Table des matières
Caroline Patey
IntroductionEarly encounters
Nathalie Bernard
Provence and the British Imagination in Tobias Smollett’s Travels through France and Italy (1766)Frauke Josenhans
Contrasting Looks on Southern France: British Painters and the Visual Exploration of Provence in the 18th and Early 19th CenturiesKaryn Wilson-Costa
Of Bards and Troubadours: From rime couée to the ‘Burns Stanza’Laurent Bury
“My very dreams are of Provence”: Le bon Roi René, from Walter Scott to the Pre-RaphaelitesVictorian variations
Nathalie Vanfasse
“Silent, burnt up, shadeless and glaring”: Provence Seen through Victorian Editions of Murray’s Handbook for Travellers in FranceAnne-Florence Gillard-Estrada
Walter Pater’s Representation of “the central love-poetry of Provence”Simone Francescato
Eccentric Naturalists: Henry James and the Provençal Novelist Alphonse Daudet- A Softened Mistral: James on Daudet’s Provençal Heritage
- “A Certain Innocent Perversity of Mind”: the Naturalist as a Consumptive Young Woman in Daudet’s Numa Roumestan
- “Her Only Companion Must Be Human Race… This Was the Real Thing:” Milly Theale and the Plight of Determinism in the Wings of the Dove
Jean-Pierre Naugrette
“Such ecstasies of recognition”: R. L. Stevenson’s “Ordered South” (1874) as Riviera RequiemLandscapes of modernity
Francesca Cuojati
Into Gypsydom: Augustus John’s ProvenceChristine Reynier
Mapping Ford Madox Ford’s Provence in ProvenceCoda
Antony Penrose
Roland Penrose and the Impulse of Provence