Version classiqueVersion mobile

Nigerian Art Music

 | 
Bode Omojola

Bibliography

Texte intégral

Adediran, Biodun. The Frontier States in Western Yorubaland, 1600-1889. Institut Français de Recherche en Afrique, Ibadan, 1994.

Agawu, K. The impact of language on musical composition in Ghana : An introduction to the music of E. Amu. Ethnomusicology (January) 1984.

Agu, D.C. Indigenous choral worship in African Christian worship : An analytical study of the youth fellowship songs in the Niger Diocese of Nigeria. Unpublished Ph D. thesis, Queen’s University, Belfast, 1984.

Agyemang, Fred. Amu the African : A study in vision and courage. Christian Council of Ghana, 1988.

Ajayi, J.F.A. Christian Missions in Nigeria, 1841-1891. London, 1964.

Akpabot, S. Functional music of the Ibibio people of Nigeria. Ph.D dissertation, Michigan State University, 1975.

Alaja-Browne, A. Juju music : A study of its social history and style. Unpublished Ph.D. thesis, University of Pittsburgh, 1985.

Amu, E. Music in Ghana. Ghana Musical Society (2) 1961.

Amu, Misonu. Stylistic and textual sources of a contemporary Ghanaian art music composer : A case study of Dr. E. Amu. M. Phil. thesis, University of Legon, 1988.

Ayandele, E.A. The Missionary Impact on modern Nigeria. London, 1960.

Brandel, R. Africa. In : Harvard Dictionary of Music. 2nd edition. Harvard University Press, 1960.

Bruce, L. Introducing the Highlife. Jazz Monthly (July) 1969

Collins, J. Ghanaian Highlife. African Arts.l0(l), 1976.

Coplan, D. Go to my Town Cape Coast : The social history of Ghanaian Highlife. In : Eight Urban Musical Cultures. Illinois, 1978.

Darkwa, Asante. The New Musical Traditions in Ghana. Wesleyan University, Connecticut, 1974.

Ekwueme, L. Structural levels of rhythm and form in African music. African Music 19, 1978.

Ekwueme, L. Nigerian music since independence. Unpublished typescript.

Ekwueme, L. Concepts of African musical theory. Journal of Black Studies 5, 1974.

Ekwueme, L. Analysis and analytical techniques in African music — A theory of melodic scales. African Music 6(1), 1980.

Ekwueme, L. African music in Christian liturgy : The Igbo experiment. African Music 5(3), 1981.

Ekwueme, L. Linguistic determinants of some Igbo music. Paper presented at the N.E. Chapter of the Society for Ethnomusicology, Oneonta, New York, 1973Euba, A. Preface to a study of Nigerian music. Ibadan (21) 1975.

Euba, A. Criteria for the evaluatin of new African art music. Transition (49) 1975.

Euba, A. Dudun music of the Yoruba. Unpublished Ph.D thesis, University of Legon, 1974.

Euba, A. Multipitch combination in Yoruba choral music. Journal of the International Folk Music Council 19, 1967.

Euba, A. Traditional elements as the basis of new African art music. African Urban Notes 10 (4) 1970.

Glen, L. Music to think about Africa. Musical America (August) 1972.

Gridley and Rave. Towards identification of African traits in early jazz. Journal of Black Studies 12(1), 1982.

Harcourt-Whyte, Ikoli. Music in Nigeria. Nigerian Music 1961.

Hill, C.A. and S. Podstarvkky. The interfacing of language and music in Hausa praise-singing.

Ethnomusicology 20 (September) 1976.

Ifionu, A. Ofo A study of an Igbo vocal genre. Unpublished Ph.D. thesis, University of London

School of Oriental and African Studies, 1979.

Inanga, A. Bembe music in Abeokuta. Unpublished M.A. thesis, University of Ibadan, 1983.

Jones, A.M. African rhythm. Africa 1(24), 1954.

Kauffman, R. African rhythm. Ethnomusicology 4 (3), 1980.

King, A. Employment of the ‘standard pattern’ in Yoruba music. African Music 2(3), 1960.

King, A. Nigerian Music. In : New Grove Dictionary of Music (13) London, 1980.

Kubik, G. Alo — Yoruba story songs. African Music 4(2), 1968.

Leonard, Lynn. The growth of entertainment of non-African origin in Lagos. Unpublished M.A. thesis, Ibadan, 1967.

Mensah, A. Creative construction African music. Unpublished manuscript.

Merriam, A. Characteristics of African music. International Folk Music Journal 11, 1959.

Meyer, L.B. Emotion and Meaning in Music. Chicago, 1956.

Moloney, C.A. On the melodies of Mandingo, Ewe, Yoruba... of West Africa. Journal of the Manchester Geographical Society, 1889

Nayo, N.Z. Music in Ghana. Ghana Musical Society 2, 1961.

Nketia, K. Unity and diversity in African music : A problem of synthesis. Accra, 1961.

Nketia, K. The problem of meaning in African music. African Music 6, 1962.

Nketia, K. Multi-part organisation in the music of the Gogo of Tanzania. Journal of the International Folk Music Council 19, 1967.

Nketia, K. The Music of Africa. London, 1979.

Nzewi, M. Ese music. Notation and modern concept presentation. Iwalewa-Haus, University of Bayreuth, 1992

Olaniyan, O. Compositional and performance technique in Yoruba dundun — Sekere music. Unpublished Ph.D. thesis, Queen’s University, Belfast, 1984.

Olaniyan, O. Compositional and performance technique in Yoruba dundun - sekere music. Unpublished Ph.D. thesis, Queen’s University, Belfast, 1984.

Omibiyi, M. Islamic influence on Yoruba music. African Notes 8(2), 1981.

Omojola, O. Kiriboto music in Oyo town. Unpublished M.A. thesis, University of Ibadan, 1983.

Omojola, O. Compositional style and African identity : A study of modern Nigerian Art Music Ph.D. thesis, University of Leicester, 1987.

Ottenberg, S. Ibo receptivity to change. In : Continuity and Change in African Cultures. R. Bascom and M. Herskovits, eds. Chicago, 1959.

Phillips, T.K.E. Yoruba Music. Johannesburg, 1953.

Smith, E. Popular music in West Africa. African Music 3(1), 1962.

Southern, E. Conversation with Fela Sowande, the High Priest of Music. Black Perspective in Music, 1975.

Sowande, V. African music. Africa 14, 1944.

Sowande, F. Teaching of music in Nigerian schools. Unpublished typescript.

Sowande, F. Ifa (Yoruba divination). Unpublished typescript.

Sowande, F. Oruko amutorunwa. Unpublished manuscript.

Sowande, F. Nigerian music and musicians then and now. Unpublished manuscript.

Sowande, F. The development of a national tradition of music. Seminar paper, University of Nigeria, 1965.

Sowande, F. The Catholic Church and the tone language of Nigeria. Unpublished article. Tatar, E. The defining criteria of Anlo-Ewe vocal style. M.A. thesis, University of California at Los Angeles, 1973.

Uzoigwe, J. Akin Euba : An introduction to the life and works of a Nigerian composer. Unpublished M.A. thesis, Queen’s University, Belfast, 1978.

Uzoigwe, J. Compositional techniques in Ukom drum row music. Unpublished Ph.D. dissertation, Queen’s University, Belfast, 1979.

Ward, W. Music in the Gold Coast. Gold Coast Review 3 (July-December) 1972.

Webster, J.S. The African Church among the Yorubas. London, 1964.

© IFRA-Nigeria, 1995

Licence OpenEdition Books

Cette publication numérique est issue d’un traitement automatique par reconnaissance optique de caractères.

Acheter

Volume papier

amazon.fr
Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search