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Nigerian Art Music

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Bode Omojola

Preface

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Excerpt

My interest in Nigerian Art Music dates back to the late 70s when, as a composer-in-training at the University of Nigeria, Nsukka, I was interested in how a Nigerian composer of classical music can make himself relevant to his native audience without necessarily compromising artistic qualities expected in a work conceived within the idiom of Art Music. Such an interest ultimately becomes imperative for any African composer who aspires to work within an art idiom like classical music, which is essentially a cosmopolitan, elite tradition and which has derived much of its universal appeal and esteem from the compositional activities of such great masters of European classical music as J.S. Bach, Beethoven, Brahms and Bartok.

In my search for an authentic and personal compositional style and tradition, I realised the need to study the Works of Nigerian composers who in their formative years have also pondered similar questions. Needless to say that this involved many years of active rese...

© IFRA-Nigeria, 1995

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