Wallace Stevens, Poetry, and France
"Au pays de la métaphore"
Wallace Stevens, Poetry, and France offers the first book-length study of the various effects–poetic or prosaic, serious or comic, strange or familiar–produced by the deployment of French languages and cultures in Stevens’ poetry. Prominent Stevens scholars reexamine here a number of key issues, from angles as diverse as translation studies, aesthetics, linguistics, comparative literature, French theory, and politics, raised by Stevens’ special relation to France around the writing of poetry. ...
Note de l’éditeur
Cet ouvrage a été publié avec le soutien de la Région île-de-France, de l’Université paris-sorbonne et de la Wallace Stevens society.
Éditeur : Éditions Rue d’Ulm
Lieu d’édition : Paris
Publication sur OpenEdition Books : 25 janvier 2022
ISBN numérique : 978-2-7288-0972-1
DOI : 10.4000/books.editionsulm.6642
Collection : Actes de la recherche à l’ENS-PSL | 25
Année d’édition : 2018
Nombre de pages : 268
Juliette Utard
IntroductionA “Special Relation”? Stevens’ French, American English, and the Creolization of Modern Poetry
Part One. Stevens’ Uses of French
Lisa M. Steinman
Poetic Sanctions: Stevens’ French as the Language of Love and LawPart Two. Stevens’ Poetic Legacy across the Atlantic
Maureen N. Mclane
Hoobla-hoo and Hullabaloo: Divagations with StevensAngus Cleghorn
Bad Boy for Good: Baudelaire in Stevens and BishopPart Three. Stevens’ French Connections Real and Imaginary
Part Four. Stevens and French Thought
Wallace Stevens, Poetry, and France offers the first book-length study of the various effects–poetic or prosaic, serious or comic, strange or familiar–produced by the deployment of French languages and cultures in Stevens’ poetry. Prominent Stevens scholars reexamine here a number of key issues, from angles as diverse as translation studies, aesthetics, linguistics, comparative literature, French theory, and politics, raised by Stevens’ special relation to France around the writing of poetry.
Juliette Utard (dir.)
Associate Professor of American Literature at Université Paris- Sorbonne and a fellow of the CNRS for the year 2016-2017. She serves on the Editorial Board of The Wallace Stevens Journal and has recently contributed essays to Wallace Stevens, New York, and Modernism (Routledge, 2012), Poetry and Poetics after Wallace Stevens (Bloomsbury, 2017), and Wallace Stevens in Context (Cambridge University Press, 2017). Her monograph on Stevens’ late poetry and the question of late style, Wallace Stevens, une poétique du fini. Pour une approche matérielle de l’oeuvre, is forthcoming with Honoré Champion.
Bart Eeckhout (dir.)
Professor of English and American Literature at the University of Antwerp in Belgium and has been Editor of The Wallace Stevens Journal since 2011. He studied at Columbia University and taught at Fordham University and the Gallatin School of NYU. His books include Wallace Stevens and the Limits of Reading and Writing (University of Missouri Press, 2002), Wallace Stevens across the Atlantic (co-edited with Edward Ragg; Palgrave Macmillan, 2008), Wallace Stevens, New York, and Modernism (co-edited with Lisa Goldfarb; Routledge, 2012), and Poetry and Poetics after Wallace Stevens (co-edited with Lisa Goldfarb; Bloomsbury, 2017). He has contributed to The Cambridge Companion to Wallace Stevens (2007) and Wallace Stevens in Context (2017) and compiled the entry on Stevens for Oxford Bibliographies in American Literature (2016). His contribution to the book was supported by a Fellowship of the Netherlands Institute for Advanced Study and a research leave of the Flemish Research Council (2016-17).
Lisa Goldfarb (dir.)
Associate Professor at the Gallatin School of New York University, President of the Wallace Stevens Society, and Associate Editor of The Wallace Stevens Journal. She is the author of The Figure Concealed: Wallace Stevens, Music, and Valéryan Echoes (Sussex Academic Press, 2011), co-editor of Wallace Stevens, New York, and Modernism (Routledge, 2012), Poetry and Poetics after Wallace Stevens (Bloomsbury, 2017), and two special issues of The Wallace Stevens Journal. She recently contributed a chapter on “Music” to Wallace Stevens in Context (2017). Her current book project, Unexpected Affinities: Modern American Poetry and Symbolist Poetics, explores the interconnections between modern Anglo-American poetry and French symbolist poetry and poetics, in particular, Valéryan poetics (forthcoming Sussex, 2018).
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