Version classiqueVersion mobile


Sola Olorunyomi


Texte intégral

Abalogu, Uchegbulam et al. Oral Poetry in Nigeria. Lagos: Nigeria Magazine, 1981.

Abdul-Raheem, Tajudeen. Pan Africanism: Politics, Economy and Social Change in the Twenty First Century. London: Pluto Press, 1996.

Adair, Christy Women and Dance: Sylphs and Sirens. London: Macmillan, 1992.

Adebayo, Aduke, ed. Feminism and Black Women’s Creative Writing. Ibadan: AMD, 1996.

Adeoye, C.L. Igbagbo ati Esin Yorùbá. Ibadan: Evans Brothers, 1985.

Adegbola, Ade. Traditional Religion in West Africa. Ibadan: Daystar Press, 1983.

Adjaye, K. Joseph and Andrews, R. Adrianne, eds. Language, Rhythm and Sound. Pittsburgh: University of Pittsburgh Press, 1997.

Adorno, Theodor W. Introduction to the Sociology of Music. New York: Continuum, 1989. Agbola, Tunde. Architecture of Fear. Ibadan: LFRA/ African Book Builders, 1997.

Ajayi, Omofolabo Soyinka. Yoruba Dance: The Semiotics of Movement and Body Attitude in a Nigerian Culture. New Jersey: African World Press, 1998.

Akpabot, Samuel Ekpe. Foundation of Nigerian Traditional Music. Ibadan: Spectrum Books, 1986.

Albert, O. Isaac et al. Urban Management and Urban Violence in Africa. Ibadan: IFRA, 1994.

Ananaba, Wogu. The Trade Union Movement in Nigeria. London: C. Hurst and Company 1969.

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983.

Appiah, Kwame, Anthony. In My Father’s House: Africa in the Philosophy of Culture. New York: Oxford University Press, 1992.

Apter, Andrew Black Critics and Kings: The Hermeneutics of Power Society. London and Chicago: University of Chicago Press, 1992.

Adshead, Janet. Dance Analysis: Theory and Practice. London: Dance Books, 1988.

__., ed. Dance, Gender and Culture. London: MacMillan, 1983.

Ashcroft, Bill; Griffiths, Gareth and Tiffin, Helen. The Empire Writes Back. London and New York: Routledge, 1989.

Awolalu, J.O. Yorùbá Beliefs and Sacrificial Rites. London: Longman, 1979.

Ayu, Iyorchia D. Essays in Popular Struggle. Oguta: Zim-Pan African Publishers, 1985.

Baker, A. Houston, Jr. Rap and the Academy. Chicago: University of Chicago Press, 1993.

Bakhtin, M.M. The Dialogic Imagination. Texas: Texas University Press, 1981.

Baldick, Chris. The Concise Oxford Dictionary of Literary Terms. New York and Oxford: Oxford University Press, 1990.

Barber, Karin, ed. Readings in African Popular Art. Oxford and Bloomington: James Currey 1997.

__. I Could Speak Until Tomorrow: Oriki, Women and the Past in a Yoruha Town. Edinburgh: Edinburgh University Press, 1991.

Barthes, Roland. Mythologies. New York: Noonday Press, 1990.

Bauman, Richard, ed. Folklore, Cultural Performances and Popular Entertainments. New York and Oxford: Oxford University Press, 1992.

Bernal, Martin. Black Athena: The AfroAsiatic Origins of Classical Civilization. Vol. II. The Archeological and Documentary Evidence. New Brunswick, N. J.: Rutgers University Press, 1991.

Black Athena: Origins of Classical Civilization. Vol. I. The Fabrication of Ancient Greece 1785-1985. New Brunswick, N. J.: Rutgers University Press, 1987.

__. Black Athena: The Afro Asiatic Origins of Classical Civilization. London: Vintage, 1987.

Blacking, John. How Musical is Man? Seattle: University of Washington Press, 1973.

Bonton, Margorie. The Anatomy of Poetry. London: 1975.

Booth, Wayne, C. The Rhetoric of Fiction. Chicago: University of Chicago Press, 1983.

Breitinger, Eckhand, ed. Threatre and Performance in Africa. Germany: Bayreuth University 1994.

Brown, Stewart, ed. The Pressures of the Text: Orality, Texts and the Tilling of Files. Birmingham: Birmingham University Press, 1995.

Budge, Wallis, E.A. The Egyptian Book of the Dead. 1st pbd. late 19th. C. Brooklyn, New York: A&B, 1994.

Buzan, Barry Jones, Charles and Little, Richard. The Logic of Anarchy: Neorealism to Structural Realism. New York: Columbia University Press, 1993.

Child, John. Organisation: A Guide to Problems and Practice. London: Harper and Row, 1984.

Childs, Peter and Williams, Patrick. An Introduction to Post-Colonial Theory. London: Prentice Hall, 1997.

Clark, Ebun. Hubert Ogunde: The Making of Nigerian Theatre. London: Oxford, 1980.

Clarke, Donald. The Rise and Fall of Popular Music. London: Penguin, 1995.

Collins, John. Musicmakers of Wist Africa. Washington: Three Continents Press, 1985.

Collins, John and Richard, Paul. “Popular Music in West Africa: Suggestions for an Interpretative Framework.” In Horn, David and Tagg, Philip (ed.) Popular Music Perspective. Sweden: The International Association of the Study of Popular Music, 1982.

Conteh-Mongan, John. Theatre and Drama in Francophone Africa. Cambridge: Cambridge University Press, 1994.

Coplan, David. In Township Tonight! London: Longman, 1985.

Craig, David, ed. Marxists on Literature. Middlesex: Penguin Books, 1975.

Cuddon, J. A. Dictionary of Literary Terms and Literary Theory. London: Penguin, 1991.

Curran, James et al., ed. Mass Communication and Society. London: Edward Arnold Ltd., 1977.

Dent, Gina. Black Popular Culture. Seattle: Bay Press, 1992.

Diop, Cheikh Anta, Civilization or Barbarism: An Authentic Anthropology. London: Lawrence Hill Books, 1991

__. The African Origin of Civilization: Myth or Reality. Ed. Mercer Cook. London: Lawrence Hill and Co., 1974.

Drewal, Margaret, Yoruba Ritual: Play, Performance, Agency. Bloomington: Indiana University Press, 1992.

Drewal, John Henry and Drewal, Thompson Margaret. Gelede. Bloomington: Indiana University Press, 1990.

Dudley, Billy. An Introduction to Nigerian Government and Politics. London: Macmillan, 1982.

Echeruo, Michael J.C. Victorian Lagos: Aspects of Nineteenth Century Lagos Life. London: Macmillan, 1977.

Eco, Umberto. Faith in Fakes: Travels in Hyperreality. London: Minerva, 1997.

Eibl-Eibesfeldt, Iranus. Ethology: The Biology of Behavior. New York: Holt, Rinahart and Winston, 1970.

Elugbe, Ben and Omamor, Augusta. Nigerian Pidgin. Ibadan: Heinemann, 1991.

Engels, Frederck. On Religion. Moscow: Progress Publishers, 1975.

Etherton, Michael. The Development of African Drama. London: Hutchinson and Co., 1982.

Euba, Akin. Essays on Music in Africa. Iwalewa-Haus, Bayreuth: Bayreuth African Studies, 1988.

Ewens, Graeme. Africa O-Ye! A Celebration of African Music. London: Guiness Publishing Ltd., 1991.

Fanon, Frantz. The Wretched of the Earth. New York: Grove Press, 1963.

Finnegan, Ruth. Oral Literature in Africa. Nairobi: Oxford University Press, 1970.

Fish, Stanley Is There a Text in This Class? Cambridge, Mass.: Harvard University Press, 1980.

Fiske, John. Understanding Popular Culture. London and New York: 1992.

Frobenius, Leo and Fox, Douglas. African Genesis. Berkeley: Turtle Island, 1983.

Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1988.

Gavin, Williams. Nigeria: Economy and Society. London: Rex Collins, 1976.

Gboyega, Alex. Corruption and Democratization in Nigeria. Ibadan: Agbo Areo Publishers, 1996.

Gill, Stephen, ed. Gramsci, Historical Materialism and International Relations. Cambridge: Cambridge University Press, 1993.

Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge, Massachusetts: Harvard University Press, 1993.

Goldstein, ed. Black Life and Culture in the United States. New York: Crowell and Sons, 1971.

Goodman, Felicitas D. Ecstasy, Ritual, and Alternate Reality. Indiana: Indiana University Press, 1988.

Gramsci, A. Selections from Political Writings 1921-1926. Q. Hoare, ed. New York: International Publishers, 1977.

Grinker, Roy Richard and Steiner, Christopher B., ed. Perspectives on Africa: A Reader in Culture, History, and Representation. Oxford: Blackwell PVDC Publishers, 1997.

Habermas, Jurgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Cambridge: Polity Press, 1996.

__. Legitimation Crisis. London: Heinemann, 1975.

Hallen, Barry and Sodipo, J.O. Knowledge, Belief and Witchcraft: Analytical Experiments in African Philosophy. London: Ethnographica, 1986.

Handy, Charles. The Gods of Management: The Changing Work of Organisations. London: Arrow Books, 1991.

__. Understanding Organisations. Harmondsworth: Penguin, 1976.

Harrison, Paul Carter. The Drama of Nommo. New York: Grove Press, 1972.

__., ed. Kuntu Drama. New York: Grove Press, 1982.

Hobsbawm, Eric and Ranger, Terence, ed. The Invention of Tradition. Cambridge: Cambridge University Press (Canto), 1992.

Hodgkin, T Nationalism in Colonial Africa. New York: New York University Press, 1957.

Hoggart, Richard. The Uses of Literacy. Middlesex: Penguin Books, 1984.

J. Hollander and Frank Kermode., ed. The Oxford Anthology of English Literature, Vol. I. London, Toronto, New York, 1973.

Horn, David and Tagg, Philip. Popular Music Perspective. Sweden: The International Association of the Study of Popular Music, 1982.

Hountodji, J. Paulin. African Philosophy: Myth and Reality. 2nd Edition. Bloomington and Indianapolis: Indiana University Press, 1996.

Hoyles, Martin, ed. The Politics of Literacy. London: Writers and Readers, 1982.

Ibitokun, B.M. African Drama and The Yorùbá World View Ibadan: Ibadan University Press, 1995.

__. Dance as Ritual Drama and Entertainment in the Gelede of the Ketu Africa Yorùbá Subgroup in Mist Africa Ile-Ife: O.A.U. Press, 1993.

Idowu, Bolaji. African Traditional Religion. Ibadan: Fountain Publications, 1991.

Irele, Abiola. Aime Cesaire Cahier D’un Retour Au Pays Natal. Ibadan: Horn Press, 1994.

Jaye, C. Michael and Watts, Chalmers Ann. Literature and the American Urban Experience: Essays on the City and Literature. New Brunswick, New Jersey: Rutgers University Press, 1981.

Jeyifo, Biodun. The Truthful Lie: Essays in a Sociology of African Drama. London: New Beacon Books, 1985.

__. The Yoruba Popular Travelling Theatre of Nigeria.

Lagos: Nigeria Magazine, 1984.

Jochannan-ben, A. A. Yosef. Africa: Mother of Mistern Civilization. Alkebu-Lan Books Association, 1971.

__. Black Man of the Nile. Alkebu-Lan Books Association, 1970.

Johnson-Odim, Cheryl and Mba, Nina Emma. For Women and the Nation: Funmilayo Ransome-Kuti of Nigeria. Champaign Urbana and Chicago: University of Illinois Press, 1997.

Johnson, Samuel. The History of the Yorubas. London: Lowe & Bydone, 1969.

Joseph, A. Richard. Democracy and Prebendal Politics in Nigeria: The Rise and Fall of the Second Republic. Ibadan and Cambridge: Cambridge University Press, 1991.

Karin, Barber, ed. Readings in African Popular Art. Oxford and Bloomington: James Currey 1997.

Kennedy, Michael. Oxford Concise Dictionary of Music. Oxford: Oxford University Press, 1996.

Kunene, D.P Heroic Poetry of the Basotho. London: Oxford University Press, 1971.

Lawal, Babatunde. The Gelede Spectacle: Art, Gender and Social Harmony in an African Culture. London and Seatle: University of Washington Press, 1996.

Leach, Edmund. Culture and Communication. New York: Cambridge University Press, 1996.

Lenin, VI. The State and the Revolution. Moscow: Progress Publishers, 1985.

Lionet, Francoise. Post Colonial Representations: Women, Literature, Identity. Ithaca and London: Cornell University Press, 1995.

Locke, John. Two Treatises on Government. 2nd ed., Peter Laslet, ed. New York: Cambridge University Press, 1967.

Lull, James. Popular Music and Communication. Newbury Park and London: Sage Publications, 1992.

Lyttleton, Humphrey The Best of Jazz. Middlesex: Penguin Books, 1980.

Mabinuori, Idowu. Fela: Why Blackman Carry Shit. Kaduna: Opinion Media Ltd., 1986.

Magubane, Bernard M. The Ties That Bind. New Jersey: Africa World Press, 1989.

Mamdani, Mahmood. Citizen and Subject: Contemporary Africa and the Legacy of Late Capitalism. Princeton: Princeton University Press, 1996.

Manuel, Peter. Popular Musics of the Non-Western World: An Introductory Survey. Oxford: Oxford University Press, 1988.

Maringues, Michele. Nigeria: Guerrilla Journalism. Paris: Reporters Sans Frontieres, 1996.

Matory, Lonard, J. Sex and the Empire That is No More. London: UMP, 1994.

Meyer, Leonands B. Emotion and the Meaning of Music Chicago: University Press of Chicago, 1974.

Mnoli, Okwudibia. Ethnic Politics in Nigeria. Enugu: Fourth Dimension Pub., 1980.

Moore, Carlos. Fela, Fela, This Bitch of a Life. London: Allison and Busby 1982.

Mudimbe, V. Y The Idea of Africa. Bloomington, Indianapolis, and London: Indiana University Press and James Currey 1994.

__. The Invention of Africa. Bloomington, Indianapolis, and London: Indiana University Press and James Currey 1988.

Mukerji and Schudson, ed. Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies. Berkeley: University of California Press, 1991.

Neal, Larry Visions of a Liberated Future. New York: Thunder’s Mouth Press, 1989.

Negroponte, Nicholas. Being Digital. London: Hodder and Stoughton, 1995.

Newell, Stephanie, ed. Images of African Women: The Gender Problematic. Stirling: Centre of Commonwealth Studies, University of Stirling, 1995.

Nietzche, Frederich. The Birth of Tragedy and the Genealogy of Morals. New York: Doubleday and Company, 1956.

Nkrumah, K.I Speak of Freedom. London: Heinemann, 1961.

__. Towards Colonial Freedom. London: Heinemann, 1962.

__. Africa Must Unite. London: Heinemann, 1963.

__. Neo-Colonialism: The Last Stage of Imperialism. London: Heinemann, 1965.

__. Consciencism. London: Panaf Books, 1970.

Norman, Jacobs, ed. Culture for Millions. Boston: Boston University Press, 1964.

Norzick, Robert. Anarchy, State and Utopia. New York: Basic Books, 1974.

Nyerere, Julius. Ujaama. Essays on Socialism. London: Oxford University Press, 1968.

Nzimiro, Ikenna: The Green Revolution in Nigeria or Modernization of Hunger. Oguta: Zim-Pan African Publishers, 1985.

Oguibe, Olu. A Gathering Fear Lagos: Kraft Books, 1992.

Ogunba, Oyin and Irele, Abiola. Theatre in Africa. Ibadan: Ibadan University Press, 1978.

Ogunbowale, PO. Asa Ibile Yorùbá. Ibadan: Oxford University Press, 1968.

Ogunbiyi, Yemi. Drama and Theatre in Nigeria. Lagos: Nigeria Magazine, 1981.

Okpewho, Isidore, ed. The Oral Performance in Africa. Ibadan: Spectrum, 1990.

_—. The Epic in Africa: New York: Columbia University Press, 1979.

_—. Myth in Africa. Cambridge: Cambridge University Press, 1983.

Olatunji, O. Olatunde. Features of Yoruba Oral Poetry. Ibadan: Ibadan University Press, 1984.

Omojola, Bode. Nigerian Art Music. Ibadan: IFRA, 1995.

Ong, Walter J. Orality and Literacy: The Technologising of the Word. London and New York: Methuen, 1982.

Osaghae, O. Eghosa et. al. Urban Violence in Africa. Ibadan: IFRA, 1994.

Osundare, Niyi. Waiting Laughters. Lagos: Malthouse, 1990.

Otiono, Nduka. The Night Hides with a Knife. Ibadan: New Horn, 1996.

_—. Voices from the Rainbow. Lagos: Oracle, 1997.

Preston, PW Political/Cultural Identity: Citizens and Nations in a Global Era. London: Sage, 1997.

Proudhon, PJ. General Idea of the Revolution in the Nineteenth Century. London: Freedom Press, 1923.

Raji, Remi. A Harvest of Laughters. Ibadan: Kraft Books, 1997.

Robertson, Alec and Stevens, Denis. The Pelican History of Music: Classical and Romantic. Harmondsworth: Penguin, 1969.

Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, New Hampshire: Wesleyan University Press, 1994.

Rowley, M.A. Verbal Art as Performance. Newbury: Newbury Publishers, 1977.

Rude, George. Ideology and Popular Protest. London: Lawrence and Wishart, 1980.

Said, Edward W. Culture and Imperialism. London: Chatto and Windus, 1993.

__. Orientalism. London: Penguin, 1985.

Schechner, Richard. Performance Theory. New York: Routledge, 1988.

Schipper, Mineke. Beyond The Boundaries. London: Allen & Co., 1989.

Scott, James C. Domination and the Arts of Resistance: Hidden Transcripts. New Haven: Yale University Press, 1990.

Seidman, Steven. Jurgen Habermas on Society and the Public Sphere: A Reader. Boston: Beacon Press, 1986.

Sklar, Richard L. Nigerian Political Parties. New York: Nok Publishers, 1963.

Smith, Robert. Kingdom of the Yorùbá. London: Methuen & Co., 1969.

Sontag, Susan. On Photography. New York: Penguin Books, 1977.

Soyinka, Wole: Death and The King’s Horseman. London: Eyre Methuen, 1975.

__. Myth, Literature and the African World. London: Cambridge University Press, 1976.

Spivak, Gayatri Chakravorty The Post-Colonial Critic. New York: Routledge, 1990.

Thomas, Helen, ed. Dance, Gender and Culture. London: Macmillan, 1983.

Vansina, Jan. Oral Tradition As History. Madison: University of Wisconsin Press, 1985.

Wastberg, Per. The Writer in Modern Africa. Uppsala: Scandinavian Institute of African Studies, 1968.

Waterman, Christopher Alan. Juju: A Social History and Ethnography of an African Popular Music. Chicago: University of Chicago Press, 1990.

Williams, G. Nigeria: Economy and Society. London: Rex Collins,.1976.

__. Communications. New York: Penguin, 1962.

Wiredu, Kwasi. Cultural Universals and Particulars: An African Perspective. Bloomington and Indianapolis: Indiana University Press, 1996.

Worcester, David. The Art of Satire. New York: Russell & Russell, 1960.

Young, Crawford. Ideology and Development in Africa. New Haven: Yale University Press, 1982.

Journals, magazines & unpublished works

Adekeye, Ade Olumuyiwa. “Media, National Identities and Globalisation: Wales, The Western Mail and the Devolution Referenda of 1979 and 1997.” Unpublished M.A. Journalism Studies, 1998.

Adeleye-Fayemi, Bisi. “Shinamania: Gender, Sexuality and Popular Culture in Nigeria.” In Newell, Stephanie (ed.) Images of African Women: The Gender Problematic. Occasional Paper Number 3, September 1995. Centre of Commonwealth Studies, University of Stirling.

Adewole, Funmi. “ETERE Dance Research Project: A Preliminary Study of the Movement Principles Inherent in the Dances of the Ibo People of Nigeria.” (Unpublished, November, 1998.)

Ady, Kimberly “Yorùbá Oral Traditions and Traditional Medicine.” Unpublished M.A. Thesis, University of Ibadan, 1994.

Akiwowo, Akinsola., (ed.) Journal of Culture and Ideas. Ife: Alada Study Circle, vol.1, no. 1, December, 1983.

Barber, Karin. “Popular Arts in Africa,” Africa Studies Review, vol. 3, no. 3. Emory: University of Atlanta, Georgia, 1987.

Bjoinso, Richard, ed. Research in African Literatures. Vol. 22, no. 2, 1991, Indiana University Press.

Braimoh, Lasisi. “Fela Aniulapo-Kuti; A Misunderstood Poet.” A 1980 B.A. project in the English Department of the University of Ibadan.

Chanock, Martin. “Justice and Rights in Context.” Centre for African Studies, University of Cape Town/Emory Law School, Emory University 1997.

Echeruo, Michael J.C. “Concert and Theatre in Late Nineteenth Century Lagos,” in Nigeria Magazine, no. 74, September 1962.

Eke, Peter. “Colonialism and the Two Publics in Africa: A Theoretical Statement,” Comparative Studies in Society and History, vol. 17, no.l, 1975.

Fiofori, Tam. “Afrobeat: Nigeria’s Gift to World Popular Music,” in Post Express, Saturday, August 16 & 23, 1997.

Garuba, Harry “Mask and Meaning in Black Drama.” Unpublished Ph.D thesis, University of Ibadan, 1988.

Giammon, Vic. “Problem of Method in Historical Study of Popular Music.” Popular Music Perspective, Sweden. 1988.

Grass, Randall. “Fela Anikulapo-Kuti: The Art of an Afrobeat Rebel.” The Drama Review 30 (1986): 131-148.

Gray Benningson. “Repetition in Oral Literature.” Journal of American Folklore 84 (1971): 333.

Irele, Abiola, ed. Research in African Literatures, vol. 28, no. 1, Spring 1997, Indiana University Press.

__. “Tradition and the Yorùbá Writer: D.O. Fagunwa, Amos Tutuola and Wole Soyinka.” Odu II, 1975.

Komolafe, Kayode. “Anonymity of Matyrdom.” Sunday Concord, September 27, 1998.

Mamdani, Mahmood. “When Does a Settler Become a Native? Reflections on the Colonial Roots of Citizenship in Equi-torial and Southern Africa.” Text of Inaugural Lecture as A. C. Jordan Professor of African Studies, University of Cape Town, Centre for African Studies, 1998.

Nketia, Kwabena J.H. “The Poetry of Akan Drums.” Black Orpheus, vol. 1, no. 2. Ibadan: Mbari Club/Daily Times, 1968.

Olorunyomi, Dapo. “Towards an Aesthetics of Popular Arts."

Ph. D graduate seminar, University of Ilorin, 1991. Olorunyomi, Sola. “Theatre in the Niger Valleys.” Glendora Review: African Quarterly on the Arts, vol. 1, no. 3. (1996): Centre Spread.

Reinecke, J.E. “Trade Jargons and Creole Dialects as Marginal Languages.” Dell, Hymes (ed.) Language in Culture and Society. New York: Harper and Row.

“Report of the Lagos Government on Administrative Board of Inquiry into the Disturbances at 14A Agege Motor Road, Idi Oro, 1977.”

Scott, James, C. “Patron-Client Politics and Popular Change in South East Asia.” American Political Science Review, vol. 64,no.l, 1972.

Tagg, Philip. “Open Letter: ‘Black Music’, ‘Afro-American Music’ and ‘European Music.’” In Popular Music, African Issues. Cambridge: Cambridge University Press, vol. 8, no. 3 October 1989.

Taiwo, Olufemi. “Colonialism and its Aftermath: The Crisis of Knowledge Production.” (Callaloo, vol. I no. 4.) Tell magazine, February 5, 1999.

Turner, Terrisa. “Petroleum, Recession and the Internationalization of Class Struggle in Nigeria.Labour, Capital and Society. Vol. 18, no. 1 (1985).

Veal, Michael. “And After the Continentalist.” Glendora Review: African Quarterly on the Arts, vol. 2, no. 2, 1997.

West Africa magazine, May 2, 1981.

Articles and Discs

Internet. “2 Live Crew. Alt.culture: 2 Live Crew”

Hughes, Langston; Mingus, Charles and Feather,

Leonard. Weаrу Blues. Polygram Record, Compact

Disc Digital Audio (841 660-2), 1990.

© IFRA-Nigeria, 2005

Conditions d’utilisation :

Cette publication numérique est issue d’un traitement automatique par reconnaissance optique de caractères.


Volume papier
Rechercher dans OpenEdition Search

Vous allez être redirigé vers OpenEdition Search