Preface
p. IX-XVII
Extrait
1Writing biographies (life stories) for a long time had been a male hegemonic project — writing the lives of great (white) men. Ever since Plutarch and Sueton composed their vitae of the greats of classical antiquity, to the medieval obsession with the hagiographies of holy men (and a few women) and saints, Vasari’s lives of great Renaissance artists, down to the French encyclopedists, Dr. Johnson and Lytton Strachey, as well as Ranke and Droysen the genre of biographical writing (“the representation of self” or “the reconstruction of a human life”) has become increasingly more refined. In the twentieth century male predominance has become contested and the (collective) lives of women, minorities and ordinary people are now the focus of biographical writing. The writing of lives (or lives and their times) are always situated between fact and fiction, ascertainable data and the imagination of the biographer. Leon Edel, the great American biographer of Henry James and theorist o
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