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Un tacito conversare

Camilla Binasco


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Riferimenti bibliografici generali

Altier, C., 1973, From Symbolist Thought to Immanence: The Ground of Postmodern American Poetics, in «Boundary» 21.3:605-642

Altier, C., 1979, Enlarging the Temple: New Directions in American Poetry during the 1960’s, Lewisburg, Bucknell University Press.

Altier, C., 1980, From Experience to Discourse: American Poetry and Poetics in the Seventies, «Contemporary Literature» 21.2: 191–224.

Altier, C., 1984, Self and Sensibility in Contemporary American Poetry, Cambridge University Press.

Bachtin M. M., 2014, Michail Bachtin e il suo circolo: Opere 1919-1930, a cura di A. Ponzio, Milano, Bompiani.

Bachtin M. M., 1979, Estetica e Romanzo, Torino, Einaudi.

Bertrand D., 2002, Basi di semiotica letteraria, Roma, Meltemi.

Binasco M., 2017, L’identità e la sua patologia. Considerazioni generali nell’ottica della psicoanalisi, «L’arco di Giano» 92: 11–25.

Breslin J. E. B., 1984, From Modern to Contemporary: American Poetry, 1945-1965, University of Chicago Press.

Buell L., 1995, The Environmental Imagination. Thoreau, Nature Writing, and the Formation of American Culture, Harvard University Press.

Buell L., 1999, Introduction: In Pursuit of Ethics, «PMLA» 114.1: 7–19.

Costello B., 2003, Shifting ground. Reinventing Landscape in Modern American Poetry, Harvard University Press.

De Man P., 1984, The Rhetoric of Romanticism, Columbia University Press.

Diddi C., 2009, Sulla genesi e il significato del cronotopo in Bachtin, «Ricerche Slavistiche», 7.53: 143–56.

Elder J., 21996, Imagining the Earth: poetry and the vision of nature, University of Georgia Press (University of Illinois Press) (1985).

Eskin M., 1998, Encounters Ethics and Dialogue in the Work of Emanuel Levinas, Mikhail Bakhtin, Osip Mendelshtam and Paul Celan, doctoral dissertation, Rutgers University.

Eskin M., 2000, Bakhtin on Poetry, «Poetics Today» 21.2: 379–91.

Eskin M., 2005a, Introduction: The Double “Turn” to Ethics and Literature?, «Poetics Today, 25.4: 557–72.

Eskin M., 2005b, On Literature and Ethics, «Poetics Today» 25.4: 573–94.

Gardiner M., 1997, Alterity and Ethics, «Theory, Culture & Society» 27:101–5.

Garrard G., 2004, Ecocriticism, London, Routledge.

Gelpi A., 2015, American poetry after Modernism: the power of the word, New York, Cambridge University Press.

Gilcrest D., 2002, Greening the Lyre: Environmental Poetics and Ethics, University of Nevada Press.

Holquist M., 22002, Dialogism, New York, Routledge (1990).

Jachia P., 2003, Il riscatto del corpo nella filosofia del dialogo e dell’alterità di Michail Bachtin, «Strumenti Critici», XV.3: 331–59.

Kern R., 1975, Toward a New Nature Poetry, «The Centennial Review» 19.3: 198–216.

Kern R., 2006, Fabricating Ecocentric Discourse in the American Poem (and Elsewhere), «New Literary History» 37.2: 425–45.

Lakoff G. e Johnson M., 32012, Metafora e Vita Quotidiana, Milano, Bompiani.

Lattig S., 2007, Perception and the Lyric: The Emerging Mind of the Poem, in M. Lambrou and P. Stockwell, Contemporary Stylistics, New York, Continuum: 168–79.

Levinas E., 1987, Language and Proximity, in Collected Philosophical Papers, Dordrecht, Boston, Lancaster: Nijhoff. 1987: 109-126.

Loreto P., 2017, La poesia dell’Ottocento e la retorica delle emozioni, in P. Loreto e C. Iuli (a cura di) La letteratura degli Stati Uniti dal Rinascimento americano ai nostri giorni, Roma, Carocci.

McDowell M. J., 1996, The Bakhtinian Road to Ecological Insight, in H. Fromm and C. Glotfelty (eds.), The Ecocriticism Essential Reader, University of Georgia Press: 371–92.

Müller T., 2010, Notes toward an Ecological Conception of Bakhtin’s ‘Chronotope’, «Ecozon@» 1.1: 98–102.

Murphy P., 2013, Tranversal Ecocrtical Practive: theoretical arguments, literary analysis and cultural critique, Maryland, Lexington Books.

Nielsen D. M., 1998, Ecology, Feminism, and Postmodern Lyric Subject, in M. Jeffreys (ed.) New Definitions of Lyric: Theory, Technology, and Culture, New York, Garland Publishing: 127–50 .

Oppermann S., 1999, Ecocriticism: Natural World in the Literary Viewfinder, «The Association for the Study of Literature and Environment», (14.12.2018).

Oppermann S., 2005, Theorizing Ecocriticism: Toward a Postmodern Ecocritical Practice, «Interdisciplinary Studies in Literature and Environment» 13.2: 103–28.

Pellizzi F., 2012, Dalla fenomenologia all’ermeneutica. Il pensiero analogico di Bachtin come strategia epistemologica, «Enthymema» VII: 131–50.

Perloff M., 1973, Poetry Chronicle: 1970-71, «Contemporary Literature» 14.1: 97–131.

Perloff M., 1996, The Dance of the Intellect: Studies in the Poetry of the Pound Tradition, Northwestern University Press.

Ponzio A., 1997, The Relation of Alterity in Bachtin, Blanchot, Lévinas, «Russian Literature» XLI: 315–31.

Ponzio A., 2014, Introduzione, in M. M. Bachtin, Michail Bachtin e il suo circolo: Opere 1919-1930, Milano, Bompiani.

Regier A., 2006, Figuring It out: The Origin of Language and Anthropomorphism, «Forum for Modern Language Studies» 42.4: 412–30.

Rotella G., 1991, Reading and Writing Nature. The Poetry of Robert Frost, Wallace Stevens, Marianne Moore an Elizabeth Bishop, Boston: Northeastern University Press.

Scanlon M., 1998, Novelty in Verse: Bakhtin and the Multivocal Epics of Pound, H. D., and Walcott, doctoral dissertation, University of Wisconsin.

Scanlon M., 2007, Ethics and the Lyric: Form, Dialogue, Answerability, «College Literature» 34.1: 1–22.

Scanlon M., 2014, Poetry and Dialogism: Hearing Over, New York, Palgrave Macmillan: 123-39.

Shapiro M. and Shapiro M., 1992, Dialogism and the Addressee in Lyric Poetry, «Quarterly» 61.3: 392–413.

Sini S., 2011, Soglie e Confini Nel Pensiero Di Michail Bachtin, «Between» I.1: 1–19.

Sini S., 2011, Michail Bachtin. Una critica al pensiero dialogico, Roma, Carocci.

Waggoner H. H., 1982, American Visionary Poetry, Louisiana State University Press.

Louise Glück

Opere dell’autrice

Testi letterari

Glück L., 1992, The Wild Iris, Manchester, Carcanet.

Glück L., 2003, L’iris selvatico, trad. di Bacigalupo M., Varese, Giano.

Scritti teorici

Glück L., 1999, Proofs and Theories, Manchester, Carcanet.

Bibliografia sull’autrice

Bidart F., 2005, Louise Glück, in J. Feit Diehl (ed.), On Louise Glück: Change What You See, Ann Arbor, The University of Michigan Press: 23-25.

Breslin J. E. B., 2005, Thanatos Turannos: The Poetry of Louise Glück, in J. Feit Diehl (ed.), On Louise Glück: Change What You See, Ann Arbor, The University of Michigan Press: 90–130.

Brown G. P., 2009, Language on the Line: Form and Meaning in Three American Poets, doctoral dissertation, The University of Mississippi.

Burt S., 2005, ‘The Dark Garage with the Garbage’: Louise Glück’s Structures, in J. Feit Diehl (ed.), On Louise Glück: Change What You See, Ann Arbor, The University of Michigan Press: 74–89.

Cates I., 2003, Louise Glück: Interstices and Silences, «Literary Imagination» 5.3: 462–77.

Cook J. C., 2010, Exiled to the Garden of the Wild Iris, in A. Gutthy (ed.) Exile and Narrative/Poetic Imagination, Cambridge Scholars Publishing: 135–50.

DeSales H., 2005, The End of Mind: The Edge of the Intelligible in Hardy, Stevens, Larkin, Plath and Glück, New York, Routledge.

Diehl J. F., 2005, Introduction, in J. Feit Diehl (ed.), On Louise Glück: Change What You See, Ann Arbor, The University of Michigan Press.

Glaser B., 2015, Implied Reader Wild Iris, «Amerikanstudien» 60.2: 201–13.

Gordon M. A., 2000, Reconceiving the Sacred: Louise Glück and Postmodern Spirituality, doctoral dissertation, The University of Mississippi.

Gregerson L., 2001, The Sower against Gardens, «The Kenyon Review» 23.1: 115–33.

Keniston A., 2006, Buried with the Romantics: Louise Glück’s «The Wils Iris», in Id. (ed.), Overheard Voices: Address and Subjectivity in Postmodern American Poetry, New York: Routledge: 71–95.

Keniston A., 2001, ‘The Fluidity of Damaged Form’: Apostrophe and Desire in Nineties Lyric, «Contemporary Literature» 42.2: 294-324.

Longenbach J., 1999, Louise Glück’s Nine Lives, «Southwest Review» 84.2: 184–98.

Morris D., 2006, The Poetry of Louise Glück: A Thematic Introduction, Columbia, The University of Missouri Press.

McGuinness D., 2001, Holding Patterns: Temporary Poetics in Contemporary Poetry, State University of New York Press.

Sadoff I., 2009, Louise Glück the Death of Romanticism, in Id. History Matters: Contemporary Poetry on the Margins of American Culture, University of Iowa Press: 97-114.

Sastri R., 2014, Louise Glück’s Twenty-First-Century Lyric, «PMLA» 129.2: 188–203.

Spiegelman W., 2005, ‘Are You Talking to Me?’: Speaker and Audience in Louise Glück’s «The Wild Iris», «Literature Compass», 2.163: 1-6.

Townsend A., 1996, The Problem of Sincerity. The Lyric Plain Style of George Herbert and Louise Glück, «Shenandoah» 46.4: 43–61.

Upton L., 1998, Fleshless Voices: Louise Glück’s Rituals of Abjection and Oblivion, in Id., The Muse of Abandonment: Origin, Identity, Mastery in Five American Poets, Cranbury, NJ: Associated University Press: 119–43.

Vendler H., 1996, Soul Says. On Recent Poetry, Belknap Press.

Warren R., 2008, Fables of the Self: Studies in Lyric Poetry, New York: Norton & Company.

Zazula P., 2012, To Love Silence and Darkness: Uneasy Transcendence in Louise Glück’s Poems, «Brno Studies in English», 38.1: 159–77.

Denise Levertov

Opere dell’autrice

Testi letterari

Levertov D., 2013, The Collected Poems of Denise Levertov, eds P. A. Lacey and A. Wilson, New York, New Directions.

Levertov D., 1998, Oltre la fine e altre poesie, trad. di Casati L., Firenze, Le Lettere.

Scritti teorici

Levertov D., 1973, The Poet in the World, New York, New Directions.

Bibliografia sull’autrice

Archer E. H., 1996, Singing the Songs of Degrees: Denise Levertov and the Tradition of Psalming, doctoral dissertation, Georgia State University.

Block E., 2001, Poet, Word, and World: Reality and Transcendence in the Work of Denise Levertov, «Logos: A Journal of Catholic Thought and Culture» 4.3: 159–84.

Block E., 2007, Hans Urs von Balthasar and Some Contemporary Catholic Writers, «Logos: A Journal of Catholic Thought and Culture» 10.3: 151–78.

Block S. J., 1978, The Archetypal Feminine in the Poetry of Denise Levertov, doctoral dissertation, Kansas State University.

Cone T., 2014, Hasidim in Poetry: Dialogic Poetics of Encounter in Denise Levertov’s “The Jacob’s Ladder”, in M. Scanlon (ed.) Poetry and Dialogism: Hearing Over, New York, Palgrave MacMillan: 123-139.

Duddy T., 1990, To Celebrate: A Reading of Denise Levertov, in L. Wagner-Martin (ed.), Critical essays on Denise Levertov, Boston, G.K. Hall. 111-22.

Gelpi A., 1993, Two Notes on Denise Levertov and the Romantic Tradition, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 91-95.

Georgoudaki C., 1989, The Human Body as Poetic Tool and Subject Matter in Denise Levertov’s Poems, «AAA: Arbeiten Aus Anglistik Und Amerikanistik», 14.1: 57–72.

Giorcelli C, 2002, ‘The Servant Girl at Emmaus (After a Painting by Velasquez)’: Denise Levertov’s Religious Ekphrasis, «Sources», 12: 69-92.

Giorcelli C, 2004, Beyond Immanence: Denise Levertov’s «Here and Now», in M. A. Stefanelli (ed.), City Lights: Pocket Poets and Pocket Books. Roma: Italo-Latino-Americana Palma: 179-201.

Giorcelli C, 2008, Denise Levertov: la madre e il giardino, in A. Mariani (a cura di), Riscritture dell’Eden: il giardino nell’immaginazione letteraria angloamericana: vol. 4, Liguori: 225-48.

Gitzen J., 1990, From Reverence to Attention: the Poetry of Denise Levertov, in Linda Wagner-Martin (ed.), Critical essays on Denise Levertov, Boston, G.K. Hall: 123-132.

Hallisey J. F., 1993, Denise Levertov “Illustrious Ancestors”: the Hassidic Influence, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 260-267.

Hallisey J. F., 1997, Denise Levertov Sings the ‘Unheard Music of that Vanished Lyre’, «Renascence: Essays on Values in Literature» 50.1–2: 83–95.

Hampl P., 1993, A Witness of Our Time, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 167-172.

Hanson K., 2007, Denise Levertov: Through an Ecofeminist Lens, doctoral dissertation, Marquette University.

Herrera J. R., 1997, Musing of Nature: The Mysteries of Contemplation and the Sources of Myth in Denise Levertov’s Poetry, «Renascence: Essays on Values in Literature», 28: 1–11.

Herrera J. R., 2005, Linguistic versus Organic, Sfumato versus Chiaroscuro: Some Aesthetic Differences between Denise Levertov, «Renascence: Essays on Values in Literature», 58.1: 56-61.

Hewitt A., 1997, Hasidic Hallowing and Christian Consecration: Awakening to Authenticity in Denise Levertov’s ‘Matins’, «Renascence: Essays on Values in Literature», 50.1-2 (Fall): 1–8.

Hollenberg K. D., 2010, Denise Levertov’s Ambivalence about Feminist Poetry: Biographical Context, Interpretive Possibilities, «Renascence: Essays on Values in Literature» 62.2: 141–55.

Janssen R. R., 1992, Dreaming of Design: Reading Denise Levertov, «Twentieth Century Literature, (Denise Levertov Issue)» 38.3: 263–79.

Martìn Gonzàlez M., 2000, Be(Com)Ing a Woman: Subjectivity and Poetic Vision in Denise Levertov, «Revista Canaria de Estudios Ingleses», 40: 371–88.

Nelson C., 1993, Levertov’s Political Poetry, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 162-166.

Nelson R. L., 1993, Edge of the Transcendent: the Poetry of Levertov and Duncan, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 96-109.

Nielsen D., 1992, The Mystical / Political Poetry of Denise Levertov, doctoral dissertation, The University of Western Ontario.

Nielsen D., 1993, Prosopopoeia and the Ethics of Ecological Advocacy in the Poetry of Denise Levertov and Gary Snyder, «Contemporary Literature», 34.4: 691–713.

Norris K. S., 1992, Openmouthed in the Temple of Life: Denise Levertov and the Postmodern Lyric, «Twentieth Century Literature, (Denise Levertov Issue)» 38 (3): 343–52.

Poks M., 2011, The Poet’s ‘Caressive Sight’: Denise Levertov’s Transactions with Nature, «Text Matters - A Journal of Literature, Theory and Culture» 1.1: 145–52.

Rexroth K., 1993, The Poetry of Denise Levertov, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 11-14.

Rodgers A. T., 1990, Fragments of a Pattern: The Early Poetry of Denise Levertov, «American Poetry» 7.3: 31–48.

Schloesser S., 2005, ‘Not Behind but Within’: Sacramentum et res, «Renascence: Essays on Values in Literature» 58.1: 17–39.

Smith L., 1993, Songs of Experience: Denise Levertov’s Political Poetry, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 177-200.

Surman Collecott D., 1993, Inside and Outside the Poetry of Denise Levertov, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 110-125.

Zlotkowski E., 1997, Presence and Transparency: A Reading of Levertov’s ‘Sands of the Well’, «Renascence: Essays on Values in Literature» 1: 1–14.

Zlotkowski E., 1993, In the Garden: a Place of Creation, in A. Gelpi (ed.), Denise Levertov. Selected criticism, The University of Michigan Press: 303-320.

Mary Oliver

Opere dell’autrice

Testi letterari

Oliver M., 1983, American Primitive, New York, Little, Brown and Company.

Oliver M., 1986, Dream Work, New York, The Antlantic Monthly Press.

Oliver M., 1990, House of Light, Boston, Beacon Press.

Scritti teorici

Oliver M., 1994, A Poetry Handbook: a prose guide to understanding and writing poetry, San Diego, Harcourt Brace & Co.

Oliver M., 1998, Rules for the Dance: a handbook for writing and reading metrical verse, Boston, Mariner.

Bibliografia sull’autrice

Bonds D., 1992, The Language of Nature in the Poetry of Mary Oliver, «Women’s Studies» 21: 1–15.

Bryson J. S., 1999, Place, Space, and Contemporary Ecological Poetry: Wendell Berry, Joy Hario, and Mary Oliver, doctoral dissertation, University of Kentucky.

Christensen L., 2002, The Pragmatic Mysticism of Mary Oliver, in J. S. Bryson (ed.), Ecopoetry: A Critical Introduction, Logan, Utah State UP: 135–52.

Christie-Burton D., 1996, Nature, Spirit, and Imagination in the Poetry of Mary Oliver, «CrossCurrents» 46.1:77-87.

Cook J. C., 2012, Surfacing Doubt: Mary Oliver’s Poetic Shift from «New and Selected Poems Volume One to Volume Two», in H. Aji and J. Kilgore-Caradec (eds.), Selected Poems: from Modernism to Now, Newcastle, Cambridge Scholars Publishing: 131–42.

Davis Michael J., 2011, Eternity in the Moment: William Blake and Mary Oliver, «Swanee Theological Review» 58.1: 101–24.

Davis T. F., 2006, Always Becoming: The Nature of Transcendence in the Poetry of Mary Oliver, in Id. (ed.), Postmodern Humanism in Contemporary Literature and Culture Reconciling the Void, London, Palgrave Macmillan: 37–49.

Graham V., 1994, ‘Into the Body of Another’: Mary Oliver and the Poetics of Becoming Other, «Papers on Language&Literature» 30.4: 352–72.

Hotelling Zona K., 2011, ‘An Attitude of Noticing’: Mary Oliver’s Ecological Ethic, «Interdisciplinary Studies in Literature and Environment» 18.1: 123–42.

Johnson M., 2005, ‘Keep Looking’: Mary Oliver’s Emersonian Project, «The Massachusetts Review» 46.1: 78–98.

Loreto P., 2014, The causality of casualness in the translations of world poetry : Jorie Graham vs Mary Oliver in Italy, «Ticontre», 2: 31-49.

Lucas R., 2006, Drifting in the Weeds of Heaven: Mary Oliver and the Poetics of the Immeasurable, «Rhizomes: Cultural Studies in Emerging Knowledge» 13 (

Mann T. W., 2004, God of Dirt, Cambridge, MA, Cowley Publications.

McNew J., 1989, Mary Oliver and the Tradition of Romantic Nature Poetry, «Contemporary Literature» 30.1: 59–77.

Fast R. R., 1993, Moore, Bishop, and Oliver: Thinking Back, Re-Seeing the Sea, «Twentieth Century Literature» 39.3: 364–79.

Ratiner S., 1992, Poet Mary Oliver: A Solitary Walk, interview

Ruf F. J., 2009, Pluralistic Pilgrimage: Travel as the Quest for the Strange, «CrossCurrents» 59.3: 268-82.

Ullyatt G., 2011, The Only Chance to Love This World: Buddhist Mindfulness in Mary Oliver’s Poetry, «Journal of Literary Studies» 27.2: 115-31.


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