Table des matières
Jean-François Chaintreau
Foreword
An Evaluation of the Diversity of the Film Market for Cinema and Video Recordings in France and in Europe
- What is cultural diversity?
- The diversity of the film market for cinema in Europe
- Availability and Collection of Data
- Film Categorisation
- Attributes Used in Creating a Film Classification System
- Film Classification: Nineteen Film Categories
- Film Categories?
- Variety, Balance and Disparity in the Cinema Film Market
- Variety in the Cinema Film Market
- Balance in the Cinema Film Market
- Five balance indicators have been tested
- Disparity in the Cinema Film Market
- A Global Indicator of Diversity in the Cinema Film Market
- Diversity of Supply (films)
- Diversity of Distribution (copies)
- Diversity of Demand (tickets sold)
- Overall Results
- The diversity of the film market for video recordings
- Data Availability and Collection
- The GfK Database
- Geographic, Temporal and Economic Framework
- Variety, Balance and Disparity in the Video Film Market
- Variety in the Video Recording Market
- Re-use of the Film Classification System
- Balance of the Video Recording Market
- Disparity in the Video Recording Market
- A Global Indicator of Diversity in the Video Film Market
- Diversity of Supply is Higher than that of Demand
- Greater Diversity in 2005 than in 2003
- Films in Cinema and Films on Video
- The Diversity of the Video Recording Market Based on Distribution Channel
- Demand is Less Diversified than Supply, Especially in GSS
- SSS and the Internet Compared with GSS and Other Distribution Channels
- Diversity of Video Recordings in SSS and Online
- The Internet-based Video Recording Market
- The Low Diversity of Films Supplied and Particularly Sold in GSS.
- Conclusion