développement historique’, Revue Internationale du Droit d’Auteur, (1992), 52-100.

—, ’Whose Right is Copyright?’, GRUR Int., (1983), 379-85.

Bracha, Oren, ’Commentary on Folsom v. Marsh (1841)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Connecticut Copyright Statute 1783’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Intellectual Property Constitutional Clause 1789’, Primary Sources on Copyright (1450-1900) <>.

—, ’The Ideology of Authorship Revisited: Authors, Markets, and Liberal Values in Early American Copyright’, Yale Law Journal, 118 (2008), 186-271.

—, Owning Ideas: A History of Anglo-American Intellectual Property (S.J.D. Dissertation, Harvard Law School, 2005), <>.

Braudel, Fernand, The Mediterranean and the Mediterranean World in the Age of Philip II, trans. Siân Reynolds (London: Collins, 1984).

Brisson, Barnabé, Recueil de plaidoyez notables de plusieurs anciens et fameux advocats de la Cour de Parlement divers arrêts (Paris, 1644).

Brodhead, John R., et al. (eds), Documents Relative to the Colonial History of the State of New York, 15 vols (Albany: Weed, Parsons and Company, Printers, 1853-87).

Brown, Cynthia, Poets, Patrons and Printers. Crisis of Authority in Late Medieval France (Ithaca and London: Cornell University Press, 1995).

Brown, G.S., Literary Sociability and Literary Property in France, 1775-1793: Beaumarchais, the Société des Auteurs Dramatiques and the Comédie Française (Aldershot, England: Ashgate, 2006).

Brown, Horatio Fortini, The Venetian Printing Press 1469-1800: An Historical Study Based upon Documents for the Most Part Hitherto Unpublished (London: John C. Nimmo, 1891).

Brown, K.M., et al., The Records of the Parliaments of Scotland [RPS], <> (St Andrews: University of St Andrews, 2007), RPS, 1641/8/192.

Bruntjen, S.H.A., John Boydell, 1719-1804: A Study of Art Patronage and Publishing in Georgian London (New York: Garland Publishing, 1985).

Bugbee, B.W., The Genesis of American Patent and Copyright Law (Washington: Public Affairs Press, 1967).

Burckhard, Jacob, The Civilization of the Renaissance in Italy (Harmondsworth: Penguin, 1990).

Calhoun, Craig (ed.), Habermas and the Public Sphere (Cambridge, MA: The MIT Press, 1992).

Carmer, Johann Heinrich Kasimir (ed.), Entwurf eines Allgemeinen Gesetzbuchs für die preußischen Staten (Berlin: Decker, 1784-8).

Carter, Alan, The Philosophical Foundations of Property Rights (New York: Harvester, Wheatsheaf, 1989).

Carvais, Robert, ’Servir la justice, l’art et la technique: le rôle des plans, dessins et croquis devant la Chambre royale des bâtiments’, Sociétés et représentations, 18 (2004), 75-96.

Castellani, Carlo, I privilegi di stampa e la proprietà letteraria in Venezia: Dalla introduzione della stampa nella città fin verso la fine del secolo xviii (Venezia: Stabilimento Tipo- Litografico Fratelli Visentini, 1888).

—, La stampa in Venezia dalla sua origine alla morte di Aldo Manuzio Seniore. Ragionamento storico di Carlo Castellani prefetto della Biblioteca di San Marco. Con appendice di documenti in parte inediti. Presentazione de Giorgio E. Ferrari (Trieste: Edizioni LINT, 1973).

Cella, Johann Jakob, ’Vom Büchernachdruck’ (Ansbach, 1784).

Chandler, George, An Introductory Lecture delivered at the Commencement of the Second Session of the Chichester Literary and Philosophical Society (Chichester, 1832).

Chartier, Roger, ’Figures de l’auteur’, in Culture écrite et société. L’ordre des livres (xivexviiie siècle) (Paris: Albin Michel, 1996), 45-80.

—, ’Qu’est-ce qu’un auteur? Révision d’une généalogie’, Bulletin de la société de philosophie, 94 (2000), 1-37.

—, Inscrire et effacer. Culture écrite et littérature (xie-xviiie siècle) (Paris: Gallimard Seuil, 2005).

—, The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries (Cambridge: Polity, 1994).

Chavasse, Ruth, ’The first known author’s copyright, September 1486, in the context of a humanist career’, Bulletin of the John Rylands University Library of Manchester, 69 (1986-7), 11-37.

Chaytor, H.J., From Script to Print: An Introduction to Medieval Literature (Cambridge: Cambridge University Press, 1945).

Cicogna, Emanuele Antonio, Delle inscrizioni veneziane, 6 vols (1852; repr. Bologna: Forni Editore, 1970).

Clarke, G., The Photograph (Oxford: Oxford University Press, 1997).

Clegg, Cyndia Susan, Press censorship in Elizabethan England (Cambridge: Cambridge University Press, 1997).

Collins, A.S., Authorship in the Days of Johnson (London: Routledge & Kegan Paul, 1927).

Compagnon, Antoine, La seconde main (Paris: Éditions du seuil, 1979).

Condorcet, Jean-Antoine-Nicolas de Caritat, Marquis de, ’Fragments sur la liberté de la presse’ (1776), in Œuvres de Condorcet, 12 vols (Paris: Firmin Didot, 1847).

Connan, François, Commentarius Iuris civilis (Paris, 1553).

Contat, Nicolas, Anecdotes typographiques où l’on voit la description des coutumes, moeurs et usages singuliers des compagnons imprimeurs, ed. by Giles Barber (Oxford: Oxford Bibliographical Society, 1980).

Coombe, Rosemary J., The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law (Durham, NC: Duke University Press, 1998).

Cooper, T., Statutes at Large of South Carolina, 11 vols (Columbia, S.C.: A.S. Johnston, 1836-73).

Coppens, Angela Nuovo and Christian, I Giolito e la stampa nell’Italia del xvi secolo (Genève: Droz, 2005).

Cornish, W.R., ’Authors in Law’, Modern Law Review, 58, 1 (1995), 1-16.

—, and David Llewelyn, Intellectual Property: Patents, Copyright, Trade Marks and Allied Rights (London: Sweet & Maxwell, 2007).

Couhin, C., La propriété industrielle, artistique et littéraire, 3 vols (Paris, 1898).

Couper, W.J., ’Copyright in Scotland before 1709’, Records of the Glasgow Bibliographical Society, 9 (1931), 42-57.

—, ’Robert Sanders The Elder’, Records of Glasgow Bibliographical Society, 3 (1915), 26-88.

Crawford, F., ’Pre-Constitutional Copyright Statutes’, Bulletin of the Copyright Society of the U.S.A, 23 (1975), 11-37.

Crawford, R., and D.P. McKay, William Billings of Boston: Eighteenth Century Composer (Princeton, N.J.: Princeton University Press, 1975).

Crousaz, K., Erasme et le pouvoir de l’imprimerie (Lausanne: Antipodes, 2005).

Curtis, George Ticknor, A Treatise on the Law of Copyright in Books, Dramatic, and Musical Compositions, Letters, and other Manuscripts, Engravings, and Sculpture as Enacted and Administered in England and America (Boston: C.C. Little and J. Brown, 1847).

Dainville, François de, ’Les cartes et contestations au xve siècle’, Imago Mundi, 24 (1970), 99-121.

Dambach, Otto, Die Gesetzgebung des Norddeutschen Bundes betreffend das Urheberrecht an Schriftwerken, Abbildungen, musikalischen Kompositionen und dramatischen Werken (Berlin: Enslin, 1871).

Darnton, Robert, The Great Cat Massacre and Other Episodes in French Cultural History (Hamonsworth: Penguin, 1985).

David, Michel-Antoine, ’Droit de copie’, in Encyclopédie ou dictionnaire raisonné des sciences, des arts et des métiers, Volume 5, ed. by D. Diderot and J. le Ronde d’Alembert. Available online at <>.

Davis, Natalie Zemon, ’Beyond the Market: Books as Gifts in Sixteenth-century France’, Transactions of the Royal Historical Society, 33 (1983), 69-88.

—, The Gift in Sixteenth-Century France (Oxford: Oxford University Press, 2000).

Dawson, Robert, The French Booktrade and the ’Permission Simple’ of 1777: Copyright and Public Domain (Oxford: The Voltaire Foundation, 1992).

Deazley, Ronan, ’Commentary on Donaldson v. Becket (1774)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Stationers’ Company v. Carnan (1775)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Stationers’ Charter (1557)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Statute of Anne (1710)’, Primary Sources on Copyright (1450- 1900) <>.

—, ’Commentary on Tonson v. Collins (1762)’, Primary Sources on Copyright (1450- 1900) <>.

—, On the Origin of the Right to Copy: Charting the Movement of Copyright Law in Eighteenth-century Britain (1695-1775) (Oxford: Hart Publishing, 2004).

—, Rethinking Copyright: History, Theory, Language (Cheltenham: Edward Elgar, 2006).

Defaux, G., ’Trois cas d’écrivains éditeurs dans la première moitié du xvie siècle: Marot, Rabelais, Dolet’, Travaux de littérature, 14 (2001), 91-118.

Delalande, E., Étude sur la propriété littéraire et artistique (Paris: Marescq Ainé, 1880).

Derrida, Jacques, The Truth in Painting, trans. Geoff Bennington and Ian Mcleod (Chicago and London: University of Chicago Press, 1987).

Descimon, Robert, ’Paris on the eve of Saint Bartholomew: Taxation, Privilege and Social Geography’, in Cities and Social Change in Early Modern France, ed. by Philip Benedict (London and New York: Unwin Hyman, 1989), 69-104.

Dickson, R., and J.P. Edmond, Annals of Scottish Printing: From the Introduction of the Art in 1507 to the Beginning of the Seventeenth Century, (1890; repr. Amsterdam: Gerard Th. Van Heusden, 1975).

Diderot, Denis, ’Lettre historique et politique adressée à un magistrat sur le commerce de la librairie, (1763)’, Primary Sources on Copyright (1450-1900) <>.

Dieselhorst, Jochen, Was bringt das Urheberpersönlichkeitsrecht? Urheberpersönlichkeitsschutz im Vergleich Deutschland – USA (Why Moral Rights? Moral Rights in Germany and the USA) (Frankfurt/Main: Lang, 1994).

Dietz, Adolf, Copyright Law in the European Community: A Comparative Investigation of National Copyright Legislation, with Special Reference to the Provisions of the Treaty Establishing the European Economic Community (Alphen aan den Rijn: Sijthoff & Noordhoff, 1978).

di Giorgio, Francesco, Trattati di architettura ingegneria e arte militare, ed. by C. Maltese, 3 vols (Milan: Edizioni il Polifilo, 1967).

Dittrich, Robert, ’Der Werkbegriff – sinnvolle Ausdehnung oder Denaturierung?’ (The Notion of Copyrightable work – Reasonable Extension or Denaturation), in Woher kommt das Urheberrecht?, ed. by Robert Dittrich (Vienna: MANZ’sche, 1988), 214-37.

Dock, Marie-Claude, Contribution historique à l’étude des droits d’auteur (Paris: LGDJ, 1962).

Domat, Jean, Les lois civiles dans leur ordre naturel (Paris, 1727).

Doorman, G., Patents for Inventions in the Netherlands during the 16th and 18th Centuries (Amsterdam: Netherlands Patent Board, 1942).

Downie, J.A., Robert Harley and the Press (Cambridge: Cambridge University Press, 1979).

Drassinower, Abraham, ’Authorship as Public Address: On the Specificity of Copyright vis-à-vis Patent and Trade Mark’, Michigan State Law Review, (2008), 199-232.

Drone, Eaton S., A Treatise on the Law of Property in Intellectual Productions in Great Britain and the United States: Embracing Copyright in Works of Literature and Art, and Playwright in Dramatic and Musical Compositions (Boston: Little, Brown 1879).

Du Marsais, César Chesneau, sieur, Des tropes ou des différents sens (1731; repr. Paris: Flammarion, 1988).

Duplessis, George, ’Privilège des gravures de l’Entrée du roi en 1660 accordé à Pierre Mariette’, Nouvelles archives de l’art français, (1872), 257-60.

Dury, Maxime, La censure. La prédication silencieuse (Paris: Publisud, 1995).

Eagleton, Terry, The Ideology of the Aesthetics (Oxford: Blackwell, 1990).

Ebert-Schifferer, Sybille (ed.), Deceptions and Illusions. Five Centuries of Trompe l’oeil Painting (Washington: National Gallery of Art, 2002-3).

Edelman, Bernard, Le sacre de l’auteur (Paris: Le Seuil, 2004).

—, Ownership of the Image, Elements of a Marxist Theory of Law (London: Routledge, 1977 [1973]).

Edmond, J.P., The Aberdeen Printers, 1620 to 1736, 4 vols (Aberdeen: J & J.P. Edmond & Spark, 1884).

Ehlers, Martin, Über die Unzulässigkeit des Büchernachdrucks (Dessau/Leipzig, 1784).

Eisenhardt, Ulrich, Die kaiserliche Aufsicht über Buchdruck, Buchhandel und Presse im Heiligen Römischen Reich Deutscher Nation (1496-1806): Ein Beitrag zur Geschichte der Bücher- und Pressezensur, Studien und Quellen zur Geschichte des deutschen Verfassungsrechts (Karlsruhe: Müller, 1970).

Eisenstein, Elisabeth, The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe, 2 vols (Cambridge: Cambridge University Press, 1979).

Elkin-Koren, Nina, ’Cyberlaw and Social Change: A Democratic Approach to Copyright Law in Cyberspace’, Cardozo Arts & Entertainment Law Journal, 14 (1996), 215-95.

Ellis, Markman, The Coffee House: A Cultural History (London: Weidenfeld & Nicolson, 2004).

Epstein, S.R., and M. Prak (eds), Guilds, Innovation and the European Economy, 1500- 1800 (Cambridge: Cambridge University Press, 2008).

Evans, Charles Theodore, American Bibliography ... A Chronological Dictionary of All Books, Pamphlets and Periodical Publications Printed in the United States of America from the Genesis of Printing in 1630 down to and Including the Year 1820, Etc., 14 vols (Privately printed: Chicago, 1903-59).

Falk, Henri, Les privileges en librairie sous l’Ancien Régime (Paris, 1905).

Feather, John, ’Authors, Publishers and Politicians: The History of Copyright and the Book Trade’, European Intellectual Property Review, 12 (1988), 377-80.

—, ’The Book Trade in Politics: The Making of the Copyright Act of 1710’, Publishing History, 8 (1980), 19-44.

—, ’The Publishers and the Pirates: British Copyright Law in Theory and Practice, 1710-1775’, Publishing History, 22 (1987), 5-32.

—, A History of British Book Publishing (London: Croom Helm, 1988); 2nd edn (London: Routledge, 2006).

—, Publishing, Piracy and Politics: An Historical Study of Copyright in Britain (London: Mansell, 1994).

Febvre, Lucien, and Henri-Jean Martin, The Coming of the Book: the Impact of Printing, 1450-1800, trans. David Gerard, ed. by Geoffrey Nowell-Smith and David Wootton (London: N.L.B, 1976).

Félibien, Michel, Histoire de la ville de Paris, expanded and edited by Guy-Alexis Lobineau, 5 vols (Paris: G. Desprez, 1725).

Feìraud, Jean Franc¸ois, Dictionnaire critique de la langue française (Marseille, 1787-8).

Fertel, Martin-Dominique, La science pratique de l’imprimerie (Saint Omer: M.D. Fertel, 1723).

Fichte, Johann Gottlieb, ’Beweis der Unrechtmäßigkeit des Büchernachdrucks. Ein Räsonnement und eine Parabel’, Berlinische Monatschrift, 21 (1793), 443-82.

Firmin-Didot, Ambroise, Alde Manuce et l’hellénisme à Venise (Paris: D’Ambroise Firmin-Didot, 1875).

Firth, C.H., and R.S. Rait (eds), Acts and Ordinances of the Interregnum, 1642-1660 (London: H.M. Stationery Office, 1911).

Fischer, Robert, Gesetz, betreffend das Urheberrecht an Schriftwerken, Abbildungen, musikalischen Kompositionen und dramatischen Werken vom 11. Juni 1870 (Gera: Griesbach, 1870).

Fitzball, E., Thirty-five Years of a Dramatic Authors’ Life, 2 vols (London: T.C. Newby, 1859).

Flemming, Alfred, Das Recht der Pflichtexemplare (München/Berlin: Beck, 1940).

Fortescue, J.W. (ed.), Calendar of State Papers, Colonial Series, American and West Indies, 1681-1685, 45 vols (London: Public Records Office, 1964).

Foucault, Michel, ’Qu’est-ce qu’un auteur?’, Bulletin de la société française de philosophie, (1969), 73-104.

—, ’What is an Author?’, trans. James Venit, Partisan Review, 42, 4 (1975), 603-14.

—, ’What is an Author?’, in Language Counter-Memory, Practice, ed. and trans. Donald F. Bouchard (Ithaca, NY: Cornell University Press, 1980), 124-7.

Foxon, David, Pope and the Early Eighteenth-century Book Trade (Oxford: Clarendon Press, 1991).

Franke, Johannes, Die Abgabe der Pflichtexemplare von Druckerzeugnissen: Mit besonderer Berücksichtigung Preussens und des deutschen Reiches, unter Benutzung archivalischer Quellen, Sammlung bibliothekswissenschaftlicher Arbeiten (Berlin: A. Asher and Co., 1889).

Friedman, W.H., Boydell’s Shakespeare Gallery (New York: Garland Publishing, 1967).

Frumkin, M., Early History of Patents for Invention (London: Chartered Institute of Patent Agents, 1947).

—, ’The Origins of Patents’, Journal of the Patent Office Society, 27, 3 (1945), 143-9. Fuhring, Peter, ’Jean Barbet’s Livre d’architecture, d’autels et de cheminées: Drawing and Design in Seventeenth-Century France’, Burlington Magazine, 145 (2003), 421-30.

Fujimura, Joan, ’Crafting Science: Standardized Packages, Boundary Objects, and ”Translation”’, in Science as Practice and Culture, ed. by A. Pickering (London: Chicago University Press, 1992), 168-211.

Fulin, Rinaldo, ’Documenti per servire alla storia della tipografia veneziana’, Archivio veneto, XXIII (1882).

Gallagher, Catherine, Nobody’s Story (Berkeley: University of California Press, 1974).

Gareis, Karl, Das juristische Wesen der Autorrechte sowie des Firmen-und Markenschutzes (1877).

Gareis, Karl, ’Juridical Nature of Author’s Rights (1877)’, Primary Sources on Copyright (1450-1900) <>.

Garraud, R., Traité théorique et pratique du droit pénal français, 2nd edn, 5 vols (Paris: Larose et Forcel, 1888-94).

Gasparetto, A., Il vetro di Murano dalle origini ad oggi (Venice: Neri Pozza Editore, 1956).

Gastambide, Adrien-Joseph, Traité théorique et pratique des contrefaçons en tous genres (Paris: Legrand and Descauriet, 1837).

Gaudrat, Philippe, Propriété littéraire et artistique. Droits des auteurs. Droits moraux. Théorie générale du droit moral, Jurisclasseur, fasc. 1210, 2001, n. 11.

Gaultier, Jean-François, Mémoire à consulter, pour les Libraires et Imprimeurs de Lyon, Rouen, Toulouse, Marseille et Nismes, concernant les privilèges de librairie et continuation d’iceux, Bibliothèque nationale de France, Manus. Fçs. 22073, n. 144.

Gaye, Giovanni (ed.), Carteggio inedito d’artisti dei secoli xiv, xv, xvi, 3 vols (Florence: Giuseppe Molini, 1839).

Geiger, Christophe, ’The Extension of the Term of Copyright and Certain Neighbouring Rights – A Never-ending Story?’, IIC (International Review of Intellectual Property and Competition Law), 40 (2009), 78-82.

Geller, Paul, ’Must Copyright Be For Ever Caught between Marketplace and Authorship Norms?’, in Of Authors and Origins: Essays on Copyright Law, ed. by Brad Sherman and Alain Strowel (Oxford: Clarendon Press, 1994), 159-201.

Genette, Gérard, Paratexts. Thresholds of Interpretation, trans. Jane E. Lewin (Cambridge: Cambridge University Press, 1997).

Georgi, Arthur, Die Entwicklung des Berliner Buchhandels bis zur Begründung des Börsenvereins der deutschen Buchhändler 1825 (Berlin: Paul Parey, 1926).

Gersaint, Edme, Catalogue raisonné des divers curiosités du cabinet de feu M. Quentin de Lorangère (Paris, 1744).

Gerulaitis, Leonardas V., Printing and Publishing in fifteenth-century Venice (Chicago: American Library Association, 1976).

Gieseke, Ludwig, ’Zensur und Nachdruckschutz in deutschen Staaten in den Jahren nach 1800’, in Historische Studien zum Urheberrecht in Europa, ed. by E. Wadle (Berlin: Duncker & Humblot, 1993), 21-31.

—, Die geschichtliche Entwicklung des deutschen Urheberrechts (Göttingen: Schwartz, 1957).

—, Vom Privileg zum Urheberrecht: Die Entwicklung des Urheberrechts in Deutschland bis 1845 (Göttingen: Schwartz, 1995).

Ginsburg, J.C., ’A Tale of Two Copyrights: Literary Property in Revolutionary France and America’, Tulane Law Review, 64 (1990), 991-1031.

—, ’A Tale of Two Copyrights: Literary Property in Revolutionary France and America’, in Of Authors and Origins: Essays on Copyright Law, ed. by Brad Sherman and Alain Strowel (Oxford: Clarendon Press, 1994), 131-58.

—, ’Creation and Commercial Value: Copyright Protection of Works of Information’, Columbia Law Review, 90, 7 (1990), 1865-938.

Godson, Richard, A Practical Treatise on the Law of Patents for Inventions and of Copyright (London, 1823).

Goldfriedrich, Johann, Geschichte des Deutschen Buchhandels vom Beginn der klassischen Periode bis zum Beginn der Fremdherrschaft (1740-1804), (Leipzig: Verlag des Börsenvereins, 1909).

Gómez-Arostegui, H. Tomás, ’What Copyright History Teaches us About Copyright Injunctions and the Inadequate-remedy-at-law Requirement’, Southern California Law Review, 81 (2008), 1197-280.

Goode, Luke, Jürgen Habermas: Democracy and the Public Sphere (London: Pluto Press, 2005).

Goodrich, Peter, Reading the Law: A Critical Introduction to Legal Methods and Techniques (Oxford: Basil Blackwell, 1986).

Goody, Jack, Death, Property and Ancestors (London: Tavistock Publications, 1962).

Gray, E.G., The Making of John Ledyard: Empire and Ambition in the Life of a an Early American Traveler (New Haven: Yale University Press, 2007).

Gray, Kevin, and Susan Francis Gray, Elements of Land Law, 4th edn (Oxford: Oxford University Press, 2005).

Grayson, Cecil (ed. and trans.), ’On Painting’ and ’On Sculpture’: The Latin texts of ’De pictura’ and ’De statua’ (London: Phaidon, 1972).

Greene, Jody, The Trouble with Ownership: Literary Property and Authorial Liability in England, 1660-1730 (Philadelphia: University of Pennsylvania Press, 2005).

Greene, Robert, Groatsworth of Wit (London, 1592).

Greg, W.W., A Companion to Arber (Oxford: Clarendon Press, 1967).

Griffin, Dustin, Literary Patronage in England 1650-1800 (Cambridge: Cambridge University Press, 1996).

Griffin, Robert J., ’Anonymity and Authorship’, New Literary History, 30, 4 (1999), 877-95.

Grivel, Marianne, ’La Réglementation du travail des graveurs en France au xvie siècle’, in Le Livre et l’image en France au xvie siècle (Paris: Presses de l’École normale supérieure, 1989).

—, ’Les graveurs en France au xvie siècle’, in La Gravure française à la Renaissance à la Bibliothèque nationale de France (Paris: Bibliothèque nationale de France, 1994- 5), 33-57.

—, Le Commerce de l’estampe à Paris au xviie siècle (Geneva: Droz, 1986).

Grosheide, F. Willem, ’Paradigms in Copyright Law’, in Of Authors and Origins: Essays on Copyright Law, ed. by Brad Sherman and Alain Strowel (Oxford: Clarendon Press, 1994), 203-33.

—, Auteursrecht op maat: Beschouwingen over de grondslagen van het auteursrecht in een rechtspolitieke context (Deventer: Kluwer, 1986).

Groves, Jeffrey D., ’Courtesy of the Trade’, in A History of the Book in America. Volume 3. The Industrial Book 1840-1880, ed. by Scott E. Casper, Jeffrey D. Groves, Stephen W. Nissenbaum and M. Winship (Chapel Hill, NC: University of North Carolina Press, 2007), 139-48.

Guss, Donald L., ’Enlightenment as Process: Milton and Habermas’, PMLA: Publications of the Modern Language Association of America, 106 (1991), 1156-69.

Habermas, Jürgen, The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger (Cambridge, MA: The MIT Press, 1991).

Hale, David George, The Body Politic: A Political Metaphor in Renaissance English Literature (The Hague: Mouton, 1971).

Haller, William, ’Before Areopagitica’, PMLA: Publications of the Modern Language Association of America, 42 (1927), 875-900.

Hargrave, Francis, An Argument in Defence of Literary Property (London, 1774).

Harreld, Donald J., ’An Education in Commerce. Transmitting Business Information in Early Modern Europe’, paper presented at the XIV International Economic

History Congress, Helsinki, 21-25 August 2006.

Hart, H.L.A., The Concept of Law (Oxford: Clarendon Press, 1994 [1961]).

Hattenhauer, Hans (ed.), Allgemeines Landrecht für die Preussischen Staaten von 1794 (Neuwied: Luchterhand, 1970).

Hawes, Joel, Lectures to Young Men on the Formation of Character ... with an Additional Lecture on Reading (London, 1829).

Haynes, C., ’Reassessing ”Genius” in Studies of Authorship. The State of the Discipline’, Book History, 8 (2005), 287-320.

Hazard, Samuel, (ed.), Minutes of the Provincial Council of Pennsylvania, 10 vols (Philadelphia: J. Severns, 1851-2).

Heemskerk Az., J., Voordragten over den eigendom van voortbrengselen van den geest, 2nd edn (Amsterdam: Beerendonk, 1869; repr. Amsterdam: De Kloof, 2000, with an introduction by R.J.Q. Klomp).

Héricourt, Louis d’, ’Mémoire en forme de requête à M. le Garde des Sceaux rédigé par M. Louis D’Héricourt, avocat au Parlement’, in La Propriété littéraire au xviiie siècle. Receuil de pièces et de documents, ed. by E. Laboulaye and G. Guiffrey (Paris: Hachette, 1859), 21-40.

—, ’Memorandum (1725-1726)’, Primary Sources on Copyright (1450-1900) <http://>

Hesse, Carla, ’Enlightenment Epistemology and the Laws of Autorship in Revolutionary France, 1777-1793’, Representations, 30 (Spring, 1990), 109-37.

Hills, Henry, The Life of H.H. with the relation at large of what passed betwixt him and the Taylors Wife (London: Printed by T.S., 1688).

Hilty, Reto M., Urheberrecht in der Informationsgesellschaft (Copyright in the Information Society) (Zeitschrift für Urheber – und Medienrecht Sonderheft, 2003), 983-1005.

Hirsch, Rudolf, Printing, Selling and Reading, 1450-1550 (Wiesbaden: Harrasowitz, 1967).

Hoadly, C.J. (ed.), The Public Records of the State of Connecticut, 9 vols (Hartford: various publishers, 1894-1953).

Hoftijzer, P.G., Engelse boekverkopers bij de beurs: De geschiedenis van de Amsterdamse boekhandels Bruyning en Swart (Amsterdam: APA-Holland University Press, 1987).

Hotman, François, Commentarius in quatuor libros institutionum iuris civilis (Lyon, 1588).

Huard, Gustave, Traité de la propriété intellectuelle, 2 vols (Paris: Marchal and Billard, 1903).

Hughes, Merritt Y. (ed.), John Milton: Complete Poems and Major Prose (Indianapolis, IN: The Odyssey Press, 1957).

Hunt, Arnold, ’Book Trade Patents, 1603-40’, in The Book Trade and its Customers 1450-1900, ed. by Arnold Hunt, Giles Mandelbrote and Alison Shell (Winchester: St Pauls Bibliographies, 1997), 27-54.

Hunter, D., ’Copyright Protection for Engravings and Maps in Eighteenth-Century Britain’, The Library, 6th ser., 9 (1987), 128-47.

Hutchison, Ross, Locke in France, 1688-1734 (Oxford: Voltaire Foundation, 1991).

Hutchison, Sidney C., The History of the Royal Academy 1768-1968 (London: Chapman and Hall, 1968).

Infelise, Mario, L’editoria veneziana nel ’700 (Milano: Franco Angeli, 1991).

Ivins, William M., Prints and Visual Communications (London: Routledge & Kegan Paul, 1953).

Jackson, William A., Records of the Court of the Stationers’ Company 1602 to 1640 (London, 1957).

Jacob, Christian, L’empire des cartes: Approches théoriques de la cartographie à travers l’histoire (Paris: Albin Michel, 1992).

Jaszi, Peter, ’Toward a Theory of Copyright: Metamorphoses of Authorship’, Duke Law Journal, 42 (1991), 455-502

Jehoram, Herman Cohen, ’Urheberrecht: eine Sache des Rechts oder der Opportunität? Eine alte, aber unvollendete Debatte in den Niederlanden’, in Historische Studien zum Urheberrecht in Europa, ed. by E. Wadle (Berlin: Duncker & Humblot, 1993), 115-20.

Johns, Adrian, The Nature of the Book: Print and Knowledge in the Making (Chicago, IL: University of Chicago Press, 1998).

Kaiser, Thomas E., ’Money, Despotism, and Public Opinion in Early Eighteenth- Century France: John Law and the Debate on Royal Credit’, Journal of Modern History, 63 (1991), 1-28.

Kaiser, Thomas E., ’Property, Sovereignty, the Declaration of the Rights of Man and the Tradition of French Jurisprudence’, in The French Idea of Freedom and the Declaration of the Rights of 1789, ed. by Dale Van Klee (Stanford: Stanford University Press, 1994), 300-39.

Kant, Immanuel, ’Von der Unrechtmäßigkeit des Büchernachdrucks’, Berliner Monatszeitschrift (1785).

Kantorowicz, Ernst , ’La souveraineté de l’artiste. Note sur quelques maximes juridiques et les théories de l’art à la Renaissance’, trad. L Mayali, in Mourir pour la patrie (Paris: Presses Universitaires de France, 1984).

Kaplan, Benjamin, ’The Registration of Copyright’, Study no. 17 (August 1958), in Studies on copyright - Arthur Fisher Memorial Edition (South Hackensack, NJ: Rothman, 1963), 325-91.

Kase, Francis J., Copyright Thought in Continental Europe: Its Development, Legal Theories and Philosophy (South Hackensack: Rothman, 1967).

Kasteele, Johannes van de, Het auteursrecht in Nederland (Leiden: Somerwil, 1885).

Kawohl, F., ’Commentary on J.S. Pütter: The Reprinting of Books (1774)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Kant: On the Unlawfulness of Reprinting (1785)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Philipp Erasmus Reich and the Leipzig Publishers’ Cartel (1765)’, Primary Sources on Copyright (1450-1900) <">http://www.copyrighthistory.><

—, ’Commentary on the Austrian Statutes on Censorship and Printing (1781)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Reprinting Provisions in the Prussian Statute Book (1794)’, Primary Sources on Copyright (1450-1900) <>.

—, Urheberrecht der Musik in Preußen (1820 - 1840), Quellen und Abhandlungen zur Geschichte des Musikverlagswesens (Tutzing: Schneider, 2002).

—, and M. Kretschmer, ’Abstraction and Registration: Conceptual Innovations and Supply Effects in Prussian and British Copyright (1820-50)’, Intellectual Property Quarterly, 2 (2003), 209-28.

—, and M. Kretschmer, ’Johann Gottlieb Fichte, and the Trap of Inhalt (Content) and Form: An information perspective on music copyright’, in Copyright and the Production of Music, special issue of Information, Communication and Society, 12 (2009), 41-64.

Kemp, Martin, Leonardo da Vinci: The Marvellous Works of Nature and Man (London: Dent, 1981).

Kewes, Paulina, Authorship and Appropriation: Writing for the Stage in England 1660- 1710 (Oxford: Oxford University Press, 1998).

—, Plagiarism in Early Modern England (London: Palgrave, 2003).

Kleensang, Michael, Das Konzept der bürgerlichen Gesellschaft bei Ernst Ferdinand Klein (Frankfurt: Klostermann, 1998).

Klein, Ernst Ferdinand, Grundsätze der natürlichen Rechtswissenschaft (Halle: Hemmerde & Schwetschke, 1797).

Klippel, Diethelm and Louis Pahlow, ’Freiheit und Absolutismus: Das allgemeine Landrecht in der Geschichte der Menschen- und Bürgerrechte’, in Reformabsolutismus und ständische Gesellschaft: Zweihundert Jahre Preußisches Allgemeines Landrecht, ed. by Günter Birtsch and Dietmar Willoweit (Berlin: Duncker & Humblot, 1998).

—, ’Die Idee des geistigen Eigentums in Naturrecht und Rechtsphilosophie des 19. Jahrhunderts’, in Historische Studien zum Urheberrecht in Europa, ed. by E. Wadle (Berlin: Duncker & Humblot, 1993), 121-38.

—, ’Das Privileg im Naturrecht des 18. und 19. Jahrhunderts’, in Das Privileg im europäischen Vergleich, ed. by Barbara Dölemeyer and Heinz Mohnhaupt (Frankfurt: Klostermann, 1997), 329-46.

Klostermann, R., Das Urheberrecht an Schrift- und Kunstwerken, Abbildungen, Compositionen, Photographien, Mustern und Modellen nach deutschem und internationalem Rechte (Berlin: Vahlen, 1876).

Koerner, Joseph Leo, Moment of Self-portraiture in German Renaissance Art (Chicago: University of Chicago Press, 1993).

Kohler, Josef, Das Autorrecht – eine zivilistische Abhandlung (Jena: Fischer, 1880).

Koskenniemi, M., ’The History of International Law Today’, 4 Rechtsgeschichte (2004), 61-6.

Kostylo, J., ’Commentary on Decree Establishing the Venetian Guild of Printers and Booksellers’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Johannes of Speyer’s Printing Monopoly (1469)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Venetian Decree on Author-Printer Relations (1545)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Venetian Decree on Press Affairs (1517)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Venetian Statute on Industrial Brevets (1474)’, Primary Sources on Copyright (1450-1900) <>.

Kramer, Matthew H., John Locke and the Origins of Private Property. Philosophical Explorations of Individualism, Community and Equality (Cambridge: Cambridge University Press, 1997).

Kretschmer, M., ’Digital Copyright: The End of an Era’, European Intellectual Property Review, 25 (2003), 333-41.

—, ’Software as Text and Machine’, JILT (The Journal of Information, Law and Technology), 1 (2003), 1-24. Available online at <>.

Kuhlen, Rainer, ’Wem gehört die Information im 21. Jahrhundert?’, in Wem gehört die Information im 21. Jahrhundert?, ed. by Thomas Dreier and Alfred Büllesbach (Köln: Schmidt, 2004), 1-9.

L’Estrange, Roger, Considerations and Proposals in Order to the Regulation of the Press (London, 1663).

Laboulaye, Edouard and Georges Guiffrey, La propriété littéraire au xviiie siècle. Recueil de pièces et de documents (Paris, 1859).

Ladas, Stephen P., The International Protection of Literary and Artistic Property, 2 vols (New York: Macmillan, 1938).

Laligant, O., La Véritable condition d’application du droit d’auteur: originalité ou création? (Aix-en-Provence: Presses Universitaires d’Aix-Marseille, 1999).

Langford, Paul, Public Life and the Propertied Englishman 1689-1798 (Oxford: Oxford University Press, 1991).

Latour, Bruno, Science in Action: How to Follow Scientists and Engineers through Society (Cambridge, MA: Harvard University Press, 1987).

Lauder, John, Historical Notices of Scottish Affairs, 2 vols (Edinburgh: Constable, 1848).

—, The Decisions of the Lords of Council and Session from June 6th 1678 to July 30th 1712, 2 vols (Edinburgh: Hamilton and Balfour, 1759-61).

Law, Andrew, Rudiments of Music (Cheshire, Conn.: William Law, 1783).

Le Bret, Cardin, Plaidoyers dans Œuvres (Paris, 1689).

Le Clerc, Sébastien, Pratique de la géométrie sur le papier et le terrain (Paris: T. Jolly, 1682).

Lebensztejn, Jean-Claude, ’Framing Classical Space’, Art Journal, 47 (1988), 37-41.

Lee, Edward, ’Freedom of the Press 2.0’, Georgia Law Review, 42 (2008), 309-405.

Lee, John, Memorial for the Bible Societies in Scotland (Edinburgh: Edinburgh Bible Society, 1824).

Lee, Rensselaer W., Ut Pictura Poesis: The Humanistic Theory of Painting (New York: W.W. Norton & Co., 1967).

Lehmann-Haupt, H., The Book in America: A History of the Making, and Selling of Books in the United States (New York: Bowker, 1951).

LeMaistre, Antoine and Jean Issali, Plaidoyers et harangues de Lemaistre (Paris, 1659).

Lemaitre, Henri, Histoire du dépôt légal: 1re partie (France) (Paris: Picard, 1910).

Lessig, Lawrence, Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Creativity (New York: Penguin Press, 2004).

—, The Future of Ideas. The Fate of the Commons in a Connected World (New York: Random House, 2001).

Lettres patentes du Roy pour le règlement des libraires, imprimeurs et relieurs de la ville de Paris, Bibliothèque nationale de France, Manus. Fçs 22061, n° 69.

Lévêque, François and Yann Ménière, The Economics of Patents and Copyright (Berkeley: Berkeley Electronic Press, 2004).

Levy, L.W., Emergence of A Free Press (New York: Oxford University Press, 1985).

Lévy-Lelouch, Claire ’Quand le privilège de librairie publie le roi’, in De la publication. Entre renaissance et lumières, ed. by Christian Jouhaud and Alain Viala (Paris: Fayard, 2002), 139-59.

Lewinski, Silke von, International Copyright Law and Policy (Oxford: Oxford University Press, 2008).

Lindenbaum, Peter, ’Milton’s Contract’, in The Construction of Authorship: Textual Appropriation in Law and Literature, ed. by M. Woodmansee and P. Jaszi (Durham, NC: Duke University Press, 1994), 175-90.

Lippincott, L., Selling Art in Georgian England: The Rise of Arthur Pond (New Haven and London: Yale University Press, 1983).

Littlefield, G.E., The Early Massachusetts Press, 1638-1711 (New York: B. Franklin, 1969).

Liu, Joseph P., ’Copyright and Time: A Proposal’, Michigan Law Review, 101 (2002), 409-81.

Locke, John, Second Treatise of Government, ed. by Crawford Brough Macpherson (Indianapolis: Hackett Publishing Company, 1980).

—, Two Treatises of Government (London, 1690).

Loewenstein, Joseph, ’For a History of Literary Property: John Wolfe’s Reformation’, ELR: English Literary Renaissance, 18 (1988), 389-412.

—, The Author’s Due: Printing and the Prehistory of Copyright (Chicago, IL: The University of Chicago Press, 2002).

Long, Pamela O., ’Invention, Authorship, ’Intellectual Property’ and the Origin of Patents: Notes toward a Conceptual History’, Technology and Culture, 32, 4 (1991), 846-84.

—, Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance (Baltimore: Johns Hopkins University Press, 2001).

Lowens, I., ’Andrew Law and the Pirates’, Journal of American Musicological Society, 13 (1960), 206-23.

—, ’Copyright and Andrew Law’, Papers of the Bibliographical Society of America, 53 (1959), 150-9.

Luf, Gerhard , ’Philosophisches Strömungen in der Aufklärung und ihr Einfluss auf das Urheberrecht’, in Woher kommt das Urheberrecht und wohin geht es?, ed. by R. Dittrich (Wien: Manz, 1988).

Lukács, Georg, History and Class Consciousness, trans. Rodney Livingstone (London: Merlin Press, 1971).

Lyon-Caen, Ch., and Paul Delalaine, Lois françaises et étrangères sur la propriété littéraire et artistique, 2 vols (Paris: Cercle de la Librarie etc.; F. Pichon Éditeur, 1889).

McDonald, William R., ’Scottish Seventeenth-Century Almanacs’, The Bibliotheck, 4, 1, 8 (1966), 257-322.

McDougall, Warren, ’Copyright Litigation in the Court of Session, 1738-1749 and the Rise of the Scottish Book Trade’, Edinburgh Bibliographical Society, 5 (1987), 2-31.

Machlup, Fritz, and Edith Penrose, ’The Patent Controversy in the Nineteenth Century’, Journal of Economic History, 10 (1950), 1-29.

Mackenney, Richard, Tradesmen and Traders: The World of the Guilds in Venice and Europe, c. 1250-c. 1650 (London: Croom Helm, 1987).

McKeon, Michael, ’Parsing Habermas’s Bourgeois Sphere’, Criticism, 46 (2004), 273-7.

McLeod, K., ’How Copyright Law Changed Hip Hop: An Interview with Public Enemy’s Chuck D and Hanks Shoklee’, Stay Free Magazine (2002). Available online at <. T1">

MacLeod, Christine, Inventing the Industrial Revolution: The English Patent System, 1660-1800 (Cambridge: Cambridge University Press, 1988).

Macpherson, C.B. (ed.), Property. Mainstream and Critical Positions (Oxford: Blackwell, 1978).

MacQueen, Hector L., Copyright, Competition and Industrial Design, 2nd edn (Edinburgh: Edinburgh University Press, 1995).

Madero, Marta, Tabula picta. La peinture et l’écriture dans le droit médiéval (Paris: éditions de l’École des Hautes Études en Sciences Sociales, 2004).

Maffei, Paola, Tabula picta. Pittura e scrittura nel pensiero dei glossatori (Milan: Giuffrè, 1988).

Maidment, James (ed.), States Papers and Miscellaneous Correspondence of Thomas Earl of Melrose, 2 vols (Edinburgh: Abbotsford Club, 1837).

Malapert, François, ’Histoire abrégée de la législation sur la propriété littéraire avant 1789’, Journal des économistes, (1881), 437-76.

Malesherbes, Chreìtien Guillaume de Lamoignon de, Mémoires sur la librairie. Mémoires sur la liberté de la presse, presented by Roger Chartier (Paris: Imprimerie Nationale, 1994).

Mandich, Giulio, ’Le privative industriali veneziane (1450-1550)’, Rivista del diritto commerciale e del diritto generale delle obbligazioni, 34 (September-October 1936), 511-47.

—, ’Venetian patents (1450-1550)’, Journal of the Patent Office Society, 30, 3 (1948), 166-224.

Mann, Alastair J., ’”Some Property is Theft”: Copyright Law and Illegal Activity in Early Modern Scotland’, in Against the Law: Crime, Sharp Practice and the Control of Print, ed. by Robin Myers, Michael Harris and Giles Mandelbrote (London: British Library, 2004), 31-60.

—, ’Book Commerce, Litigation and the Art of Monopoly: The Case of Agnes Campbell, Royal Printer, 1676-1712’, Scottish Economic and Social History, 18 (1998), 132-56.

—, The Scottish Book Trade 1500 to 1720: Print Commerce and Print Control in Early Modern Scotland (Edinburgh: Tuckwell Press, 2000).

Marin, Louis, Le portrait du roi (Paris: Les Éditions de minuit, 1981).

Marion, Simon, Plaidoyez de M. Simon Marion, advocat en Parlement, Baron de Druy: plaidoyez second, sur l’impression des OEuvres de Sénèque, revueuës et annotées par feu

Marc Antoine Muret (1586), Bibliothèque nationale de France, Manus. Fçs. 22071, n°28.

Markoff, John, The Abolition of Feudalism: Peasants, Lords, and Legislators in the French Revolution (University Park, PA: Pennsylvania State University Press, 1996).

Marot, Cleìment, Œuvres de Clément Marot (Lyon, 1538).

Martin, Henri-Jean, Print, Power, and People in Seventeenth-Century France, trans. David Gerard (London: Scarecrow Press, 1993).

Maruca, Lisa, The Work of Print, Authorship and the English Text Trades 1660-1760 (Seattle: Helman, 2007).

Marx, Karl, ’The Fetishism of Commodities and the Secret Thereof’, Capital. A Critique of Political Economy, trans. Ben Fowles (Harmonsworth: Penguin, 1976).

Masse, Pierre, Le droit moral de l’auteur sur son oeuvre littéraire ou artistique (Paris, 1906).

Maugham, R., A Treatise on the Laws of Literary Property (London: Longman, 1828). Available online at Primary Sources on Copyright (1450-1900) <>.

May, Christopher, ’The Denial of History: Reification, Intellectual Property and the Lessons of the Past’, Capital and Class: Bulletin of the Conference of Socialist Economists, 88 (2006), 33-56.

—, ’The Venetian Moment: New Technologies, Legal Innovation and the Institutional Origins of Intellectual Property’, Prometheus, 20 (2002), 159-79.

Mazzeo, Tilar J., Plagiarism and Literary Property in the Romantic Period (Philadelphia, University of Pennsylvania Press, 2007).

Meckier, Jerome, Innocent Abroad, Dickens’s American Engagements (Lexington: University of Kentucky Press, 1990).

Merlin, Philippe-Antoine, ’Contrefaçon’, in Répertoire universel et raisonné de jurisprudence, 5th edn, Volume 5 (Paris, 1825).

Meyer, Friedrich Hermann, ’Reformbestrebungen im achtzehnten Jahrhundert’, Archiv für Geschichte des Deutschen Buchhandels, 12 (1889), 201-300.

Miani, M., D. Resini, and F. Lamon, L’arte dei maestri vetrai di Murano (Venice: Matteo Editore, 1984).

Milton, John, Areopagitica, With a Commentary by Sir Richard C. Jebb (Cambridge: Cambridge University Press, 1918).

Mitchell, Rose, ’Maps in Sixteenth-Century English Law Courts’, Imago Mundi, 58 (2006), 212-8.

Moël, Michel Le (ed.), Paris à vol d’oiseau (Paris: Archives Nationales, 1995).

Mohnhaupt, Heinz, ’Privilegien und gemeines Wohl im ALR’, in 200 Jahre Allgemeines Landrecht für die Preußischen Staaten, ed. by Barbara Dölemeyer and Heinz Mohnhaupt (Frankfurt: Klostermann, 1994), 105-44.

Molà, Luca, The Silk Industry of Renaissance Venice (Baltimore, London: Johns Hopkins University Press, 2000).

Molière, Précieuses ridicules (Paris, 1660).

Mollier, Jean-Yves, Postface, Lettre sur le commerce de la librairie (Paris: éd. Mille et une nuits, 2003).

Montagna, D., ’Benjamin West’s The Death of General Wolfe: A Nationalist Narrative’, American Art Journal, 13 (1981), 72-88.

Monticolo, Giovanni, and Enrico Besta (eds), I capitolari delle arti veneziane sottoposte alla Giustizia e poi alla Giustizia vecchia dalle origini al 1330, 3 vols (Rome, 1905-14).

More, Thomas, The Answer to a Poisoned Book (1534).

Morillot, André, De la protection accordée aux oeuvres d’art, aux photographies aux dessins et modèles industriels et aux brevets d’invention dans l’Empire d’Allemagne (Paris & Berlin, 1878).

Mortier, Roland, L’originalité, une nouvelle catégorie esthétique au siècle des Lumières (Genève: Droz, 1982).

Moscati, Laura, ’Un memorandum di John Locke tra censorship e copyright’, Rivista di storia del diritto italiano, LXXVI (2003), 69.

Moxon, Joseph, Moxon’s Mechanick Exercises, 1683 (New York: DeVinne Press, 1896).

Mullan, John, Anonymity (London: Faber & Faber, 2008).

Myers, Robin, and Michael Harris (eds), The Stationers’ Company and the Book Trade, 1550-1990 (Winchester: St Pauls, 1997).

Myers, Robin, The Stationers’ Company Archive: An Account of the Records, 1554-1984 (Winchester: St Pauls, 1990).

Nard, Craig Allen, ’Constitutionalizing Patents: From Venice to Philadelphia’, Review of Law & Economic, 2 (2006), 224-321.

Netanel, Neil Weinstock, Copyright’s Paradox (New York: Oxford University Press, 2008).

Neustetel, Leopold Joseph, Der Büchernachdruck nach Römischem Recht betrachtet (Heidelberg: Groos, 1824). Also available online at Primary Sources on Copyright (1450-1900) <>.

Nicholson, Andrew (ed.), The Letters of John Murray to Lord Byron (Liverpool: Liverpool University Press, 2007).

Nicholson, W., The Struggle for a Free Stage in London (London: Archibald Constable & Co., 1906).

Nicolai, Christoph Friedrich, The Life and Opinions of Sebaldus Nothanker (Das Leben und die Meinungen des Herrn Magister Sebaldus Nothanker) (1773), trans. Thomas Dutton (1798).

Nimmer, Meville B., and David Nimmer, Nimmer on Copyright, 11 vols (New York, N.Y., Matthew Bender, 1963-99).

Nion, Alfred, Droits civils des auteurs, artistes et inventeurs (Paris: Joubert, 1846).

Norbrook, David, ’Areopagitica, Censorship, and the Early Modern Public Sphere’, in The Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere, ed. by Richard Burt (Minneapolis, MN: University of Minnesota Press, 1994), 3-33.

Nowell-Smith, Simon, International Copyright Law and the Publisher in the Reign of Queen Victoria (Oxford: Clarendon Press, 1968).

Nuovo, Angela, Il commercio librario nell’Italia del Rinascimento (Milano: Franco Angeli, 2003).

Nuti, Lucia, ’The Perspective Plan in the Sixteenth Century: The Invention of a Representational Language’, Art Bulletin, 76 (1994), 105-28.

O’Brien, D.P. (ed.), The Correspondence of Lord Overstone, 3 vols (Cambridge: Cambridge University Press, 1971).

Ohly, Ansgar, ’Urheberrecht als Wirtschaftsrecht’ (Copyright as Economic Law), in Geistiges Eigentum: Schutzrecht oder Ausbeutungstitel? (Intellectual Property: Protection Title or License to Exploit?), ed. by Otto Depenheuer and Karl- Nikolaus Peifer (Berlin: Springer, 2008), 141-61.

Old Bailey Proceedings Online, May 1860, trial of Henry Whiting (t18600507-491) <>.

Osterrieth, Albert, Geschichte des Urheberrechts in England (Leipzig, 1895), reprinted in UFITA, 131 (1996).

Owens, W.R., and P.N. Furbank (eds), The Political and Economic Writings of Daniel Defoe, (London: Pickering and Chatto, 2000).

Panofsky, Erwin , ’Artiste, Savant, Génie. Notes sur la ”Renaissance-Dämmerung”’, in L’œuvre d’art et ses significations. Essais sur les arts visuels, ed. by M. and B. Teyssèdre (Paris: Gallimard, 1993).

Parker, David, ’Absolutism, Feudalism and Property Rights in the France of Louis XIV’, Past and Present, 179 (2003), 60-96.

Parker, David, ’Sovereignty, Absolutism and the Function of the Law in Seventeenth- Century France’, Past and Present, 122 (1989), 36-74.

[Parker, Henry], The Humble Remonstrance of the Company of Stationers (London, 1643).

Paschal, G.W., A History of Printing in North Carolina (Raleigh: Edwards & Broughton, 1946).

Pastoureau, Mireille, ’Feuilles d’atlas’, in Cartes et figures de la terre (Paris: Centre Geoges Pompidou, 1980), 442-54.

Patten, Robert L., Charles Dickens and His Publishers (Oxford: Oxford University Press, 1978).

Patterson, L.R., Copyright in Historical Perspective (Nashville: Vanderbilt University Press, 1968).

Paulmier, Adolphe Lacan and Charles, Traité de la législation et de la jurisprudence des théâtres, 2 vols (Paris: Durand, 1853).

Pears, I., The Discovery of Painting. The Growth of the Interest in Arts in England 1680- 1768 (New Haven, Connecticut & London: Yale University Press, 1988).

Peifer, Karl-Nikolaus, ’Urheberrechtliche Rahmenbedingungen von Open-Access- Konzepten’ (Copyright Framwork for Open-Access-Concepts), Forschung und Lehre im Informationszeitalter, ed. by Karl-Nikolaus Peifer and Gersmann (Berlin: de Gruyter, 2007).

—, ’Zur rechtlichen Problematik des Elektronischen Publizierens’ (Legal Problems of Electronic Publishing), in CLIO (Hg.), Elektronisches Publizieren in den Geisteswissenschaften: Erfahrungen, Probleme, Perspektiven (Berlin: CLIO, 2007), 172-90. Available online at <>.

—, and Gudrun Gersmann, Forschung und Lehre im Informationszeitalter – zwischen Zugangsfreiheit und Privatisierungsanreiz (Research and Learning in the Information Age – Between Freedom of Access and Exclusivity) (Berlin: de Gruyter, 2007).

—, Individualität im Zivilrecht (Individuality in Private Law) (Tübingen: Mohr Siebeck, 2001).

Pfister, Laurent, ’L’auteur, propriétaire de son oeuvre. La formation du droit d’auteur du xvie siècle à la loi de 1957’, unpublished doctoral thesis, University of Strasbourg, 1999.

—, ’L’œuvre une forme originale. Naissance d’une définition juridique (xviiiexixe siècles)’, in Le Plagiat Littéraire, Actes du colloque international de Tours, ed. by Hélène Maurel-Indart (Université François-Rabelais de Tours, 2002), 245-68.

—, ’La propriété littéraire est-elle une propriété? Controverses sur la nature du droit d’auteur au xixème siècle’, Revue Internationale du Droit d’Auteur, 205 (2005), 116-209.

Phillips, Jeremy, ’The English Patent as a Reward for Invention: the Importation of an Idea’, Journal of Legal History, 3, 1 (1982), 71-9.

—, and Alison Firth, Introduction to Intellectual Property Law, 4th edn (London: Butterworths, 2001).

—, Robyn Durie, and Ian Karet, Whale on Copyright, 5th edn (London: Sweet & Maxwell, 1997).

Pietz, William, ’The Problem of the Fetish, IIIa: Bosman’s Guinea and the Enlightenment Theory of Fetishism’, Res, 16 (1988), 105-23.

Piles, Roger de, Cours de peinture par principes (Paris: Jacques Estienne, 1708).

Planché, J.R., The Reflections and Recollections of J.R. Planché, 2 vols (London: Tinsley Brothers, 1872).

Planiol, Marcel, Traité élémentaire de droit civil: conforme au programme officiel des facultés de droit, 5th edn, 3 vols (Paris: Pichon etc., 1908-10).

Plumb, J.H., The Origins of Political Stability, England, 1675-1725 (Boston, MA: Houghton Mifflin, 1967).

Poinsard, Léon, Études de droit international conventionnel (Paris: Librairie Cotillon, 1894).

Pointon, M., ’Portrait Painting as a Business Enterprise in London in the 1780s’, Art History, 7 (1984), 187-205.

Pollard, A.W., ’Some Notes on the History of English Copyright’, Library, 4, 3 (1922), 97-114.

Pollard, M., Dublin’s Trade in Books 1550-1800 (Oxford: Clarendon Press, 1989).

Pon, Lisa, Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print (New Haven and London: Yale University Press, 2004).

Posner, Richard A., and William M. Landes, ’An Economic Analysis of Copyright Law’, Journal of Legal Studies, 18 (1989), 325-63.

—, and William M. Landes, ’Indefinitely Renewable Copyright’, University of Chicago Law Review, 70 (2003), 471-518.

Post, G., K. Giocarinis and R. Kay, ’The Medieval Heritage of Humanistic Ideal: ”scientia donum dei est, unde vendi non potest”’, Traditio, 11 (1955), 195-234.

Pottage, Alain, ’The Measure of the Land’, The Modern Law Review, 57 (1994), 361-84.

—, ’The Originality of Registration’, Oxford Journal of Legal Studies, 15 (1995) 371-401.

Pottinger, David T., The French Book Trade in the Ancien Régime 1500-1791 (Cambridge, MA: Harvard University Press, 1958).

Pouillet, Eugène, Traité théorique et pratique de la propriété littéraire et artistique et pratique et du droit de représentation, ed. by Georges Maillard and Charles Claro, 3rd edn (Paris: Marchal and Billard, 1908).

Prager, Frank D., ’A History of Intellectual Property from 1545 to 1787’, Journal of the Patent Office Society, 26, 11 (1944), 711-60.

—, ’A Manuscript of Taccola, Quoting Brunelleschi, on Problems of Inventors and Builders’, Proceedings of the American Philosophical Society, 112 (June 1968), 131-49.

Prager, Frank D., ’Brunelleschi’s Patent’, Journal of the Patent Office Society, 28 (February 1946), 109-35.

Préaud, Maxime, Pierre Casselle, Marianne Grivel and Corinne Le Bitouzé, Dictionnaire des éditeurs d’estampes à Paris sous l’ancien régime (Paris: Promodis/ Cercle de la librairie, 1987).

Prezel, H. Lacombe de, Dictionnaire du citoyen, ou abrégé historique, théorique et pratique du commerce (Paris, 1756).

Primary Sources on Copyright (1450-1900) <>.

’An Ordinance for the Regulation of Printing (1643)’.

’Andrew Law’s Petition (1781)’.

’Andrew Law’s Privilege (1781)’.

’Copyright Act for the German Empire (1870)’.

’Court of Cassation on Artistic Property (1842)’.

’Court of Cassation on Compilations (1814)’.

’Court of Cassation on Moral Rights (1902)’.

’Court of Cassation on Photography (1862)’.

’D’Amerval’s privilege (1507)’.

’Diderot’s Letter on the Book Trade (1763)’.

’Eloy d’Amerval’s Privilege (1507)’.

’French Decree of 30 August 1777 on the Duration of Privileges’.

’French Literary and Artistic Property Act (1793)’.

’Gaultier’s Memorandum for the Provincial Booksellers (1776)’.

’Johannes of Speyer’s Printing Monopoly, Venice (1469)’.

’Ledyard Petition Committee Report (1783)’.

’Linguet’s Memorandum (1777)’.

’Louis d’Héricourt’s Memorandum (1725-1726)’.

’”Pezzana e Consorti” Case: Counter-petition and Rulings (1781)’ (trans. Luis A. Sundkvist).

’Luther’s ”Warning to the Printers” (1541)’.

’Memoriale Manfré e Compagni, 1780 in Maggio’, in ’”Pezzana e Consorti” Case: Supporting Documents, Venice (1780)’.

’Merlin on Counterfeiting (1825)’.

’Prussian Cabinet Order (1766)’.

’Prussian Copyright Act (1837)’.

’Purcell’s Printing Privilege (1792)’.

’Report of Lamartine and Parliamentary Debates on Literary Property (1841)’.

’Royal Declaration on Sculpture and Painting (1777)’ (trans. Katie Scott).

’Saxonian Statute (1773)’.

’Star Chamber Decree (1566)’.

’Star Chamber Decree (1586)’.

’Star Chamber Decree (1637)’.

’Statute of Anne (1710)’.

’Venetian Decree on Author-Printer Relations (1545)’.

’Venetian Decree on Press Affairs, Venice (1517)’.

’Venetian Decree on Privileges for New Books and Reprints (1603)’.

’William Billings’ Printing Privilege (1772)’.

’William Billings’ Second Petition (1772)’.

Printers (London), The London Printers Lamentation, or, the Press opprest and overpresst (London, 1660).

Prosi, Gerhard, Ökonomische Theorie des Buches (Economic Theory of the Book) (Düsseldorf: Bertelsmann, 1971).

Proudhon, P.J., ’Les Majorats littéraires (1868)’, Primary Sources on Copyright (1450-

1900) <>.

[Prussian Academy of Sciences (eds)], Acta Borussica. Denkmäler der preußischen Staatsverwaltung im 18, Jahrhundert, 38 vols (Berlin, 1891-1936).

Pütter, Johann Stephan, Der Büchernachdruck nach ächten Grundsätzen des Rechts (Göttingen: Vandenhoek, 1774).

—, ’The Reprinting of Books Examined in the Light of True Principles of Law (Göttingen, 1774)’, Primary Sources on Copyright (1450-1900) <>.

Quintilian, The Orator’s Education, Books 6-8, ed. and trans. Donald A. Russell (Cambridge, MA: Harvard University Press, 2001).

Rand, Benjamin (ed.), Correspondence of John Locke and Edward Clarke (Cambridge, MA: Harvard University Press, 1927).

Ransom, Harry H., The First Copyright Statute (Austin: University of Texas Press, 1956).

Raynal, Abbé, A Philosophical and Political History of the Settlements and Trade of the Europeans in the East and West Indies, 3 vols (Edinburgh: Robertson and others, 1811).

—, L’Histoire philosophique et politique des établissements et du commerce des Européens dans les deux Indes (Geneva: Pellet, 1780).

Raven, James, The Business of Books: Booksellers and the English Book Trade 1450-1840 (New Haven and London: Yale University Press, 2007).

Rawlinson, W.G., The Engraved Work of J.M.W. Turner, 2 vols (London: Macmillan and Co, 1908).

Recht, Pierre, Le droit d’auteur, une nouvelle forme de propriété. Histoire et théorie (Paris: LGDJ, 1969).

Reichmann, J.H., ’Legal Hybrids between the Patent and Copyright Paradigms’, Columbia Law Review, 94 (1994), 2432-558.

Reitlinger, G., The Economics of Taste, The Rise and Fall of Picture Prices 1760-1960 (London: Barrie and Rockliff, 1961).

Renouard, Antoine-Auguste, Annales de l’Imprimerie des Alde, ou histoire des trios Manuce et de leurs editions (Paris: Renouard, 1803).

Renouard, Augustin-Charles, Traité des droits d’auteurs, dans la littérature, les sciences et les beaux-arts, 2 vols (Paris: Renouard, 1838-9).

Rice, Ronald E. (ed.), Media Ownership: Research and Regulation (Cresskill, NJ: Hampton Press, 2008).

—, (ed.), Records of the Governor and Company of the Massachusetts Bay in New England, 1661-1674, 5 vols (Boston: W. White, 1853-4).

Richardson, Brian, ’From scribal publication to print publication: Pietro Bembo’s Rime, 1529-1535’, Modern Language Review, 95 (2000), 684-95.

—, Printing, Writers and Readers in Renaissance Italy (Cambridge: Cambridge University Press, 1999).

Richelet, Pierre, Dictionnaire françois (Geneva: J.-H Widerhold, 1680).

Ricketson, S., The Berne Convention for the Protection of Literary and Artistic Works: 1886-1986 (London: Centre for Commercial Law Studies, Queen Mary, 1987).

Rideau, F., ’Commentary on Book trade regulations and incorporation of the Parisian book trade (1618)’, Primary Sources on Copyright (1450-1900) <http://>.

—, ’Commentary on Condorcet’s Fragments on the Freedom of the Press (1776)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Court of Cassation on Artistic Property (1842)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Crébillon’s Case (1749)’, Primary Sources on Copyright (1450- 1900) <>.

—, ’Commentary on Diderot’s Letter on the book trade (1763)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Dramatic Copyright Act (1870)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Eloy d’Amerval’s privilege (1507)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on French Book Trade Regulations (1665)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on French Decree of 30 August 1777, On the Duration of Privileges (1777)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on French Decree on Musical Publications (1786)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Gaultier’s Memorandum for the Provincial Booksellers (1776)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Le Chapelier’s report (1791)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Linguet’s memorandum (1777)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Luneau de Boisjermain’s case (1770)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on Memorandum on the Opposition between the Parisian and the Provincial Booksellers (1690s)’, Primary Sources on Copyright (1450-1900) <http://>.

—, ’Commentary on Simon Marion’s plea on privileges (1586)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Court of Cassation on Originality (1869)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Court of Cassation on Photography (1862)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Court of Cassation on Sculptures (1814)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the International Copyright Act, Paris (1852)’, Primary Sources on Copyright (1450-1900) <>.

—, ’Commentary on the Minutes of the 1825-1826 Commission (1826)’, Primary Sources on Copyright (1450-1900) <>.

—, La formation du droit de propriété littéraire en France et en Grande-Bretagne: une convergence oubliée (Aix-Marseille: PUAM, 2004).

Riege, Helmut (ed.), Klopstocks Briefe 1776-1782 (Berlin: de Gruyter, 1982).

Roden, R.F., The Cambridge Press, 1638-1692 (New York: Dodd, Mead, and Company, 1903).

Romberg, Édouard, Compte rendu des travaux du Congrès de la propriété littéraire et artistique, 2 vols (Bruxelles/Leipzig: Flatau, 1859).

Rose, Carol, Property and Persuasion. Essays on the History, Theory and Rhetoric of Ownership (Oxford: Westview Press, 1994).

Rose, Mark, ’Copyright and its Metaphors’, UCLA Law Review, 50 (2002), 1-16.

—, ’Mothers and Authors: Johnson v. Calvert and the New Children of Our Imagination’, Critical Inquiry, 22 (1996), 613-33.

—, ’The Author as Proprietor: Donaldson v Becket and the Genealogy of Modern Authorship’, Representations, 23 (1988), 51-85.

—, Authors and Owners: The Invention of Copyright (Cambridge, MA: Harvard University Press, 1993).

Röthlisberger, Ernst, ’Gesamtüberblick über die Vorgänge auf urheberrechtlichem Gebiete in den Jahren 1904, 1905 und 1906’, Börsenblatt für den Deutschen Buchhandel, 74 (1907), 1688-91.

—, Der interne und der internationale Schutz des Urheberrechts in den verschiedenen Ländern: Mit besonderer Berücksichtigung der Schutzfristen, Bedingungen und Förmlichkeiten (Leipzig: Börsenverein der Deutschen Buchhändler, 1904).

Rule, John, ’The Property of Skill in the Period of Manufacture’, in The Historical Meanings of Work, ed. by Patrick Joyce (Cambridge: Cambridge University Press, 1987), 99-118.

Saalman, Howard (ed.), The Life of Brunelleschi (University Park and London: Pennsylvania State University Press, 1970).

St Clair, William, The Reading Nation in the Romantic Period (Cambridge: Cambridge University Press, 2004).

Salvioni, G.B., ’L’arte della stampa nel Veneto: la proprietà letteraria’, Giornale degli Economisti di Padova, IV (1877), 191-285.

Sanjek, R., American Popular Music and its Business: The First Four Hundred Years, 2 vols (New York: Oxford University Press, 1988).

Sanson, Nicolas, Atlas du monde, 1665, ed. by Mireille Pastoureau (Paris: Sand & Conti, 1988).

Saugrain, Claude Marin, Code de la librairie et imprimerie de Paris ou conférence du réglement arrêté au conseil d’état du roi le 28 fevrier 1723 (Paris: Communauté de la librairie, 1744).

Saunders, David, ’Approaches to the Historical Relations of the Legal and the Aesthetic’, New Literary History, 23 (1992), 505-21.

—, ’Dropping the Subject: An Argument for a Positive History of Authorship and the Law of Copyright’, in Of Authors and Origins: Essays on Copyright law, ed. by Brad Sherman and Alain Strowell (Oxford: Clarendon Press, 1994), 93-110.

Sauval, Henri, Histoire et recherches des antiquités de la ville de Paris, ed. by Anthony Blunt, 3 vols (Paris, 1724; Farnborough, Hants: Gregg International Publishers, 1969).

Scaglia, Giustina, Il «Vitruvio Magliabechiano» di Francesco di Giorgio Martini, Documenti inediti di cultura Toscana, 6 (Florence: Edizioni Gonnelli, 1985).

Schack, Haimo, ’Die Rechtfertigung des Urheberrechts als Ausschließlichkeitsrecht’ (Legitimation of Copyright as Exclusive Right), in Geistiges Eigentum: Schutzrecht oder Ausbeutungstitel? (Intellectual Property: Protection Title or License to Exploit?), ed. by Otto Depenheuer and Karl-Nikolaus Peifer (Berlin: Springer, 2008), 123-40.

Schapira, Nicolas, ’Quand le privilège de librairie publie l’auteur’, in De la publication. Entre renaissance et lumières, ed. by Christian Jouhaud and Alain Viala (Paris: Fayard, 2002), 121-37.

—, Un professionnel des lettres au xviie siècle. Valentin Conrart: une histoire sociale (Paris: Champ Vallon, 2003).

Schapiro, Meyer, ’On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs’, Simiolus (1972-3), 9-19.

Schiff, Eric, Industrialization without National Patents: The Netherlands, 1869-1912; Switzerland, 1850-1907 (Princeton, N.J.: Princeton University Press, 1971).

Schriks, Chris, Het kopijrecht - 16de tot 19de eeuw: Aanleidingen tot en gevolgen van boekprivileges en boekhandelsusanties, kopijrecht, verordeningen, boekenwetten en rechtspraak in het privaat-, publiek- en staatsdomein in de Nederlanden, met globale analoge ontwikkelingen in Frankrijk, Groot-Brittannië en het Heilig Roomse Rijk (Zutphen [etc.]: Walburg Pers/Kluwer, 2004).

Schwennicke, Andreas, Die Entstehung der Einleitung des Preussischen Allgemeinen Landrechts von 1794 (Klostermann: Frankfurt, 1993).

Scialoja, Antonio, ’Relazione alla Legge 25 giugno 1865 n. 2337 sui diritti spettanti agli autori delle opere dell’ingegno’, Atti del Senato (1864).

Scott, K., ’Art and Industry. A Contradictory Union: Authors, Rights and Copyrights during the Consulat’, Journal of Design History, 13 (2000), 1-21.

Scrutton, Thomas Edward, The Law of Copyright (London: William Clowes & Sons, 1883).

—, The Law of Copyright, 4th edn (London: William Clowes & Sons, 1903).

Selwyn, Pamela E., Everyday Life in the German Book Trade: Friedrich Nicolai as Bookseller and Publisher in the Age of Enlightenment (Pennsylvania: Pennsylvania University Press, 2000).

Seville, Catherine, ’Edward Bulwer Lytton Dreams of Copyright: ”It might make me a rich man”’, in Victorian Literature and Finance, ed. by F. O’Gorman (Oxford: Oxford University Press, 2007), 55-72.

Seville, Catherine, Literary Copyright Reform in Early Victorian England: The Framing of the 1842 Copyright Act (Cambridge: Cambridge University Press, 1999).

—, The Internationalisation of Copyright Law: Books, Buccaneers and the Black Flag in the Nineteenth Century (Cambridge: Cambridge University Press, 2006).

Sher, Richard B., ’Corporatism and Consensus in the Late Eighteenth–Century Book Trade: The Edinburgh Booksellers’ Society in Comparative Perspective’, Book History, 1 (1998), 32-93.

—, The Enlightenment and The Book: Scottish Authors and Their Publishers in Eighteenthcentury Britain, Ireland & America (Chicago and London: Chicago University Press, 2006).

Sherman, Brad, and Alain Strowel (eds), Of Authors and Origins: Essays on Copyright Law (Oxford: Clarendon Press, 1994).

—, and Lionel Bently, The Making of Modern Intellectual Property Law: The British Experience, 1760-1911 (Cambridge: Cambridge University Press, 1999).

Shortt, John, The Law Relating to Works of Literature and Art: Embracing the Law of Copyright (London: Horace Cox, 1871).

Siebert, Frederick Seaton, Freedom of the Press in England, 1476-1776 (Urbana, IL: University of Illinois Press, 1952).

Signot, Jacques, La totale et vraye description des Gaules es Ytalies (1515).

Silver, R.G., ’Prologue to Copyright in America: 1772’, Papers of the Bibliographical Society of the University of Virginia, 11 (1958), 259-62.

Simpson, A.W.B., A History of the Land Law, 2nd edn (Oxford: Clarendon Press, 1986).

Simpson, James, Burning to Read (Cambridge, MA: Harvard University Press, 2007).

Sirluck, Ernest, ’Areopagitica and a Forgotten Licensing Controversy’, The Review of English Studies, n.s., 11 (1960), 260-74.

Smith, Christine, Architecture in the Culture of Early Humanism: Ethics, Aesthetics, and Eloquence, 1400-1470 (Oxford: Oxford University Press, 1992).

Soleau, E., Rapport à la Chambre de commerce de Paris, sur la protection des dessins et modèles appliqués à l’industrie, Annexe V (Bull. Ch. Com: Paris, 25 February 1905).

Sonenscher, Michael, Work and Wages. Natural Law, Politics and the Eighteenth-Century French Trades (Cambridge: Cambridge University Press, 1989).

[Sparke, Michael], Scintilla, or A light broken into darke warehouses (1641).

Sprigman, Christopher, ’Reform(aliz)ing Copyright’, Stanford Law Review, 57 (2004), 485-568.

Star, Susan Leigh, and James R. Griesemer, ’Institutional Ecology, ”Translations” and Boundary Objects: Amateurs and professionals in Berkeley’s Museum of Vertebrate Zoology, 1907-39’, Social Studies in Science, 19 (1989) 387-420.

Starkey, L.G., ’The Benefactors of the Cambridge Press: A Reconsideration’, Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia, 3 (1950), 267-70.

Stevens, J.R., The Censorship of English Drama 1824-1901 (Cambridge: Cambridge University Press, 1980).

—, The Profession of the Playwright (Cambridge: Cambridge University Press, 1992).

Stolfi, Nicola, La proprietà intellettuale (Turin: UTET, 1911).

Stolleis, Michael, L’Œil de la loi. Histoire d’une métaphore (Paris: Mille et une nuits, 2006).

Strowel, Alain, ’Liberté, propriété, originalité: retour aux sources du droit d’auteur’, Journal des procès, (1994), 4-9, 12-16.

Stuart, John (ed.), Extracts from the Records of the Burgh of Aberdeen, 2 vols (Edinburgh:

Scottish Burgh Record Society, 1871-2).

Sutherland, James R., ’The Circulation of Newspapers and Literary Periodicals, 1700-30’, The Library, 15 (1934-5), 110-24.

Sutherland, John, ’Publishing History: A Hole at the Centre of Literary Sociology’, Critical Inquiry, 14, 3 (1988), 574-89.

Talbot, J., Francis Frith (London: Macdonald, 1985).

Tebbel, J.W., A History of Book Publishing in the United States, 2 vols (New York: R.R. Bowker Co., 1972).

Terminazione degli Eccell. Riformatori, 30 Luglio 1780, ’”Pezzana e Consorti” Case: Supporting documents, Venice (1780)’, 49-53, Primary Sources on Copyright (1450-1900) <>.

Thomas, Isaiah., The History of Printing in America with a Biography of Printers and Account of Newspapers, 2 vols (Albany: J. Munsell, 1874).

[Tindal, Matthew], A Letter to a Member of Parliament (London, 1698).

Tompson, Richard S., ’Scottish Judges and the Birth of British Copyright’, Juridical Review, 37 (1992), 18-42.

Trabuco, C., O Direito de Reprodução de Obras Literárias e Artísticas no Ambiente Digital (Coimbra: Coimbra Editora, 2006).

Trivellato, Francesca, ’Guilds, Technology, and Economic Change in Early Modern Venice’, in Guilds, Innovation and the European Economy, 1450-1800, ed. by S.R. Epstein and M. Prak (Cambridge: Cambridge University Press, 2008), 199-231.

Turley, Hans, Rum, Sodomy and the Lash (New York: New York University Press, 2001).

Turner, J. (ed.), The Dictionary of Art, 34 vols (London: MacMillan Publishers Ltd., 1996).

Vaidhyanathan, Siva, Copyrights and Copywrongs: The Rise of Intellectual Property and How It Threatens Creativity (New York: New York University Press, 2001).

Vasari, Giorgio, Le vite de piu` eccellenti architetti, pittori & scultori italiani, da Cimabue insino a tempi nostri (Florence: Giunti, 1550).

—, Vita di Marcantonio Bolognese, e d’altri intagliatori di stampe, primo volume della terza parte Delle vite de’ piu eccelenti pittori, scultori e architettori, 2nd edn (Florence: Giunti, 1568).

Vasoli, Cesare, ’A proposito di scienza e technica nel Cinquecento’, in Profezia e ragione: Studi sulla cultura del Cinquecento e del Seicento (Naples: Morano Editore, 1974), 479-505.

Vaunois, A., De la Propriété artistique en droit français (Paris, 1884).

—, La condition et les droits d’auteur des artistes jusqu’à la Révolution (Paris, 1892).

Veegens, J.D., Het auteursrecht volgens de Nederlandsche wetgeving (’s-Gravenhage: Belinfante, 1895).

Vereenigung ter bevordering van de belangen des boekhandels, Amsterdam, Het letterkundig eigendomsregt in Nederland: Wetten, traktaten, regtspraak. Benevens de wetgeving op de drukpers in Nederland en Nederlandsch Indië, 2 vols (’s-Gravenhage: Belinfante, 1865-7).

Viala, Alain, ’La triple économie du littéraire’, Studies on Voltaire and the Eighteenth Century, 11 (2004), 19-34.

—, Naissance de l’écrivain (Paris: éditions de Minuit, 1985).

Villiers, J.E.R. de, The history of the Legislation Concerning Real and Personal Property in England during the Reign of Queen Victoria (London: C.J. Clay and Sons, 1901).

Volkmann, A.W. , Zusammenstellung der gesetzlichen Bestimmungen über das Urheberund Verlagsrecht: Aus den Bundesbeschlüssen, den deutschen Territorialgesetzgebungen und den französischen und englischen Gesetzen (Leipzig: Polz, 1855).

Volz, Gustav Berthold (ed.), Die Werke Friedrichs des Großen: in deutscher Übersetzung (Berlin: Hobbing, 1913-4). Available online at <>.

Von Erffa, H., and A. Staley, The Paintings of Benjamin West (London: Yale University Press, 1986).

Wächter, Oscar, Das Autorrecht nach dem gemeinen deutschen Recht (Stuttgart: Enke, 1875).

Warner, Michael, The Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America (Cambridge, MA: Harvard University Press, 1990).

Watson, James, A History of the Art of Printing (Edinburgh: Watson, 1713).

Wendorf, R., Sir Joshua Reynolds, The Painter in Society (Cambridge, MA: Harvard University Press, 1996).

Whale, R.F., Copyright: Evolution, Theory and Practice (London: Longman, 1971).

Whitteridge, Gweneth (trans. and ed.), Disputations Touching the Generation of Animals (Oxford: Blackwell Scientific, 1981).

Wijnstroom, J.J., and J.L.A. Peremans, Het auteursrecht (Zwolle: Tjeenk Willink, 1930).

Wilson, D., Francis Frith’s Travels: A Photographic Journey through Victorian Britain (London: Dent & Sons, 1985).

Winship, G.P., The Cambridge Press, 1638-1692 (Portland: Southworth-Anthoensen Press, 1945).

Winslow, Reginald, The Law of Artistic Copyright (London: William Clowes, 1889).

Woodmansee, Martha, The Author, Art, and the Market. Rereading the History of Aesthetics (New York: Columbia Press, 1994).

—, ’The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the ”Author”’, Eighteenth-Century Studies, 17, 4 (1984), 425-48.

—, and Peter Jaszi (eds), The Construction of Authorship: Textual Appropriation in Law and Literature (Durham: Duke University Press, 1994).

Woolhouse, Roger (ed.), An Essay Concerning Human Understanding (1690) (London: Penguin, 1997).

Wroth, L.C., A History of Printing in Colonial Maryland, 1686-1776 (Baltimore: Typothetae of Baltimore, 1922).

Zaret, David, Origins of Democratic Culture: Printing, Petitions, and the Public Sphere in Early-Modern England (Princeton, NJ: Princeton University Press, 2000).

Zecchin, Luigi, ’Il segreto dei vetrai murnaesi del Quattrocento,’ Rivista della Stazione Sperimentale del Vetro, 11, 4 (1981), 167-72.

Zecchin, Luigi, Vetri e vetrai di Murano, 3 vols (Venezia: Arsenale Editrice, 1987-90).

Zedler, J.H., Grosses vollständiges Universal-Lexikon aller Wissenschaften und Künste (Leipzig und Halle: 1732-50).

Zorzi, Marino, ’La produzione e la circolazione del libro’, in Storia di Venezia dale origini alla caduta della Serenissima, 7: La Venezia barocca, ed. by Gino Benzoni and Gaetano Cozzi (Rome: Istituto dell’Enciclopedia Italiana, 1998), 921-85.

Zug, J., American Traveler: The Life and Adventures of John Ledyard, the Man Who Dreamed of Walking the World (New York: Basic Books, 2005).