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H.D and Modernity

Hélène Aji
Antoine Cazé
Agnès Derail-Imbert
et al.


Texte intégral

H.D.’s Texts (Hilda Doolittle)

Papers, Beinecke Rare Book and Manuscript Library, YCAL MSS24, Yale University, New Haven.

Asphodel, Ed. Robert Spoo, Durham and London, Duke University Press, 1992.

Bid Me to Live: A Madrigal, Redding Ridge (CT), Black Swan, 1983; London, Virago Press, 1984.

Borderline: A Pool Film with Paul Robeson” (1930), Close Up, 1927-1933. Cinema and Modernism, Ed. James Donald, Anne Friedberg and Laura Marcus, Princeton, Princeton University Press, 1998, p. 221-236.

“Cinema and the Classics I: Beauty,” Close Up, 1927-1933: Cinema and Modernism, Ed. James Donald, Anne Friedberg and Laura Marcus, Princeton, Princeton University Press, 1998, p. 105-109.

“Cinema and the Classics III: The Mask and the Movietone,” Close Up, 1927-1933: Cinema and Modernism, Ed. James Donald, Anne Friedberg and Laura Marcus, Princeton, Princeton University Press, 1998, p. 114-120.

Collected Poems, 1912-1924, Ed. Louis L. Martz, New York, New Directions, 1983; Manchester, Carcanet Press, 1984.

“Conrad Veidt: The Student of Prague,” Close Up, 1927-1933: Cinema and Modernism, Ed. James Donald, Anne Friedberg and Laura Marcus, Princeton, Princeton University Press, 1998, p. 120-124.

End to Torment: A Memoir of Ezra Pound, Ed. Norman Holmes Pearson and Michael King, New York, New Directions, 1979; Manchester, Carcanet Press, 1980.

The Gift: The Complete Text, Ed. Jane Augustine, Gainesville, University Press of Florida, 1998.

“H.D. by Delia Alton” (1949-1950), The Iowa Review, 16.3, 1986, p. 179-221.

Helen in Egypt, New York, New Directions, 1961; 1974.

Hermetic Definition, New York, New Directions, 1972.

The Hirslanden Notebooks, Victoria (BC), ELS Editions, forthcoming, 2014.

“Letter to Norman Pearson, 1937 (A note on Poetry),” Ed. Diana Collecott, Agenda, 25.3-4, 1987-1988, p. 71-76.

Magic Mirror, Compassionate Friendship, Thorn Thicket: A Tribute to Erich Heydt, Ed. Nephie J. Christodoulides, Victoria (Canada), ELS Edition, 2012.

Majic Ring, Ed. Demetres P. Tryphonopoulos, Gainesville, University Press of Florida, 2009.

The Mystery, Ed. Jane Augustine, Gainesville, University of Florida Press, 2009.

Notes on Thought and Vision and The Wise Sappho, San Francisco, City Lights Books, 1982.

Paint It Today (1921), Ed. Cassandra Laity, New York, New York University Press, 1992.

Palimpsest (1926), Carbondale, Southern Illinois University Press, 1968.

Pilate’s Wife, Ed. Joan Burke, New York, New Directions, 2000.

Red Roses for Bronze, New York, Random House, 1929.

Selected Poems, Ed. Louis L. Martz, Manchester, Carcanet, 1997.

The Sword Went Out to Sea (Synthesis of a Dream), Ed. Cynthia Hogue and Julie Vandivere, Gainesville, University Press of Florida, 2007.

“The Suffragette,” Sagetrieb, 15.1-2, Spring-Fall 1996, p. 7-11.

Tribute to Freud (1944-1948), Ed. Norman Holmes Pearson, New York, New Directions, 1974.

Trilogy (1940-1944), Ed. Norman Holmes Pearson, New York, New Directions, 1973; Ed. Aliki Barnstone, New York, New Directions, 1998.

Vale Ave, Introduction by John Walsh, Redding Ridge, Black Swan Books, 1992.

Other Books and Papers

Aldington, Richard, “The Poems of Anyte of Tegea,” The Egoist, September 1915, 139.

Altieri, Charles, The Art of Twentieth-Century American Poetry: Modernism and After, London, Blackwell, 2006.

Ambelain, Robert, Practical Kabbalah (1951), Trans. Piers A. Vaughn, Paris, 1992.

Arendt, Hannah, Walter Benjamin (1892-1940), Paris, Allia, 2011.

Badiou, Alain, Being and Event, Trans. Oliver Feltham, New York, Continuum, 2005.

Baccolini, Raffaella, Tradition Identity Desire: Revisionist Strategies in H.D.’s Late Poetry, Bologna, Patrona, 1995.

— , “Pound’s Tribute to H.D., 1961,” Contemporary Literature, 27.4, H.D. Centennial Issue, Winter 1986, p. 435-439.

Barbour, Susan, “The Origins of the Prose Captions in H.D.’s Helen In Egypt,” The Review of English Studies, New Series, Vol. 63, No 260, p. 466-490, 2011.

Becker, Howard, Rev. of The Geography of the Mediterranean Region: Its Relation to Ancient History, by Ellen Churchill Semple, Annals of the American Academy of Political and Social Science, 162, 1932, p. 290-291.

Benjamin, Walter, “On Language as Such and on the Language of Man,” Reflections: Essays, Aphorisms, Autobiographical Writings, Ed. Peter Demetz, New York, Schocken Books, 1986, p. 314-332.

Berman, Jessica Schiff, Modernist Commitments: Ethics, Politics, and Transnational Modernism, New York, Columbia University Press, 2012.

— , Modernist Fiction, Cosmopolitanism and the Politics of Community, Cambridge, Cambridge University Press, 2001.

Bradbury, Malcolm, “Second Countries: The Expatriate Tradition in American Writing,” The Yearbook of English Studies, Vol. 8, American Literature Special Number, 1978, p. 15-39.

Bryant, Marsha and Eaverly, Mary Ann, “Egypto-Modernism: James Henry Breasted, H.D., and the New Past,” Modernism/modernity, 14.3, September 2007, p. 435-453.

Burnstein, Jessica, Cold Modernism: Literature, Fashion, Art, University Park (PA), The University of Pennsylvania State Press, 2012.

Bush, Ronald, “Modernism, Fascism, and the Composition of Ezra Pound’s Pisan Cantos,” Modernism/Modernity, 2.3, 1995, p. 69-87.

Callimachus, Hymn 3. To Artemis, Accessed December 3, 2013.

Camboni, Marina (Ed.), “Dora Marsden and The Freewoman as an Open Space,” Networking Women: Subjects, Places, Links Europe-America, 1890-1939. Towards a Rewriting of Cultural History, Rome, Edizioni di Storia e Letteratura, 2004, p. 161-198.

Carr, Helen, The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists, London, Jonathan Cape, 2009.

Carson, Anne, “Introduction,” If Not, Winter: Fragments of Sappho, New York, Vintage, 2003.

Chisholm, Dianne, H.D.’s Freudian Poetics: Psychoanalysis in Translation, Ithaca (NY), Cornell University Press, 1992.

— , “Pornopoeia, the Modernist Canon, and the Cultural Capital of Sexual Literacy: The Case of H. D,”, Gendered Modernisms: American Women Poets and Their Readers, Ed. Margaret Dickie and Thomas Travisano, Philadelphia, University of Pennsylvania Press, 1996, p. 69-94.

— , “H.D.’s Autoheterography,” Tulsa Studies in Women’s Literature, 9.1, Spring 1990, p. 79-106.

Christodoulides, Nephie J. and Mackay, Polina (Ed.), The Cambridge Companion to H.D., Cambridge, Cambridge University Press, 2012.

Coffman, S.K., Imagism: A Chapter For the History of Modern Poetry, New York, Octagon Books, 1977.

Compagnon, Antoine, “La rhétorique à la fin du xixesiècle: 1875-1900,” in Histoire de la rhétorique dans l’Europe moderne, Ed. Marc Fumaroli, Paris, PUF, 1999, p. 1215-1261.

Connor, Rachel, H.D. and the Image, Manchester, Manchester University Press, 2005.

Crown, Kathleen, “H.D.’s Jellyfish Manifesto and the Visible Body of Modernism,” Sagetrieb, 14.1-2, Spring/Fall 1995, p. 217-241.

Debo, Annette, The American H.D., Iowa City, University of Iowa Press, 2012.

Deleuze, Gilles, Essays Critical and Clinical, Trans. Daniel W. Smith and Michael A. Greco, New York, Verso, 1998.

Derrida, Jacques, Specters of Marx: The State of the Debt, the Work of Mourning, and the New International, Trans. M. Bernd and S. Cullenberg, London, Routledge, 1994.

— , Of Grammatology, Trans. Gayatri C. Spivak, Baltimore, The Johns Hopkins University Press, 1997.

— , Dissemination, Trans. Barbara Johnson, London, Continuum, 2004.

Dickinson, Emily, The Complete Poems of Emily Dickinson, Ed. by Ralph W. Franklin, Cambridge (MA), The Belknap Press of Harvard University Press, 1998.

Duncan, Robert, The Opening of the Field, New York, New Directions, 1973.

— , Fictive Certainties: Essays by Robert Duncan, New York, New Directions, 1985.

— , Letters: Poems 1953-1956, Ed. Robert J. Berholf, Chicago, Flood Editions, 2003.

— , The H.D. Book, Berkeley & Los Angeles, The University of California Press, 2011.

Duplessis, Rachel Blau, “Romantic Thralldom in H. D,” Signets: Reading H.D., Ed. Rachel Blau DuPlessis and Susan Stanford Friedman, Madison, University of Wisconsin Press, 1990, p. 406-429.

— and Friedman, Susan Stanford, “‘Woman Is Perfect’: H.D.’s Debate with Freud,” Feminist Studies, Vol. 7, No. 3, Autumn 1981, p. 417-430.

Edmunds, Susan, Out of Line: History, Psychoanalysis, and Montage in H.D.’s Long Poems, Stanford, Stanford University Press, 1994.

Eliot, T.S., After Strange Gods: A Primer in Modern Heresy, London, Faber, 1934.

— , American Literature and the American Language, St. Louis, Washington University Publications, 1953.

— , Collected Poems 1909-1962, London, Faber, 1963.

Flint, F. S., “Imagisme,” Poetry, 1.6, March 1913, p. 198-199.

Friedberg, Anne, “Approaching Borderline,” H.D.: Woman and Poet, Ed. Michael King, Orono, National Poetry Foundation, 1986, p. 369-390.

Friedman, Susan, Psyche Reborn: The Emergence of H.D., Bloomington, Indiana University Press, 1981.

— , “Exile in the American Grain: H.D.’s Diaspora,” Agenda, 25, 1988, p. 27-50.

— , Penelope’s Web: Gender, Modernity, H.D.’s Fiction, New York, Cambridge University Press, 1990.

— (Ed.), Analyzing Freud: Letters of H.D., Bryher, and Their Circle, New York, New Directions, 2002.

— and DuPlessis, Rachel, Blau, Signets: Reading H. D., Madison, The University of Wisconsin Press, 1990.

Godwin, Malcolm, Angels: An Endangered Species, New York, Simon and Schuster, 1990.

Graham, Sarah, “‘We have a secret. We are alive’: H.D.’s Trilogy as a Response to War,” Texas Studies in Literature and Language, 44.2, 2002, p. 161-210.

Gregory, Eileen, H.D. and Hellenism: Classic Lines, Cambridge, Cambridge University Press, 1997.

Gubar, Susan, “The Echoing Spell of H.D.’s Trilogy,” Signets: Reading H.D., Ed. Susan Stanford Friedman and Rachel Blau DuPlessis, Madison, University of Wisconsin Press, 1990, p. 297- 317.

Guest, Barbara, Herself Defined: The Poet H.D. and Her World, New York, Doubleday, 1984.

Gunning, Tom, “Doing for the Eye What the Phonograph Does for the Ear,” The Sounds of Early Cinema, Ed. Rick Altman and Richard Abel, Bloomington, University of Indiana Press, 2001, p. 13-31.

Hatlen, Burton, “Recovering the Human Equation: H.D.’s Hermetic Definition,” Sagetrieb 6.2, Fall 1987, p. 141-169.

— , “Visionary Imagism: Robert Duncan’s Rewriting of Literary History in The H.D. Book,” Modern Language Association Annual Convention (Toronto), p. 27-30 December 1997.

Heidegger, Martin, An Introduction to Metaphysics, Trans. G. Fried and R. Polt, New Haven, Yale University Press, 2000.

— , “The Origin of the Work of Art,” Poetry, Language and Thought, New York, Harper and Collins, 2001, p. 5-87.

Heller, Michael, Uncertain Poetries: Selected Essays on Poets, Poetry and Poetics, Bristol, Shearsman Books, 2012.

Heraclitus, The Cosmic Fragments: A Critical Study, Ed.G.S. Kirk, Cambridge, Cambridge University Press, 1954.

Hetram, Andriana Cheta, “‘The Black Imprint of Sandals in White Mosaic Floors’: H.D.’s Mythomystical Poetics,” Dissertation, Queen’s University, 2011.

Hickman, Miranda B, The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H.D. and Yeats, Austin, The University of Texas Press, 2005.

Hogue, Cynthia and Vandivere, Julie, Introduction. The Sword Went Out to Sea (Synthesis of a Dream). By H.D., Gainesville, University Press of Florida, 2007, p. xv-lii.

Hollenberg, Donna, H.D.: The Poetics of Childbirth and Creativity, Boston, Northeastern University Press, 1991.

— , Between History and Poetry: The Letters of H.D. and Norman Holmes Pearson, Iowa City, The University of Iowa Press, 1997.

Homer, The Odyssey of Homer, Trans. Richard Lattimore, New York, Harper Perennial, 1991.

Hulme, T.E., Speculations: Essays in Humanism and the Philosophy of Art, Ed. Herbert Read, London, Kegan Paul; New York, Harcourt, Brace, 1924.

— , The Collected Writings of T.E. Hulme, Oxford, Clarendon Press, 1994.

— , Selected Writings, Ed. Patrick McGuinness, London, Routledge, 2003.

Johnson, Jeannine, Why Write Poetry? Modern Poets Defending Their Art, New Jersey, Fairleigh Dickinson University Press, 2007.

Jones, Peter (Ed.), Imagist Poetry, London, Penguin, 2001.

Kaplan, Caren, Questions of Travel. Postmodern Discourses of Displacement, Durham (NC), Duke University Press, 1996.

Karlsson, Thomas, Qabalah, Qliphoth and Goetic Magic, Jacksonville, Ajna, 2007.

Keats, John, Selected Letters, Ed. John Mee, Oxford, Oxford University Press, 2009.

Keighren, Innes, Bringing Geography to Book: Ellen Semple and the Reception of Geographical Knowledge, London, I.B. Tauris, 2010.

— , “Reading the Messy Reception of Influences of Geographic Environment (1911),” Geographies of the Book, Ed. Miles Ogborn and Charles W.J. Withers, Farnham and Burlington (VT), Ashgate, 2010, p. 277-298.

Kenner, Hugh, Motive and Method in the Cantos of Ezra Pound, New York, Columbia University Press, 1954.

— , The Pound Era, London, Faber and Faber, 1975.

Kerényi, Karl, Eleusis: Archetypal Image of Mother and Daughter, Trans. Ralph Manheim, New York, Pantheon, 1967.

— , Hermes: Guide of Souls, Trans. Murray Stein, Woodstock, Spring Publications, 1996.

Kittler, Friedrich A., Gramophone, Film, Typewriter, Stanford, Stanford University Press, 2003.

Kloepfer, Deborah Kelly, “Fishing the Murex Up: Sense and Resonance in H.D.’s Palimpsest,” Ed. Susan Stanford Friedman and Rachel Blau DuPlessis, Signets. Reading H.D., Madison,

The University of Wisconsin Press, 1990, p. 185-204.

Kristeva, Julia, “A New Type of Intellectual: The Dissident,” Trans. Seán Hand, The Kristeva Reader, Ed. Toril Moi, New York, Columbia University Press, 1986, p. 292-300.

Laity, Cassandra, H.D. and the Fin de Siècle: Gender, Modernism, Decadence, Cambridge, Cambridge University Press, 1996.

Lecercle, Jean-Jacques, “La stylistique deleuzienne et les petites agrammaticalités,” Bulletin de la Société de stylistique anglaise, Vol. 30, 2008, p. 273-286. URL: (4.12.2013)

Leland, Blake, “Psychotic Apotheosis: Visionary Iconicity and Poet’s Fear in Ezra Pound’s ‘The Return’,” Twentieth Century Literature, 38.2, Summer 1992, p. 176-193.

Lowell, Amy, Tendencies in Modern American Poetry, New York, Macmillan, 1917.

Mackey, Nathaniel, From a Broken Bottle traces of Perfume Still Emanate (1986-2001), New York, New Directions, 2010.

Manning, Nicholas and Oudart, Clément, Signs of Eternity: H.D.’s Trilogy, Paris, Fahrenheit, 2013.

Marcus, Laura, “Literature and Cinema,” The Cambridge History of Twentieth-Century English Literature, Ed. Laura Marcus and Peter Nicholls, Cambridge, Cambridge University Press, 2004, p. 335-358.

— , The Tenth Muse: Writing About Cinema in the Modernist Period, Oxford, Oxford University Press, 2007.

Marsden, Dora, “Views and Comments,” The New Freewoman, 1.9, October 15 1913, p. 165-16.

— , “The Art of the Future,” The New Freewoman, 1.10, (November 1) 1913, p. 181-183.

— , “Beauty and the Senses,” The New Freewoman, 1.11, (November 15) 1913, p. 201-203.

Mary the Prophetess, “The practise of Mary the Prophetess in the Alchymicall Art,”

McCabe, Susan, Cinematic Modernism: Modernist Poetry and Film, Cambridge, Cambridge University Press, 2005.

Mccaffery, Steve, Prior to Meaning: The Protosemantic and Poetics, Evanston (IL) Northwestern University Press, 2001.

Materer, Timothy, Modernist Alchemy: Poetry and the Occult, Ithaca, Cornell University Press, 1995.

Mead, G.R.S., Fragments of a Faith Forgotten, London, Theosophical Publishing Society, 1906.

— , “Notes on the Eleusinian Mysteries,” The Theosophical Review, 22, 1898, p. 145-157, p. 232-242, p. 312-323.

— , “The Augoeides or Radiant Body,” Quest 1, 1909-1910, p. 705-724.

— , The Doctrine of the Subltel Body in Western Tradition, London, Watkins, 1919.

Meredith, George, Diana of the Crossways, “The Electronic Classics Series”, 1987

Meschonnic, Henri, Modernité modernité, Paris, Gallimard, coll. “Folio essais”, 1988.

— , Célébration de la poésie, Paris, Verdier, 2001.

— , Un coup de Bible dans la philosophie, Paris, Bayard, 2004.

Miller, Cristanne, The Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schule, Ann Arbor, University of Michigan Press, 2005.

Morris, Adalaide, “Signaling: Feminism, Politics, and Mysticism in H.D.’s War Trilogy,” Sagetrieb, 9.2, Winter 1990, p. 121-133.

— , How to Live/What to Do: H.D.’s Cultural Poetics, Urbana, University of Illinois Press, 2003.

Morrisson, Mark, The Public Face of Modernism, Madison, University of Wisconsin Press, 2000.

Morrison, Paul, The Poetics of Fascism: Ezra Pound, T.S. Eliot and Paul de Man, New York, Oxford University Press, 1996.

Moses, Michael Valdez, The Novel and the Globalization of Culture, New York, Oxford University Press, 1995.

North, Michael, Camera Works: Photography and the Twentieth-Century Word, Oxford, Oxford University Press, 2005.

Orphic Hymn 35 to Leto (Trans. Taylor) (Greek hymns 3rd B.C. to 2nd A.D.). Accessed December 3, 2013.

Ostriker, Alicia, “‘A Wish to Make Real To Myself What Is Most Real’: My H.D.” H.D. and Poets After, Ed. Donna Krolik Hollenberg, Iowa City, University of Iowa Press, 2000, p. 1-13.

— , Writing Like a Woman, Michigan, University of Michigan Press, 1983.

Oudart, Clément, Les Métamorphoses du modernisme. H.D. à Robert Duncan: vers une poétique de la relation, Paris, Presses Sorbonne Nouvelle, 2010.

Petrovich, Tatiana, “Modernist Freewomen between Public and Domestic Space in London around 1910,” Networking Women: Subjects, Places, Links Europe-America, 1890-1939. Towards a Rewriting of Cultural History, Ed. Marina Camboni, Rome, Edizioni di Storia e Letteratura, 2004, p. 293-324.

Picker, John M., “The Victorian Aura of the Recorded Voice,” New Literary History, 32.3, 2001, p. 769-786.

Plato, Republic, Trans. C.D.C. Reeve, Indianapolis, Hackett Publishing Company, 2004.

— , Gorgias, Trans. Benjamin Jowett, Rockville, Serenity, 2009.

Pondrom, Cyrena N., “Approaches to Teaching Helen in Egypt,” Approaches to Teaching H.D.’s Poetry and Prose, Ed. Annette Debo and Lara Vetter, New York, The Modern Language Association of America, 2011, p. 84-91.

Pound, Ezra, “The Serious Artist,” The New Freewoman, 1.9, October 15 1913, p. 161-163.

— , Des Imagistes: An Anthology, New York, Albert and Charles Boni, 1914.

— , Literary Essays of Ezra Pound, Ed. T.S. Eliot, New York, New Directions, 1968.

— , A Memoir of Gaudier-Brzeska, New York, New Directions, 1970.

— , The Letters of Ezra Pound, 1907-1941, Ed. D.D. Paige, New York, New Directions, 1971.

— , Selected Prose: 1909-1965, Ed. William Cookson, New York, New Directions, 1973.

— , The Cantos of Ezra Pound, New York, New Directions, 1998.

Preminger, Alex, Brogan, T.V.F. and Warnke, Frank J., (Ed.), The New Princeton Encyclopedia of Poetry and Poetics, Princeton, Princeton University Press, 1993.

Preston, Carrie J., Modernism’s Mythic Pose: Gender, Genre, Solo Performance, Oxford, Oxford University Press, 2011.

Rabaté, Jean-Michel, 1913: The Cradle of Modernism, Oxford, Blackwell, 2007.

— , The Ghosts of Modernity, Gainesville, University Press of Florida, 1996.

Ramazani, Jahan, “Poetry, Modernity, and Globalization,” The Oxford Handbook of Global Modernisms, Ed. Mark Wolleager, Oxford, Oxford University Press, 2012, p. 288-312.

— , “A Transnational Poetics,” American Literary History, 18.2, 2006, p. 332-359.

Rogers, Catherine A., “H.D.’s Erotic and Aesthetic Gospel in Notes on Thought and Vision,” Paideuma, 35.1 and 2, 2008, p. 91-117.

Said, Edward, Orientalism, London, Routledge, 1978.

Scholem, Gershom, On the Kabbalah and Its Symbolism, London, Routledge and K. Paul, 1965.

Schweik, Susan, A Gulf So Deeply Cut: American Woman Poets and the Second World War, Madison, University of Wisconsin Press, 1991.

Semple, Ellen Churchill, Influences of Geographic Environment, on the Basis of Ratzel’s System of Anthropo-Geography, New York, Holt, 1911.

— , The Geography of the Mediterranean Region: Its Relation to Ancient History, London, Constable, 1932.

Sherry, Vincent, Ezra Pound, Wyndham Lewis, and Radical Modernism, Oxford, Oxford University Press, 1993.

Sieburth, Richard, “In Pound We Trust: The Economy of Poetry/The Poetry of Economics,” Critical Inquiry, Vol 14, No. 1, Autumn 1987.

Silverstein, Louis, “Planting the Seeds: Selections from The H.D. Chronology,” H.D. Newsletter, 2.2, 1988, p. 4-14.

Smith, Dale M., Poets Beyond the Barricade: Rhetoric, Citizenship, and Dissent after 1960, Tuscaloosa, University of Alabama Press, 2012.

Smyers, Virginia, “H.D.’s Books in the Bryher Library,” H.D. Newsletter, 1.2, 1987, p. 18-25.

Stein, Gertrude, Tender Buttons (1914), Mineola (NY), Dover Publications Inc., 1997.

Steiner, George, Extraterritorial, Papers on Literature and the Language Revolution, London, Faber and Faber, 1972.

Sterne, Jonathan, The Audible Past: Cultural Origins of Sound Reproduction, Durham, Duke University Press, 2003.

Surette, Leon, A Light from Eleusis, Oxford, Clarendon, 1979.

— , The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occult, Montreal, McGill-Queen’s University Press, 1993.

Sword, Helen, Ghostwriting Modernism, Ithaca, Cornell University Press, 2002.

— , “H.D.’s Majic Ring,” Tulsa Studies in Women’s Literature, 14.2, 1995, p. 347-362.

Tambling, Jeremy, RE: Verse: Turning Towards Poetry, Harlow, Pearson, 2007.

Terrell, Carroll F., A Companion to the Cantos of Ezra Pound, Berkeley, University of California Press, 1980.

Todorov, Tzvetan, “Bilinguisme, dialogisme et schizophrénie”, Ed.J. Bennani, Du bilinguisme, Paris, Denoël, 1985, p. 11-26.

Tryphonopoulos, Demetres P., “A Journey toward Gnosis: The Place of Delphi in H.D.’s Majic Ring,” in Americans and the Experience of Delphi, Ed. Paul Lorenz and David Roessel, Boston (MA) Somerset Hall Press, 2013, p. 243-261.

— , The Celestial Tradition, Waterloo, Wilfred Laurier University Press, 1992.

— , “The History of the Occult Movement,” Literary Modernism and the Occult Tradition, Ed. Leon Surette and Demetres P. Tryphonopoulos, Orono, National Poetry Foundation, 1996, p. 19-49.

— , Introduction, Majic Ring by H.D., Gainesville, University Press of Florida, 2009, p. xxi-xxxix.

Twitchell-Waas, Jeffrey, “‘Set in Eternity but Lived In’: H.D.’s Vale Ave,” Sagetrieb, 15.1-2, 1996, p. 203-227.

Viola, Bill, “The Porcupine and the Car”, Image Forum (Tokyo), 2.3, January 1981, p. 46-55.

— , “Room for St. John of the Cross, 1983

Walkowitz, Rebecca, Cosmopolitan Style: Modernism Beyond the Nation, New York, Columbia University Press, 2006.

Walton, J. Michael (Ed.), Craig on Theatre, London, Methuen, 1983.

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