Table des matières
Documents of Communism: Lost and Found
István Rév
The Man in the White RaincoatRenáta Uitz
Communist Secret Services on the ScreenThe Duna-gate Scandal in and beyond the Hungarian Media
Alexandru Solomone
The Experiences of a FilmmakerReconstructing Reality from Documents in Communist Archives
Subjects of Nostalgia: Selling the Past
Kacper Pobłocki
The Economics of NostalgiaSocialist Films and Capitalist Commodities in Contemporary Poland
Petra Dominková
“We Have Democracy, Don’t We?”Czech Society as Reflected in Contemporary Czech Cinema
Objects of Memory: Museums, Monuments, Memorials
Zsolt K. Horváth
The Redistribution of the Memory of SocialismIdentity Formations of the “Survivors” in Hungary after 1989
- THE UNFINISHED PRESENT: INTERPRETATIVE CONFLICTS OF MEMORY AND HISTORY
- THE PANTHEON AND THE NOSTALGIC MEMORY OF THE KÁDÁR ERA
- THE CULT OF HEROES VERSUS THE POLITICAL ONTOLOGY OF DEATH: THE RÁKOSKERESZTÚR CEMETERY
- IRONIC READING AND THE POSSIBILITY OF SELF-ANALYSIS: THE STATUE PARK
- TRAGIC REPRESENTATION AND THE MEMORY OF VICTIMS: THE HOUSE OF TERROR
- CONCLUSION
Gabriela Cristea et Simina Radu-Bucurenci
Raising the CrossExorcising Romania’s Communist Past in Museums, Memorials and Monuments
Nikolai Vukov
The “Unmemorable” and the “Unforgettable”“Museumizing” the Socialist Past in Post-1989 Bulgaria
Izabella Main
How Is Communism Displayed?Exhibitions and Museums of Communism in Poland
- COMMUNISM AS ART
- COMMUNISM AS COMMODITY. THE PROLETARYAT CAFÉ IN POZNAŃ
- THE INTERNET MUSEUM OF PEOPLE’S POLAND
- THE NON-EXISTENT SOCLAND MUSEUM OF COMMUNISM
- THE PRESENTATION OF OPPOSITION, TOTALITARIANISM AND EVERYDAY LIFE BY THE KARTA CENTER
- THE POLITICS OF HISTORY
- THE INSTITUTE OF NATIONAL REMEMBRANCE – THE INSTITUTIONALIZATION OF HISTORY
- EVOKING COMMUNISM: TO FORGET AND TO REMEMBER