Table des matières
Jean-Marie Gleize
PrefaceKatia Schneller et Noura Wedell
IntroductionI. Embedded Writing
Christophe Cherix
Morris(’s) PrintsKatia Schneller
Continuous Project Altered Daily (1969): The Machinery of ArtGilles A. Tiberghien
The Time of the EarthworksRachel Stella
When Kitsch Becomes FormMarie Cadalanu, Clémentine Gozlan, Julia Klarmann et al.
A Theater of HistoryII. The Text/Image Problem under Investigation
Brian Winkenweder
Picturing Texts: Robert Morris’ “Beetle in a Box”Anaël Lejeune
The Subject-Object Problem in “Aligned with Nazca”: On Phenomenological Issues in Robert Morris’ ArtworkW.J.T. Mitchell
Robert Morris and the Spaces of WritingMiguel Ángel Hernández Navarro
Politics of Blindness: Robert Morris’ AntivisionIII. Displacing Genres
Cécile Mahiou
Robert Morris and Allan Kaprow: Experience, from Theory to Performance Art- Kaprow, Morris and the Paradigm of “Theatricality”
- “Theatrical” Art or the Degeneration of Art?
- Theatre, Dance, Experimentation: Defending the Performing Arts
- How to “Get Free of the Rectangle”
- Art and Experience: Robert Morris and the Pragmatist Aesthetics
- “The Legacy of Jackson Pollock”
- Experience: the Continuity between Art and Life
- Ordinary Aesthetic Experience
- What Limits Can Be Ascribed to the Broadening of the Artistic Field?
Valérie Mavridorakis
Role Play in the Writings of Robert MorrisIsabelle Alfandary
Addressing Oneself: On TELEGRAM by Robert MorrisIV. Exchanges: Text to Screen and Back Again
Teri Wehn Damisch
From Text to ScreenRosalind Krauss et Teri Wehn Damisch
Script of the film Robert Morris: The Mind-Body Problem